MARCH 20 The saga of President Trump's claims reaches a climax.
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This reaches a climax in its fourth part with the character closest to death.
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Today's full moon in Capricorn is major for your relationships, Cancer—an issue that's been brewing finally reaches a climax.
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" As the orchestra reaches a climax, with sweeping woodwind flourishes, Anthony iterates: "They will they will, they will have the vote.
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She riffs like a jazz musician with a preacher's tension-ratcheting momentum, until she reaches a climax as frank as it is antic.
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Denton carries Bechtel's story into the George W. Bush and Obama administrations, but her argument reaches a climax with George Shultz and Caspar Weinberger.
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And as the campaign against ISIS reaches a climax, what of the thousands of Western foreign fighters in Iraq who are not captured or killed on the battlefield?
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It reaches a climax with boldface type screaming "RALPH NORTHAM: WEAK ON MS-13," without raising any specific respect in which Northam is allegedly weak on MS-13.
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As the competition reaches a climax this weekend, when the U.S. plays the Netherlands, it will bring to an end a tournament that has achieved record levels of coverage.
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As the tournament reaches a climax this week, please join us in prayerful solidarity with those who—without fear of reprisal—are fully capitalizing on whatever opportunities for evangelism still exist in this vast country.
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The moves comes as the record subsidy dispute, which has been grinding its way through the WTO for almost 15 years, reaches a climax, with both sides in arbitration to decide the size of any countermeasures.
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The narrative reaches a climax in the sixth and seventh movements, which have the feeling of a leave-taking or a resolution, an acknowledgment that they have said what they wish for the moment to say.
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The highlight was "Blessed is the man" from Pavel Chesnokov's All-Night Vigil, which reaches a climax when the soloist joins the choir in its insistent "Alliluya" refrain, in turn sending the choir to even greater heights of ecstasy.
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SINGAPORE (Reuters) - The WTA Finals can produce all manner of confusing permutations for the players and fans alike as the round robin format reaches a climax, so defending champion Agnieszka Radwanska was relieved to be in a winner-takes-all situation on Friday.
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That the symptoms of schizophrenia break loose during the second and third decades of life makes sense, in retrospect: adolescence and early adulthood are periods when synaptic pruning reaches a climax in the regions of the brain that govern planning and thinking.
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LOS ANGELES (Reuters) - Hollywood's awards season reaches a climax at Sunday's Oscars with a cliffhanger over the top prize after a topsy-turvy best picture race marked by the fading of early favorites and the tantalizing question of whether Netflix can trump traditional movie studios.
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That disparity comes to an end, however, and the exhibition reaches a climax, in the large room holding Munch's "Self-Portrait between the Clock and the Bed" and Johns' "Between the Clock and the Bed" series, complete with an iron-post bed covered by Munch's actual summer-weight bedspread, which Ravenal had personally dug out of the archives at the Munch Museet.
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Bourne's conflict with the CIA reaches a climax when he takes the fight to their doorstep.
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The novel reaches a climax when Middlesborough is drawn to meet his father-in-law in a duel.
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The story goes on from there and reaches a climax. But fate has something else in store for them.
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The plot reaches a climax when all three sets of characters meet, and each of them discovers their mutual interconnections.
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May 6, 1943 : The battle for convoy ONS 5 reaches a climax with the destruction of six U-boats.Rohwer & Hummelchen, pp.208&209 May 7, 1943 : sinks Laconikos from convoy SL 128MK. May 11, 1943 : sinks Antigone and Grado from convoy SC 129.
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Melodic parts, similar to arias, contrast with a cappella passages and dramatic outbursts. The music reaches a climax on the text "Paradisi gloria" (glory of paradise), then dies down in the lowest registers of the strings. A performance takes about 12 minutes.
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Ned Keene saves the situation by starting a round ("Old Joe has gone fishing"). Just as the round reaches a climax, Ellen arrives with the apprentice, both drenched. Grimes immediately sets off with the apprentice to his hut, despite the terrible storm.
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The mockumentary follows the organization as they grow in numbers, political prominence, and progress in their investigative efforts. The organization's success reaches a climax at their first annual convention, which is followed by their rapid drop in credibility and visibility to become effectively irrelevant.
