We found the earlier, rawer records to be more listenable.
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This seems to be a different, rawer breach than most.
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Subconsciously, I think we really came to appreciate that rawer sound.
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The rawer it was, the more interesting it was for us.
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The music "feels rawer and edgier than Ornette's classic quartet," he told me.
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There's an upside to trading a safe, conventional political script for something rawer.
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But Tunnard's film is rawer and less mannered, more openly comic, and more agonized.
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More persuasive is the rawer stuff, Ms. Henry's peculiar blending of horror and compassion.
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"It felt like you could get a rawer slice of marriage that way," he said.
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It was rawer, more precise and more cutting, but it was also so much freer.
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The recent work is smaller, rawer, without words, and relishes in a primordial awe of paint.
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The story became rawer, more human and much harder for politicians and ordinary citizens to ignore.
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The tumble will fray everything up — the rawer the edge, the more fraying and distressing will appear.
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Northern Ireland, every border region of which voted to stay in the EU, labours under rawer concerns.
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If you're used to hearing Krell in rawer, more intimate settings, this'll make for a fascinating listen.
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These are journeypeople singing here, clergy folk and teachers, who have a rougher, rawer way with a tune.
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It's Platoon's rougher, rawer, more aggressive, more caustic B-side — and of the two, it's the film I prefer.
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Thursday's proceeding was rawer, airing out all of the pent-up bitterness of years of near existential political warfare.
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Sound-wise, think of them as a more black metal version of Angelcorpse with far rawer musicianship and production.
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When they inevitably forgive each other at episode's end, it feels earned, because the fights felt realer and rawer.
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Despite their youth, their flintiness is undeniable — a testament to the rawer, grittier New York they inhabited in the 1970s.
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With every passing episode, Big Little Lies peeled layers off its own skin to reveal something rawer and dangerously vulnerable.
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Billy's therapist gets an even rawer deal in the story, and just as little characterization outside the men in her life.
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Some in Brussels think his rawer style will make him a better match for the current occupant of the White House.
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It's Bon Iver's most experimental album to date, mixing the choral sounds of Vernon's previous efforts with something rawer and more frayed.
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There was something rawer and readier than gay culture that didn't get a look in until the show Queer as Folk, really.
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" If last year's booth "had a preciousness," Ms. Lévy said, featuring the likes of Ryman and Giacometti, "this year is much rawer.
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Screaming his raps like a latter-day DMX, 6ix9ine calls back to a time when New York hip-hop had rawer edges.
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It's just that this new sound is more gentle and fun, and her voice is so well-suited to the rawer side of life.
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He played on all instrumentation and while they still "shred," it's a rawer sound that harkens back to his 2010 album Public Service Announcement.
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As it happened, Hurlburt apparently agreed; Look opted to print not Rockwell's final version of the scene but one of his rawer preliminary studies.
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The one that seemed most important at the time was the show's embrace of rawer language and sexual content than other series of the time.
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I prefer the rawer skin-imperfections-and-all selfies that the iPhone 6S takes, but if you don't mind the airbrushing, the selfies aren't terrible.
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Years before #FreeBritney emerged, fans were already hoping for, and imagining, a rawer Britney liberated from the music industry machine they believed was holding her back.
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Rather, the point is that Trump, in this as in so many other areas, is a rawer, truer reflection of right-wing thinking on this subject.
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The second goes to the rawer stuff of Florida politics—a state important to Trump's base and the site of closely fought elections this past year.
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The flip side of that interest, though, is that new, rawer scientific work filters out to the general public much more quickly, without interpretation or intervention.
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" BRITISH OLYMPIC HEPTATHLON BRONZE MEDALLIST KELLY SOTHERTON "I'm pretty sure if this was a track and field athlete they'd be getting a much rawer deal than Sharapova.
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The recent news that Cambridge Analytica siphoned off the data of Facebook users and their friends has made the trade-off only look like a rawer deal.
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The lack of flash for "Purple Rain" wasn't total (there were actual lighters in the air), but it nevertheless gave the song a rawer charge than usual.
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If Savages embody old school rock 'n' roll danger, their ideals are even rawer: Like Pessoa's poet, Savages don't have sympathy for the Devil—they pity him.
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Holger Hoock's important book recovers a rawer, more ruthless national beginning: a war long on wounds and short on principles — a war, in short, like any other.
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That Mr. Masuzoe might nickel-and-dime taxpayers and contributors for spa trips seems to have struck a rawer nerve than if he had engaged in wholesale theft.
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Within days, breathing became more onerous and the weeping ulcerations on his feet became rawer; there was blood draining from his right foot now, and a terrible odor.
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You can see its joins and pins and the marks of its making, offering an altogether rawer impact than the smooth, polished bronze seen elsewhere in the show.
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Yet alongside his bold and colorful commercial work, he's also long been involved in artist books, which often have a rawer style, such as his 1957 Book of Battles.
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The appointment could trigger a massive battle between the parties made rawer for Democrats because of the refusal of Republicans to confirm Judge Merrick Garland for the opening last year.
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Meilenwald has succeeded in making a transition from a rawer, more traditional black metal sound on 2004 debut Unlock the Shrine to the more expansive, dynamic sounds on recent records.
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No longer the bright-eyed 16-year-old teenager, Lorde revealed an edgier, rawer side of herself that digs deep into the insecurities, anger, and emotional breakthroughs that come with entering adulthood.
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I didn't want to connect with contemporary specialist acts; I wanted to be able to connect with something a bit rawer, cruder, like spiritualist photography at the end of the 19th century.
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A Guy Called Gerald: If you didn't want to dance to Kylie Minogue, you had to create something rawer, so back then if you wanted something to dance too, you made it yourself.
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That irrepressible iconoclast van Hove, it was said, would be taking a grittier, rawer approach to a show that rattled Broadway when it opened in 1957 but has since become a sentimental standard.
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It's no coincidence that "BoJack Horseman" itself replicates the plots of sitcoms—Princess Carolyn goes on a series of bad dates, BoJack crashes a wedding—to inject them with something rawer and more unsettling.
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Coming out in an assortment of black leather jackets and cowboy boots, wielding classic guitars and snarling faces, they charged through songs that sat somewhere between a poppier Fleetwood Mac and a rawer Shania Twain.
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"I'm pretty sure if this was a track and field athlete they'd be getting a much rawer deal than Sharapova," Kelly Sotherton, the former British heptathlete and 400-meter runner, said in a Twitter message Monday.
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This is to say that a pioneering black entertainment movement had just gotten underway, a pivot away from the revolutionary respectability of Sidney Poitier toward grittier, rawer, more experimental genre stuff — toward alacrity, lunacy and verve.
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Many of the show's rawer moments are underpinned by real-life affronts that Stephen sustained; the second episode's jailhouse beating stemmed from a day he spent in jail after being arrested for possessing a gram of weed.
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Today, movies like Sleeping With Other People and Bridesmaids — and even television shows like You're the Worst and The Mindy Project — explicitly take on rom-com tropes only to twist them into something rawer, more accessibly human.
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According to the Pulitzer reporting, "DAMN." got added to consideration when the jury was looking into a composition with hip-hop influences, and decided to go to the source — where the ideas, in this case, are even stronger, both rawer and smarter.
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Not after the electricity of that first stop on the West Coast, or even after Wrestle Kingdoms of the recent past, of Shinsuke Nakamura and A.J. Styles, or a younger, rawer Okada doing his own chase of Hiroshi Tanahashi over two years.
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I can imagine people finding out about Discharge when they first came out as there must have been a lot of tape trading to the UK. But when you listen to the early Finnish hardcore, it's basically punk rock except a bit faster and rawer-sounding.
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But the students and their allies — law enforcement, teachers, the parents of their slain classmates — made the most of the platform they were given Wednesday night, transforming the typically made-for-TV event into something rawer, more emotional and, ultimately, more powerful than anyone could have possibly imagined.
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If McCraven's music beckoned and absorbed, the Duo's music felt rougher and rawer, with Mr. Taylor's loud polyrhythms, played on drums and plucked on an amplified mbira, the hand-held African thumb piano; and with Mr. Mazurek's sense of color and texture, his trumpet run through electronic effects.
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This is not a conventional, step-by-step retrospective, so it is a little hard to see how Ms. Minter progressed from her rawer, pornographic paintings to those of this century, which trade on suggestion more than on sex and are more imposing in terms of size and color.
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It's centered on Carol and Maggie's ordeal after being captured by the Saviors, but it also checks in on a group of women affiliated with the Saviors — a group led by Paula, played by Alicia Witt as a raw nerve who's only gotten rawer with all the zombies around.
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I've been following Sub Rosa for five years now, starting with its v 0.06 release, which came soon after an even rawer version was part of of 2012's 7 Day FPS Game Jam: At the time, it seemed like such a quaint, unique take on the multiplayer FPS.
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Eric Garner's death happened during a season of death and civil unrest across the country, and that summer was an abrupt reminder of what occurs when there is a disconnect between the ''safe'' issues that elected officials tend to focus on and the rawer issues of racial justice that the Black Lives Matter movement raised.
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Setting up shop in Brooklyn, the home base of her new Firehouse Recordings label launched in 2014, Foxman's been channeling the same gloriously weird vibes of her former band into a new career as both DJ and producer—toying with similarly retro flavors, whilst injecting some rawer rhythms built for dark floors of sweaty gyrators.
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Warmer than Chicago's late 1980s acid house, rawer than New York's slick, Latin-influenced garage house, and more subtle (and certainly more groovy) than the kind of EDM that has become a blockbuster enterprise in Las Vegas and on radio and streaming services, Detroit house is more thoroughly rooted in the continuum of black music than other schools of electronic music.
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The plays' protagonists, both named Hester, bend low or stand tall in a political climate in which the powerless are given an even rawer deal than they could have imagined, but Parks never gives up on her characters; she shows how pain wears on them, but also how they outwit life—which is to say a life that is dominated by male-generated puritanism.
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When people in Los Angeles talk about "the desert" they mean one of two quite different things: They are either referring to the manicured, climate-controlled, midcentury modern, golf-green, martini-chilled, enclaves of Palm Springs, Palm Desert, La Quinta and their surrounding resort cities, or they mean the High Desert, usually the town of Joshua Tree in the untamed, purportedly mystical, rawer, region to the north.
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K. Rawer. Wave Propagation in the Ionosphere. Kluwer Acad.Publ., Dordrecht 1993.
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Rawer was an ancient Egyptian official of the Sixth Dynasty of Egypt. His main title was that of a vizier, making him to one of the highest officials at the royal court. Rawer is so far only known from his rather modest mastaba found at Saqqara, close to the pyramid of king Teti. Rawer had several titles, including overseer of Upper Egypt, but also royal sealer and beloved of god.
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His electric guitar playing grows rawer and noisier over the course of the track.
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Hamlet. The concernancy, sir? Why do we wrap the gentleman in our more rawer breath?
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Sanders thought this was "a much rawer way of recording" that the band haven't previously done.
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Professor Rawer at his 104th birthday in 2017 Karl Maria Alois RawerKarl Rawer: space research and international cooperation (19 April 1913 – 17 April 2018) was a German specialist in radio wave propagation and the ionosphere. He developed the analytical code to determine suitable frequency ranges for short wave communication by which German forces built-up their long distance communications during World War II.
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One version of the stereo mix features a radically different vocal from Jagger, who alternates between mellow on the verses and rawer on the chorus.
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It also features a rawer sound than Soundgarden's previous album Superunknown, as the band members produced the record themselves.Clay, Jennifer. "Soundgarden: Painting Beautiful Pictures". RIP. June 1996.
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The Best of the Classic Years is a compilation album by Nigerian musician King Sunny Adé. It was released by Shanachie in 2003. The album showcases Adé's rawer pre-Island Records sound.
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Relief showing Ptahshepses found in his mastaba. Neferirkare's reign was unusual for the significant number of surviving contemporary records which describe him as a kind and gentle ruler. When Rawer, an elderly nobleman and royal courtier, was accidentally touched by the king's mace during a religious ceremony—a dangerous situation which could have caused this official to be put immediately to death or banished from court since the pharaoh was viewed as a living god in Old Kingdom mythology—Neferirkare quickly pardoned Rawer and commanded that no harm should occur to the latter for the incident. As Rawer gratefully states in an inscription from his Giza tomb: : Similarly, Neferirkare gave the Priest of Ptah Ptahshepses the unprecedented honour of kissing his feet rather than the ground in front of him.
