Field recording sounds are, of course, a kind of audio photography.
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The recording sounds like just a guitar — or is it a synthesizer?
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There, he spent time recording sounds and echoes in the city's churches, which contained works that Mr. Viola knew from studying art history.
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Instead the recording sounds like a blatant instance of racial profiling that occurs when "driving while black," a problem Castile was seemingly familiar with.
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There's promise, then, but the whole recording sounds as if the Philharmonic is still in charge of its conductor, rather than the other way around.
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For several days, for thousands of times a day, it would wake up unsolicited, quietly recording sounds from his home and transmit them to Google's servers.
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Those songs held up, and the songwriting I still really like, and I do like the way the recording sounds, I just wish they were fucking slower.
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Cunningham explained that he spends his days recording sounds by building up an archive of CDs containing synth lines, string sequences, and sound effects he's come up with.
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The orchestra's debut recording, "Sounds of Transformation," released last year by Sony, juxtaposes works by Lully, Henry Purcell and Jean-Philippe Rameau with jazz-styled arrangements and transformations of the pieces, featuring the pianist Yaron Herman.
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Big Youth is splendid, and so is U-Roy, but it is thanks to Patti Smith (who has her finger firmly on the pulse of the moment) that we know about reigning Rasta surrealist Tappa Zukie, whose every recording sounds like the primal struggle of man versus radio.
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After finding a dragon egg, it can be brought to the "Nest" in a town, where the player may hatch it by recording sounds into the DS's built in microphone. Some dragons can only be attained by playing particular melodies.
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Psychoacoustics is the scientific study of how humans respond to what they hear. At the heart of audio engineering are listeners who are the final arbitrator as to whether an audio design is successful, such as whether a binaural recording sounds immersive.
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Aztec was pictographic and ideographic proto-writing, augmented by phonetic rebuses. It also contained syllabic signs and logograms. There was no alphabet, but puns also contributed to recording sounds of the Aztec language. While some scholars have understood the system to not be considered a complete writing system, this is a changing topic.
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Wakal (Huacal in Spanish) is a Mexican electronic music project by Jorge Govea. He is a Mexican musician currently living and working in Paris, France, who was a founding member of the independent record label, Discos Konfort. His first album revealed the way he mixed field recording (sounds of the streets), and popular melodies with dancefloor / electro / rock rhythms.
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" But Daulne didn't really get interested in singing until an accident left her unable to participate in athletics. "I wanted to be a runner, but then I broke my leg and I was finished with sports. I stayed at home, listening to music. I was recording sounds all the time -- I would listen to sounds repeating for hours.
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The song was written in the key of B minor,Is This The World We Created Chords by Queen @ Ultimate-Guitar.Com. Tabs.ultimate-guitar.com. Retrieved on 2016-03-27. but the recording sounds one semitone lower. The song was performed at Live Aid as an encore, with additional instruments and arrangements in the last part; changes were also present in the vocal line.
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After graduating, she went into radio production, and composed music for documentaries and other programs. Brouk self-released a number of recordings on cassette via her own label, Hummingbird Productions. Brouk's first release, Healing Music, featured the flute of American composer Maggi Payne. Her 1981 recording, Sounds of the Sea, included field recordings of nature sounds, vocals, and manipulated electronic and acoustic instruments.
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Blow Out is a 1981 American neo-noir thriller film written and directed by Brian De Palma. The film stars John Travolta as Jack Terry, a movie sound effects technician from Philadelphia who, while recording sounds for a low- budget slasher film, serendipitously captures audio evidence of an assassination involving a presidential hopeful. Nancy Allen stars as Sally Bedina, a young woman involved in the crime. The supporting cast includes John Lithgow and Dennis Franz.
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Thomas Lopez, the author and director, of the drama spent a month in Brazil digitally recording sounds of the Amazonian rain forest and Brazilian cities. He first recorded the location sounds and then wrote the story around the sounds he recorded. More than 20 hours of sounds were recorded by Lopez in Brazil to be used for the story's aural setting. The story's script continued to evolve as Lopez worked with the drama's actors and composer, Tim Clark.