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Back come the shadowy > dancers, gyrating in a wild, mad rhythm. The weird gaiety reaches a climax; > there is a knock at the door, which flies wide open; the mother utters a > despairing cry; the spectral guests vanish; the music dies away. Death > stands on the threshold.
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The tension builds and the music ascends until it reaches a climax, when the opening theme returns with baleful trombones and crashing chords at the top of the piano. The woodwinds bring the intensity back down and the movement ends quietly with a final stroke of wit.
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The pregame show reaches a climax with the performance of "The Battle Hymn of the Bulldog Nation", initiated by a solo trumpet player in the southwest corner of the stadium. This is followed by the "It's Saturday In Athens" pregame video and the team entrance to "Glory, Glory".
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Calling of the males begins in the first half of February and lasts until October. It reaches a climax in spring and early summer. During this time calling begins shortly after sunset and lasts until 1 to 2 a.m. Later in summer calling ends earlier, around 10 to 11 p.m.
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The beauty of the intricate footwork is heightened by the tinkling of anklets and bells and also by the rhythmic clapping of hand. The whirling movements become faster as the dancing reaches a climax. This dance is performed during the Onam festival season very often. The dance is also called Chuvadukali or Chavittukali.
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The students and teaching staff are divided into four houses: Blue Birds, Green Leaves, Golden Wings and Red Roses. The house spirit is reflected during inter-house get- togethers and competitions, and reaches a climax during the annual Athletic Meet, until the day of final assembly when the winner of Vaijyanta – The Overall Leading House - is announced.
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Rick uses suppressive fire from an assault rifle to kill three Saviors descending a stairway. Aaron kills another and is then saved by Rosita. Tara and Gabriel gun-down Saviors who attempt to flee the building. Through a series of rapid cuts, the action reaches a climax as the attackers try to find the Savior's armory.
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Similarly, Bogle believes that the sex-obsessed Faye has left him for Danny, though her attempts to seduce Danny fail. As the actions reaches a climax, the malapropistic Ray attempts to prevent Danny and Anna's wedding, while Willoughby hooks up with Anna's best friend, the dancing Lovette George. In the end, the central conceit is revealed, after which Danny and Anna marry.
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Uecker's artistic creativity reaches a climax in 2000 in the prayer room he designs for the rebuilt Reichstag building in Berlin. Uecker taught from 1974 until 1995 at the Kunstakademie Düsseldorf and was promoted to professor in 1976. Halina Jaworski was his first master student (Meisterschülerin). With Otto Piene, Heinz Mack and Mattijs Visser he founded in 2008 the international ZERO foundation.
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Standard drops and buildups found in mainstream EDM are atypical in deep house. Slower, more liquid grooves, and a smooth, stylish, chic demeanor make deep house a more mature, sensuous, simmering metaphor for sex than other genres of electronic dance music. It rarely reaches a climax, but lingers on as a comfortable, hypnotic and relaxing pulse, perfect for the small, dimly lit nightclub.
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At a bar with colleagues, a drunken Violet and Winton kiss, which Violet instantly regrets. She tells Tom that she wants to plan their wedding immediately, and he happily agrees. When Violet confesses to kissing Winton, Tom loses faith in their relationship, which reaches a climax when Winton comes to their rehearsal dinner to apologize. Tom chases Winton away, and leaves to get drunk alone.
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The budget of Otokojuku falls into the red, so Edajima devises to throw the festival in order to collect profits. However just as the festival reaches a climax, Omito Date and his Kanto Gogakuren attack. When they are unable to settle the dispute through Otokojuku's specialty matches, Edajima suggests the '. Date and the Gogakuren agree and the battles take place on the sacred Mt. Fuji.
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Two oboes double the strings, a clarino plays an independent part. The prelude is in three symmetric sections. The fugue, a double fugue marked "vivace allegro", begins with the first vocal entrance only accompanied by the continuo, the first vocal entries are sung by the concertisten, the choir joins later. The music reaches a climax when the clarino plays the theme as a fifth part to the four vocal parts.