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He also received the title king's son of his body, albeit evidently not being the son of a king. The precise dating of Seshemnefer can be concluded only by architectural observations, as no king's name is preserved in his tomb. The mastaba of Seshemnefer uses the rear wall of the mastaba of an official named Rawer, which, in turn, uses the rear wall of the mastaba of official named Djaty who is securely datable under king Neferirkare. Rawer and Seshemnefer must therefore date later.
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Baud suggests that an anonymous rock-cut tomb discovered by Selim Hassan south of the tomb of Rawer may have belonged to Queen Khamerernebty I. Callender and Janosi argue against this identification for a variety of reasons.
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For this album however, the band decided to have Emil and Efraim do the backing vocals. The result, according to the band, is a rawer sound compared to their previous two records."Persuader Album Update". Facebook. 2-23-2013. Retrieved 1-11-2014.
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Dan Hartman was soon replaced by Dieter. The Hartman demo was released in 2000 under the name "Coup de Grace". This rawer version of Coup d'Etat took less than a tenth of the time and a fraction of the budget of the original.
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On August 9, 2011 the band released an EP, Arrested Youth, on their own label, Arrested Youth Records. The EP was produced by American hip-hop producer Neal Pogue and marked a departure for the band stylistically and, according to Ogden, had "a rawer sound".
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Deep funk is a subgenre of funk music which, unlike traditional mainstream funk, has a more soulful, rawer, grittier, and "heavier" sound. The term "deep funk" is also the name of the scene of collectors, DJs, and musicians who are into deep funk as a genre.
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What Ehrenfels like many other men at the time seemed to have liked in the "flight from domesticity" novels was the celebration of the "masculine primitive"; a purer, rawer, tougher form of masculinity that was alleged to exist more in the wild than that found in civilization.
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His mastaba is only 6.83 m long and 4.30 m wide. It contained one room, the offering chapel, with the entrance on the east side. On the west side of the offering chapel are two false doors. All walls are decorated with scenes showing offering bearers and Rawer.
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Often though the rawer elements present in live shows did not make it past the recording studio. Bambaataa's first records, for instance, two versions of "Zulu Nation Throwdown" (Winley, 1980), were recorded with just drums and rhymes. When Bambaataa heard the released records, a complete live band had been added.Hager, Steven.
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January 24, 2007. He ended saying "the production sounds necro as fuck, but that's the way we wanted it – this time. It represents Mayhem today." Indeed, the sound of the album is much rawer than that of any official Mayhem studio release since Deathcrush, with a very bass-heavy mix.
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Breach started as a metal influenced hardcore band. The band's later style features a mixture of hardcore, crust punk, post-hardcore, post rock and black/thrash metal. They combine fast metallic parts with clean, atmospheric guitar lines. Their production is a lot rawer and harsher than that of most modern post-hardcore bands.
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Tyrant was found in December 1994 by Keisuke. They originally played a rawer, more straightforward style of black metal. Although Keisuke loved black metal, he believed that a lot of bands, such as Dark Funeral and Satyricon played it much better than them. Afterwards, he decided on being a symphonic black metal band.
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Following the release of "Perfume", she thanked her fans for "loving the song as she did". Record producer Dr. Luke revealed that the single release of the song is a "radio-friendly" edit, while the "rawer" and "less produced" original version would be included as a bonus track on the deluxe edition of Britney Jean.
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The collection ends with two new bonus tracks. he first, "Hardcore Romance", is in a rawer style, sans the keyboards prevalent throughout the original '80s recording. The second, "Memories of You", makes up for the lack of balladry in the original track list, bringing back a subtler wash of keyboards and a subdued guitar.
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The rawer sound of the group's second album, Radio Ethiopia, reflected this. Considerably less accessible than Horses, Radio Ethiopia initially received poor reviews. However, several of its songs have stood the test of time, and Smith still performs them regularly in concert. She has said that Radio Ethiopia was influenced by the band MC5.
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Midwestern Minutes was met to positive critical acclaim. Darren of punknews.org gave the album 4 out of 5 stars and remarked that the album was "arguably the band's best album to date". Reviewers noted that the album was a departure form the band's rawer punk roots, and that the band has matured into their own unique sound.
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Though recorded before Put the "O" Back in Country, released on April 4, 2006, Electric Rodeo was released as Jennings's second solo album. Sonically, Electric Rodeo is louder, rawer, more upfront rock and roll than its predecessor. Electric Rodeo was followed by The Wolf on October 23, 2007. The album varied from his previous records in that the .
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Willoughby's Beach is the second EP by Australian psychedelic rock band King Gizzard & the Lizard Wizard. It was released on 21 October 2011. It peaked at No. 15 on the ARIA Albums Chart after being released on vinyl in November 2018. The EP generally features a rawer and less refined sound compared to its successor 12 Bar Bruise.
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Disc 1 is described as "experimental" while disc 2 is "rawer, more live setting". FolkRadio stated that Dreamland Tomorrow unveiled "a strikingly new maturity and willingness to push the envelope," which saw Whitehouse "adopting an experimental approach and more expansive sound palette." NorthernSky observed the experimental material was "reminiscent of Scott Walker’s more adventurous exploits"Wilkinson, Allan.
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A completely new lineup that would give the band a different and rawer sound than the previous records. The album "World Domination" was released in 2008. This album was mixed by the experienced Michael Wagener, who earlier had worked with Ozzy Osbourne and Skid Row. The band describes the album as being a basic 'rock and roll' album.
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The twin-bass setup is fairly unusual to the South African music scene. Zietsman plays in lower key as the rhythm, akin to a normal bassist. Nel employs a higher chord-based approach as the lead, akin to a lead guitar. The perform with a bass and normal guitar amp to create a "rawer, harder, and more low-fi sound".
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The EP even included a satirical disclaimer printed on the disc saying: "Not produced by Brian Eno". The compilation includes a rawer early version of X's song "Los Angeles", recorded in 1978, which is, in the words of Dangerhouse Records co- founder David Brown, "a scathing, literal depiction of the scene which needs no explanation".Various artists (1991), Dangerhouse: Volumen One. Frontier Records.
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Later in 2004 the band signed with their current label Avantgarde Music, and recorded the album Codex Antitheus. In support of this they played a few more gigs in 2005 in Switzerland and Italy. In 2006 Azaghal recorded a second album for Avantgarde Music, Luciferin Valo. This album saw a more back-to-basics approach, both in simplified song writing and rawer production.
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Mekanïk Kommandöh is an album by French progressive rock group Magma. It was recorded in 1973, but not released until 1989. The album consists of an early rendition of the band's classic record Mëkanïk Dëstruktïẁ Kömmandöh. This alternate take features a rawer, more stripped-down mix that pushes the drums upfront and does not contain the horns and other melodic instruments.
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The album marks the first appearance of drummer, Derek Grant, described by vocalist/guitarist, Matt Skiba, as "a whole new influence." During recording, both Skiba and vocalist/bassist, Dan Andriano were ill. Skiba describes the album as sounding "bigger, deeper and rawer" than its predecessor, From Here to Infirmary. In a 2003 interview, Matt Skiba stated that Good Mourning: > is pretty good.
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In explaining the evolution of the "Black Lake" video project, Björk said, "I think me and Andrew kept wanting the song to be rawer and rawer and more and more without special effects: to go totally "Ingmar Bergman" on it. So the "book cover" ended up being a book cover....." While the MoMA "Black Lake" installation consisted of 2 screens showcasing complementary edits of the 10-minute video, the final music video version, which debuted on Dazed Digital on 10 June 2015, is a composite of both videos. The Haxan Cloak, who co- produced the Vulnicura track "Family", created a special mix of the song to accompany the video. To celebrate the opening of the MoMA show and the upcoming physical release of the album, Björk announced on Facebook the "Stonemilker" 360-degree virtual reality music video.
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By the time Velasco began composing its music, ZombiU was playable; its audio director sent him game footage to help him understand the type of music needed. He spent 10 days composing the music, and assembled a string quintet of two violins, a viola, and two cellos to record it. Known as the Apocalypse Ensemble, it played "rawer sound" which makes the soundtrack menacing.
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The album featured a much looser and rawer sound compared to the band's debut album, Ten. Ament said, "When we made Vs., our second record, I remember thinking, 'Man, I wish our first record sounded like this.' I thought it was more direct, more powerful." Besides the heavier songs, the album features two acoustic ballads in "Daughter" and "Elderly Woman Behind the Counter in a Small Town".
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Long term changes from solar cycles is taken account of by Wolfgang Gleißberg´s prediction method. After the war Yves Rocard, then director of French Navy research, was impressed by Rawer's code. He engaged him as "directeur scientifique" (1946–56) of his newly founded "Service de Prevision Ionospherique". Between 1956–69, Rawer, serving in Germany as director of "Ionosphären-Institut Breisach" switched to space research.
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With the line-up reformed, in 2009 Crazy Lixx signed a contract, which lasts until today, with the Italian label Frontiers Records. In 2010, the band released its second studio album, New Religion. In April 2012, Crazy Lixx released their third studio album entitled Riot Avenue. This album is rawer than their previous efforts and is sometimes considered somewhat of a Dark Horse album.
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For ordinary mode waves, this occurs when the transmitted frequency just exceeds the peak plasma, or critical, frequency of the layer. Tracings of the reflected high frequency radio pulses are known as ionograms. Reduction rules are given in: "URSI Handbook of Ionogram Interpretation and Reduction", edited by William Roy Piggott and Karl Rawer, Elsevier Amsterdam, 1961 (translations into Chinese, French, Japanese and Russian are available).
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Lead singer Smith revealed that the band will explore a new direction on their next album, pursuing a new, rawer sound. Before January 2009, Editors had written around eighteen new songs for the new albumSteve Lamacq, BBC 6 Music, 8 December 2008 and they have been described as some of the most synthetic, raw and anthemic songs they have written to date.Colin meets Editors, bbc.co.uk, 10 May 2008.
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Although Edward retained record producer duties, Larry Page oversaw the recording sessions as executive producer. AllMusic commented that "Out of Uranus is rawer and more irreverent than most second-line British blues-rock of the late '60s and early '70s, as indicated by the title itself". A single from Out of Uranus, "Call For the Politicians", received airplay on BBC Radio 1, and also sold well in Germany.
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"This Alone Is Love" was the B-side, in an earlier, rawer form than the one that was re-recorded for Stay on These Roads. Both versions can be easily differentiated by their duration and the use of certain instruments. The earlier version is notable for its organ solo that sets in at 3:36 until the end of the song. The Scoundrel Days version is notable for its guitar solo.
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William Roy Piggott (18 July 1914 – 20 May 2008) was a student of Sir Edward Appleton who transferred a large group of German specialists from Austria into the British Zone of Occupation in Germany in 1945. He edited the still valid official booklet of reduction rules for ionospheric soundings with Karl Rawer and was engaged in international activities during the International Geophysical Year (IGY) and for a long time afterwards.
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1,000 copies of the single were distributed as part of the group's Beacon Street Records label. The single is a "ska-tinged" song with a more developed and rawer sound than their material from 1992. In addition to the band members performing their standard instruments, its instrumentation is joined by a saxophone, trombone, and trumpet. "Squeal" features the last performance by saxophonist Eric Carpenter, who left the band shortly after.
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Music for the Jilted Generation has received critical acclaim. Rolling Stone gave it three-and-a-half stars, calling it "truly trippy" and that it "generates universal dance fever". Alternative Press said it "throws much darker shapes than its predecessor" and "slams harder and rawer and covers more ground". Robert Christgau called it "one of the rare records that's damn near everything you want cheap music to be".
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The EP was recorded in November 1988 at London Bridge Studios in Seattle, Washington with producer Mark Dearnley. Dearnley also mixed the album, Charles Peterson photographed the cover art. With the exception of the over eight minute long "Chloe Dancer/Crown of Thorns", a majority of the songs here draw upon the band's rawer side. Vocalist Andrew Wood's dreamy lyrics are sung in a tenor heavily reminiscent of Led Zeppelin frontman Robert Plant.