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He started recording sounds from around 1951 and established an archive of animal sounds which holds 120000 recordings which became part of the Berlin natural history museum in 1995. He mentored nearly a hundred doctoral students. His major publications included a recording of the calls of birds of central Europe and a textbook on behaviour. As a science popularizer he presented the television series "Professor Tembrocks Rendezvous mit Tieren" ("Professor Tembrock's rendezvous with animals", 36 episodes from 1984-1991).
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Andrew Heermans (born September 21, 1953) is an American musician. His three brothers and one sister were raised by their parents in Woodstock, New York. He started playing guitar during those years (1960–69) and began performing with bands on a regular basis upon a family move to Lafayette, Colorado, in 1969. After a very brief stint at the University of Colorado, Heermans returned to regular performing in soul and rock bands and began recording sounds and music.
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Featuring drums, guitar, and a Prophet-5 analogue synthesiser, he obtained the track's distorted keyboard sound by changing its presets as he played the notes. He pushed Collins and Rutherford to record what ideas he had for the track, to which Collins wrote a lyric. Padgham wanted the drums on the track to sound loud and exciting, and not like typical drum recording sounds of the 1970s. Rutherford played the drums alongside Thompson during live performances of the song on the album's tour.
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In recording environments, the 4038 is often used as drum overheads and on brass instruments. The microphone became a favourite of British recording engineers in the 1950s and 60s, but did not receive widespread use in the United States. The microphone was described as recording sounds "bigger than life" - such as drums or amplified guitars - some Beatles and Led Zeppelin recordings featured 4038s as overhead microphones on the drum kit. In a 1994 interview, Steve Albini said that "if [he] owned one mic, this would be it".
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Jon Freeman of Country Weekly graded the album an A-, writing that "Overall the recording sounds great—warm and intimate without sacrificing polish." At The Boston Globe, Sarah Rodman gave a positive review, stating that the release "finds the mighty-voiced McBride deftly tackling a clutch of pop, soul, and blues tunes complete with horns, a sultry Southern organ sound, and heavenly harmonies from the McCrary Sisters." McBride embarked on the Everlasting Tour in supporting of the album beginning May 8, 2014, in Kansas.
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Between June and August 1971 this quintet recorded their debut album Journey to the Centre of the Eye in Stommeln. They came back to record the albums A Tab in the Ocean (October 1972), the studio live recording ...Sounds Like This (February 1973) and, Remember the Future which in July 1974 reached No. 19 in the US album charts. At the time this album was considered to be the most successful Dierks production so far. In December 1974 Nektar went back to Stommeln for the last time to record Down to Earth.
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This system, created by the team at Naughty Dog, is processed at random in the game engine. For the game's audio, the engine throws out 1500–2500 ray casts per frame; though most games avoid this, the game's engine allowed it to work. The team spent a lot of time recording sounds for the game, namely doors, and rusty metal. Sound designer Neil Uchitel traveled to Rio de Janeiro, discovering locations to record sounds; he recorded chickens, which were used in the game as the voices of rats.
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Emily Zemler of Rolling Stone described the song as a "futuristic, synth-heavy song" and noted the "pair sharing vocals over a layers of sound". James Rettig at Stereogum preferred the studio recording to the live version, stating that "its proper recording sounds even better, a futuristic flex that looks forward instead of back". Writing for Vulture, Craig Jenkins highlighted Sivan's performance on the song, saying how he "doubles down on the natural ghostly wispiness of his voice" and pointing out that "you can almost imagine "2099" as an artifact unearthed in a distant future".
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Later, in 1948, Pierre Schaeffer used the techniques of sound collage to create the first piece of musique concrète, "Étude aux chemins de fer", which was assembled from recordings of trains. Schaeffer created this piece by recording sounds of trains onto several vinyl records, some of which had lock grooves allowing them to play in a continuous loop. He then set up multiple turntables in his studio, allowing him to trigger and mix together the various train sounds as needed.Horace Kemwer, "Case Study: Pierre Schaeffer", Against the Modern World.
