It's certainly the most realistic description of police work that I have read.
|
|
Although field studies sometimes lack the controlled settings needed for precise scientific experimentation, they make up for this with a more realistic description of natural processes.
|
|
"The entire advertising efforts of the Bundeswehr are more adventurous than a realistic description of the job," Tobias Pflueger, defense policy spokesman for the pacifist Left Party en.die-linke.de/welcome.
|
|
There's some levity in this movie; There's humor in it because it's about a real ... it's a realistic description of a person, so her life is in some ways funny, just like in that sex ed clip you talked about is funny.
|
|
Examples of baroque epic are the chivalric fiction and "Schelmenromane" of Johann Beer, which represent a realistic description of the reality at that time.
|
|
A more realistic description of the hierarchy would be in terms of the decreasing percentages of satisfaction as we go up in the hierarchy of prepotency.
|
|
Vũ Trọng Phụng. Translated by Nguyen Nguyet Cam and Peter Zinoman. Ann Arbor: University of Michigan Press, 2002. ., due to the author's realistic description of sexual content which was considered unsuitable.
|
|
These features of the solutions are, however, not stable and not believed to be a realistic description of the interior regions of such black holes; the true character of their interiors is still an open question.
|
|
Yet another realization of the correspondence states that M-theory on AdS_4\times S^7 is equivalent to the ABJM superconformal field theory in three dimensions.Aharony et al. 2008 Here the gravitational theory has four noncompact dimensions, so this version of the correspondence provides a somewhat more realistic description of gravity.Aharony et al.
|
|
The story immediately established Weinbaum as a leading figure in the field. Isaac Asimov states that Weinbaum's "easy style and his realistic description of extraterrestrial scenes and life-forms were better than anything yet seen, and the science fiction reading public went mad over him."Asimov, Isaac, ed., Before the Golden Age, Doubleday, 1974, .
|
|
Du's poems were known for their realistic description of the outer world as well as social-political criticism. He dedicated his poems to the life of commoners and the suffering ones. Du himself argued that the aim of poetry should be "the deliverance from suffering" (). Du Xunhe's literary style was influenced by Du Fu, Yuan Zhen and Bai Juyi.
|
|
Earthquake Engineering and Structural Dynamics 31: 1325–1345 In order to estimate the effects, it is necessary to develop models from data recorded on a seismograph array. This is the reason why the ICEARRAY was created. The models developed from the data recorded on the ICEARRAY have enabled the first reliable assessment of earthquake effects on infrastructure in the SISZ. The data also provides a physically realistic description of fault rupture.
|
|
He was eventually captured at Lydenburg on 25 January 1902 and remained prisoner-of-war until May 1902 at the Broadbottom Camp, on St. Helena. It was there that he wrote his autobiography, "My Reminiscences of the Anglo-Boer War". The book is a realistic description of the war from a Boer perspective. Unlike other Boer generals he was not a property owner and thus hesitated to return to South Africa.
|
|
Another realization of the AdS/CFT correspondence states that M-theory on is equivalent to a quantum field theory called the ABJM theory in three dimensions. In this version of the correspondence, seven of the dimensions of M-theory are curled up, leaving four non-compact dimensions. Since the spacetime of our universe is four- dimensional, this version of the correspondence provides a somewhat more realistic description of gravity.Aharony et al.
|
|
Moreover, some aspects of the poem itself are suggestive of Greenland. In particular one of Kostbera's ominous dreams has a realistic description of a polar bear. The grim tone of the poem is also consistent with what is known of the Greenland settlement. The relatively mean conditions of the chieftains in the poem--the Niflungar, for example, have only 10 retainers--have also been taken as strengthening the case for an origin in Greenlandic culture.
|
|
Bartlett's poetry is lyrical, disciplined in structure, expressing a heightened consciousness of word sounds and symbolism, and infused with "delicate nuance, a sort of reticent and abstracted reverie that could nevertheless, at its best, be extremely moving.... [Her poetry] bucked the trend in modern literature toward the precise and realistic description of detail and the confessional flavor...."Webb, J. F.. "Bartlett's Poetic Legacy Will Be Felt for Decades to Come," The San Diego Union-Tribune, Sept. 6, 1994, p. E-3.
|
|
Even though the Milne model as a special case of a Friedmann-Robertson-Walker universe is a solution to General relativity, the assumption of zero energy content limits its use as a realistic description of the universe. Besides lacking the capability of describing matter Milne's universe is also incompatible with certain cosmological observations. In particular it makes no prediction of the cosmic microwave background radiation nor the abundance of light elements which are hallmark pieces of evidence that cosmologists agree support Big Bang cosmology over alternatives.
|
|
Among the applications of the SU(3)F symmetry, the most interesting ones are the realistic description of the quark and lepton masses and mixings, neutrino masses and oscillations, rare processes etc. with a natural suppression of all dangerous flavor- changing transitions. The special sector of applications is related to a newly described type of topological defects - flavored cosmic strings and monopoles appearing during the spontaneous violation of the SU(3)F which may be considered as possible candidates for the cold dark matter in the Universe.