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The ship Commandant Charcot of the French Navy spent nine months of 1949/50 at the coast of Adélie Land, performing ionospheric soundings.M. Barré, K. Rawer: "Quelques résultats d’observations ionosphériques effectuées près de la Terre Adélie". Journal of Atmospheric and Terrestrial Physics volume 1, issue 5–6 (1951), pp. 311–314. The US erected the Amundsen–Scott South Pole Station as the first permanent structure directly over the South Pole in January 1957.
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British singer Linda Lewis also appeared as a guest artist on "Your Love Shines". "Better Days Will Come" was featured in the first episode of the fourth season of Smallville in September, 2004. In 2007, the band transferred to Barclay and in 2008, they returned to the Tahitilab to record Activity Center. It was described by critics as a back to basics album, with a rawer sound and a rock production style.
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" Mark Opitz said, "With Cold Chisel I was there for the breakthrough and the break-up. And let me tell you, the breakthrough album was a lot more fun." The original choice of producer, Tony Cohen, had to leave the project due to health problems, exacerbated by tensions during the recording. He said that Walker wanted a rawer recording, whereas "Barnesy wanted to be like The Eagles, like some LA production thing.
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With his team he participated in the first French scientific rocket launch 1954 in the Sahara desert and later they experimented aboard rockets of different nationality. From 1958 to 1964, he was "professeur associe" at the University of Paris. Rawer held several offices in the international space research organisation COSPAR. As director of "Fraunhofer-Institut für physikalische Weltraumforschung" (1969–79) he became the father of the two AEROS satellites, launched in 1972 and 1974.
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Sister Crayon recorded their full-length debut Bellow in Spring/Summer 2010 at the famous Hangar Studios in Sacramento, California. Five of the tracks appeared in a rawer form on their limited edition EP, only sold at shows. Bellow was released on Manimal Vinyl on February 22, 2011. Their debut video for the track "(In) Reverse" (directed by New York fashion photographer, Robert Ascroft) was aired several times on MTV's LOGO network in May 2010.
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"An ice cream in the UK, a firework in China and a 'whip' in a political sense. These extremes would reflect the different textures, breadth, and depth of the album." Hung says that the band wanted a cover that touched on those themes and that also had a "rawer feel" to give a sense of how the record came together in Hong Kong (the band recorded quickly, in a small studio in the city).
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"Chet Atkins", Rock and Roll Hall of Fame. Accessed on March 28, 2008. He took a considerable risk during the mid-1960s, when the civil rights movement sparked violence throughout the South, by signing country music's first African-American singer, Charley Pride, who sang rawer country than the smoother music Atkins had pioneered. Atkins's biggest hit single came in 1965, with "Yakety Axe", an adaptation of "Yakety Sax", by his friend, the saxophonist Boots Randolph.
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It was also preceded and influenced by Pete Johnson's "Rocket 88 Boogie" Parts 1 and 2, an instrumental, originally recorded for the Los Angeles-based Swing Time Records label in 1949. Drawing on the template of jump blues and swing combo music, Turner made the style even rawer, superimposing Brenston's enthusiastic vocals, his own piano, and tenor saxophone solos by 17-year-old Raymond Hill. Willie Sims played drums for the recording.
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Terry's last tour with the group was the 2003 Christmastime Tour with Michael W. Smith, and her last concert was in Little Rock, Arkansas, on February 28, 2004. Leigh had been officially on board since January 1, 2004, but her first concert was in Atlanta, Georgia on March 12, 2004. Leigh's first album with Point of Grace was I Choose You, released on October 12, 2004. It featured a rawer, less glossy sound.
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The first album is also the only album (except from the demos) to feature death growls, which are performed by Carlos D'Agua (Before the Rain). In 2012, the band released its second album, this time with brand new songs, in a style different from the previous one : the band focuses on the ethereal side of their music and uses rawer guitar riffing. In October 2013, the band announced the recording of their 3rd album.
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In April, he gained further exposure opening for indie darlings The Postal Service. Before this, however, he released Being Ridden in both vocal and instrumental form. The album cover paid homage to David Bowie, imitating the cover for "Heroes". Also notably, the album was not released by Tigerbeat6, and it seemed to have largely abandoned both the IDM and jokey old-school hip-hop of Tall, Dark, and Handcuffed for rawer sounds and themes.
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Tender Buttons is the third studio album by British indie electronic band Broadcast. Following the departure of several bandmembers, the album was recorded largely as the core duo of Trish Keenan and James Cargill, and as such is considered to have a rawer and more stripped back sound than previous Broadcast releases. It was released on 19 September 2005 by Warp. Upon its release, Tender Buttons received acclaim from critics but failed to place in international charts.
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After Crazy Days, Hot Wheelss sound was rawer and heavier than its predecessor. This album differs from its predecessors in that it contains only Remu's and Cisse's names in the writing credits of the band's own songs. Ile also took part in the songwriting but Remu deliberately left his name out of the credits. The album was recorded in Lahti by Pekka Nurmi at Microvox studio, which was a cheap, seedy, and not very classy basement studio.
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Rogers said The Darn was a chance to do something different with his songs, stripping them "down to their basics while allowing him to stretch out on the solos and bring a rawer edge to the sound". As of 2014, Those Darn Accordions continue to sporadically play shows across the Pacific Northwest and occasional music festivals in the Midwest, though the band has made no indication of any future plans to return to recording or extensive touring.
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Since the old equipment did not allow for many mistakes to be corrected in post-production, the band spent three weeks rehearsing the songs, and Vig had to relearn outdated editing techniques. The band sought a heavier and rawer sound in contrast to the experimentation of their previous albums. Most of the lyrics were written as Grohl reflected upon his life and possible future. Guest musicians include Bob Mould, Krist Novoselic, Jessy Greene, Rami Jaffee and Fee Waybill.
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Unlike many garage rock compilations, the Back from the Grave series focuses exclusively on the rawer and more aggressive side of the genre. Psychedelic rock is categorically excluded. The series also includes very few pop- or folk-oriented songs. As a result, the albums are primarily populated by louder songs that are characterized by fuzztone guitars, rough vocals, and are clearly influenced by groups such as the Rolling Stones, The Yardbirds, the early Kinks, and the Pretty Things.
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While the group, according to Garcia, "experiment[ed] with co-writers" in the past, they wanted to "become more internal", writing all of the songs on Black Lines by themselves. Kerrang! writer Paul Travers noted that while the band's past works were collections of pop rock songs, Black Lines had "a rawer, grittier sound with a more dynamic approach" to song structures.Travers 2016, p. 42 The album's sound has been described as emo, emo pop, pop punk and rock.
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While their debut album Cheap Trick showed the band's darker, rawer side and In Color explored a lighter, more pop-oriented persona, Heaven Tonight combined both elements to produce a hook-filled pop-rock album with an attitude. Popular songs from this album include the anthemic "Surrender", "Auf Wiedersehen", the title track, and a cover of The Move's "California Man". Heaven Tonight is also known as the first album ever recorded with a 12-string electric bass.
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In an interview with music website Artistdirect in March 2010, Little Boots stated that her second album would be "rawer and a bit more down-to-earth. It'll still be magical, but quite dark and spooky at the same time." She added that she had drawn inspiration from the poetry of Edgar Allan Poe. In May 2011, she performed at China Music Valley Music Festival in Beijing, during which she performed a new song called "Crescendo".
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Karl Rawer, the first chairman of the URSI/COSPAR Task group on the IRI (1968–84) specified as goal of the IRI to establish a (monthly) average model of the terrestrial ionosphere based on reliably-measured data obtained with ground- and space-based methods. Contradictions between these had to be resolved in critical discussions. After a decade filled with data collection, a first set of tables was given out in 1978. Computer source code in ALGOL and Fortran followed.
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That's what you are, man, you're smarter". Like many other songs on Squeezing Out Sparks, "Protection" features a rawer, more-rock oriented sound than much of Parker's previous work. He explained, "New wave and punk had happened and it seemed to me that I was sometimes thought of as old hat, perhaps an R&B; stylist like Southside Johnny, who also used a horn section. In fact we had done two tours with him and the Asbury Jukes.
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In the liner notes of 1999's Music Bank box set collection, Jerry Cantrell said of the song: > I wish we'd have got a bit more work on that one. It's more "Alice In A Jam > Room", it's not as finished as "Born Again". It's vicious, it's got teeth, > it doesn't have many overdubs and it's maybe a purer, rawer form of what > Alice is. It isn't pretty and that's not a bad thing at all.
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Café Tacvba performing in Pontevedra, Spain. The group's debut album, Café Tacvba, was released in 1992 and was extremely popular in Mexico. The group experimented with many different musical styles, from punk and ska, to electronica and hip hop, to regional Mexican varieties such norteño, bolero, and ranchera. However, the band was taken aback by the stark difference between the sound on the album and group's "rawer" live sound, likening the recording to "a pasteurized version of ourselves".
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The band released a self-titled album on Rimshot Records the following year with a rawer, hard-edged rockabilly sound. The Bonediggers consisted of Roddy Radiation (vocals/guitar), David West (vocals/guitar), Sam Smith (bass), and Gary Muldoon (drums), later replaced by Jim Pryall. Byers still plays with Sam Smith to this day in The Skabilly Rebels. The Bonediggers would transition into The Raiders, shortly before Byers reunited with several members of the Specials to form The Specials MK2.
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However, MacNeil said that overall the album was "an outstanding piece of work". The Sydney Morning Herald's Bernard Zuel approved of the album, giving it four stars, and calling Vulture Street a "rawer, louder, but by no means unrefined, album". He said that throughout the album, guitarists Darren Middleton and Ian Haug "dominated in a way they haven't since their 1994 debut, Parables for Wooden Ears". Zuel drew several connections to Powderfinger's early work, but noted "a superior intellect" in this album.
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Parker was a member of a group of young writers that included Seamus Heaney and Bernard MacLaverty in the early 1960s at Queen's University in Belfast. In British Poetry since 1945, Edward Lucie-Smith calls him "a rawer, rougher, more unformed poet than either of the other two Belfast poets presented here" (i.e. Seamus Heaney and Derek Mahon). He notes that all three are post-Movement and neo-Georgian, owing little to William Butler Yeats and not much more to Patrick Kavanagh.
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"Squeal" is a "ska-tinged" song produced by the members of No Doubt. Like the majority of The Beacon Street Collection, "Squeal" contains synth arrangements and new wave-style influences to create a more developed and rawer sound than the music in its 1992 predecessor. Lead vocals are performed by Gwen Stefani, Eric's younger sister. Featuring a variety of instruments, Dumont plays the guitar, Tony Kanal plays the bass guitar, Eric Stefani performs on the keyboards, and Adrian Young plays the drums.
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Craveman is the twelfth studio album by the American hard rock guitarist Ted Nugent, released in 2002. The album continues the trend, started in the mid-1990s, of Nugent returning to the rawer, harder-rocking sound that made him famous in the 1970s. This stands in sharp contrast to the synth-pop of his 1980s work, and the romantic AOR power-ballads of his early 1990s band Damn Yankees. This album also contains some material from an unreleased Damn Yankees album, Bravo.
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In February 1996, the band's debut on Creation, "Hometown Unicorn", became New Musical Express's Single of the Week, chosen by guest reviewers Pulp, and the first Super Furry Animals single to chart in the UK Top 50, peaking at No. 47\. The follow-up, a re-recording of "God! Show Me Magic", charted at No. 33 upon release in April 1996 and also became NME single of the week. Rawer than the "Moog Droog" version, it clocks in at 1 min 50 secs.
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Back from the Grave, Volume 10, released on LP in 2015, is the tenth and to this date latest installment in the Back from the Grave series of garage rock compilations. As indicated in the subheading which reads "Snarling Snotty Mid 60s Teenage Garage Punk Hoot!," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. \- Liner notes and cover artwork.
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Musically, the album marked a change from the sound of their debut album, The Living End. Roll On had a notably more polished sound (as compared to the rawer sound of the previous album). Horn sections featured on numerous songs, such as Uncle Harry and Killing The Right. Whereas the previous album had displayed punk and rockabilly influences (by artists such as Green Day and Stray Cats), Roll On showed more Australian rock influences, particularly artists of the 80s Pub Rock era.
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"With this album they were returning to a rawer and darker sound. I took that to mean instead of doing a bigger and glossier video that we return to the roots of the gritty and lo-fi horror movies that inspired us as kids." Schieppati explained that they did a two- part video because "a lot of videos nowadays are just bands playing in a forest or a warehouse, so I wanted to do a Rob Zombie-ish horror movie video, basically a mini movie".
