92 Sentences With "realistic representation"

How to use realistic representation in a sentence? Find typical usage patterns (collocations)/phrases/context for "realistic representation" and check conjugation/comparative form for "realistic representation". Mastering all the usages of "realistic representation" from sentence examples published by news publications.

Stands up to say that yes, they do want literary innovation, and realistic representation.
"Abstraction" can sound like it is about design that has few ornaments or avoids realistic representation.
I liked the idea of having a photo that was a more realistic representation of our true relationship.
This has a much more realistic representation of the year-to-year fluctuations in sea ice, as well as the long-term trend.
Their techniques come not from the grand tradition of realistic representation extending from Velázquez and Vermeer to 19th-century academicians like William-Adolphe Bouguereau.
I found it horrifying to see a realistic representation of the wreckage of a national landmark, especially the remains of half of the dome.
I like how painters like Klimt, Francis Bacon, or contemporary artists will combine elements of realistic representation of people or places with purely abstract elements.
As part of the campaign, Bodyform surveyed over 10K men and women and found that 74 percent wanted "more realistic representation of periods" in ads.
Many have said Saving Private Ryan is the most realistic representation of war ever on screen, and this has much to do with the teams in front of and behind the camera.
The advantage of looking at this index is that it "takes out the impact of some of the big cap stocks" and "provides a realistic representation of what the 'average stock' is doing," Krinsky explained.
We may think these comments are cheeky, and they are, but it's telling that she's gone from having nobody in the media look like her to being an icon of a movement towards more realistic representation.
There are, of course, exceptions to the rule when it comes to Hollywood's depictions of firefights — movies that manage to offer a realistic representation of how armed conflicts actually play out while still giving the audience something to get excited about.
"An endangerment listing, as tragic as that would be, would be a more realistic representation of the state of reef and would at least force the federal government to act on climate change," Alix Foster Vander Elst, Greenpeace Australia Pacific campaigner, told Reuters.
" Though creating this realistic-looking artwork comes with the risk of people thinking they are actual photographs, the bar has been raised by films from the "Star Wars" franchise that present sweeping flybys of planets or the realistic representation of an accretion disc around a black hole in "Interstellar.
At Valhaugen in Norway a realistic representation of a phallus has been found and restored.
Specifically, their play Iolanthe is considered a realistic representation of the nobility although it included fantastical elements.
Realist ideology After 1885, Armenian authors were interested in depicting a realistic representation of life, along with all of its nudities. However, there are some authors that have kept some romantic influences, although most of them didn't.
Due to the lack of realistic representation of ice crystal nucleation in Earth system models, some studies have used a simplified representation of cirrus cloud thinning by increasing the terminal velocity of ice crystals below the homogeneous freezing threshold of about -38 °C.
Traditionally, cave surveys are produced in two-dimensional form due to the confines of print, but given the three-dimensional environment inside a cave, modern techniques using computer aided design are increasingly used to allow a more realistic representation of a cave system.
Gummi Candy as a Realistic Representation of a Rhinoceros Beetle Larva. American Entomologist, 62(3). Page 154. Link. Evolutionary biologists suspect that "puppy dog eyes", a trait absent from wild wolves, were unintentionally selected for by humans during the domestication of dogs.
Christopher Leith Evans (born 1954) (commonly credited as Christopher Evans or Chris Evans) is an American artist, digital matte painter and visual effects art director for major motion pictures. Evans' paintings are characterized by a highly realistic representation of landscape, architecture, and the human figure.
The value of her work lies in detailed and realistic representation of everyday life in Yugoslavia between the World Wars. Because of this, she was nicknamed Serbian Jane Austen. She was fluent in Russian and French. Although she frequently wrote about marriage, she was never married.
These are often based on English prints and local elements such as the New England landscape and buildings. Chandler's style is characterized by a flat, linear manner of painting and a realistic representation of his sitters. He can best be regarded as a very gifted folk painter.
The work incorporates several other Lichtenstein works and gets its name from the large portion of Lichtenstein's Look Mickey that is included. Lichtenstein used a much more realistic representation of his own works than is standard for most artists. Elements of the work also refer to works from both Fernand Léger and Matisse.
Portrait of Moreno made by painter Juan de Dios Rivera. It is thought to be a realistic representation. The canonical image of Mariano Moreno is the one from the portrait Mariano Moreno en su mesa de trabajo (). It was done by the Chilean artist Pedro Subercaseaux during the centennial of the May Revolution in 1910.