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Retrieved 2 September 2017. The making of each track began with Skidmore composing and recording a capella pieces, sending them to Stott via email for him to make songs around them. He favorably stated that he "could create an atmosphere with Alison's vocal alone." Like Passed Me By and We Stay Together, the field recording sounds on Luxury Problems were tracked via an iPhone, and it was the last time Stott used an iPhone to do this before he transitioned to a Zoom field recorder for his later works.
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One night Winterfield took vocals and guitar and Ma generated sounds from the use of vintage drum machines, radio frequency manipulation, improvised percussion, and other esoteric methods of creating sound. By 2011, Ma and Winterfield began frequently getting together at a studio (often a living room) and recording sounds and melodies, whilst also swapping old demos from unfinished side projects, "Jaguar Paw" and "Flintstone". Subsequently, loose jams and recordings started as anything from Motown to electronica. It would be during these recording sessions that the band's first songs "Come Save Me" and "What Love" would emerge.
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Krankel said the goal was for the music to feel simultaneously analog and digital, "so that it's nostalgic without being set in a specific time in the past". Rohrmann combined digital recording techniques and plugins with analog ones, running some sounds through old cassette decks and reel-to-reel tape. The shortwave radio Alex uses in the game was created by recording sounds through a World War II-era radio set. Much of the music was not scored to specific scenes, but for certain moods; Rohrmann estimated 90% of the songs in the completed game were identical to his original demo recordings.
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In simplistic terms, the NS-10 possesses sonic characteristics that allow record producers to assume that if a recording sounds good on these monitors, then it should sound good on most playback systems. Whilst it can reveal any shortcomings in the recording mix as well as the monitoring chain, it may lead to listener fatigue with prolonged use in the domestic setting. The NS-10 does not have a perfectly flat frequency response. The sound of the NS-10 is slightly heavy in the midrange, and like other sealed-box speakers of similar size its bass extension is limited.
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Members of Image Ten were involved in filming and post- production, participating in loading camera magazines, gaffing, constructing props, recording sounds and editing. Production stills were shot and printed by Karl Hardman, who stated in an interview that a "number of cast members formed a production line in the darkroom for developing, washing and drying of the prints as I made the exposures. As I recall, I shot over 1,250 pictures during the production". Upon completion of post-production, Image Ten found it difficult to secure a distributor willing to show the film with the gruesome scenes intact.
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This series of patents focus mainly on the phonograph and other talking-machines. There are several battery patents included in this portion of legal protections. # ' – Apparatus for Recording and Reproducing Motion and Sounds (1916) # ' – Phonograph or Talking-Machine # ' – Phonograph or Talking-Machine # ' – Phonograph or Talking-Machine # ' – Means for Recording Sounds # ' – Electrical System for Automobiles # ' – Coating Apparatus # ' – Production of Electrode Elements # ' – Coating Apparatus # ' – Sound-Modifying Device # ' – Sound-Box # ' – Primary Battery # ' – Sound-Record Tablet # ' – Process of Constructing Concrete Buildings # ' – Alternating-Current Rectifier # ' – Celluloid Record-Blank # ' – Mold or Transfer Plate # ' – Celluloid Record-Blank # ' – Starting and Current-Supplying System for Automobiles US1255517. Starting and current supplying system for automobiles.
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The cards contain up to 18 Motorola 56002, Motorola 56321, or Freescale 56303 DSPs and an Intel 960, Intel 486 or ARMv7 host processor. The cards can handle multiple phone calls simultaneously and route them to the intended point of service. There were several versions that could handle from 24 to 192 voice/conferencing channels on digital ISDN interfaces and from two to 32 analog ports (phone lines).Dialogic specs The Dialogic cards are capable of making and answering calls, identifying caller ID, playing back sounds to the caller and recording sounds from the line, and detecting Dual-Tone Multi- Frequency (DTMF) signals (touch tones) dialed by the caller.
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Holding digitally stored sixteen terabytes of extensive high-quality music and sound archive of around 250.000 pieces, historical speeches, sound effects and background music banks, Özge Ersu locates almost any piece of music written for many places and their people, as well as expanding his personal archive after each and every visit to different destinations by buying music or recording sounds in-situ. At times, various radio channels such as Radio Voyage, Virgin Radio, Radio Eksen, Kıbrıs Bayrak Radyo ve Televizyonu cooperate with him to compensate the missing songs and files. Furthermore, singers, composers, local people and libraries contribute to his content with copyrighted music or live recording sessions, whenever needed.