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The album received nominations for ARIA Awards in five different categories in 2003, which included "Album of the Year", "Best Group" and "Best Rock Album". Vulture Street also received the award for "Best Cover Art", which featured Czech supermodel Eva Herzigová. Vulture Street was described by certain critics as "a rawer, louder, but by no means unrefined" album. The title of the album was taken from an iconic street in the inner southern suburbs of Brisbane, Queensland, the city in which all Powderfinger members grew up.
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Little Boots first revealed plans for her second album during an interview with Artistdirect on 1 March 2010, stating it would be "rawer and a bit more down-to-earth. It'll still be magical, but quite dark and spooky at the same time." On 1 May 2011, Little Boots performed at the China Music Valley International Music Festival in Beijing, where she debuted the track "Crescendo". On 20 October 2011, she released a mixtape titled Shake Until Your Heart Breaks, which featured the single "Shake".
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Origin is the debut studio album by death metal band Origin. The album has a rawer, more straightforward and more brutal sound than their more technical later albums. The album was the first death metal album released on a label to incorporate the use of gravity blasts, although their original drummer George Fluke used the gravity blast on their 1998 EP A Coming into Existence. This is the band's only album without bassist Mike Flores, and their only album with bassist Doug Williams and singer Mark Manning.
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He envisioned a project that would take on a rawer and much harder style which he had begun to favor, with his newly-developed guitar style inspired by hearing Cream's Eric Clapton. Pappalardi rejected the demos by the West-Landsberg- Janick trio, but took a suggestion that he play bass on West's solo album, Mountain. The album also featured Landsberg and former Remains drummer N.D. Smart. The album spotlighted West's raw vocals and melodic, bluesy guitar style, and Pappalardi's bass lines were prominent throughout.
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The two Roadrunner albums are the most successful Illdisposed albums to date, with sales of 30,000 copies each (before the re-release on Massacre). After an extensive tour, the band went back in the studio again, to record their seventh album The Prestige. The Prestige took the band more back to their roots and sounded more straightforward and rawer than its predecessors. Before recording started, Martin Thim left the band to focus more on his day job; he was replaced by ex- Volbeat guitarist Franz "Hellboss" Gottschalk.
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Freedumb is the ninth studio album by crossover band Suicidal Tendencies, released on May 18, 1999 on Suicidal Records. The tracks are rawer than the funk influenced thrash metal direction they were taking before the hiatus. The album's cover art is a reference to the photo Raising the Flag on Iwo Jima taken during World War II. The song "Cyco Vision" was featured on the video game Tony Hawk's Pro Skater. The album art can also be seen on a wall in the School level.
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More broadly, the character of Mr. Darcy showed the emergence of a new type of rawer masculinity that could not tolerate the foppish, superficial values of the previous century. Nicolson called Darcy "the template on which the severe and unbending model of Victorian manliness is founded". Nicolson concluded that: "The implication of the novel is that there is something better than politeness and that the merely civil is inadequate. ... Darcy is 'silent, grave and indifferent', words in this new moral universe which signal pure approval".
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Distilled beverages include akevitt, a yellow-tinged liquor spiced with caraway seeds, also known as akvavit or other variations on the Latin aqua vitae – water of life. The Norwegian linie style is distinctive for its maturing process, crossing the equator in sherry casks stored in the hull of a ship, giving it more taste and character than the rawer styles of other Scandinavian akevittar. Norway also produces some vodkas, bottled water and fruit juices. In rural Norway, it is still common to find hjemmebrent (moonshine, literally "home burnt").
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Dieminger studied physics between 1926 and 1935 at the Technical University of Munich. After receiving his Ph.D. for work on electromagnetic waves and the ionosphere with Jonathan Zenneck, he worked at the Deutsche Versuchsanstalt für Luftfahrt (German Experimental Institute for Aviation). With his focus on research of the ionosphere and electromagnetic waves at his new institute, called the Zentralstelle für Funkberatung (Central Counseling Office for Radio Communication). Applying a code invented by his cooperator Karl Rawer he was able to make predictions on shortwave communication for the military and the police.
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As for the group of nuclear physicists around Werner Heisenberg and Otto Hahn he did not succeed because Samuel Abraham Goudsmit arrived at Hechingen earlier. At Freiburg (then also French zone) Rocard protected the solar observatory and founded a French navy-owned ionospheric prediction service with Karl Rawer as scientific director. Returned to France after the war Rocard he took up his function as head of the physics department at the ENS. Whilst there he founded a radio observatory, having obtained two German "Wurzburg" Radar mirrors from the war.
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" According to Grohl, the analog strategy would make the record "sound rawer and somewhat imperfect; Chris Shiflett agreed that "rock n'roll is about flaws and imperfections". Hawkins wanted to avoid the "artificial sound" of contemporary recoding and believed an analog project would help the band reclaim artistic freedom. Vig initially thought the idea was a joke."The Garbage super-producer on recording the Foo Fighters' new album Wasting Light" Rhythm - June 2011 He warned the band that they would have to play well, as mistakes were not easily corrected without digital technology.
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The track sold over one million copies, and was awarded a gold disc. Wells's second album, also titled The One Who Really Loves You, was released in 1962 and peaked at number 8 on the pop albums chart, making the teenage singer a breakthrough star and giving her clout at Motown. Wells's success at the label was recognized when she became a headliner during the first string of Motortown Revue concerts, starting in the fall of 1962. The singer showcased a rawer stage presence that contrasted with her softer R&B; recordings.
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Lyric references to drug use were also common, as exemplified in Jefferson Airplane's 1967 song "White Rabbit" and Jimi Hendrix Experience's 1967 song "Purple Haze". Lyrical references to drugs such as LSD were often cryptic. At a time when many British psychedelic bands played whimsical or surrealistic psychedelic rock, many 1960s American rock bands, especially those from the West Coast, developed a rawer or harder version of psychedelic rock containing garage rock energy. When contrasted with whimsical British psychedelia, this harder American West Coast variant of psychedelic rock has been referred to as acid rock.
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Vs. (pronounced versus) is the second studio album by American rock band Pearl Jam, released October 19, 1993 through Epic Records. After a relentless touring schedule in support of their 1991 debut album Ten, Pearl Jam headed into the studio in early 1993 facing the challenge of following up the commercial success of its debut. The resulting album, Vs., featured a rawer and more aggressive sound compared with the band's previous release. It was the band's first collaboration with producer Brendan O'Brien and its first album with drummer Dave Abbruzzese.
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Her graphic account of their lovemaking and of her incestuous romantic feelings is fairly shocking. Nin sought absolution from her psychiatrist and lover, Otto Rank, who advised her to bed her father, then dump him as punishment for abandoning her when she was 10. Nin's ornate, hothouse prose is much rawer than the chiseled style of the expurgated diaries. She seethes with jealousy at Miller's wife June, swoons over poet and actor Antonin Artaud, neglects her protective husband, Hugh Guiler, and describes her traumatic delivery of a stillborn child.
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About this time he started the now defunct label, Croxton Records, with his friend Nick Corr, a radio DJ and music journalist. By the end of that year Michael Barclay (ex-Weddings Parties Anything) joined The Sure Thing on drums. Mick Thomas and The Sure Thing's debut album, Dead Set Certainty: 12 Songs That Wouldn't Go Away, appeared in October 1999 on Suitcase Records / Croxton Records. Badgley compared the release to his earlier work with Weddings Parties Anything, he found it was "not as melodic, and more of a rawer sound ... but not altogether different".
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On slower songs such as "Drive You Home", Garbage were not overly concerned with phrasing and pitch, giving it "a rawer quality". Manson improved on her guitar skills and played more guitar in the studio and live on stage for the eventual tour. Garbage finished recording Beautiful Garbage at the end of April 2001, and spent a month completing the final mix (some songs had gone through as many as 40 rough mixes). Final EQ, compressing and sequencing on the album was handled by Scott Hull of Classic Sound in New York.
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The second leg of the tour was made into an aptly titled VHS, "Pirata Tour", and featured Roberto Terzani on bass, Daniele Trambusti on drums and Candelo Cabezas on percussions besides Pelù, Renzulli and Aiazzi. Pelù and Renzulli then went back to the studio to record El Diablo, an album with a much rawer sound, warmly received by fans and critics alike. The following tour, with Federico Poggipollini on rhythm guitar, was also filmed for home video release. Sales of the (1992) released Sogno Ribelle album proved the band’s new fame.
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" Music journalist Nigel Williamson also praises the background vocals, stating that in the song Young is "totally integrated into the CSN&Y; sound for once" and that the sweetness of Crosby's, Stills' and Nash's vocals perfectly complement Young's "rawer style." Rolling Stone Album Guide contributor Paul Evans describes the song as a "gorgeous three-song suite." On the other hand, Downing finds the production to be cluttered like a Phil Spector production but lacking in grandeur, except for one moment when Nash's backing vocal "soars out past Mars." Young considered the song to be "overblown.
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Neferirkare is well attested in sources contemporaneous with his reign. Beyond his pyramid complex, he is mentioned in the tomb of many of his contemporaries such as his vizier Washptah, the courtier Rawer and the priest Akhethetep. Neferirkare also appears in the nearly contemporaneous Giza writing board, a short list grouping six kings from different dynasties dating to the later Fifth or early Sixth Dynasty. The writing board was uncovered in the tomb of a high official named Mesdjerw, who may have composed it for his use in the afterlife.
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Back from the Grave, Volume 9, released on LP in 2015, is the ninth installment in the Back from the Grave series of garage rock compilations. Like all the entries in the series it was assembled by Tim Warren of Crypt Records. As indicated in the subheading which reads "Raw Blastin' Mid 60s Punk," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. \- Liner notes and cover artwork.
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Back from the Grave, Volume 4 (LP) is the fourth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. \- LP Liner notes and cover artwork. It was released in 1984. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Wild Mid-60s Garage Punk Screamers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals.
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Some Cities is the third studio album by the British indie rock band Doves. The album was released by Heavenly Recordings on 21 February 2005, and became the band's second consecutive album to top the UK Albums Chart at number 1. Some Cities was conceived as a rawer, stripped-down record, and conceptually touches upon the physical changes of the band's hometown of Manchester, as well as emotional transformations. The album features the band's second- highest charting single, "Black and White Town", which peaked at number 6 on the UK Singles Chart.
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Their third album, Desolation Boulevard, was released later in 1974, six months after Sweet Fanny Adams. By that stage, producer Phil Wainman had moved on and the album was produced by Mike Chapman. It was recorded in a mere six days and featured a rawer "live" sound. One track, "The Man with the Golden Arm", written by Elmer Bernstein and Sylvia Fine for the 1955 Frank Sinatra movie of the same name, featured drummer Mick Tucker performing an 8 and half minute solo (although this was not included in the U.S. release).
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Back from the Grave, Volume 3 (LP) is the third installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records. It was released in 1984. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Mid 60s Garage Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. \- LP Liner notes and cover artwork.
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After a spring recording session the fourth Sear Bliss album, Forsaken Symphony, with which the band returned to a rawer and more intense black metal, got released in October 2002. The new album was made available for the first time outside the US and Western Europe, and reached new audiences in Russia and the Baltic states. The band played on Brutal Assault festival again and did a club tour in Europe accompanied by Skyforger. Sear Bliss toured in Benelux as a headliner for the first time in March 2003.
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Back from the Grave, Volume 5 is the fifth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. \- LP Liner notes and cover artwork. It was released in 1985. In keeping with all of the entries in the series, and as indicated in the subheading that reads "16 Crazed Bone Crunchin' Mid-60s Garage Punkers", this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals.
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He was actively engaged in the International Geophysical Year (gold button 2007) and follow-ups. In the International Union of Radio Science (URSI) he served with William Roy Piggott as co-author of the booklet on ionogram reduction and was vice-chairman and chairman of the ionospheric committee 1966–72. He was the father and longtime chairman of the International Reference Ionosphere that since 1999 is International Standard. Rawer was doctor honoris causa of the University of Düsseldorf, corresponding member of the International Academy of Astronautics and of "Oesterreichische Akademie der Wissenschaften Wien".