Furthermore he studied at the Slade School of Fine Art and at Central Saint Martins. His recent exhibitions include a solo exhibition in Luxembourg (2008). This exhibition made headlines in the Luxembourg press for its graphic and realistic representation of the female nude.Nudité cruelle, Samedi, 5 avril 2008, Les Loisirs, Culture, pages 41 et 43.
Charity holds the law, the Ten Commandments. A realistic representation of the crucifixion is surrounded by a golden halo. Twelve Doric columns support the galleries along the nave, representing the Twelve Apostles, the Twelve tribes of Israel and the community of the congregation. All wood carvings originate from the Frankfurt wood sculptor Johann Daniel Schnorr.
Solidscan is the latest software available to the public for purchase. Solidscan 'converts a laser scan into a solid, photo-realistic representation of the real world.' Solidscan's technology significantly improves the visual quality of laser scanner data (which typically appears as a sparse array of points) while still keeping the dimensions of objects true- to-life.
One of the most distinctive features is the realistic representation of subjects as they appeared in life. The subject matter of the vessels includes courtly life from the Petén region in the 8th century AD, such as diplomatic meetings, feasting, bloodletting, scenes of warriors and the sacrifice of prisoners of war.Reents-Budet et al. 2007, pp. 1417–18.
In the Life event the team must present an improvised scene "honestly and sincerely." This may include "moments" in people's lives or merely a realistic representation of an unrealistic situation. Events in a life scene must be dealt with truthfully. The premise of a scene can range from a first date or family trauma to the car not starting.
North American SNES Cover art. The Genesis and SNES versions features a photo-realistic representation of the player characters. The characters are a homage to the 1986 billiards-themed film The Color of Money; with the characters bear resemblance Vincent Lauria (played by Tom Cruise) and Fast Eddie (played by Paul Newman), the two main characters from the film.
In the Renaissance period, portrait tombstones and medals were highly valued (e.g. marle tomb of Albertas Goštautas, 1548, by B. Z. da Gianotti, tomb of Povilas Alšėniškis, 1555, by G. Cini, both located in the Vilnius Cathedral). The works of Italian sculptors are characterized by a naturalistic treatment of forms, precise proportions, tectonicity, a realistic representation of the deceased.
The "Hetch Hetchy Little Arroyo" signed C.N. Doughty, in 1908 and now submerged under a reservoir. Early California Artists are a subset of American Western artists, painting in the mid-to-late 19th century. Their styles varied from realistic representation to the imagined. The Early California artists helped shape and create California in culture and politics.
The bronze head was made using the lost wax casting technique in the early sixteenth century. It is a very realistic representation of a young woman from the Benin court, who wears a high pointed ukpe-okhue crown of lattice-shaped red coral beads. The eyes and two bands between them are inset with iron. Above each eyebrow are engraved four cicatrices.
One of the book's concepts is "The Big Triangle," a tool for thinking about different styles of comics art. McCloud places the realistic representation in the bottom left corner, with iconic representation, or cartoony art, in the bottom right, and a third identifier, abstraction of image, at the apex of the triangle. This allows placement and grouping of artists by triangulation.
The first documented use of squibs to simulate bullet impacts in movies was in the 1955 Polish film Pokolenie by Andrzej Wajda, where for the first time audiences were presented with a realistic representation of a bullet impacting on an on-camera human being, complete with blood spatter. The creator of the effect, Kazimierz Kutz, used a condom with fake blood and dynamite.
Reents-Budet et al 2007, pp.1417-1418. The Ik-style was characterised by hieroglyphs painted in a pink or pale red colour, scenes with dancers wearing masks, and the realistic representation of subjects as they appeared in life. The city was the capital of a polity that included various satellite sites of varying importance, including a port on the shore of Lake Petén Itzá.
Retrieved 2010-08-07. The band also appeared as themselves, marking their big-screen debut as a band. They were shown in a musical performance scene that was created with the help of motion capture, providing a realistic representation of the band's movements."SCANDAL、京極夏彦原作の近未来ミステリーでアニメキャラに". BARKS. 2010-05-07. Retrieved 2010-06-13.
Sometimes animators drew an opposite distortion in their pictures to compensate for this. However, most animations were not intended to give a realistic representation and the distortion isn't very obvious in cartoonish pictures. The distortion and the flicker caused by the rotating slits are not seen in most phénakisticope animations now found online (for instance the GIF animation on this page). These are usually animations created with software.
Half a century later, Ruth is suspicious of her grandmother's account of her youth. Once Ruth's grandmother had died, Ruth felt it was necessary to create a realistic representation of her grandmother's journey because otherwise, her memories would be forgotten. For Ruth, absence is an obstacle which must be overcome for the sake of preservation of memory. We find that Ozeki often plays with the truth which sets a light hearted tone throughout the film.