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Chesky Records is a record company and label founded in 1978 by brothers David and Norman Chesky. The company produces high-definition recordings of music in a variety of genres, including jazz, classical, pop, R&B;, folk and world/ethnic. Chesky artists include McCoy Tyner, Herbie Mann, David Johansen and the Harry Smiths, Joe Henderson, Macy Gray, Chuck Mangione, Paquito D'Rivera, Ron Carter, Larry Coryell, John Pizzarelli, Bucky Pizzarelli, Babatunde Olatunji, Ana Caram, and Rebecca Pidgeon. Chesky Records also offers binaural recordings, which seeks to replicate 3-D stereo sound so that the recording sounds as if the listener is in the same room with the musicians.
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Unlike Quantum Jelly, where the synthesizer was recorded to two audio channels without any additional recording, sound altercation or overdubbing, Persona involved Senni recording sounds from the synthesizer to a multitrack recorder, editing the recordings and adding effects to them. Fallon suggested Senni's change of the production process from Quantum Jelly to Persona led to a much more expressive scope in the EP's sound. Despite being a record of an electronic dance music genre, that being trance, Persona is devoid of any bass or drums, aspects of dance music that listeners are the most into. Fallon described the tracks as "club spectacles rather than bangers," in that they are "more slippery" than the works of English electronic musician Sophie.
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Due to the difficulties of recording sounds on locations, it is common for nature documentary makers to record sounds in post-production using Foley and to use sound effect libraries. Compositing and computer-generated imagery are also sometimes used to construct shots. Wild animals are often filmed over weeks or months, so the footage must be condensed to form a narrative that appears to take place over a short space of time. Such narratives are also constructed to be as compelling as possible—rather than necessarily as a reflection of reality—and make frequent use of voice-overs, combined with emotional and intense music to maximise the audience's engagement with the content.
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Depeche Mode's releases have been nominated for five Grammy Awards: Devotional for Best Long Form Music Video; "I Feel Loved" and "Suffer Well", both for Best Dance Recording; Sounds of the Universe for Best Alternative Album; and "Wrong" for Best Short Form Music Video. In addition, Depeche Mode have been honoured with a Brit Award for "Enjoy the Silence" in the Best British Single category, the first-ever Q Magazine Innovation Award, and an Ivor Novello Award for Martin Gore in the category of International Achievement. Depeche Mode were called "the most popular electronic band the world has ever known" by Q magazine, "one of the greatest British pop groups of all time" by The Sunday Telegraph,. DepecheMode.co.il. 12 March 2005.
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Edgard Varèse, one of the pioneers of electronic music The development of recording technology made all sounds available for potential use as musical material. Electronic music generally refers to a repertory of art music developed in the 1950s in Europe, Japan, and the Americas. The increasing availability of magnetic tape in this decade provided composers with a medium which allowed recording sounds and then manipulating them in various ways. All electronic music depends on transmission via loudspeakers, but there are two broad types: acousmatic music, which exists only in recorded form meant for loudspeaker listening, and live electronic music, in which electronic apparatus are used to generate, transform, or trigger sounds during performance by musicians using voices, traditional instruments, electro-acoustic instruments, or other devices.
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Even though the music on this recording sounds conventionally written out, Fisher actually wrote the music in graphic notation instead of conventional notation, which means that the players had to learn to read music that was timed by seconds instead of metric beats. Because the music was graphically written, there were many possibilities for interpretation open to the players. As well as composed music, there were places in the score that Fischer left open for Zawinul and other players to improvise.The origins and development of the use of violins, violas, and cellos in jazz in the United States of America / Sonya Ruth Lawson, PhD dissertation 2003 The instrumentation for this album was unique in that Zawinul and Fischer chose to use three violas and one cellist for the string ensemble, thereby straying far from the prototype of a jazz string ensemble, which until this point had always included a violin.
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