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Despite having released two highly successful albums, Mariah Carey and Emotions (1991), the singer had yet to embark on world tour because of stage-fright and the possible negative effects of singing vocally strenuous songs every night. Many critics were unconvinced with her reasoning, and accused her of manipulating her vocals in the studio. In response, Carey appeared on MTV Unplugged to perform a small selection of her songs live in 1992. For her rendition of "Someday", she altered the arrangement and stripped it back to give it a rawer sound.
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The record was generally received well and appreciated for its return to a rawer punk sound. In a retrospective review, AllMusic's Vincent Jefferies awarded the album four out of five stars and wrote that the album "captures the best hardcore qualities of SNFU with its diverse musical exchanges and imaginative accounts of the contrarian, ironic punk lifestyle." Writing for Noisey, Jason Schreurs called the record his longtime favorite SNFU album, although Schreurs admits that it was later eclipsed by their debut, ...And No One Else Wanted to Play.
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The band developed a faster, melodic punk sound by their 1992 self-titled first album. Their second album, Czarzly, was released in 1995 and adopted a faster crust punk sound with rawer vocals and d-beat-style drumming. Their final album, Tragiedia wg Post Regiment ("Tragedy According To Post Regiment") was released in 1998 on Profane Existence records in the USA and Skuld releases in Europe. It was an album of hardcore punk songs by the Polish band Tragiedia, longtime friends of Post Regiment who broke up without ever putting out a record.
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Honkin' on Bobo is the 14th studio album by American rock band Aerosmith, released on March 30, 2004, by Columbia Records. The album includes 11 covers of blues and blues rock songs from the 1950s and 1960s, with one new song, "The Grind". The album pays tribute to Aerosmith's earliest influences and showcases a rawer sound, reminiscent of their 1970s work, when compared to their more recent commercial efforts. Honkin' on Bobo was produced by Jack Douglas, who was Aerosmith's producer on a vast majority of their 1970s output.
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The moving piano motif was structured in such a way that it began on the off-beat to give the recording a rawer, hip-hop vibe. Also evident within its stripped-down instrumentation, minor-key composition, and stop-start arrangement lies West's subtle yet growing inclination towards post-punk and new wave tendencies. While making modifications to the composition, West rearranged the structured of the storytelling framework for its lyrical content. He chose to utilise a more conventional formal structure typically found in rap songs while incorporating his pop sensibilities into the newly written chorus.
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Frosthardr is a Norwegian Christian black metal band, formed in 1997. The band plays a rawer type of black metal music with occasional punk influences and lyrics from Christian point of view. The drummer Pål Daehlen (Savn) is a former member of the influential dark metal group Vaakevandring, and the vocalist/guitarist Jokull has played as a live member for the ground breaking act Antestor. Frosthardr has achieved some media notice: They appeared on the British 2007 documentary film Murder Music: A History of Black Metal,Shash Media & Rockwrold TV, Murder Music – Black Metal document.
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Nevermind is the second studio album by American rock band Nirvana, released on September 24, 1991, by DGC Records. Produced by Butch Vig, it was Nirvana's first release on the DGC and the first to feature drummer Dave Grohl. Characterized by its polished and cleaner sound, the album was a departure from the band's rawer debut album Bleach. Nirvana recorded the album at Sound City Studios in Van Nuys, California, and Smart Studios in Madison, Wisconsin in May and June 1991 and it was mastered on the afternoon of August 2 at The Mastering Lab in Hollywood, California.
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Meanwhile, in the nation's capital, Brasília, bands playing music closer to post-punk and new wave but tracing their roots to the early Brasília punk scene started putting out commercially successful records on major labels. The biggest names were Legião Urbana, Capital Inicial and Plebe Rude. The city, however, also had its own hardcore scene with bands such as BSBH and Detrito Federal closely resembling the rawer São Paulo style. In the later part of the decade, however, the punk scene faded from the radar, with fewer and fewer releases due to the economic crisis and hyperinflation.
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Volcanic Rock is the second studio album by Australian proto-heavy metal band Buffalo, recorded and originally released in 1973 on the Vertigo label. The album was stylistically a much harder, heavier and rawer release than its predecessor (Dead Forever...) – marking a move away from the band's previous progressive rock influences, although retaining a psychedelic element to their sound. Volcanic Rock had been recorded effectively as a live-in-the-studio effort, with only vocal and additional guitar overdubs added later during the recording sessions. The album courted controversy with its cover artwork upon its release.
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The EP featured covers of The Scientists' "We Had Love" and Nick Cave and the Bad Seeds' "Stagger Lee", as well as a live re-recording of "Mother's Latest Fear" from Snow White. In 2007, the band embarked on two separate projects; an experimental all noise album Roky's Room EP and a heavier dark rock mini album, Beast. Both were released on the band's own label Emergency Music in mid-2007. Beast harked back to the band's earlier, rawer material and featured original guitarist Herring on two tracks ("Horror Me" and a re-recording of "Sucker Love").
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Aguilera also believed that the lyrics of Stripped were so personal, and her vocals "represent a rawer, more bare-bones approach as well, with less of the ostentatious riffing that has miffed critics in the past". She stated, "I did the vocal gymnastics thing because it was fun. That's why I like blues, too, because you can experiment more with that side of your voice. But I thought the lyrics on this record are so personal, deep and good that I wanted to make them stand out more than what I could do with my voice technically".
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The title Hrj sStA "keeper of the secrets" is attested for 13 individuals during the Old Kingdom, at least once elaborated to the form Hr sStA mdw-nTr "keeper of the secrets of the god's words," meaning the hieroglyphic language used on monuments. In contrast with the hieratic script used for everyday record- keeping, already an elite activity, the content of hieroglyphic texts was closely controlled property of the state and permission from the king was probably required for inscriptions in one's tomb, as we see in a royal authorization for Rawer, an official under Neferirkare buried at Giza, to do so.
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Rather than fleshing the songs out over a long, gradual process, the band decided to keep the music as close to the original jam-based material as possible. Stylistically, this made for a much rawer sound, primarily recorded live and with minimal overdubs. As had become routine since Sometime Anywhere, songs saw numerous instrument changes between members, with Powles playing lead guitar on "Sealine","Maya", and "Reversal", and Willson-Piper switching to drums on "Maya". Forget Yourself was engineered and co-produced by Nic Hard and was released in Australia in October 2003 and in the U.S. in February 2004.
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"Naked In The Rain" is a hit song performed by English dance music group Blue Pearl and released as their debut single in 1990. The song was co-written by Blue Pearl's singer Durga McBroom and producer Youth (also known as Martin Glover). It is featured on their album Naked. "Naked in the Rain" is different from most dance songs, as it features a heavier, rawer sound, mostly due to recorded percussion (mixed with a drum machine) and hard-hitting synthesizer riffs not too dissimilar to the sound of 808 State; Graham Massey, from 808 State, was the track's co-producer and remixer.
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Celestial was named the 53rd-finest metal record of the decade by Decibel, stating that "it's seen as a transitional record between the band's early work and the post-metal benchmarks such as Oceanic, but Celestial holds up in ways different from their later work [...] the elements of the greatness are present, but rawer, more direct." Rock Sound placed it at #3 in their rundown of their top albums of 2001. William York, writing for allmusic, described the album as Isis' best, and argues that the record needs to be “given time” – that it eventually develops an “almost epic feel”.
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Wake Up Call as a result was the band's first significant shift from the style of the 1980s, featuring fewer driving rock tracks and favoring instead midtempo songs and ballads. Bannister's production style, favoring authenticity over the Elefantes' slick production styles, led to a rawer feel for the album. Hartman called it "probably the most indicative of who Petra really is." The change was well received, as the album stayed on Billboard's Christian albums chart for more than five months and was the third consecutive Petra album to receive a Grammy for Best Rock Gospel Album.
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Sir Vivian Fuchs headed the Commonwealth Trans-Antarctic Expedition, which completed the first overland crossing of Antarctica in 1958. In Japan, the Japan Maritime Safety Agency offered ice breaker Sōya as the South Pole observation ship and Showa Station was built as the first Japanese observation base on Antarctica. France contributed with Dumont d'Urville Station and Charcot Station in Adélie Land. The ship Commandant Charcot of the French Navy spent nine months of 1949/50 at the coast of Adelie Land, performing ionospheric soundings.M. Barré, K. Rawer: "Quelques résultats d’observations ionosphériques effectuées près de la Terre Adélie".
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The Offspring received mixed reviews. AllMusic writer Stephen Thomas Erlewine, who gave the album two-and-a-half stars out of five, stated that The Offspring "is a rawer, harder-edged collection than their breakthrough set, Smash, but that doesn't necessarily mean it's a better record", and that it "lacks the metal guitar crunch that dominated Smash.". The Offspring did not initially reach the Billboard 200 chart or become a commercial success. However, when the album was reissued in 1995, it reached a peak position of number 85 on the Netherlands Albums Chart for three weeks.
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Garage Beat '66! is a series of garage rock compilation albums issued by Sundazed Records. The series currently consists of seven CDs (Volumes 1–7), each of which is officially designated by its volume number, which appears in the upper left hand corner of the front cover, and a corresponding "catch phrase" title, which appears as a subheading under the large Garage Beat '66 logo below. The Garage Beat '66 series attempts to represent the breadth and variety of the genre, including not only rawer hard-rocking numbers, but also songs displaying folk rock and psychedelic influence, as well as pop.
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On its original release in March 1995, The Beacon Street Collection was only available in local record stores in Orange County, California and at No Doubt's shows. Its rawer sound proved popular with the band's fans and the band's first batch of one thousand copies sold out within only a few months after its release. Interscope realized the band's potential and allowed them to record their third album, Tragic Kingdom in various Los Angeles studios, "wherever they could get a deal on a studio". During a recording session, the band was introduced to Paul Palmer, who was interested in mixing the new album.
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In November 1991, INXS entered Rhinoceros studios in Sydney, Australia to begin work on their eighth studio album. With no time constraints and enough money to make new studio recordings, the band members continued writing new material and experimenting with new sounds. Having worked with producer Chris Thomas previously on Listen Like Thieves, Kick and X, the band chose to work with Australian producer Mark Opitz, who was behind the production of the band's third studio album, Shabooh Shoobah, ten years earlier. For this album, INXS focused on shifting their musical direction by incorporating a much more "rawer" sound.
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No Doubt released The Beacon Street Collection, consisting of outtakes from its previous recording sessions, that year on its own label, Beacon Street Records. Mixing 1980s punk rock and some grunge influences into the band's sound, the album contains a rawer sound than No Doubt, and it sold more than three times as many copies as its predecessor. Later that year, the label released Tragic Kingdom, much of which dealt with the relationship between Tony Kanal and Gwen Stefani. The release of 1995's Tragic Kingdom and the single "Just a Girl" allowed the group to achieve mainstream commercial success.
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Moving to lower Manhattan influenced Davis's transition from electroclash toward a rawer punk sound, and to that end he began collaborating with some of New York's original punk rockers. Collider's final release, WCYF (2003), was produced by Ramones drummer/producer Tommy Ramone. In addition, Davis's tribute song to Joey Ramone, "The Bowery Electric", brought Tommy, Marky and C.J. Ramone, as well as Ramones producer Daniel Rey, together for a historic recording session. "The Bowery Electric" was released as a single on Spanish label No Tomorrow (2002), and later on the Ramones compilation album The Family Tree (2008).
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Lloyd Viel Berkner (February 1, 1905 in Milwaukee, Wisconsin – June 4, 1967 in Washington, D.C.) was an American physicist and engineer. He was one of the inventors of the measuring device that since has become standard at ionospheric stationsL.V.Berkner and H.W.Wells:Trans.Ass. Terr.Magn.Electr.Bull,No10,340-357 (1937) because it measures the height and electron density of the ionosphere. The data obtained in the worldwide net of such instruments W.R.Piggott and Karl Rawer:"URSI Handbook of Ionogram Interpretation and Reduction", Elsevier,Amsterdam 1961, 192pp were important for the developing theory of short wave radio propagation to which Berkner himself gave important contributions.