This image had been trademarked. D'Arezzo had been instrumental in promoting and protecting the Compaq brand, and he wanted to do the same with the Banyan brand. He ordered his marketing group to get the trademark logo registered. Unfortunately it was quickly discovered, much to nearly every employee's dismay, that the much-loved Banyan tree logo could not be registered, as it was considered to be a realistic representation of a natural object.
Its terminology is imprecise since it does not define "pornographic scene". Also, many have criticised the criminalisation of the "realistic representation of minors" because they see it a disproportionate restriction of the freedom of expression, a fundamental right protected by the Portuguese Constitution. These difficulties caused Portuguese courts to be extremely cautious in applying this section of the Criminal Code. The case law varies widely and there is no legal certainty concerning the application of this provision.
Sculpture "The First Steamboat" "The First Steamboat" is composed of readily recognizable elements of a ship: hull, mast, yards, sails, anchor, flag, and so on. The steam-driven sidewheeler includes metal "smoke" discharging from the smokestack. On deck is a symbolic romantic couple of the era: a man in a top hat and a woman with a parasol. The sculpture is not a realistic representation of an actual steamboat, and contains many decorative, purely artistic elements.
Writing for The Ringer, Mark Titus praised the show's subtle humor, engrossing plot, and realistic representation of high school. Robert Lloyd of the Los Angeles Times described American Vandal as a "perfectly proportioned pastiche" of true crime documentaries. Steve Greene of IndieWire praised the "incredible sense of authenticity" in the performances and the series's exploration of the popularity of the true crime genre. The series has also been praised for its attention to detail when depicting social media interactions.
NETSIM was originally developed under the name “Urban Traffic Control System” (UTCS-I) in the early 1970s. This program evolved under the direction of the Federal Highway Administration (FHWA) and was later renamed NETSIM (abbreviated for NETwork SIMulation). FRESIM (abbreviated for FREeway SIMulation) is an enhanced and reprogrammed version of its predecessor, the INTRAS (INtegrated TRAffic Simulation) model. FRESIM simulates more complex freeway geometrics and provides a more realistic representation of traffic on a freeway than INTRAS.
Deolinda Fonseca (born 1954 in Porto) is a well-known Portuguese painter who since 1979 has primarily worked in Denmark, "which, from an artistic point of view, has been a somewhat peripheral region throughout most of its history – just like Portugal." She is highly regarded for her evocative oil paintings of mostly abstract themes, though with hints of realistic images. She also paints vivid portraits, in which she combines realistic representation with abstract expressionism.Entry in The Library of Fundação Serralves by Phd.
"Book Review: The Schreiber Theory". Variety, April 15, 2006. In an interview with Kipen, film writer Michael Fox said Schreiberism seemed less an attempt to discredit auteur theory outright than a ploy to "simply shift the auteur appellation from directors to screenwriters". Kipen's reply was that there was an element of "parody" in his writer-centred theory, in that he hoped to "overcorrect" the director-centred model in such a way that "the final average of the two is a more realistic representation".
Though this work has been highly valued by later art historians, a realistic representation of nature was not a goal in itself for Dürer, but simply a tool for better conveying the sacred messages of his greater works.Gombrich, pp. 346-7. The Great Piece of Turf was primarily a study that would help him in the development of his art. The results can be seen both in his paintings, and in his highly detailed engravings, such as Adam and Eve from 1504.
Landor redesigned the logo in 1997, with a new image of the Colonel. The new Colonel image was more thinly lined, less cartoonish and a more realistic representation of Sanders. In 2007, the Colonel logo was updated by Tesser of San Francisco, replacing his white suit with an apron, bolder colors and a better defined visage. According to Gregg Dedrick, president of KFC's US division, the change, "communicates to customers the realness of Colonel Sanders and the fact that he was a chef".
In real-life situations, the transportation network is usually stochastic and time-dependent. In fact, a traveler traversing a link daily may experiences different travel times on that link due not only to the fluctuations in travel demand (origin-destination matrix) but also due to such incidents as work zones, bad weather conditions, accidents and vehicle breakdowns. As a result, a stochastic time-dependent (STD) network is a more realistic representation of an actual road network compared with the deterministic one.Loui, R.P., 1983.
However, the empirical findings that constitute S.F.3 prove the exact opposite of Friedman's prediction: very different "genes" survive to the market. As a consequence, a realistic representation of economic behavior should rather allow for firm-specificities, which would explain the heterogeneity found in the data: a point that was clearly made by Richard Nelson and Sidney Winter in their book An Evolutionary Theory of Economic Change.Nelson, R.R. and Winter S.G., An Evolutionary Theory of Economic Change, Harvard University Press, Cambridge, MA, (1982). pp.72-136.
