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34 Sentences With "recomposing"

How to use recomposing in a sentence? Find typical usage patterns (collocations)/phrases/context for "recomposing" and check conjugation/comparative form for "recomposing". Mastering all the usages of "recomposing" from sentence examples published by news publications.

It was an amazing way of decomposing and recomposing a food.
Recomposing is ideologically related to "green burial" wherein biodegradable urns are planted to grow trees.
The method is called "recomposing" and claims to be cheaper and more environmentally friendly than traditional burial or cremation.
It would legalize recomposing in Washington where burial and cremation are currently the only acceptable ways to dispose of human remains.
Recomposing himself, Jacobs switched to his southpaw stance to try to puzzle the Russian and only found himself getting more confused.
At the turn of the millennium, Mr. Gursky started digitally recomposing photographs to give them a look similar to abstract paintings.
Mexico has become for him a refuge of meaning, and this scares me a little, pitting me as the status quo against his lover as the exotic and exciting, but this far into adulthood I can accept that successful family life is less like the perfectly balanced scale — 10 oranges on this side and 10 on the other — and more like a kaleidoscope, the pieces constantly changing in structure, constantly recomposing themselves.
Chotoku Kyan is credited with recomposing this kata for Karate in 1895.
Courtney attended Columbia University, where he founded the Columbia University Film Productions Club in 2000. He is the holder of an IMAX Patent created in 2009, for a method for recomposing large format media, relating to a process for shooting an entire scene on a single large format film camera and recomposing the filmed scene into a video stream suitable for transfer to conventional formats. He has a Master's Degree in Film Production from UCLA.
The results were published in Steve Moline, I See What You Mean; Visual literacy K-8 (Stenhouse, 1995, rev. ed. 2011). The visual texts studied were limited to those used in information books, e-books, and websites, such as diagrams, maps, storyboards, flowcharts, time lines, webs, trees and tables. Moline claims that the strategy he calls recomposing assists in essay planning and comprehension. Recomposing is described Steve Moline, I See What You Mean, Stenhouse, 2nd ed.
The circles of yellow colour consist of thin, painted aluminium sheets, spread like waves of time and space, fragmenting and recomposing the geometry of the circles on the towers and curtain walls of the fortifications. The work will be visible from May to September 2018 only.
The ASM library is a project of the OW2 Consortium. It provides a simple API for decomposing, modifying, and recomposing binary Java classes (i.e. bytecode). The project was originally conceived and developed by Eric Bruneton. ASM is Java-centric at present, and does not currently have a backend that exposes other bytecode implementations (such as .
The circles of yellow colour consist of thin, painted aluminium sheets, spread like waves of time and space, fragmenting and recomposing the geometry of the circles on the towers and curtain walls of the fortifications. The work remained visible from May to September 2018 only. 5 Open Ellipses. Urban painting of Felice Varini, in Metz, 2009.
The Byte Code Engineering Library (BCEL) is a project sponsored by the Apache Foundation previously under their Jakarta charter to provide a simple API for decomposing, modifying, and recomposing binary Java classes (I.e. bytecode). The project was conceived and developed by Markus Dahm prior to officially being donated to the Apache Jakarta foundation on 27 October 2001.
The Akto Festival for Contemporary Arts is a regional festival in Bitola, North Macedonia. The festival includes visual arts, performing arts, music and theory of culture. The first Akto festival was held in 2006. The aim of the festival is to open the cultural frameworks of a modern society through "recomposing" and redefining them in a new context.
The Broadway production was nominated for the 1993 Tony Award, Best Musical."Musicals, Blood Brothers" overthefootlights.co.uk, retrieved 24 April 2019" Blood Brothers Broadway" Playbill, retrieved 24, 2019Blood Brothers ibdb.com, retrieved 24 April 2019 Russell (with musical collaborator Bob Eaton) realised a long-held ambition to develop Our Day Out further and after extensive rewriting, and recomposing created Our Day Out – The Musical.
As Werner Breig has shown, the first harpsichord concerto Bach entered into the autograph manuscript was BWV 1058, a straightforward adaptation of the A minor violin concerto. He abandoned the next entry BWV 1059 after only a few bars to begin setting down BWV 1052 with a far more comprehensive approach to recomposing the original than merely adapting the part of the melody instrument.
Lebrun uses intact original film posters from his own collection. He tears them up, then pastes the pieces on canvas. He imagines and builds new stories, recomposing portraits, scenes or abstract figures. He says that he uses pieces of posters like a painter uses colors ; that through stacks and layers, he's trying to create motion; that he makes use of the image of stars or unknown actors, to conceive new characters, be they male, female or hybrid.
