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14 Sentences With "reading stand"

How to use reading stand in a sentence? Find typical usage patterns (collocations)/phrases/context for "reading stand" and check conjugation/comparative form for "reading stand". Mastering all the usages of "reading stand" from sentence examples published by news publications.

Fans in the stands wore green shirts reading, "Stand as One" on the front and "Santa Fe Proud" on the back.
One organizer carried a sign reading, "Stand Against Leftist Hate" to the hisses and boos of counter-protesters, the paper reported.
When you're just using it as a reading stand, you almost forget it's there — exactly the effect you can't get with a larger laptop-style keyboard.
Sandy's Community of Grace alt=A church sign reading: "STAND WITH BROOKWOOD! NOT ONE MORE VICTIM!" Sandy's community and religious leaders encouraged people to support those affected by the incident. A memorial fund and GoFundMe account were set up to give financial support for the Rackley family.
The word "desk" originated from the Modern Latin word desca "table to write on", from the mid 14th century. It is a modification of the Old Italian desco "table", from Latin discus "dish" or "disc". The word desk has been used figuratively since 1797. A desk may also be known as a bureau, counter, davenport, escritoire, lectern, reading stand, rolltop desk, school desk, workspace, or writing desk.
With the high quality of its execution, the scene of the Annunciation has much in common with the most advanced techniques used in panels paintings by Theodoric’s workshop (St Ambrose). Archangel Gabriel’s wings are made from strips of tin sheet decorated with lazure painting and gilded plastic decoration. The space is deepened by polygonal Gothic architecture of a cathedral and by the Virgin Mary’s diagonal reading stand.
The main entrance is on the west side, with flanking pilasters rising to a decorative frieze and gabled pediment. The interior has three aisles separating rows of 18th-century box pews. The east end of the building has the pulpit, with an original reading stand and sounding board. The wall behind the pulpit carries rich baroque decoration, whose central feature is the seal of George I of Great Britain.
An old Scottish church furnished the pattern for the reading stand. The rear cabinet, based on an aumbry or weapon closet, contain artifacts such as pewter and china used at Soutar's Inn in Ayrshire that was frequented by Robert Burns. The panels in the doors, mantel, and in-the-wall cabinets were carved in Edinburgh by Thomas Good and then shipped to Pittsburgh. The cabinetwork was done in the shops of Gustav Ketterer of Philadelphia.
This aspect of the interior is in marked contrast to the uniform and austere grey of the exterior. View from the gallery The cylindrical pulpit is located near the entrance and was completed in 1874, but not painted until 1935. Like the baptismal font, it is placed on four sculpted legs. It contains five stone relief figures, assumed to be the four evangelists, and Paul the Apostle sitting on an upturned "pagan" altar, and a winged dragon below the reading stand.
Outdoor pulpits, usually attached to the exterior of the church, or at a preaching cross, are also found in several denominations. If attached to the outside wall of a church, these may be entered from a doorway in the wall, or by steps outside. The other speaker's stand, usually on the right (as viewed by the congregation), is known as the lectern. The word lectern comes from the Latin word "lectus" past participle of legere, meaning "to read", because the lectern primarily functions as a reading stand.
When Lisette Denison Forth died, she willed a portion of her estate to her family and the rest, some $3,000, to be used to construct a church. Although Lisette's contribution provided the bulk of the funds, William Biddle, knowing his mother's wishes, supplemented Lisette's contribution with some of his own and some of his mother's money. William's brother James donated the land for the chapel, and the two hired architect Gordon W. Lloyd to design the structure. James Biddle also built an altar cross, and a kneeling bench and reading stand for the minister.
Main entrance doors dedicated to Lisette Denison Forth When Lisette Denison Forth died, she willed a portion of her estate to her family and the rest, some $3,000, to be used to construct a church. Although Lisette's contribution provided the bulk of the funds, William Biddle, knowing his mother's wishes, supplemented Lisette's contribution with some of his own and some of his mother's money. William's brother James donated the land for the chapel, and the two hired architect Gordon W. Lloyd to design the structure. James Biddle also built an altar cross, and a kneeling bench and reading stand for the minister.
There are all kinds of > sophisticated readings of Heart of Darkness, and there are some people who > will not be persuaded there is anything wrong with it. But all that I'm > really demanding, I'm not simply putting it, I'm demanding that my reading > stand beside these other readings ... Although he's writing good sentences, > he's also writing about a people, and their life. And he says about these > people that they are rudimentary souls ... The Africans are the > rudimentaries, and then on top are the good whites. Now I don't accept that, > as a basis for ... As a basis for anything.
At family Christmas gatherings at his home at 8 Mulberry Walk in London he performed imitations of his father giving his famous "Readings", during which he would wear a geranium, his father's favourite flower, and lean on the same velvet- covered reading stand used by Charles Dickens during his reading tours. He had listened to his father many times, and older members of his audience said Henry Dickens's performances were amazingly like those given by his father. To celebrate his eightieth birthday in 1929 he went through the whole of A Christmas Carol without a hitch, his false teeth loosening at the melodramatic sections: 'I know him – Marley's ghosht!'.Dickens, Monica An Open Book, Mayflower Books/Heinemann (1978) pg 14 From October 1914 he performed the recitals of his father's works in support of the Red Cross Society.

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