Recent discoveries include those of chamber tombs in Vergina (1987) in the former kingdom of Macedonia, where many friezes have been unearthed. For example, in Tomb II archaeologists found a Hellenistic- style frieze depicting a lion hunt. This frieze found in the tomb supposedly that of Philip II is remarkable by its composition, the arrangement of the figures in space and its realistic representation of nature. Other friezes maintain a realistic narrative, such as a symposium and banquet or a military escort, and possibly retell historical events.
In the 1660s, Louis began to be shown as a Roman emperor, the god Apollo, or Alexander the Great, as can be seen in many works of Charles Le Brun, such as sculpture, paintings, and the decor of major monuments. The depiction of the king in this manner focused on allegorical or mythological attributes, instead of attempting to produce a true likeness. As Louis aged, so too did the manner in which he was depicted. Nonetheless, there was still a disparity between realistic representation and the demands of royal propaganda.
In Latin American literature, the realistic representation of urban (city–suburban) life, and of popular culture began in the 1960s, with La Onda, a Mexican literary movement whose writers realistically presented 20th-century life in the City — where most Mexicans lived and worked — because pastoral (rural) Mexico was past, gone with the wind of industrial modernization; its influence upon McOndo was stylistic. Hippies at the Woodstock Festival, 1969. "La Onda" was a literary consequence of the introduction of Anglophone Rock Music to the culturally conservative, socially rigid Mexican society of the 1960s.Zolov, 1999, p.
In response, Sutherland maintained that he painted the Prime Minister as he truly saw him and that the depiction was an honest and realistic representation. MP Charles Doughty persuaded Churchill that the presentation had to go ahead to avoid offending the members of Parliament who financed it. The presentation ceremony at Westminster Hall was recorded by the BBC. In his acceptance speech, Churchill remarked on the unprecedented honour shown to him and described the painting (in a remark often considered a backhanded compliment) as "a remarkable example of modern art", combining "force and candour".
For track testing, a detergent based solution has historically been used to provide low adhesion test conditions. European and international standards often refer to this test method (BS-EN 15595, UIC 541-05). In the UK, British Rail Research adopted two approaches including a laboratory simulation method to all WSP approvals from around 1992, and track testing using carefully conditioned paper tape adhered to the railhead. The paper tape method used in the UK is believed to offer a realistic representation of the challenging very low adhesion conditions encountered during the autumn leaf fall.
The first single, "Alles neu" ("Everything New"), was released on 15 August 2008. The second single of the album, "Haus am See" ("House by the Lake"), was released on 17 October 2008. Fox also had several gigs with other artists, such as the song "Marry Me" by Miss Platnum, "Rodeo" by Sido and Sekundenschlaf by Marteria. Peter Fox won the Bundesvision Song Contest 2009 on 13 February with his song "Schwarz zu blau" ("Black to Blue"), which is a social realistic representation of his home city Berlin and the transition from nightlife to dawn.
ArtProfil 96-2013, S. 44 Since then, the use of intensive to lurid colours and the absence of realistic representation have become characteristic of his painting style.ArtProfil 93-2012, S. 33 In his paintings, the colour is applied with quick brushstrokes and occasionally with impasto techniques and the images are additionally abstracted by the use of Graffiti elements. Keil prefers to paint human figures, portraits, big city scenes, landscapes and still life images of flowers. His emotional way of painting is mainly driven by a desire for freedom from social constraints and conventions.
After this heartbreak, Edith moved to south Germany to be near her daughters who were living there, she also spent some time in Poland then back to south Germany for the remainder of World War Two. She painted where she could, producing mainly watercolours of the places she lived in and visited. This brought on a new phase in her artwork, she gave up any form of modernism and confined herself to a strictly objective, realistic representation of her subject. Up to 1946 she taught art in various schools and painted in her spare time.
His landscapes were used as mirrors of his own complexion, both an interpretation of Nature's inner-spirit and his own. He staged "worlds of atmosphere, looking forth at us through ethereal light, through shadows...""Fine Picture on Exhibition", Elmira Star Gazette, May 7, 1913 Although he never chose to alleviate realistic representation altogether, Teed's paintings were largely the product of a passionate imagination, whose emotions materialized in the works' creation. The landscape had become subordinated to the thought. There is a preference for the mystic and the exotic in his work.
At the Salon of 1850, the monumental painting A Burial At Ornans by Gustave Courbet was denounced for the unflattering faces of the mourners and their plainness. The "explosive reaction" brought Courbet instant fame.Gustave Courbet's A Burial at Ornans, PBS Critics were divided in 1857 by The Gleaners painted by Jean-François Millet: some saw the gleaning women as a symbol of a popular uprising ("the scaffolds of 1793",) others complained about the realistic representation of the rural poor on a large canvas of the size reserved for religious scenes.