|
|
It is believed he travelled as far north as the 70°10' N. lat. In Rome he became friends with the cardinal Giordano Orsini and the pope's secretary Gian Francesco Poggio Bracciolini, who were among those working to update the old Roman cartography. Claudius contributed to a more realistic description of Nordic countries, in particular Iceland and Greenland, and was probably the first cartographer to put Greenland on a map. He is also known for having named Greenlandic places by using lyrics from old folk songs.
|
|
The rating title was changed to its present title of aircrew survival equipmentman in December, 1965. The reason for changing the title from parachute rigger to aircrew survival equipmentman was to provide a more realistic description of the types of duties performed by PRs. However, aircrew survival equipmentmen maintained their official abbreviated title of "PR" after the 1965 name change. Following a fatal training accident in the 1980s, students are no longer required to complete the basic parachute jump to earn their rating badge.
|
|
210–224 A review by a "Professor Lyall" in 1878 argues, "As descriptive poetry, and for that feature of realistic description so characteristic of Tennyson's muse, 'Mariana' has, perhaps, not been surpassed even by him." Harold Nicolson, in 1923, viewed the dreariness of "Mariana" and Tennyson's other early works as an aspect that makes the early works better than his later works.Bayley 2005 pp. 142–143 In T. S. Eliot's 1936 Essays Ancient and Modern, he praises Tennyson's ability to represent the visual, tactile, auditory, and olfactory aspects of the scene.
|
|
The other were Maritime poets, including Roberts and his cousin, Bliss Carman. The four major poets in the group were Roberts, Carman, Lampman and Scott, with Lampman "most often regarded as the finest poet" in the group, according to the Twentieth- Century Literary Movements Dictionary. Isabella Valancy Crawford, c.1919 The group, which thrived from the 1890s to the 1920s, generally paid attention to classical forms and subjects, but also realistic description, some exploration of innovative technique and, in subject matter, an examination of the individual's relationships both to the natural world and modern civilization.
|
|
Additionally, his travels have included a variety of influences that has inspired his art. Due to his accomplishments, he was uniquely titled as "America's Greatest Creators". Joaquin Torres-Garcia was a determined Uruguayan artist who hoped to constitute a new world with a new set of ritual practices as a way of reconstituting the least imagined, fantasized- ancient, pre-modern integration of life and art through the principles of geometry and proportionality. Torres-Garcia developed a unique creation to use Modern art to proclaim the spiritual Humanism expressed in Universal images rather than realistic description.
|
|
There are also remarkable differences in the two writers' approach to their war experience: Falstein uses a more traditional narrative style, with a linear plot and well- written prose aiming at a realistic description of events and the narrator's feelings, while Heller adopts a fragmented non-linear plotline, and a deliberately repetitive prose whose obsessive rhythm underscores the absurdity of his characters' predicament; moreover, several scenes of Heller's novel are surrealistic, while Falstein always strives to achieve verisimilitude. As a consequence of this controversy Falstein's novel was reprinted in March 1999 by Steerforth Press.
|
|
Since its appearance in 1995 this model has been very popular within the physics community; many scientists have worked on and extended it. For example, one can extract several universality classes from simple symmetry arguments concerning the motion of the particles and their alignment. Moreover, in real systems, many parameters can be included in order to give a more realistic description, for example attraction and repulsion between agents (finite-size particles), chemotaxis (biological systems), memory, non- identical particles, the surrounding liquid. A simpler theory, the Active Ising model, has been developed to facilitate the analysis of the Vicsek model.
|
|
Shtemler was born in Baku, graduated from the Baku Industrial Institute in 1957 and then worked as an engineer, first in the oil industry in the Volga region and then on the "Geologorazvedka" factory in Leningrad, city which eventually became his second home. Shtemler's novels “Univermag” (“The department store”), “Poezd” (“Train”), “Utrennee shosse” (“Morning highway”) are assertively realistic description of the life in 60s, 70s and 80s Russia. His first novel “The Grandmaster’s Mark” was published in 1965 in the Yunost literary magazine and brought immediate recognition to its author. Ilia Shtemler is an active campaigner for the protection of Russian historical heritage.
|
|
The novel initially received mixed reviews and was not expected to be a commercial success by its publishers, but has since become a revered household classic that Finns were given to read in school. By 2017, it had sold nearly 800,000 units. It launched Väinö Linna into a steady career as a public figure and The Unknown Soldier was adapted into different formats, such as theatre, cinema and audiobooks. Released ten years after the end of the Continuation War, the novel is considered to be the first medium that gave a realistic description of the conflict instead of a polished one.
|
|
There are over 50 literature she published on Jogaku zasshi with the most popular translation of Little Lord Fauntleroy written by an American novelist Frances Hodgson Burnett. The translation, was issued as a serial between 1890 and 1892 on Jogaku zasshi. As both Morita Shiken, a translator for Jules Verne's Two Years' Vacation, and a literature critique/Shakespeare translator Tsubouchi Shōyō praised that she had a style to her writing that unified colloquial and literature language. Her realistic description impressed not only them, but juvenille readers for generations enjoyed her works as much that it is in the 30th impression.
