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34 Sentences With "remains motionless"

How to use remains motionless in a sentence? Find typical usage patterns (collocations)/phrases/context for "remains motionless" and check conjugation/comparative form for "remains motionless". Mastering all the usages of "remains motionless" from sentence examples published by news publications.

It is an ambush predator that remains motionless for long periods.
She doesn't rise up but remains motionless, half-hanging off the crane, one leg dangling.
The most common cause is accidents in which the person remains motionless suspended in a harness for longer periods of time. Motionlessness may have several causes including fatigue, hypoglycemia, hypothermia or traumatic brain injury.
Nocturnal and arboreal, T. wagleri appears quite sluggish as it remains motionless for long periods of time waiting for prey to pass by. When prey does pass by, or if disturbed, it can strike quickly.
During this action, the rest of the body of the skate remains motionless. Another form of swimming locomotion in R. elganteria is through the undulation of the pectoral fins.Rosenberger, L. J. 2001. Pectoral fin locomotion in batoid fishes: undulation versus oscillation.
An oscillating heat pipe, also known as a pulsating heat pipe, is only partially filled with liquid working fluid. The pipe is arranged in a serpentine pattern in which freely moving liquid and vapor segments alternate. Oscillation takes place in the working fluid; the pipe remains motionless.
The pointing dog remains motionless until the hunters are in position. Handlers give the command whoa, instructing the dog to remain still. What happens next depends on the dog's training. Some trainers train the dog to stay motionless while the hunter steps forward and flushes the game.
The Marojejy leaf chameleon is diurnal, spending the day searching through leaf litter for insects and other small invertebrates. If disturbed, it remains motionless, relying on its cryptic colouration to provide camouflage. It perches on low trees and plants at night, when it is most easily spotted.
This species is nocturnal. It remains motionless during the daytime, and forages for food in the substrate at night. It is a sluggish swimmer and maintains a territory in the surf zone of the beach. Females mature at the age of two and produce as many as twenty live young at a time.
It remains motionless on the plant until prey arrives; the same camouflage also protects it from predators.Gullan and Cranston, 2010. p 370. In his 1940 book Adaptive Coloration in Animals, Hugh Cott quotes an account by Nelson Annandale, saying that the mantis hunts on the flowers of the "Straits Rhododendron", Melastoma polyanthum.
In the presence of prey, I. diabolica, impersonating a flower, remains motionless. Its objective is to seduce the insect into its striking zone. In this zone, Idolomantis diabolica uses the tibiae of its legs to grasp and maintain a strong grip on the prey. The mandibles are then "wielded as formidable weapons" to decapitate and devour the prey.
Only when the female stops and remains motionless can the male successfully copulate with her. In unsuccessful courtships, the female either flies away or rapidly flutters her wings until the male departs. Courtship in the variable checkerspot lacks an obvious male display such as the release of chemical signals by the male. Successful courtship in E. chalcedona lasts about a minute.
Given its preference for dense forests and woodlands and its inconspicuous behaviour the African broadbill can be difficult to see. It often remains motionless for long periods, perching upright on a low horizontal branch and calling infrequently. It feeds exclusively on invertebrates for which it forages on the ground, in the trees and occasionally hawking them in flight. Beetles, grasshoppers, Hemiptera, caterpillars and spiders have all been recorded as food items.
As the size of a colony increases to the point where at least 30 workers are foraging at the same time, competition develops between workers. Often, one worker will attack the prey of another worker, resulting in neither worker bringing back prey. Older workers are more successful in attacking. They may also maul to exhibit dominance over nest mates; mauling entails one individual chewing another individual that remains motionless throughout.
This provides an excellent camouflage on mulga trees, its usual habitat, it is also found beneath mulga leaf litter. Caimanops amphiboluroides generally remains motionless and unobserved, this allows it to operate as an ambush predator and elude animals that would prey on it. It resembles another Western Australian species, the western bearded dragon (Pogona minor). The species was first assigned to the genus Diporiphora, but later separated as to a monotypic genus.