Crucifixion (1340–1345) Bernardo Daddi ( 1280 – 1348) was an early Italian Renaissance painter and the leading painter of Florence of his generation. He was one of the artists who contributed to the revolutionary art of the Renaissance, which broke away from the conventions of the preceding generation of Gothic artists, by creating compositions which aimed to achieve a more realistic representation of reality.Biography and analysis of artist's style at the J. Paul Getty Museum He was particularly successful with his small- scale works and contributed to the development of the portable altarpiece, a format that subsequently gained great popularity.Enrica Neri Lusanna.
If it were at speed 9, it would take it 3 turns to slow to a dead stop. Two movement systems are available: the default "cinematic" system, in which ships move and turn in the style of wet navy vessels as seen in space opera film and television, and the "vector" system which is a rather more realistic representation of movement in space but is somewhat more complex. All movement of ships is planned ahead of time, before the miniatures are physically moved. These movements are written down on a Movement Orders sheet and kept secret from other players until the turn begins.
The anticipation of Dante's Divina Commedia is evident, with an attentive use of language, with lexical and rhetoric ability. This work of art is a sort of screenplay of the afterlife, of considerable historic value and of hard poetical suggestion. The Essay on the months in form of apologue and the Vulgare de elymosinis, raw description of terrible maladies, similar to the realism of Jacopone da Todi, are also very important. A sort of Medieval etiquette is the treaty De quinquaginta curialitatibus ad mensam, lively and realistic representation inserted in the manualistic tradition of the time.
Vertigo is an imprint that produces comics for more mature audiences, allowing more sexual themes. George Haggerty notes in Gay histories and cultures: an encyclopedia that "substantive mainstream presentation of gay themes in the future seems most likely in DC's adult-orientated Vertigo titles." Vertigo titles that have tackled LGBT themes include the Sandman, Shade, The Changing Man and Enigma. The Sandman: A Game of You (1991) had a transsexual character, and its creator Neil Gaiman said that he included transgender characters in his works in response to the lack of realistic representation of such people in comics.
Originally the party stated that elected NEE members would occupy their seat and vote against every proposition made. This strategy was changed and subsequently claimed that elected members would not fill an active role, instead leaving seats empty as a 'none of the above' option to allow dissatisfied voters a chance to sanction the other parties, which - in Belgium - are financially rewarded for every seat they obtain in parliament. Empty seats would also be a more realistic representation of the voter's opinion, considering that the voter did not want to support any actual politician. The party organises its campaigns mainly through the internet.
The film was noted for its generally realistic representation of the historical evacuation. It accurately depicts a few Royal Air Force planes dogfighting the Luftwaffe over the sea, limited to one hour of operation by their fuel capacity. In 1940, destroyers and fighter planes were indeed held back from battle, as the Royal Navy and Air Force would have been the sole defenders against invasion. Also noted were the accurate depictions of how a small boat attempted to evade aerial attack, and of how soldiers returning to England saw a civilian population largely unaware of or unaffected by the war.
In developing the objects and surfaces of the game's world, the team utilized a variety of textures and lighting effects. They also found difficulty in creating a realistic representation of nature; "[computers] don't draw curves, but nature is all about curves", Houser explained. The game was envisioned to improve the core mechanics of Red Dead Revolver (2004), to which Redemption is a spiritual successor, by scaling it up to the standard of other Rockstar games. The fundamental goal for the game was to maintain the shooting mechanic and expand on other game features; like Revolver, the game's weapons were inspired by real weaponry.
Because at the time it wasn't possible to adapt machine guns to shoot blanks, all shots of automatic weapons were done with live ammunition shot into sandbags off screen.On Becoming a Filmmaker interview with Andrzej Wajda included with Criterion release of A Generation The film featured the first documented use of squibs to simulate bullet impacts in movies. For the first time, audiences were presented with a realistic representation of a bullet impacting on an on-camera human being, complete with blood spatter. The creator of the effect, Kazimierz Kutz, used a condom with fake blood and dynamite.
However, when he tries to distinguish between rational consensus and de facto consensus (or truth from agreement), there is limited relevance to the "ideal speech situation." Because the universal audience requires there to be equality for all speakers, ideas, and audience members, it is not a realistic representation of a situation that would ever occur and thus the idea of a universal audience is not practical. Perelman's theory of a universal audience includes reasonable people of all time, thus removing the argument or speech out of the context of history. Perelman's theory requires the speaker to understand universal values and ideals throughout history.Henry W. Johnstone, Philosophy & Rhetoric, 20.2 (1987): 130, Print.