|
|
Prehistoric fiction is a literary genre in which the story is set in the period of time prior to the existence of written record, known as prehistory. As a fictional genre, the realistic description of the subject varies, without necessarily a commitment to develop an objective anthropological account. Because of this, it is possible that the author of prehistoric fiction deals with his subject with much more freedom than the author of a historical fiction, and the genre also has connections with speculative fiction. In many narratives, humans and dinosaurs live together, although humans appeared many years after the dinosaurs disappeared.
|
|
The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the psychotic subject's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. Another noted story from Widdershins is "Rooum", about an engineer pursued by a mysterious entity.
|
|
In his early post-college years, Flandrau taught English literature at Harvard College (1895–1896), tutored overseas (1896), and was an editor for The Youth’s Companion in New York City (1897). Flandrau published his debut novel, Harvard Episodes (1897), which was a collection of stories about contemporary college life. It was said to be “the first realistic description of undergraduate life in American colleges” and its first printing sold out in a few weeks.Summary: In Gatsby's Shadow: The Story of Charles Macomb Flandrau by Larry Haeg, University of Iowa Press That success encouraged Flandrau to write a second book about college, The Diary of a Freshman (1901).
|
|
Patrick Rambaud, a French author, wrote a fictionalized account of the conflict entitled "The Battle" using many first-hand sources. Just looking from the French perspective, the novel provides a rather realistic description of combat in the Napoleonic era, as well as detailed depictions of famous commanders such as Napoleon, Massena, and Lannes. The concept and notes for the book originally came from noted French author Honoré de Balzac. Marcellin Marbot, one of Marshal Lannes aide-de-camps, wrote in his memoirs of the battle, in which he had to observe the last moments of his close friends, and describes the amount of bloodshed and sadness which came to the Grande Armée after the crossing of the Danube.
|
|
Thirteen Cents has been classified as a modern South African crime novel within the post-apartheid literary world. Duiker provides an excruciatingly realistic description of the dislocation and breakdown of communities and families in post-liberation South Africa. He also explores themes of corruption through police involvement in illegal drug use and gang activities. However, the apocalyptic ending as perceived through Azure’s eyes indicates the possibility for the growth of a more hopeful future. Duiker’s portrayal of a protagonist venturing into a life of crime creates an entry point into Cape Town’s marginalized underworld community and aligns with many other crime novels by black writers. Through Azure’s narration, Duiker illustrates the “complex social realities that propel young black men toward crime.
|
|
A more realistic description of the uppermost part of the convection zone is possible through detailed three-dimensional and time-dependent hydrodynamical simulations, taking into account radiative transfer in the atmosphere. Such simulations successfully reproduce the observed surface structure of solar granulation, as well as detailed profiles of lines in the solar radiative spectrum, without the use of parametrized models of turbulence. The simulations only cover a very small fraction of the solar radius, and are evidently far too time-consuming to be included in general solar modeling. Extrapolation of an averaged simulation through the adiabatic part of the convection zone by means of a model based on the mixing- length description, demonstrated that the adiabat predicted by the simulation was essentially consistent with the depth of the solar convection zone as determined from helioseismology.
|
|
Writing in The New York Times, Harold Strauss said about The Seven Who Fled (which won the Harper Prize): :In singing, supple prose, with an evocative power strange to our earthbound ears, with passion and often with fury, Frederic Prokosch takes us off to the vast, mysterious reaches of Central Asia. It is a weird adventure of the spirit on which he leads us. For, mistake not, despite the apparently realistic description of the endless reaches of the desert, of the topless towers of the snow-capped mountains, of the huddling villages in which men rot away in poverty and disease, this Central Asia of Prokosch's is not actual place upon the face of the earth. Like Xanadu, like Arcadia, like Atlantis or Aea [sic] or Poictesme, it is a phantom manufactured by a restless mind.
|
|
This scathing invective was not allowed to be printed in the cardinal's lifetime, but no doubt widely circulated in manuscript and by repetition. The charge of coarseness regularly brought against Skelton is based chiefly on The Tunnynge of Elynoare Rummynge, a realistic description in the same metre of the drunken women who gathered at a well-known ale-house kept by Elynour Rummynge at Leatherhead, not far from the royal palace of Nonsuch. "Skelton Laureate against the Scottes" is a fierce song of triumph celebrating the victory of Flodden. "Jemmy is ded And closed in led, That was theyr owne Kynge," says the poem; but there was an earlier version written before the news of James IV's death had reached London. This, the earliest singly printed ballad in the language, was entitled A Ballade of the Scottysshe Kynge, and was rescued in 1878 from the wooden covers of a copy of Huon de Bordeaux. "Howe the douty Duke of Albany, lyke a cowarde knight" deals with the Campaign of 1523, and contains a panegyric of Henry VIII.
|
|