When startled, the gray ratsnake, like other ratsnakes, stops and remains motionless with its body held in a series of wave-like kinks. The snake will also rattle its tail against whatever it is lying on, making an audible buzzing sound. The gray ratsnake will defend itself by raising its head and bluffing a strike. If handled, it will musk a victim by releasing the foul-smelling contents of its cloaca, and will bite if necessary.
Oedipoda caerulescens frequents dry areas with low and open vegetation: dunes, heathlands, grasslands on sand and sunlit limestone rocks. Many stations correspond to land recently used for human activities, such as coal spoil heaps, quarries and pits, the ballast of railway tracks, etc. It is exclusively a terrestrial insect, and its cryptic coloration often matches its substrate. It presses itself to the ground and remains motionless, and jumps only at the very close approach of danger.
Mauling is a behaviour observed in Dolichovespula where one member will chew another individual that remains motionless throughout the act. Increased mauling behaviour was thought to be associated with a dominance hierarchy, where the more dominant individuals would maul the relatively inferior individuals and demand food. This theory was contested later and requires additional research in order to validate the initial claim. Workers marked by an unusual scent that returned to the colony were mauled as well.
In their second sketch he compares their current relationship to that of a pair of primates in a zoo which they visit on a daytrip. Sandra remains motionless and completely silent, uttering only one word throughout the entire series ("ornithophobic" which she used to remind George of her fear of birds). In the last of their sketches, they return to the United Kingdom and, when George leaves for their aeroplane, Sandra shows no sign of wanting to follow.
All the while, though, the man remains motionless. ;The Ninth Night The dream is set in a world that has somehow become unsettled. A mother and her two-year-old child await the return of the father, a samurai, who set out in the middle of a moonless night and didn't return. In the evenings, the mother walks to the shrine of Hachiman, the god of archery and war, to pray for her husband's safe return.
It is a quick moving and alert species, and although a report mentions that this species is generally calm when compared to some other African venomous snakes, it strikes readily if threatened. When disturbed and brought to bay the Cape cobra raises its forebody off the ground, spreads a broad hood and may hiss loudly. While on the defensive, it strikes unhesitatingly. If the threat remains motionless, the snake will quickly attempt to escape, but at any sign of movement will adopt its defensive posture again.
On Short Take-Off But Arrested Recovery aircraft carriers (STOBAR), conventional aircraft are launched using a ski-jump. The pilot increases the aircraft's thrust by switching on the afterburners, while holding the plane by braking. Two panels are raised from the deck of the aircraft carrier in front of the aircraft's main landing gear, ensuring the plane remains motionless. Upon command, the pilot releases the brake; the panels from the deck drop back into their slots; and the aircraft rapidly taxis forward under maximum thrust.
Gort is also continually aware of Klaatu's physical condition and location without Klaatu needing to wear a tracking device of any sort. Gort is not known to be damageable by any means available to mankind, and can – despite resistance – destroy the Earth itself if he is sufficiently provoked. During most of the film, Gort remains motionless in front of his ship, which rests in a baseball park in central Washington, D.C., near the White House. Scientists and military researchers attempt to examine both the robot and the ship.
Instead, the bombardier used the sighting telescope to locate the target long in advance of the drop point. A separate section of the calculator used the inputs for altitude and airspeed to determine the angular velocity of the target, the speed at which it would be seen drifting backward due to the forward motion of the aircraft. The output of this calculator drove a rotating prism at that angular speed in order to keep the target centered in the telescope. In a properly adjusted Norden, the target remains motionless in the sights.
239 The faun remains motionless as the first six nymphs enter, but then he follows the progress of the last nymph with his eyes. A clarinet starts to play as his head begins to move, and he rises to his feet as a cello joins in. The six nymphs have begun to bathe the new arrival. Accompanied by an oboe, they move in and out, kneeling and rising with their elbows turned out from their sides as they keep their hands pointed at their waists or to the sky.
For example, when the row of balls is struck by one of the outermost balls, the row of balls remains motionless and the impulse is fully transmitted to the ball at the opposite end, which rebounds. As it falls back, the cycle continues in the opposite direction. This apparatus was illustrated by Jean- Antoine Nollet in Leçons de physique expérimentale (Paris, 1743-1748).Nollet, Jean-Antoine Leçons de physique expérimentale (Paris, 1743-1748) In his description, Nollet claims to have merely altered and developed a model previously used by Edme Mariotte.