The agent-based modeling approach also allows modelers to create more generic and modular models that are more flexible and easier to maintain than modeling approaches that focus on the population as a whole. Other proposed advantages of agent-based models include realistic representation of a phenomenon of interest due to the interactions of a group of autonomous agents, and the capability to integrate quantitative variables, differential equations, and rule based behavior into the same model. The model was implemented in the modeling toolkit Repast using the JAVA programming language. The model was run in daily time steps and focused on the autumn and winter seasons.
Computer Gaming World in 1992 criticized aspects of version 1.5's interface, but praised the sophistication of the MicroManager module's BaseballTalk language for creating custom managers for simulated games. The magazine called APBA "a work in progress, an impressive baseball park under construction ... but for what it delivers today, at the price asked, APBA Baseball would not be my first choice". Computer Gaming World in 1993 approved of the "gorgeous" ballparks, sophisticated drafting and statistical options, and "easy-to-use interface" of APBA Presents: Baseball for Windows. The magazine concluded that the developers should "be congratulated for making a true Windows product", with "realistic representation of baseball".
Initially painting in the English romantic tradition, Compton later developed a more realistic representation of nature, being guided by his true artistic ideas while retaining topographical accuracy. Even his early watercolors show the great importance of brightness and light and his work is also remarkable for its portrayal of the elements such as water and air, including ascending mist and fog. He can be regarded as an impressionist. Although Compton never had much formal art education and did not found a school, he influenced artists such as Ernst Platz and Karl Arnold as well as his son Edward Harrison Compton and daughter Dora Compton.
Patricia Edgar, Director of the ACTF, in association with the Victorian Department of Youth, Sport and Recreation, commissioned a major research project to develop a format, characters and series concept for a serial aimed specifically at Australian teenagers. Researchers conducted preliminary work in 1983 on case studies and recent survey data with assistance from the Institute of Family Studies. The Foundation wanted to provide a realistic representation of Australian life in the telemovies and to move away from stereotypes. The writers then undertook extensive interviews with the police social workers, youth workers, governed departments, educators, parents and, naturally, many young people in the projected age range.
Seventeenth-century Dutch painters inverted the traditions of the two preceding centuries by rejecting historical guises and idealised settings and substituting more direct, true-to-life images of the painter at work. Some artists such as Adriaen van Ostade created images of very dilapidated studios, as if a painter of peasant scenes like himself should be a peasant in real life. Others such as Gerrit Dou refined the genre by turning them into erudite allegories of the arts. However, the genre was never intended to provide a realistic representation of an artist studio, but was rather a representation and promotion of a particular view of the role or status of artists.
Young Hare, by Albrecht Dürer (1502) Wolpertinger (2005), in the style of Albrecht Dürer Probably one of the most famous depictions of an animal in the history of European art is the painting Young Hare by Albrecht Dürer, completed in 1502 and now preserved in the Albertina in Vienna. Dürer's watercolor is seen in the context of his other nature studies, such as his almost equally famous Meadow or his Bird Wings. He chose to paint these in watercolor or gouache, striving for the highest possible precision and "realistic" representation. The hare pictured by Dürer probably does not have a symbolic meaning, but it does have an exceptional reception history.
"The expansion of minority representation signals a move away from the traditional soap opera format, providing more opportunities for audience identification with the characters and hence a wider appeal". Despite this, the programme has been criticised by the Commission for Racial Equality, who argued in 2002 that EastEnders was not giving a realistic representation of the East End's "ethnic make-up". They suggested that the average proportion of visible minority faces on EastEnders was substantially lower than the actual ethnic minority population in East London boroughs, and it therefore reflected the East End in the 1960s, not the East End of the 2000s. The programme has since attempted to address these issues.
This unusual innovation helps Yalandja to create a more realistic representation of the yawkyawk figure. The wood for these carvings can only come from the kurrajong tree (Brachychiton diversifolius), which was the same kind of wood his father would use for his mimih carvings. This wood is strong across the grain, which helps prevent any splitting that may occur while Yalandja is carving the spirit's shape and features Sometimes, this wood would even provide a natural split, perfect to use for the yawkyawk's characteristic forked tail. While he is best known for his carvings on the kurrajob tree, Yalandja has also painted yawkyawks on eucalyptus barks and hollow-log coffins (known as lorrkkon).