It seems less like a manifesto or a film than like a very fine jazz album. Though the leading jazz pianists today are making lots of impressive statements about where the music is going, maybe creating a compelling album, old school, is still one of the music's clearest callings. Ode fits the bill".Layman, W., PopMatters Review, April 9, 2012 The Observer's Dave Gelly commented "Mehldau is so brilliant at 'recomposing' standards that his remarkable talent as a composer is often overlooked.
Journal of the American Musicological Society, p380 1971 Florio's work in recovering music which has lain unperformed for three centuries often involves reconstructing lost parts, or "discreetly recomposing" missing portions from larger works.Kurt Sven Markstrom The operas of Leonardo Vinci, Napoletano p28 A particular focus has been the recovery of the music of Francesco Provenzale, Giovanni Salvatore and Cristofaro Caresana, sometimes in cooperation with the musicologist Dinko Fabris.Dinko Fabris Music in seventeenth-century Naples: Francesco Provenzale (1624-1704)Gramophone article Putting Maples on the map. June 1998 p18.
The aim of the festival is to open the cultural frameworks of a modern society through "recomposing" and redefining them in a new context. In the past, the festival featured artists from regional countries like Slovenia, Greece or Bulgaria, but also from Germany, Italy, France and Austria. ; International Monodrama Festival Is annual festival of monodrama held in April in organization of Centre of Culture of Bitola every year many actors from all over the world come in Bitola to play monodramas. ; Lokum fest Is a cultural and tourist event which has existed since 2007.
"Boleslaw Barlog: Filmografie". Retrieved 9 September 2013 . Scene from the 1946 production of As You Like It, directed by Barlog at Berlin's Schlosspark Theater After World War II ended, Barlog returned to stage direction and worked to re-build the once-vibrant theatrical life of Berlin, actively lobbying, along with many other artists, to minimize the impact of Cold War tensions on the theatres, opera houses, and concert halls in the now-divided city.Janik, Elizabeth (2005). Recomposing German Music: Politics And Musical Tradition in Cold War Berlin, p. 169. Brill.
The first was related to the institutional organization of the monetary system. the National Monetary Council was recaptured and reduced to three members (ministers of Finance and Planning and the Governor of the Central Bank), recomposing the commitment of top level decision making to price stability. Sometime later a Monetary Policy Committee (known as COPOM - acronym of Comitê de Política Monetária) was created securing Central Bank's independence in fixing the interest rate. Next, federal banks, and especially Banco do Brasil, had to recognize previous losses, be recapitalized, abide by "Basle Rules" and cease to have unrestricted accommodation at the Central Bank.
All human burials were found in the MEA. Excavations of the MEA ended in 2009 when, according to Brazilian laws, the excavated area was filled with sediments recomposing the original topography of the shelter's floor. In 2011, a new excavation area was open in Lapa do Santo as part of another research project. Entitled "The Mortuary Rituals of the First Americans" and coordinated by André Strauss and Rodrigo Elias Oliveira this was a joint venture between the Department of Human Evolution of the Max Planck Institute for Evolutionary Anthropology and the Institute of Biosciences of University of São Paulo.
On the eve of his 78th birthday, the ailing, alcoholic writer Clive Langham spends a painful and sleepless night mentally composing and recomposing scenes for a novel in which characters based on his own family are shaped by his fantasies and memories, alongside his caustic commentary on their behaviour. His son Claude appears as a cold and unforgiving prosecuting lawyer, who revels in spiteful repartee. His second (illegitimate) son Kevin features as an idealistic soldier accused of the mercy-killing of an old man who was being hunted down. Sonia, the wife of Claude, shows sympathy with Kevin and seems eager to seduce him in protest at her husband's callousness.
The opera consists of a total of 101 musical pieces, including arias, duets, quartets, etc. Its most well known aria, "Che fiero costume" (also known by its English title, "How void of compassion"), has been recorded by several well known opera singers, including Luciano Pavarotti, Ezio Pinza, and Richard Tucker. A manuscript score from the 1689 Neapolitan production has survived. Richard Strauss made specific reference to this opera in Die schweigsame Frau, recomposing "Dolce Amor" as a duet which is sung in the course of the music lesson scene in act 3, as one of many such reappropriations of preexisting music Strauss used to create an "antique" atmosphere.
A Leper Hospital or a writer's library, an abandoned Arab village, a cheap hotel-room or a museum undergoing renovations - transform through his personal perspective, of deconstructing and recomposing spaces, times and events. Yairi's works are exhibited in museums, galleries and festivals in Israel and abroad, and are in public and private collections. Yairi is a recipient of The Ministry of Culture Award for Visual Arts, 2017 thumb Yuval Yairi's series "Forevemore" has been exhibited at the Tel Aviv Museum of Art and Andrea Meislin Gallery in NYC in 2005. Yairi photographs the leper house with a digital video camera in still mode, constructing the image from hundreds (at times thousands) of frames.