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According to the Mechanostat theorem muscle function influences bone growth. By combining functional measurement methods like Mechanography and quantitative computer tomographic measurements analysing bone density, geometry and strength this relationship can be assessed.Anliker E, Dick C, Rawer R, Toigo M: Effects of jumping exercise on maximum ground reaction force and bone in 8- to 12-year-old boys and girls: a 9-month randomized controlled trial., J Musculoskelet Neuronal Interact, 12(2):56-67, 2012; Anliker E, Toigo M: Functional assessment of the muscle- bone unit in the lower leg., J Musculoskelet Neuronal Interact, 12(2):46-55, 2012; Anliker E, Rawer R, Boutellier U, Toigo M: Maximum Ground Reaction Force in Relation to Tibial Bone Mass in Children and Adults., Med Sci Sports Exerc, (43):2102-9, 2011; Verroken C, Zmierczak HG, Goemaere S, Kaufman JM, Lapauw B: Association of Jumping Mechanography-Derived Indices of Muscle Function with Tibial Cortical Bone Geometry., Calcif Tissue Int, 98():446–455, 2016; Siglinsky E, Krueger D, Ward RE, Caserotti P, Strotmeyer ES, Harris TB, Binkley N, Buehring B: Effect of age and sex on jumping mechanography and other measures of muscle mass and function., J Musculoskelet Neuronal Interact, 15(4):301-8, 2015; Soucek O, Matyskova J, Anliker E, Toigo M, Hlavka Z, Lebl J, Sumnik Z: The muscle-bone interaction in Turner syndrome.
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Tyler, Kieron On The Roundabout With Deep Purple Retrieved 31 August 2020 Meanwhile, Lord and Blackmore were tired of being identified as a "clone of Vanilla Fudge" and were starting to yearn for a sharper, rawer and overall heavier sound, similar to that introduced in Led Zeppelin's debut album, which had become a great success on both sides of the Atlantic, after its release in January 1969. They felt that Rod Evans, with his tender, smooth voice, would not be able to cope with louder, more aggressive material. Evans had also expressed reservations about his permanence in the band and voiced his wish to permanently move to the US.
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The record was generally received well and appreciated for its return to a rawer punk sound. In a glowing review, AllMusic critic Jo-Ann Greene praised the album's "rapid- fire series of dramatic images and aural impressions that leave the listener exhausted and sated by the end" and "musicianship that inevitably leaves one's mouth gaping." With a comparatively somber appraisal, Dusted's Doug Mosurock wrote reverently of the band's longevity but argued that the band had lost its strength with a batch of dragging and redundant songs. Similarly, PopMatters critic Ed Huyck praised the band's legacy but assessed the album as "extremely competent" but only "sometimes compelling" in a lukewarm review.
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V. Bogdanov, C. Woodstra and S. T. Erlewine, All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), , pp. 903–5. Established bands made a comeback in the mid-1980s and hard rock reached a commercial peak in the 1980s, with glam metal bands such as Bon Jovi and Def Leppard and the rawer sounds of Guns N' Roses which followed up with great success in the later part of that decade. Hard rock began losing popularity with the commercial success of R&B;, hip-hop, urban pop, grunge and later Britpop in the 1990s.
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Back from the Grave, Volume 6 (LP) is the sixth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. \- LP Liner notes and cover artwork. It was released in 1986. In keeping with all of the entries in the series, and as indicated in the subheading which reads "17 Loud Unpsychedelic Wild Mid-60s Garage Punkers," this collection generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll, usually consisting of songs displaying the rawer and more aggressive side of the genre often characterized by the use of fuzztone-distorted guitars and rough vocals.
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"Rock the Night" is a single released by the Swedish glam metal band Europe. The song was written by vocalist Joey Tempest in 1984 and premiered on the band's Wings of Tomorrow tour the same year. The song was released in two different versions, just more than a year and a half apart from each other- in 1985 as a single from the soundtrack to the Swedish film On the Loose, and in 1986 as the second international single from the album The Final Countdown. The original 1985 release has a rawer, more metallic hard rock sound than the more polished version released from The Final Countdown the following year.
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The DB Records single version lasts 4:37 and is faster and rawer than the 1979 Warner single version. However, it has the same lyrics as the second version, but with extra lines in the listing of marine animals. The 1979 single version is an edit itself from the album version, which lasts about seven minutes and contains an extra verse. According to a "Behind the Vinyl" video with Fred Schneider for CHBM-FM, the song was mostly inspired by a discotheque in Atlanta named 2001, where instead of having a light show, the club featured a slide show with pictures of puppies, babies, and lobsters on a grill.
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To mark the anniversary of The Dogs D'Amour's classic album In The Dynamite Jet Saloon Tyla used crowd sourced funding to re-recorded the album. The re-recorded album features a much rawer production than the original and also omits some tracks from the original in favour of songs from The State We're In and (Un)Authorized Bootleg. Although the spine of the album says The Dogs D'Amour, the front cover is labelled 'Tyla Presents', creating a certain ambiguity as to whether it is intended to be considered a Tyla solo album or not. In 2012 Tyla re- recorded A Graveyard of Empty Bottles.
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The songs of the album are the usual mix of aggressive metal and soft ballads, with a distinctive rawer sound than in previous albums. At this time Doro tried some versions of the songs in languages different form English or German. What remains of these recordings are the chorus of "Salvaje" in Spanish and the chorus of the single's b-side "Tourjour pour Gasner" in French. The list of musicians sees the contribution of various guests: Type O Negative vocalist Peter Steele, Savatage guitarist Chris Caffery, former Plasmatics bassist Jean Beauvoir, veteran composer Russ Ballard and usual collaborators Chris Lietz, Jürgen Engler and Andreas Bruhn.
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Late in 2011, Chua decided to move to US temporarily. She sought to challenge herself with a new environment beyond Singapore's cozy indie music scene, where touring was more of a challenge. In December 2012, she was invited to perform at global TEDxWomen Conference in Washington D.C. Chua had also recently gone through a romantic break-up, and she began writing rawer songs, with a harsher rock sound than the softer style that marked her solo debut. Chua wrote many of the songs for her second studio album, Bumfuzzle, during her time away from home, living in Los Angeles and playing small gigs throughout North America.
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Returning to England in 1982, Blegvad cut the albums The Naked Shakespeare and Knights Like These, both of which featured ex-64 Spoons guitarist Jakko Jakszyk. Greaves co-wrote three songs on The Naked Shakespeare and Blegvad returned the favour by writing lyrics for eight of the songs on Greaves’ Accidents album (also released in 1982). However, Blegvad's attempts at a British solo career suffered due to record company politics and the effects of 1980s production styles. Pushed by producers into an over-complex and technological sound, he himself favoured the sparser and rawer sound of his small live band which included his brother Kristoffer on guitar and backing vocals.
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After extensive touring throughout 2005 with The Bad Seeds in support of Abattoir Blues/The Lyre of Orpheus, frontman Nick Cave began writing songs on guitar, an instrument he would rarely play. His rudimentary playing gave the new material a rawer feel than much of The Bad Seeds' output. After more experimentation, Grinderman formed and soon entered Metropolis Studios in London to record the original Grinderman demos and it was this material that would eventually become the basis for Grinderman. The album was recorded with long-time friend, producer Nick Launay in April at the RAK Studios in London and mixed in October at Metropolis Studios.
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Their fourth album, Abalando a Sua Fábrica, came out on April 30, 2001; it was their first release as a quartet, and through new label EMI. Abalando a Sua Fábrica sees the band shifting away from their previous rap rock-inflected sonority, advancing towards a "rawer" style more influenced by punk and garage rock. It was also recorded with all instrumental parts simultaneously instead of one at a time, as if they were recording live. The following year saw the release of their first live DVD, Charlie Brown Jr. ao Vivo, recorded at a gig at the DirecTV Music Hall in São Paulo, later to be broadcast by direct broadcast satellite service provider DirecTV.
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These include the adding of a choir in "Smokers Outside the Hospital Doors" and the inclusion of the sounds of the band playing Hide-and-seek in the song "Spiders". Lead singer Smith announced that the band would explore a new direction on their next album, pursuing a new, rawer sound. The new sound materialised itself on the third album through the use of traditional synthesisers instead of the band's previous use of guitars. The producer of In This Light and on This Evening, Flood also increased the importance of "vibe" in the music's sound, making it darker than the previous two albums, while also attempting to make the album sound as if it had been recorded live.
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And yet another direction, the Blues was morphing into. Take the basic concept, move it into the "modern wild west" and what you get out of it is straightforward Texas Blues. It's all in there, endless highways, run-down trucker bars, oil, dirt, cowboy boots, stories about life on the move, all down in Texas, all just as sad as the original Blues (Lone Star Boogie, No Wheels Blues). The mixture of the basic Blues concept with more country and western styled instruments (slide guitars, harmonica) gave the Blues a rawer, yet again still instantly recognizable sound, which has played a major role in music ever since (up to Stevie Vaughan and ZZ Top).
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After extensive touring throughout 2005 with The Bad Seeds in support of the band's double album, Abattoir Blues/The Lyre of Orpheus, frontman Nick Cave began composing new songs on guitar. He had rarely played the instrument and his rudimentary playing gave the new material a rawer feel than much of The Bad Seeds' output at the time. Cave formed Grinderman with fellow Bad Seeds' musicians Warren Ellis, Jim Sclavunos and Martyn P. Casey to experiment with his new material. The newly formed side project entered the Metropolis Studios in London to record the original Grinderman demos and it was this material that would eventually become the basis for the band's eponymous debut album.
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Acid rock (sometimes used interchangeably with "psychedelic rock") is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. The style is generally defined by heavy, distorted guitars, lyrics with drug references, and long improvised jams. Its distinctions from other genres can be tenuous, as much of the style overlaps with '60s punk, proto-metal, and early heavy, blues-based hard rock. The term, which derives its name from lysergic acid diethylamide (LSD), refers specifically to a more musically intense subgenre or sibling of the psychedelic rock style, featuring a harder, louder, heavier, or rawer sound, and developed mainly from the American West Coast.
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As was done with the debuts of previous 4AD artists like Pixies, Lush, and His Name Is Alive, the album is made up of demos that were slightly remixed for general release. In Martin Aston's book Facing the Other Way: The Story of 4AD, Mark Kozelek expressed regret over the reverb- and echo-heavy mixing techniques he employed. The song "Waterkill", which dates from the same sessions but not included here, later appeared on the compilation Retrospective in un-remixed form, giving listeners an idea of the original demos' rawer sound. A music video was produced for the song "24", directed by Mark Taylor. The cover artwork for Down Colorful Hill is by Welsh photographer Simon Larbalestier entitled ‘Bed’.
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Back from the Grave, Volume 2 is the second installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records on LP. It was released in 1983. In keeping with all of the entries in the series, and as indicated in the subheading which reads "16 Garage Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. \- LP Liner notes and cover artwork. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll.
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Before the term "acid house" was introduced, rawer early acid house was "hi-NRG," a type of bassline-driven electronic music that began with disco music that discarded its funk element, starting with Giorgio Moroder productions for Donna Summer. However, the earliest recorded examples of acid house are a matter of debate. At least one historian considers the Phuture's "Acid Trax" to be the genre's earliest example; DJ Pierre says it may have been composed as early as 1985, but it was not released until 1987. Another points out Sleezy D's "I've Lost Control" (1986) was the first to be released on vinyl, but it is impossible to know which track was created first.
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Guns N' Roses released the best-selling début of all time, Appetite for Destruction (1987). With a "grittier" and "rawer" sound than most glam metal, it produced three top 10 hits, including the number one "Sweet Child O' Mine".V. Bogdanov, C. Woodstra and S. T. Erlewine, All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), , pp. 494–5. Some of the glam rock bands that formed in the mid-1980s, such as White Lion and Cinderella experienced their biggest success during this period with their respective albums Pride (1987) and Long Cold Winter (1988) both going multi-platinum and launching a series of hit singles.
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Stylistically, this made for a much rawer sound, primarily recorded live and with minimal overdubs. As had become routine since Sometime Anywhere (May 1994), songs saw numerous instrument changes between members, with Powles playing guitar on "Sealine" and Willson-Piper switching to drums on "Maya." John D. Luersson at AllMusic described the album as "a timeless, magical disc that is easily as strong as anything from their 1980s peak", adding that "the real brilliance peeks through on lush numbers like 'Telepath,' 'Maya,' and 'June,' all boasting the ethereal moments that made early discs like Remote Luxury and Heyday fan favorites." Note: for charting information user may need to click on 'Awards' tab.