The series primarily used laser-type energy weapons in defense and offence on battleships, although analogues to ballistic weaponry are present in several episodes. The 2003 "re-imagining" of Battlestar Galactica uses more conventional weaponry, such as guns and missiles mounted on the primary capital ships and starfighters, and use pure Newtonian physics to achieve a more realistic representation of how space warfare would actually appear. In 1979 Mobile Suit Gundam was released in Japan. The series was famous for revolutionizing the giant robot genre due to the handling of mobile suits as weapons of war as well as the portrayal of their pilots as ordinary soldiers, as opposed to the previous style of portraying hero pilots.
Informative modelling is an interdisciplinary methodological approach linking information technologies with architectural analysis and modelling (at various scales, from architectural elements to buildings and structures). Informative modelling aims at improving the way information and evidences about how architectural objects evolved through time can be visually displayed. Informative modelling applies to the study of historic architecture, where objects have most often been widely transformed, and consequently where what is known about objects remains partial. As a consequence, whereas in traditional architectural modelling a realistic representation of objects is considered as an end, in the informative modelling methodology the representation of architectural objects is used primarily as support for information search and visualisation, reasoning and cognition: it does not strive for realism.
One of the most distinctive features is the realistic representation of subjects as they appeared in life, something that is very rare in Mesoamerican art. The corpus is represented by more than 30 intact vessels, the majority of unknown provenance, which have been compared to ceramic fragments recovered from Motul de San José and its satellite sites. The subject matter of the vessels includes courtly life from the Petén region in the 8th century AD, such as diplomatic representations, feasting, bloodletting, scenes of warriors and the sacrifice of prisoners of war. The variations in artistic style and chemical composition of the Ik-style ceramics suggests that they were produced in a number of workshops local to the Motul de San José area.
Mainstream comics have historically excluded gay characters, with superhero comics in particular and the publishing houses Marvel and DC, the two largest publishers in the genre, and were criticized for their lack of inclusivity. Transgender characters have likewise been under-represented, although the common storyline of a superhero having their sex changed by magical or technological means has been regarded as an oblique reference to transgender and transsexual issues. British comics author Neil Gaiman has said that he included transgender characters in his works, such as Sandman, in response to the lack of realistic representation of such people in comics. Queer theory analyses have noted that LGBT characters in mainstream comic books are often shown as assimilated into heterosexual society, whereas in alternative comics the diversity and uniqueness of LGBT culture is at the forefront.
Carina Chocano from The New York Times has offered similar criticism for the "shorthand meme" of strong female characters; while she sees them as a "gateway drug" to realistic representation, she takes offense at the implication that female characters are "not interesting or worth identifying with" if they are cold, flawless, and masculine. In contrast, Alison Willmore of BuzzFeed takes issue with popular interpretation of the word "strong" rather than with the archetype itself; she prefers strong female characters in the sense of well-developed ones given a legitimate point of view over "badass" ones. Kelly Faircloth of the feminist blog Jezebel believes that strong female characters are not enough or required, but that women must have integral roles in the plot apart from helping men realize theirs (rather than, "seamlessly replace[able] with a floor lamp").
The idealised sequence of the IMRAD structure has on occasion been criticised for being too rigid and simplistic. In a radio talk in 1964 the Nobel laureate Peter Medawar even criticised this instructive text structure for not giving a realistic representation of the thought processes of the writing scientist: "… the scientific paper may be a fraud because it misrepresents the processes of thought that accompanied or gave rise to the work that is described in the paper". Medawar's criticism was discussed at the XIXth General Assembly of the World Medical Association in 1965. While respondents may argue that it is too much to ask from such a simple instructional device to carry the burden of representing the entire process of scientific discovery, Medawar's caveat expressed his belief that many students and faculty throughout academia treat the structure as a simple panacea.
The computer system at the Sprodj space centre was visually based upon the UNIVAC I, the first computer to be created for non-military purposes. Hergé based his Moon rocket on the designs of the V-2 rocket which had been developed by German scientists during World War II. The red-and-white checker pattern on Hergé's rocket was based upon an illustration of a V-2 which Hergé had come upon in Leslie Simon's 1947 book German Research in World War II. He commissioned the construction of a model rocket with detachable parts from his assistant Arthur Van Noeyen. He took the model to Paris where he showed it to Ananoff, asking him if it was realistic representation of what a Moon rocket might look like. He and his assistants then used the model from which to accurately sketch when producing the comic.
The computer system at the Sprodj space centre was visually based upon the UNIVAC I, the first computer to be created for non-military purposes. Hergé based his Moon rocket on the designs of the V-2 rocket which had been developed by German scientists during World War II. The red-and-white checker pattern on Hergé's rocket was based upon an illustration of a V-2 which Hergé had come upon in Leslie Simon's 1947 book German Research in World War II. He commissioned the construction of a model rocket with detachable parts from his assistant Arthur Van Noeyen. He took the model to Paris where he showed it to Ananoff, asking him if it was a realistic representation of what a Moon rocket might look like. He and his assistants then used the model from which to accurately sketch when producing the comic.