Carter (2002), p. 9 Richard Strauss made reference to L'incoronazione in the Act III music lesson scene of his 1935 opera, Die schweigsame Frau, completely recomposing the Act 2, Scene 5 duet "Sento un certo non so che" in his own florid and late-Romantic idiom as one of many uses of preexisting musical material to set an appreciably antique atmosphere by the standards of the time. In that scene, the duet is used as an excuse for the title role to flirt with her husband, in disguise as a singing teacher. Until the 1960s performances of L'incoronazione were relatively rare in commercial opera theatres, but they became increasingly frequent in the decade that saw the quatercentenary of Monteverdi's birth.
" The entirety of Savage Messiah, featuring an introduction by Mark Fisher, was published in book form by Verso Books in September 2011. Reviewing the book for The Guardian, Iain Sinclair commented: "Collided into a great block, the catalogue of urban rambles takes on a new identity as a fractured novel of the city" and praised Ford's "authentic gifts as a recorder and mapper of terrain." Summing up Savage Messiah, Sinclair wrote: "In the end, it's about walking as a way of writing, recomposing London by experiencing its secret signs and obstacles." In his review for Eye, Rick Poynor praised her "acutely observant" writing and "assertively linear style of drawing"; concluding, he described the work as "graphic literature of great urgency.
Another problem area in the field of icon collecting is the "recomposing" of legitimately old icons with newly painted then falsely aged images that exhibit a higher degree of artistry. For example, a primitive or "folk art" icon from the 17th or 18th century might be repainted by a modern master painter, then the image falsely aged to match the panel in order to create an icon that could pass as a 17th- or 18th-century masterwork. In reality, it is nothing more than a 20th- or 21st-century masterwork on a 17th- or 18th-century panel. With the rise in the values and prices of authentic icons in recent decades, this is now also done with lower quality 19th-century folk icons that are repainted by contemporary masters and then artificially aged to appear to match the age of the panel.
During pre-production, while sets and characters are being designed by the art department and the technical teams are designing workflows, lighting has not yet begun, but Calahan will paint several hundred lighting concept illustrations, based on the other teams' work but also influencing them as her paintings evolve alongside their design work. During this iterative and mutually collaborative process, Calahan will begin to settle on lighting for each scene and will ask other teams for changes, like recomposing shots. Calahan's work as both visual designer and lighting director of The Good Dinosaur was based in her experience as a native of the Pacific Northwest and from her time spent painting landscapes around the area of Jackson, Wyoming, which became Calahan's model for the film's setting. Calahan had often vacationed in the mountains to do landscape painting.
Konstanz: commemorative plaque of the peace treaty The battle of Legnano put an end to Frederick Barbarossa's fifth descent in Italy and his attempt to hegemonize the municipalities of Northern Italy. Frederick also lost the military support of the German princes, who, after the 10,000 knights provided at the beginning of his campaign and the 3,000 laboriously collected shortly before the battle of Legnano, would hardly have given Barbarossa more aid to resolve the situation in Italy, which would have brought them very little benefit. Having no support at home, Federico, to try to resolve the dispute, tried the diplomatic approach, with the armistice that was signed at the Venice congress of 1177. In this agreement, the emperor recognized, among other things, Alexander III as a legitimate pontiff and submitted to papal power by recomposing the schism that had arisen some years before.
Some composers have rendered homage to other composers by creating "identical" versions of the earlier composers' pieces while adding their own creativity through the use of completely new sounds arising from the difference in instrumentation. The most widely known example of this is Ravel's arrangement for orchestra of Mussorgsky's piano piece Pictures at an Exhibition. Webern used his transcription for orchestra of the six-part ricercar from Bach's The Musical Offering to analyze the structure of the Bach piece, by using different instruments to play different subordinate motifs of Bach's themes and melodies. In transcription of this form, the new piece can simultaneously imitate the original sounds while recomposing them with all the technical skills of an expert composer in such a way that it seems that the piece was originally written for the new medium.
An initial delay was caused by a fire which destroyed the theatre of the Paris Opéra, the Salle Le Peletier, in October 1873. Further delay came about because the first draft remained in the hands of the jealous Georgina Weldon when Gounod left England in 1874 to return to Paris. He had to resort to a lawsuit before resigning himself to recomposing the work from memory, although towards the end of that endeavor, Weldon did return it. The opera finally premiered at the Opéra's new house, the Palais Garnier on 7 October 1878, in stage sets designed by Jean Émile Daran (Act I), Louis Chéret (Act II), Auguste Alfred Rubé and Philippe Chaperon (Act III), Eugène Louis Carpezat and Antoine Lavastre (Act IV), and Jean-Baptiste Lavastre (Act V). Despite the splendid staging, the premiere was a failure – "the sorrow of my life", noted Gounod Huebner 1990, p. 217.

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