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Abigail is immediately concerned but JJ resents his sister and mother as "he doesn't feel they grieved his father's death." JJ's anger reaches a climax when he gets into an altercation with Daniel but according to Moss, JJ had been looking for a fight. Soaps In Depth referred to Moss's character as "Hurricane JJ!" His return home isn't what he expected and he is uncomfortable that his mother has moved on.
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Jean-Pierre Barracelli (1982), p. 158. The tempo quickens and the music reaches a climax; the second subject is recapitulated with little alteration from the exposition. Presumably the recapitulation represents the Eighth and Ninth Circles of Hell.Jean-Pierre Barracelli (1982), p. 152, identifies this section as representative of the sneering devils in the Eighth Circle (Cantos 21 and 22) and the sight of Lucifer in the Ninth Circle (Canto 34).
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Erotikus is a history of the gay pornographic movie, directed by Tom DeSimone. It is narrated by Halsted, seated in a director's chair, at first fully clothed, then naked, then masturbating. A double was used in the latter part, not out of modesty but to have a bigger penis and a more impressive ejaculation. He reaches a climax during a montage of cum shots set to Ravel's Boléro.
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The finale parallels the tonal shape of the first. It reaches a climax with an emergence of the "Ave maris stella" material in the form found in Davies's composition of the same title . The silences broken by jabbed chords at the end of the movement refers to the endings of the Fifth Symphonies of both Beethoven and Sibelius. The relationship to Beethoven is expressed exclusively in terms of rhythm .
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He apparently based it on Glinka's Ruslan and Ludmilla overture (1842), and it features the same lively tempo and style of melody. Whilst the style reflects Shostakovich, the piece as a whole uses very conventional classical devices of form and harmony. The overture begins with a fanfare in the brass, followed by a fast melody in the winds. The strings take up this melody and the piece reaches a climax with a four-note motif.
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The family discord escalates until the father and son relationship reaches a climax. Attempting a fresh start, they decide to donate Maile’s dresses to a second hand shop. This is extremely hard for Ben and the very next morning he returns to the shop to get that one special dress back. The boys accept this with a lighter heart and they embrace their dads grieving process. The “Dress” becomes a part of family life in remembering Mom.
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Backstage, Uncle Steve comes back to give his consent to his nephew and to tell Jerry he wants to marry her. The finale starts with Jerry leading the "Song of the Gold Diggers" against a huge art deco backdrop of Paris at night. Various acrobats and girls litter the stage as all the songs are reprised in a fast moving, lavish production number. This ends with Jerry sweeping through the middle as the music reaches a climax.
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John Owen-Jones singing 'Bread of Heaven' The hymn is usually pitched in A-flat major and has the 8.7.8.7.4.7 measure which is common in Welsh hymns. The third line repeats the first and the fourth line develops the second. The fifth line normally involves a repeat of the four-syllable text and the sixth reaches a climax on a dominant seventh chord (bar 12) – emphasised by a rising arpeggio in the alto and bass parts.
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Leichtentritt, p. 96. The third period, although it stays chromatically centered around E major, is a long sequence of diminished seventh and tritone intervals, littered with accidentals and irregular rhythms difficult to play. It reaches a climax in the fourth period (bars 46–53), a bravura passage of double sixths for both hands. The fifth period (bars 54–61), leading back to the final restatement of the theme, can be described as an extended dominant seventh.
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Joey's behaviour reaches a climax when he sees a vision of Saul, who had died two years earlier, on his computer screen who tells him that Irene is against them. Joey then tries to smother a sleeping Irene with a pillow but is stopped by Chloe Richards (Kristy Wright) and James Fraser (Michael Picilliri). Joey then voluntarily admits himself to a mental hospital and is treated for schizophrenia. Following his recovery and release from hospital, Joey falls for Miranda Porter (Lauren Hewett).
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It reaches a climax in the ultimate sacrifice when Buffy offers to die to save the world. However, "Once More, with Feeling", according to Stroud, is the turning point at which she begins to face her responsibility to the community, her friends and her family. Not only does she continue her Slaying despite a lack of inspiration, but for the rest of the season she works at a humiliating job to provide for her sister and friends.South, pp. 190–191.