After such success in New York, the production moved to Philadelphia, where it was first produced on October 24 and Boston, where the play was seen in November. The Gladiator was such a success for Forrest that he opened with it when he traveled to London in 1836. Although Forrest was a success at the Drury Lane Theatre on October 17 with The Gladiator, the audience demonstrated their desire to see Shakespeare as The Gladiator was seen by many in the audience as anti-British. Although The Gladiator remained a central part of Forrest's repertoire, as with many pre- Civil War plays, it eventually fell out of favor as naturalism and "realistic representation" became more popular. Even though Bird’s work helped secure Forrest prominence, their partnership ended when Forrest failed to compensate Bird as they had originally agreed. In fact, Forrest’s “poor treatment led Bird to become a novelist”.
Among seventeenth century Korean novels, Choecheokjeon is regarded as the most realistic representation of society at the time because the work depicted atrocities of war that took place during the period of hegemonic shift in East Asia associated with the Japanese Invasions of Korea, the war between Ming China and the Later Jin, and other wars. The novel is also significant in that it expanded the narrative space from Korea to China, Japan, and Vietnam; that it created an archetype of an active and energetic woman through the protagonist Ok-yeong; and that it has a favorable view of international marriage (e.g. the marriage between Choe Cheok's second son Mong-seon and the Chinese woman Hong-do) and foreigners. Choecheokjeon is a rare work among classical Korean novels as its author and publication date are known despite the conservative vibe of the Joseon society that was critical of novels.
When she was selected for the role she had already established a strong profile as an expressive portrayer of self-aware, mature, emotionally stable women, whose plans and lives were thrown into disarray by unexpected blows of fate. The director Rolf Hansen, working with her here for the second time, had the good idea of teaming her up with a weak and relatively insignificant male lead, who was scarcely capable of playing against the weight of her presence. The suffering laid upon Hanna Holberg by her unfulfilled love gained, by the fact that she was profoundly misunderstood, an important additional element that deeply impressed the public. In order to impress also by its modernity, the film took the risk of making - for the time - an unprecedentedly realistic representation of day-to- day wartime life, and shows rationing of food, air raid warnings and hours spent waiting in air raid shelters.
Fong Chung-ray, ink on paper, 1966 The original members of the group were alumni with the art majors from the Academic Teachers College師範大學 (the only university with an art major at the time). Their first intention was to show that the effort to create new art was worthwhile in itself, even if it did not directly enhance art pedagogy. (The faculty member that provided the most support was 廖繼春, a Taiwanese native who received training abroad in Japan.) Later, it became a movement to modernize Chinese art. The members of the Fifth Moon Group studied western art movements, and concluded that the abstract art form was the best medium for modern Chinese art. They felt the best the Chinese paintings were ones that de-emphasized realistic representation, and emphasized atmosphere and “vividness氣韻生動,” which comes from the brush strokes and the natural interaction between ink and paper.
Although this strategy has been criticized for encouraging overwhelming force over strategy and tactics, defenders of the strategy argue that they're simply taking advantage of the strategies utilized, and some argue that it is a realistic representation of warfare. One of the most infamous versions of a rush is the "Zergling rush" from the real-time strategy game StarCraft, where the Zerg player would morph one of their starting workers (or the first one produced) into a spawning pool immediately and use all of their resources to produce Zerglings, attacking once they have enough to overwhelm any early defense; in fact, the term "zerging" has become synonymous with rushing. A fourth criticism of the RTS genre is the importance of skill over strategy in real-time strategy games. The manual dexterity and ability to multitask and divide one's attention is often considered the most important aspect to succeeding at the RTS genre.
The John Lewis List is the name given to a list used by House of Commons Clerks to ascertain whether or not claims by MPs under the Additional Costs Allowance (ACA) are a realistic representation of the price of items. The list details items that are considered acceptable to be claimed on the ACA, along with the price such items would cost in the John Lewis department store chain. Prior to 2008 the list was never published in case MPs saw the maximum permitted claim for each item and such a price "became the going rate", a rule House of Commons' resources chief Andrew Walker upheld in February 2008 despite campaigners wanting it released to the Information Tribunal considering the release of MPs' expenses claims. However, a freedom of information request by the Press Association just a month later, in March 2008, saw the list released into the public domain anyway, revealing that MPs were able to claim for, among other things, dishwashers, television sets and tumble dryers.

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