P. pileus in Gullmarn fjord, Sweden Pleurobrachia pileus is a predator and feeds on such actively swimming prey as gammarid amphipods, crab zoeal larvae, barnacle cyprid larvae and calanoid copepods. Over much of its range it co-exists with another species of comb jelly, Bolinopsis infundibulum. The two species are found not to compete for food as their feeding habits differ. P. pileus remains motionless while it snares larger prey with its long tentacles, whereas B. infundibulum draws in a feeding current of water and filters out the smaller, more weakly swimming, tiny zooplankton.
American bittern attempting to hide American bittern hiding in tall grass, Wakulla Springs State Park American bittern, Nisqually National Wildlife Refuge The American bittern is a solitary bird and usually keeps itself well-hidden and is difficult to observe. It usually hunts by walking stealthily in shallow water and among the vegetation, stalking its prey, but sometimes it stands still in ambush. If it senses that it has been seen, it remains motionless, with its bill pointed upward, its cryptic coloration causing it to blend into the surrounding foliage. It is mainly nocturnal and is most active at dusk.
If the male touches the female's wings during this display, the female responds by rapidly scissoring them back and forth. This courtship takes approximately 30–40 minutes, after which copulation finally occurs (unless the female flees at any point during the dance, in which case the courtship fails). Alternatively, another male may intervene to compete for the female's attention, which may result in a fight between the two males. The female's signal to the male that she accepts him is subtle and still not understood; unless she flies away, she remains motionless throughout most of the courtship other than the occasional movements of her wings.
The story is told from the viewpoint of Cliff Sutherland, a free- lance picture reporter, who is present when a mysterious "curving ovoid" ship suddenly appears on the grounds of the United States Capitol in Washington, D.C. Two days later, "visitors from the Unknown" emerge: a "god-like" person in human form and an tall robot made of green metal. The former only manages to state "I am Klaatu and this is Gnut" before he is shot and killed by a lunatic. Klaatu is buried nearby. In the days that follow, Gnut remains motionless, while laboratories and a museum are built around it and the ship.
Head, in profile thumb The appearance of the mata mata's shell resembles a piece of bark, and its head resembles fallen leaves. As it remains motionless in the water, its skin flaps enable it to blend into the surrounding vegetation until a fish comes close. The mata mata thrusts out its head and opens its large mouth as wide as possible, creating a low-pressure vacuum that sucks the prey into its mouth, known as suction feeding. The mata mata snaps its mouth shut, the water is slowly expelled, and the fish is swallowed whole; the mata mata cannot chew due to the way its mouth is constructed.
But then he stops and runs back - he sees his Grandparents and Eamon and Fiona, his big sister, and has no memory of them. In front of the group, Grandmother calls to him to not be afraid and to come to them for love and safety - come to his family at last. Jamie remains motionless and afraid, still, then runs for his cradle, but at this point several of the seals herd him towards his family, and prevent him from returning to the cradle boat and the sea. He reluctantly makes his way into his grandmother's open arms and they make their way inside.
That man is the Czech "every-man" of 1938 who desperately wishes to escape his tragic circumstances but in reality remains motionless, trapped by the forces of tyranny. Throughout the film, we catch glimpses of the film's protagonist, Emil, pedaling furiously, superimposed over the screen's larger canvas. Hana is married to Emil, a journalist, who is conscripted by collaborating Czech officials at the radio station where he works to serve as a radio announcer after a colleague, Franta, who will not keep his opinions about the Germans to himself, is taken away by occupying forces and later executed. Emil cooperates to protect his wife from being deported to the death camps.
With an initial determination to find out how the public acts with no consequences tied to their actions, she realized by the end that the public might very well have killed her for their own personal enjoyment. In her works, Abramović affirms her identity through the perspective of others, however, more importantly by changing the roles of each player, the identity and nature of humanity at large is unraveled and showcased. By doing so, the individual experience morphs into a collective one and creates a powerful message. Abramović's art also represents the objectification of the female body, as she remains motionless and allows spectators to do as they please with her body; the audience pushes the limits of what one would consider acceptable.

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