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Musically speaking the song is based on a simple groove based melody with piano, flute, electric guitar, and bass guitar accompaniment. The song gradually builds in intensity as it progresses, and reaches a climax during the fourth and final section. Simone's vocal becomes more impassioned, cracking with emotion and her steady piano playing becomes frenzied and at times dissonant, possibly to reflect the angst of the character. The song ends with Simone wailing, with ear splitting conviction, the name "Peaches".
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The Chocolate Watchband recorded their own version of "I Ain't No Miracle Worker" in 1968 for their second album The Inner Mystique. The group's rendition is swayed more toward psychedelia with its sitar-like guitar instrumentals played cohesively with its conventional rock arrangement. The song reaches a climax with lead vocalist David Aguilar's half-shouted chorus. In 2015, the Chocolate Watchband re-recorded the tune for the album I'm Not Like Everybody Else, along with their other better-known tracks.
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Until, Sandhya threatens to reveal all to Prakash, and break off their engagement. Faced with this catastrophe, Ravi decides to leave his job with Prakash, and return to his village, but Aakash steps in and persuades him not to leave. Aakash has finally decided to defend the childhood love, against the will of his father. The seemingly complex love triangle reaches a climax, with the childhood sweethearts being united, but at the cost of Aakash losing his life in the same manner as his beloved did.
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The cellos and double basses introduce the Adagio section in a serene, unison cantabile, before the rest of the string section joins. Again, however, the cellos and double basses descend before the piano joins, in una corda. The piano uses the string theme and develops it further, playing in a nocturne-like style with soft, flowing left hand arpeggios and a cantabile melody in the right hand. The section reaches a climax where a strong fortissimo is played followed by a descending diminuendo scale.
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After Gehrig refuses to pay, one of his ranch hands is shot by one of the crooks. Gehrig storms into the local saloon to confront Saunders and his gang. When a barroom brawl ensues, the attorney (played by co-star Smith Ballew) joins in the fight as Gehrig hurls billiard balls at the criminals. The movie eventually reaches a climax in the obligatory western film chase scene when Gehrig and the other ranchers form a posse to chase the fleeing Saunders gang and put them in jail.
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Around this time, Sylvester gets a phone call from Gwendolyn, who tells him that his parents, O'Dale and Myrna, got into it and Myrna had O'Dale put in jail. The scene then shifts to Rufus' church where he is leading the worship song, "Jesus Will Work It Out," with Reverend Mosley James Evans and the Peace Within Choir. When the song reaches a climax, Rufus gets a phone call and excuses himself to his office. It's Chuck, who's crying and upset over not seeing Rufus since the incident in the earlier chapters.
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He shows some bizarre fondness for Rachel and tells her that if she wanted favour with the Crayak, she should kill Jake, telling Rachel that her passport to Crayak's side is Jake. The Yeerks also emerge into the ship, and the group must stand and fight them before allowing them to gain control. But as the battle reaches a climax, Erek appears - to the shock of the Drode - and activates a violence-dispeller. The Yeerks and Animorphs are forced to leave the ship, and the Chee have their holograms restored.
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To make matters worse, their families' elaborate planning for the "social event of the season" (it is by now the spring of 1917), makes both Cordy and Angie feel pushed aside. The tension reaches a climax when Cordy learns that Angie has abandoned his plans for Detroit, and is instead taking his place in the family business, following his mother's wishes. Cordy angrily calls the wedding off, thinking of Angie as a mama's boy, and Angie storms out of the house. Both families are instantly in a tremendous state of upheaval.
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This development reaches a climax during the first chorus at the line "burning down love" (A–G–F–D); the melody progresses through a series of scale degrees that lead to the highest note in the song, the A4 at "burning". In later choruses, Bono sings "blown by the wind" with the same melody, stretching the same note even longer. After the third chorus, the song's outro is played, the instrumentation reverting to the same state as it was in the introduction, with a six-note guitar arpeggio played against sustained synthesiser notes.
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The servants and Raoul quickly attempt to cover up any existence of Roger but almost immediately there is a new crisis: a man identical to Roger, calling himself Richard Lennox and claiming to be Roger's brother, appears. He claims to know about the boating incident and is apparently using that as leverage to take over one of Elena's companies. Where before the figure of Lennox was passive and docile, he is now shrewd and aggressive; it is Elena that now becomes pliant. The power struggle reaches a climax in a recapitulation of the boating scene.