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Attila Csihar live with Mayhem at Hole in the Sky 2007 The band's fourth full-length album, Ordo ad Chao (Latin for "Order to Chaos"), was released in April 2007. Ordo ad Chao contained a much rawer sound than the rest of the band's recent work; the drums were not equalized and the mix was notably bass-heavy against black metal convention. The album continued the band's experiments with unorthodox song structures, with "Illuminate Eliminate," at 9:40, the band's second longest track (behind Grand Declaration of War’s "Completion in Science of Agony (Part I)" at 9:44). The album received strong reviews and was the band's highest-charting album, peaking at No. 12 on the Norwegian charts.
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The album had a punk vibe to it but mainly tended towards a generic rock sound. Ivan Polák recorded the drums on the record. The band's second album, Lži, sex & prachy (Lies, Sex & Money) was released in 1992, followed by Divnoalbum (Strange Album), a compilation of remixes, live recordings, and instrumental compositions, in 1993. Lucie had been on a brief hiatus since 1992, and as they reformed the following year, Wanastowi Vjecy was shelved in turn. The project returned in 1996 with the album Andělé (Angels), which had a rawer sound than their previous offerings. The following year saw the release of 333 stříbrnejch stříkaček (333 Silver Sprinklers - a common Czech tongue twister).
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The two subsequent releases, The Burning Season and Spirit the Earth Aflame, showed the band's reflection of cultural geist and emotion, woven into an amalgam of black, Celtic, and folk metal musical styles. They have toured with various metal bands in the extreme metal genre, including Norwegian black metal band Immortal. They released their dark fourth studio album Storm Before Calm in 2002, but the band's fifth album The Gathering Wilderness turned out to be a much darker and bleaker record than any Primordial had made before, providing the listener with a rawer sound as well. It was chosen as album of the month in Terrorizer Magazine and appeared in many top lists of the year 2005.
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Sam Cooke Sam Cooke's number five hit "Chain Gang" is indicative of R&B; in 1960, as is pop rocker Chubby Checker's number five hit "The Twist". By the early 1960s, the music industry category previously known as rhythm and blues was being called soul music, and similar music by white artists was labeled blue eyed soul. Motown Records had its first million- selling single in 1960 with the Miracles' "Shop Around", and in 1961, Stax Records had its first hit with Carla Thomas' "Gee Whiz (Look at His Eyes)". Stax's next major hit, The Mar-Keys' instrumental "Last Night" (also released in 1961) introduced the rawer Memphis soul sound for which Stax became known.
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1990's Murder featured rawer, almost thrash metal production, rather than their original basic punk sound. The same year also produced a collaboration with Dead Kennedys singer Jello Biafra with Last Scream of the Missing Neighbors. In August 1990, Joey decided he was breaking up D.O.A. but, at the suggestion of promoter Dirk Dirksen, they did a farewell tour of the West Coast, playing their "final" show on December 1, 1990 at the Commodore in Vancouver. In 1991, they released a posthumous live album entitled Talk Minus Action = 0 while Keithley pursued an acting career. 19 months after D.O.A. broke up, Joey Shithead and Wimpy Roy had reunited as D.O.A in the summer of 1992.
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The group found the phrase arbitrary and hilarious and decided to use it as the title, rather than trying to choose a title based on the music's themes or moods. They chose the British spelling of "colour" with a "U" as a tribute to Norton, who is British. A title track was written and recorded for The Colour and the Shape during the Bear Creek sessions, but like most of the other songs attempted there, it did not reach the album's final track list. Noted as "rawer, noisier and thrashier" than the rest of the songs on the album by Louder Sounds Paul Brannigan, it later became a b-side to the album's eventual lead single, "Monkey Wrench".
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By the mid-1980s bands were beginning to emerge from the L.A. scene that pursued a less glam image and a rawer sound, particularly Guns N' Roses, breaking through with the chart- topping Appetite for Destruction (1987), and Jane's Addiction, who emerged with their major label debut Nothing's Shocking, the following year.M. Walker, Laurel Canyon: The Inside Story of Rock-And-Roll's Legendary Neighborhood (London: Macmillan, 2007), , p. 241. In the late 1980s metal fragmented into several subgenres, including thrash metal, which developed in the US from the style known as speed metal, under the influence of hardcore punk, with low- register guitar riffs typically overlaid by shredding leads. Lyrics often expressed nihilistic views or deal with social issues using visceral, gory language.
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In the early 1970s, musician Lenny Kaye had codified the term "punk" in reference to a genre of music with his compilation Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968. The album highlighted minor 1960s hits by groups like The Standells, The Seeds, The Count Five and Electric Prunes mixed with similar-sounding tracks by lesser-known bands. Kaye's original Nuggets compilation sparked a wave of similar records, notably the Pebbles series of LPs, that sought to unearth rare music from the 1960s. Tim Warren's Crypt Records followed up with even rarer and rawer 60s punk rock recordings on its Back from the Grave albums released during the mid-1980s, as did many other small labels the world over.
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In spring 1966 Walli launched his professional musical career as guitarist when he started playing with Jormas, a band which was extremely popular not only in Finland but in the rest of Scandinavia too. During the seven months Hasse Walli spent in Jormas, they toured expansively Finland, Sweden and Denmark, Walli also appearing on the band's album and singles. Again, Jormas split too when its members had to join military service; Walli finding soon himself doing a brief stint in The Frankies of Johnny Liebkind. However, soon Hasse Walli became frustrated in having to play soft pop, when the rawer sounds of The Yardbirds and John Mayall's Bluesbreakers (which especially inspired Walli) started to make waves in the mid-60s rock scene.
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In keeping with all of the entries in the series, and as indicated in the subheading which reads "36 Cuts of Utter Snarling Mid-60's Garage Punk," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. Accordingly, the set generally excludes psychedelic, folk rock, and pop- influenced material in favor of basic primitive rock and roll. \- CD Liner notes and front cover artwork. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides.
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Haunting lyrics, not exactly corny but sticky love pleas, all combined with tints of the era, still the reminiscent New Wave and adult Pop provide a cohesive and maybe more authentic album than the previous ventures. Hoodoo is the end of childlike pop and the beginning of what mature music might look like..." Speaking of the 2016 deluxe edition, Attitude writer Josh Lee stated: "...on Hoodoo she went for a rawer, more aggressive sound – like Kylie's switch from pop princess to IndieKylie but with more anger and a brassier soul sound. It's a great album but it alienated many fans and displeased the record company." Gay Times writer Darren Howard wrote: "Hoodoo is now seen as a modern classic that slightly under-performed.
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Coghill on drums, in Melbourne, January 2010. He joined in 1990. Powderfinger's Vulture Street was released on 4 July 2003, and became their third album to peak at No. 1 in Australia, while in New Zealand it reached No. 17. Recorded in January and February 2003, it was named for the location of the band's first recording room in West End, Brisbane. The Sydney Morning Heralds music critic Bernard Zuel approved of "a rawer, louder, but by no means unrefined, album" with "a real energy here that has some connections to early Powderfinger, but bears the mark of a superior intellect"; he felt it had Haug and Middleton "dominating in a way they had not since their 1994 debut" album.
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Songs segue together with such frequency that you end up with what seems like several marathon slam-jams [...] Though new-ish vocalist Scott Reynolds is merely serviceable, the rest of the band is in fine fettle. Billy Stevenson's hammering drum shots are still lethal weapons, while Stephen Egerton also serves up some marvelously warped Black Flag-ish guitar parts." Chris Morris of Musician said that "the club date caught herein captures the sweetly cranked-up fervor that has become the quartet's hallmark. Vocalist Scott Reynolds' work is rawer here than on All's more polished yet still febrile studio records, but the explosive tenderness of numbers like 'Fool', 'Skin Deep', and 'She’s My Ex' combines the songwriting assets of the Buzzcocks and early Black Flag.
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P-Model made a demo in 1979 to obtain a recording contract; it features 2 songs, each one being composed by Susumu Hirasawa and Yasumi Tanaka, P-Model's main songwriters at the time. The band negotiated with 8 record labels, in the end, they chose to sign a contract with Warner-Pioneer, all P-MODEL releases from 1979 to 1981 (3 albums and 3 singles) were handled by Warner-Pioneer, including IN A MODEL ROOM, the album where both of these songs were included. Hirasawa also gave a copy to Plastics keyboardist Masahide Sakuma after a Plastics show after asking him to produce In a Model Room, which Sakuma accepted. Due to the demo nature of the recordings, they are rawer and punkier than the studio recorded versions.
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Acoustic violins may be used with an add-on piezoelectric bridge or body pickup, or a magnetic pickup attached to the fingerboard end. Alternatively, an electrodynamic pickup can be installed under an acoustic violin's fingerboard avoiding interference with any tone-producing parts of the violin, and therefore keeping its acoustic resonances and tone intact. A traditional acoustic violin and a modern electronic violin from Marc Capuano To avoid feedback from the resonances of the hollow body under high amplification on stage, many instruments have a solid body instead. The timbre (tone color) of a standard unamplified violin is due in large part to these resonances, however, so depending on how the signal is picked up, an electric violin may have a "rawer" or "sharper" sound than an acoustic instrument.
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The work on Snakes in the Playground began after the band arrived their home of Kentucky from the tour that followed Kinetic Faith, with the line up of Dale Thompson, Troy Thompson, Rick Foley and Jerry McBroom. Bride spent a great deal of time in pre-production fine tuning its material and eventually came up with two demo tapes of nine songs each. On this album the band tried to capture their live performance energy on the album, and ended up creating a rawer and more straightforward hard rock album compared to Kinetic Faith. The band has said that they did not want to work with the producer Steve Griffith, and ended up working with the New Jersey native, Plinky, who had previously produced for a band called Novella.
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Eric Burdon & the Animals (1964). British rhythm and blues and blues rock developed in the early 1960s, largely as a response to the recordings of American artists, often brought over by African American servicemen stationed in Britain, or seamen visiting ports such as London, Liverpool, Newcastle and Belfast.R. F. Schwartz, How Britain Got the Blues: the Transmission and Reception of American Blues Style in the United Kingdom (Aldershot: Ashgate, 2007), , p. 28. Many bands, particularly in the developing London club scene, tried to emulate black rhythm and blues performers, resulting in a "rawer" or "grittier" sound than the more popular "beat groups".V. Bogdanov, C. Woodstra and S. T. Erlewine, All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), , pp. 1315–1316.
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Numerous changes were afoot by the time the fourth album, The Living Return, was released in September 1994. The replacement of producer Paul O'Duffy, after initial studio sessions with Ray Hayden, contributed to a looser, rawer feel to the songs that were often the results of studio jam sessions. Though Drewery and Connell still led Swing Out Sister, additional musicians, including former 52nd Street bassist Derick Johnson, Pa'lante percussionist Chris Manis, Jazz Defectors drummer Myke Wilson, and trumpet player John Thirkell, increased the group to ten members who replicated the live performances that had been captured on the Japan-only release Live at the Jazz Cafe. The album featured a cover of the Delfonics song "La-La (Means I Love You)", which was released as a single and was included on the soundtrack of the movie Four Weddings and a Funeral.
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With Sloth back in the band once more, Sadistik Exekution returned in 1997 with their third album, K.A.O.S.. Faster and rawer than anything the band had produced before, the album saw the beginning of a particularly active period for Sadistik Exekution with a steady stream of live performances and other projects. Dave Slave had been working on an album of electronic rock n’ roll for several years, finally releasing it under the name Digital Fiction in 1998 through a Brisbane distributor called Oracle. Early the same year, Rok recorded two solo albums, with Osmose releasing the first, This is Satanik, toward the end of the year. Kriss Hades joined the Sydney black metal band Nazxul, with whom he recorded an EP. Sloth recorded a series of demos consisting of some of his many punk rock songs under the name Bog.
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The Arabs crossed the Indus further South and defeated the army of Dahir, who was killed.Kennedy, Hugh, "The Great Arab Conquests", pp301Haig, Wolseley, "The Cambridge History of India, Vol III", pp5 The Arabs then marched north along the east bank of the Indus after the siege and capture of Rawer. Brahmanabad, then Alor (Aror) and finally Multan, were captured alongside other in-between towns with only light Muslim casualties. Arabs marched up to the foothills of Kashmir along the Jhelum in 713 AD,Fredunbeg, Mirza Kalichbeg, "The Chachnama: An Ancient History of Sind", pp176 and the stormed on Al-Kiraj (probably the Kangra valley)Blankinship, Khalid Y, "The End of Jihad State ", pp132 Muhammad was deposed after the death of Caliph Walid in 715 AD. Jai Singh, son of Dahir captured Brahmanabad and Arab rule was restricted to the Western shore of Indus.