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When the view changes in line 3 from observation of nature to the destination, the key shifts abruptly to B-flat major, and the word "schönsten" (most beautiful) is accented by a long high note. This climax of the first stanza is prepared by a crescendo, but again a sudden pianissimo. With the beginning of the second stanza, the key returns to F-sharp major, the melody is not identical but similar to the first stanza; the first motif appears one step higher, from B to G sharp, on "Dämmergrau", repeated on "Liebe Land". The line reaches a climax on "blaues" (blue).
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In 2015, Lucy's murder storyline reaches a climax, leaving several characters as potential culprits. During the final scene of the flashback episode which aired on 19 February 2015 to mark EastEnders thirtieth anniversary, it was revealed that Bobby had accidentally killed his sister when he threw her jewellery box at her head, upset at the constant rows she caused. Bobby's crime was discovered by Jane who immediately concealed the murder in order to protect her son. Ian discovers the truth on the day of his wedding to Jane; though grief-stricken, he does forgive his wife and son.
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Cypress is prefixed with the following line from Twelfth Night by William Shakespeare, sung by the Clown in Duke Orsino's palace (Act II, Scene IV): : Come away, come away, death, : And in sad cypress let me be laid.'' The main motif for this work is the soft mournful notes in the left hand and the start and the end. Over this, a light chanting can be heard that is reminiscent of a funeral song or lament. The piece reaches a climax in the middle with rising and descending chromatics played between a series a dissonant chords.
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Beginning with an underlying, steady acoustic guitar riff that runs relentlessly throughout the track, quickly followed by a dancelike drumbeat which boldly kicks in alongside Gary Lightbody’s distinct vocals declaring, 'it's like we just can't help ourselves cause we don't know how to back down.' "As the kids took back the parks," Lightbody sings, "You and I were left with the streets." The song builds momentum and reaches a climax with a striking, textured, electronic heavy chorus, 'we are listening and we are not blind, this is your life, this is your time.' The song aptly ends with the repeating guitar riff and its accompanying drum riff.
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Chinese Buddhist practice reaches a climax with the emergence of Chán (禪) Buddhism in the 7th century AD. Meditative practice was emphasized and a series of qigong exercises known as the Yijin Jing ("Muscle/Tendon Change Classic") was attributed to Bodhidharma. The Chinese martial arts community eventually identify this Yijing Jing as one of the secret training methods in Shaolin martial arts. Chinese martial arts practitioners, influenced by all the different elements within Chinese society, adapted and modified qigong theory with the goal of improving their fighting abilities. Many Chinese martial arts paid homage to Taoism or Buddhism by claiming them as their original source.
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Their relationship continues to deteriorate as she exhibits strange and unusual behavior, which reaches a climax when she films them having sex without his knowledge and then shows the tape to an entire theater as her English project. Although Dixon breaks up with Silver after this, she continues to act out in an erratic fashion, and Dixon eventually realizes that she is suffering from bipolar disorder, a condition that his birth mother also suffered from. Dixon calms Silver down and they take her to the hospital. Soon, Silver finds it unbearable to go back to West Beverly High and decides to go to St. Claire's School for a better semester.
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The sound here, while focused on a particular tonality, has ideas of chromaticism. Two sequences of pianistic figurations lead to a placid, orchestral reinstatement of the first theme in the dominant 7th key of G. The development furthers with motifs from the previous themes, climaxing towards a B major "piu vivo" section. A triplet arpeggio section leads into the accelerando section, with the accompanying piano playing chords in both hands, and the string section providing the melody reminiscent of the second theme. The piece reaches a climax with the piano playing dissonant fortississimo (fff) chords, and with the horns and trumpets providing the syncopated melody.
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The play centres on the experiences of eight unionist Ulstermen who volunteer to serve in the 36th (Ulster) Division at the beginning of the First World War. The story is told in a nostalgic flashback from the viewpoint of the only surviving soldier of the eight (now an unmarried old man). The play reaches a climax at the start of the terrible Battle of the Somme on July 1st, 1916 – the anniversary of the Battle of the Boyne in 1690 – in which the Ulster Division suffered heavy casualties. It explores how both the Boyne and the Somme have come to have a significant place in Northern Ireland unionist consciousness.
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The story reaches a climax when Nick's "heightened awareness" of evil causes him to turn away from the experience. Although Nick may not want to watch the caesarian, his father insists he watch - he does not want his son to be initiated into an adult world without toughness, writes Thomas Strychacz. Hemingway biographer Philip Young writes that Hemingway's emphasis in "Indian Camp" was not primarily on the woman who gives birth or the father who kills himself, but on young Nick Adams, who witnesses these events and becomes a "badly scarred and nervous young man". In "Indian Camp," Hemingway begins the events that shape the Adams persona.
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As described in a film magazine, Joan Gray (Nilsson), a novelist who is living in the underworld to absorb its atmosphere for her next work, finds herself seriously menaced by Coast-to-Coast Taylor (Beery), a prominent figure of the district who determines to win her by force if necessary. As the situation reaches a climax she is rescued by the famous criminal who has just been released from prison. She continues to sing at the low cafe and accepts the admiring protection of the crook. The latter, unknown to her, is David Strong (Reid), a member of the upper world whose love of adventure and her accounts for his assumption of a famous crook's identity.
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While another columnist from the publication said that "Tug does his best to look tough and streetwise in front of his girlfriend, [but] he fails to save face when he finally meets his wayward father." They added that the combination of finding his father and Shane goading him over the time he spent with Sarah during rehearsals for their school musical; result in Tug hitting an "all time low". The two episodes featuring the school musical where Tug's feud with Shane reaches a climax were nominated for "Best Episode in a Television Drama Serial" at the Australian Film Institute awards in 1993. Kate Langbroek writing for The Age branded the Tug as one of the show's "resident dope" characters.
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Pais left behind an unpublished novel in Portuguese. It was published by Goa, 1556 under the title Preia-Mar in 2016. The novel follows the trajectory of a young Goan named Leo. From a privileged yet impoverished family, Leo tries to strike it rich by any means possible in the Goa of the 1970s. Moving through various strata representative of the society of his times – new ascendant classes linked to smuggling, mining and politics, hippies tired of the West in search of drugs and spirituality, the fishermen of the coast and repatriates from Idi Amin’s Uganda, the novel reaches a climax that defies local tradition even as it calls into question the principles of the new order.
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His two best- known stories are probably "The Willows" and "The Wendigo". He would also often write stories for newspapers at short notice, with the result that he was unsure exactly how many short stories he had written and there is no sure total. Though Blackwood wrote a number of horror stories, his most typical work seeks less to frighten than to induce a sense of awe. Good examples are the novels The Centaur, which reaches a climax with a traveller's sight of a herd of the mythical creatures; and Julius LeVallon and its sequel The Bright Messenger, which deal with reincarnation and the possibility of a new, mystical evolution of human consciousness.
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Despite returning to her children, Wu routinely ignores them in favor of pursuing her relationship with Dr. Tang, enraging Tiao who sees her mother as betraying her father. The tension between mother and daughter reaches a climax as Fan develops a serious illness while her mother is visiting her lover, leading to Tiao to scream at her mother, claiming that Fan's illness is entirely the fault of her mother. Tiao befriends Dr. Tang's niece, Fei, an attractive and luxuriously dressed high school girl. Despite Tiao's animosity to Dr. Tang for having an affair with her mother, Tiao soon finds Fei to be her closest friend, often spending hours with her and Youyou, reading prohibited Soviet magazines for recipes.
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Vanita is saved when protagonist Lieutenant "Lefty" Enright (Dennis Hopper) arrives and engages Leatherface in a chainsaw duel. The battle between the Sawyers and Lefty reaches a climax when a hand grenade, accidentally set off by Drayton, explodes and kills Grandpa, Lefty, Drayton and possibly Leatherface, as well as presumably destroying the puppet-like corpse of the Hitchhiker. Narrowly escaping the grenade explosion, Chop Top follows Vanita to the top of the Matterhorn attraction in the Texas Battle Land, which the Sawyers converted into a shrine known as "Chainsaw Heaven". Slashing Vanita and himself several times with a straight razor, Chop Top apparently meets his end when Vanita stumbles upon the mummified corpse of Great-Grandma Sawyer and tears a chainsaw out of the corpse's abdomen.