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She pushed her vocals so hard she had to make trips into Cologne, Germany, where the album was being recorded, each day for treatments to avoid permanent damage to her vocal cords. The Hartman demo was released 20 years later under the name Coup de Grace. The rawer version of Coup d'Etat, which took less than a tenth of the time and a fraction of the budget, is hailed by many fans as the true version of the album. The video Rod produced and directed of "The Damned" featured Wendy driving a school bus through a wall of TVs, climbing onto the roof of a moving bus which had been loaded with explosives, and then singing from the roof and jumping off a few moments before the bus goes through the second wall of TVs and then blows sky high.
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Critics and fans alike had panned the album (although the first single off the album, "Black Nite Crash", was awarded "single of the week" by weekly music magazine Melody Maker). The album was described by AllMusic as "an abomination of '70s/Lenny Kravitz clichés, full of third- and fourth-rate tunes and, ultimately, bad blood", going on to say "the words are just plain awful throughout, not even worth printing".Kellman, Andy "[ Tarantula Review]", AllMusic, Macrovision Corporation Rolling Stone were more complimentary, stating "the album is saved from maudlin self-obsession because it's rawer and rocks harder than anything else Ride have recorded".Derogatis, Jim (1996) "Tarantula review", Rolling Stone, issue 732, 18 April 1996 Since the break-up, both Bell and Gardener have been more reflective about the group's disintegration, with Bell especially admitting his own part in the process.
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The songs make references to some certain well- publicized controversies such as the 1992 Los Angeles Riots (heard in dialogue on "Real Eyes, Realize, Real Lies") and the Waco Siege of 1993 ("Davidian"). Elsewhere, there are tales of physical and mental abuse ("None But My Own," "The Rage to Overcome"), the condemning of profits from religious soliciting ("Death Church"), succumbing to substance abuse ("I'm Your God Now"), and aforementioned themes of urban decay, social unrest, rebellion, belligerence, or socio-political commentary. Stylistically, the album is credited as having bridged the gap between "second-generation Bay Area thrash (Testament, Death Angel, etc.) and the modern-day Pantera school of hard knocks." Compared to their later releases, it's rawer and more aggressive; after changing their sound on their three subsequent albums, the style was resurrected in modified form—the influences of Gothenburg were evident—on their post-Supercharger output.
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The Inevitability of a Strange World was produced partially by Lou Giordano and partially by Machine, who had previously worked with such renowned bands as Armor for Sleep, The Goo Goo Dolls, Lamb of God, and Sunny Day Real Estate. Thanks to them, the album featured a much rawer sound, giving a slight nod to a variety of heavy metal acts (most notably in the song "Our Revolution", which lyrically and musically pays homage to Mötley Crüe's "Kickstart My Heart"). The Inevitability of a Strange World sold close to 7,000 copies within its first week, debuting at No. 130 on the Billboard 200 and at No. 1 on the Top Heatseekers chart. To promote the release, the band shot a music video for "Our Revolution", toured extensively and appeared on Last Call with Carson Daly on July 19, 2006 and on Fearless Music on September 23, 2006.
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There is a consensus that this 'independent' period was when the title had a rawer and radical edge than under its later ownership. Its political stories caused consternation and complaints - there were numerous spats with councils, quangos and occasionally blank spaces where legal injunctions had caused stories to be pulled just prior to printing. Similarly, its arts writing can be seen as a vibrant record of a ground-level cultural renaissance taking place with the opening of new facilities as the Hacienda (1982), the Green Room performance venue (1984) and the Cornerhouse visual arts centre (1985); this upsurge was typified by the imaginative re- using of old and vacant city centre buildings for arts and leisure, and can be seen as a key building block of what was later hailed as the physical regeneration of Manchester city centre through widespread commercial investment and property development.
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The more expansive musical style with accompanying orchestration – presented with a gatefold sleeve featuring ornate flower-themed artwork by painter Sassin – was a departure from the rawer tone of the band's previous hits, but nevertheless received acclaim from fans and critics as a notable work of flower power psychedelia. It remains a genre curiosity piece today and is regarded as a pioneering effort in full-blown psychedelic rock. Iggy Pop, Smashing Pumpkins, Animal Collective and members of the Beach Boys have all sourced the band, mentioning this album and previous ones as genre classics. The release of Future in mid-1967 generally marked the commercial peak of the Seeds’ career, coinciding with a major national hit, raucous concerts, numerous live TV performances, as well as prominent guest appearances on the NBC sitcom The Mothers-in-Law and in the hippie/counterculture-themed cult film Psych-Out.
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According to Neufeld, the band had originally intended to use a re-recorded version of Chasing Promises album track "Moment by Moment" for release as a single, but were "so pleased" with the recording of new track "I Never Know Where You Are" that they decided to make the song the A-side. The song would also feature prominently on the band's next album as the opening track. The double A-side single "Always"/"Flowers Die" was released in the summer of 1990; the former was a non-album track, while the latter—a cover version of a song originally by the Only Ones—would also feature on their fourth album. Neufeld said, "We felt that we wanted a slightly rawer, less produced sound for our next record and decided to have a change of scene and go back to recording with Drostan [Madden]", so the band produced their fourth album, Between Happiness and Heartache, with Madden and Ken Gardener at Rooster and Blackwing Studios.
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Additionally, some established hard rock bands of the era such as the Scorpions, Whitesnake, Dio, Aerosmith, Kiss, Alice Cooper, Ozzy Osbourne, Judas Priest and Accept began incorporating hair metal elements into their sounds and images, as the genre's popularity skyrocketed in 1985-86. Four Def Leppard songs were on the top ten of the Billboard Hot 100. Glam metal bands continued their run of commercial success in 1987 with Mötley Crüe releasing Girls, Girls, Girls, White Lion releasing Pride, and Def Leppard releasing Hysteria producing a hard rock record of seven hit singles. Another of the greatest successes of the era was Guns N' Roses, originally formed from a fusion of bands L.A. Guns and Hollywood Rose, who released the best-selling début of all time, Appetite for Destruction. With a "grittier" and "rawer" sound than most glam metal it produced three top 10 hits, including the number one "Sweet Child O' Mine".
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Back from the Grave, Volume 1 is the first installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records and released in 1983 on LP. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Rockin' 1966 Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. \- LP Liner notes and cover artwork. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides.
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Abalando a Sua Fábrica (Portuguese for "Shaking Your Premises"), also referred to as 100% Charlie Brown Jr. – Abalando a Sua Fábrica as per the cover, is the fourth studio album by Brazilian alternative rock band Charlie Brown Jr.. Released on April 30, 2001 through EMI, it was the band's first album not to come out through Virgin Records, to count with guest appearances by other musicians, and to be produced by either Rick Bonadio or Tadeu Patolla. Abalando a Sua Fábrica sees the band shifting away from their previous rap rock-inflected sonority, advancing towards a "rawer" style more influenced by punk and garage rock. It was also recorded with all instrumental parts simultaneously instead of one at a time, as if they were recording live. The album spawned three hit singles: "Lugar ao Sol", "Hoje Eu Acordei Feliz" (which had a critically acclaimed music video directed by filmmaker André Abujamra) and "Como Tudo Deve Ser", included in the soundtrack of SBT's reality show Casa dos Artistas.
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Zuel reviewed two of Powderfinger's more recent albums, and described Vulture Street as "a rawer, louder" album in comparison to Odyssey Number Five; it highlighted Fanning's "talent as a lyricist" and he stated that it featured guitarists Haug and Middleton "dominating in a way they haven't since their 1994 debut". Zuel also stated that there is a "real energy here that has some connections to early Powderfinger," and described "On My Mind" as having "AC/DC meatiness", and "Love Your Way" as "acoustic tumbling into weaving Zeppelin lines". In his review of Dream Days at the Hotel Existence, Zuel described it as "[having] high-gloss and muscular framework," and stated that that was what "American radio considers serious rock." Clayton Bolger of AllMusic stated in his review of Dream Days at the Hotel Existence that Powderfinger "largely revisit the sound of their Internationalist album, leaving behind much of the glam and swagger of 2003's Vulture Street".
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Millennium was formed in 1988 as one of the first Indian metal bands, and it laid the foundation for the Indian heavy metal scene. Demonic Resurrection laid the foundation for Indian extreme metal early in 2000 when extreme metal in India was a scarce minority, since then it has garnered popularity especially in the underground scene and spawned many bands such as Corroded Dreams, Escher's Knot, Crypted, Bestial Murder, and some bands have adapted to black metal driven sound with a rawer sound and satanic lyrics. Bands such as Dark Desolation from Bengaluru and Fortified Destruction from Chennai have gone down that path. Many prolific extreme metal bands have spawned from the Chennai local scenes like Siva from Crypted, Abhijit Rao from Escher's Knot, Vyas "Hex" Manalan from Fortified Destruction who are all frontmen of their respective bands and all known for their extreme vocal capabilities and the addition of guitar in the case of Hex.
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4 of the CD-specific series was actually released in 2000, four years after the release of Volume 8 (though the LP version of Volume 4 was released in 1996). In 2015, a totally new re-mastered CD series of Back from the Grave is in the process of being released, which will adhere more closely to the track listings of the LPs, and will bring the series for the first time into multi-medium coherence. Unlike the preceding four volumes in the CD-specific series, the tracks on Volume 8 corresponded almost exactly with the LP, containing all of the songs on the LP (in the same order), but with the addition of several bonus tracks. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Over 30 Cuts of Utter Snarling Mid-60's Garage Punkrock," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals.
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The relative success of "Disconnected" helped Face to Face to gain more exposure and popularity, and the song became a standard for the band for the rest of their career. Allmusic reviewer Vincent Jeffries recalls that the song was an "alt-rock radio mega-hit", while Tracy Fey comments that the Over It version is "a rawer, less polished version than the one that appears on Big Choice, but the power and catchiness are still there", remarking that "Disconnected" and "I Used to Think" "stand out as the backbone of the EP" and that the Big Choice version is "a bit heavier". After Face to Face's breakup in 2004, Keith released a compilation album entitled Shoot the Moon: The Essential Collection through his Antagonist Records label. It includes the original version of "Disconnected" from Don't Turn Away as the album's opening track, and a live version of the song recorded at the band's farewell performance on September 19, 2004 at the House of Blues in Hollywood, California as the closing track.
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Muddy Waters, a major influence on the movement, pictured in 1971 Commentators often distinguish British rhythm and blues bands from beat bands (who were influenced by rock and roll and rockabilly) on the one hand, and, from "purist" British blues (which particularly emulated Chicago electric blues artists), on the other, although there was considerable crossover between the three sets of musicians. Merseybeat bands like the Beatles, or from the parallel beat scene in Manchester, were influenced by American forms of music that included rockabilly, girl groups and the early Motown sound, helping them to produce commercial orientated form of music that began to dominate the British charts from 1963. However, bands from the developing London club scene were mainly concerned to emulate black rhythm and blues performers, including the work of Chess Records' blues artists like Muddy Waters and Howlin' Wolf, but also wider rhythm and blues singer and rock and roll pioneers like Chuck Berry and Bo Diddley resulting in a "rawer" or "grittier" sound. British rhythm and blues differed in tone from that of American artists, often with more emphasis on guitars and sometimes with greater energy.
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Back from the Grave, Volume 7 is the seventh installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records and is available on LP and CD. \- LP Liner notes and cover artwork. It was originally released in 1988 as a double-LP containing 34 tracks, and has been newly re-mastered and re-issued in 2015. Though most of the LP's tracks had appeared on volumes 3 and 4 of the Back from the Grave CD-specific sub- series (released between 1996 and 2000), in 2015, it was released on CD with the re-mastered material and closely matches the song content (and album cover artwork) of the original LP (containing all but two of the cuts on the original LP) as part of an effort to bring the LP's and CD's of the series into multi-medium coherence. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Raw Blastin' Mid 60s Punk," this collection generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll, usually consisting of songs displaying the rawer and more aggressive side of the genre often characterized by the use of fuzztone-distorted guitars and rough vocals.
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