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"Furt" is the eighth episode of the second season of the American musical television series Glee, and the thirtieth episode overall. It was written by series creator Ryan Murphy, directed by Carol Banker, and premiered on Fox in the United States on November 23, 2010. The episode features a guest appearance by actress Carol Burnett as a Nazi hunter and mother of cheerleading coach Sue Sylvester (Jane Lynch), who shows up for the first time in years, just in time to attend Sue's wedding to herself. The long- anticipated wedding of Burt Hummel (Mike O'Malley) and Carole Hudson (Romy Rosemont) is also featured, and the bullying storyline reaches a climax that results in Kurt (Chris Colfer) transferring from McKinley High to Dalton Academy at the end of the episode.
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As this following development reaches a climax in preparation for a stretto, the band abruptly enters and transforms the character of the composition. In this second, bustling and colourful section, orchestra A deals primarily with the treble, and orchestra B with the bass, while the band occupies the middle region and prepares for its eventual dominant position amongst the three ensembles. A third section ensues, introducing a new atmosphere of percussive sounds, including many characteristic Brazilian instruments: the camisão (a single-headed frame drum), caxambu (a double-headed barrel drum), tartaruga (a sea-turtle shell), tambu and tambi (low and high stamping tubes, also used at the outset of Chôros No. 6), and pio (a ”cheeper”). The sound of the battery gradually diminishes to link to a fourth section having the function of a recapitulation, ending with a series of stretti.
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His musical style, notably very generous, indeed rather valuable in its rather Schubertian melodic interest, is of its time: an amalgam of late Romanticism and early Modernism, comparable with those of his contemporaries Richard Strauss, Gustav Mahler, Franz Schreker and Alexander Zemlinsky. His idiom left some marks on Erich Wolfgang Korngold, whose precocious Sinfonietta is dedicated to Weingartner, who conducted its first performance. His Third Symphony was intended both as a message of love to Lucille Marcel and a reply to the many critical attacks on him in Vienna; the finale reaches a climax in a parody of the waltz from Johann Strauss II's Die Fledermaus. Similarly, he managed to finish his Fifth Symphony in time for Roxo Betty's birthday, a trend in romantic attachment which may attract at least passing notice, for he was thus a very dedicated bridegroom in his deployment of manuscript paper.
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The growing fear that the League might become the Lords reaches a climax in this episode, when the Flash exceeds his maximum speed (vanishing into the Speed Force) to destroy the link between Brainiac and Luthor. With Flash supposedly dead, and Luthor at his mercy, Superman is put in exactly the same position as his Justice Lord counterpart, but resists the temptation and proclaims that he was his own person & not a Justice Lord. J'onn then senses Flash's presence, and the League successfully pulls him back from the Speed Force before he can vanish completely, saving his life and avoiding the path of the Justice Lords. Realizing they have estranged themselves from those they are trying to protect and still fearful of the future, Superman announces the complete dissolution of the Justice League, but Green Arrow challenges him, saying the Justice League was bigger than any individual and would continue without the original seven, and Superman changes his mind.
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He tricks Chop Top into believing he has killed her when the two leave the station, taking an injured co-worker of Vanita's (whom was attacked by Chop Top with a hammer and thought dead until later on in the film) with them. When Chop Top and his other brother Drayton (Jim Siedow) discover that Vanita is still alive after finding her in the family's home in an abandoned amusement park called the Texas Battle Land (bought by Chop Top using government checks) the three brothers take her captive and decide to let the decrepit patriarch of the Sawyer family, Grandpa Sawyer (Ken Evert), kill her with help from Chop Top. Vanita is saved when protagonist Lieutenant "Lefty" Enright Hardesty (uncle to Sally and Franklin from the first film) (Dennis Hopper) bursts on to the scene and engages in a chainsaw duel with Leatherface. The battle between the Sawyers and Lefty reaches a climax when a hand grenade, is set off by Drayton, explodes, killing Grandpa, Lefty, Leatherface and Drayton.
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