35 Sentences With "raspier" | Random Sentence Generator

He seemed more distant that day, his voice quieter, raspier.

His stage persona has changed too, with less animated physicality and a faster, raspier delivery.

In a cacophony of squeaky children at home, relatives could always distinguish Sha'Quille's low, raspier voice.

As the genre has become smoother, more rigorously structured and more digital, he has become raspier, looser and more organic.

Then, switching back to his rougher extended-technique pitches, he once again sneaked in that liquid legato line of traditional notes, this time in a raspier style.

Speaking in a deadpan that gets raspier the longer the sentence goes, Maron, who wears jeans, a vest and a bushy beard, has left his old anger behind.

His posture straightens, his low-energy voice grows raspier and more strident, his Rs harden and his vowels sharpen into the distinctive vocal cadence of the actor Christian Slater.

Engine noise has been a talking point since the quieter, more fuel-efficient 1.6 liter V6 turbo hybrid power units were introduced in 2014 in place of the raspier and less sophisticated V8 engines.

With just over two weeks until Election Day, Stacey Abrams' voice was raspier than normal as she delivered her well-honed speech to a crowd gathered at Theze Bonez, a ribs restaurant run by a military vet in Powder Springs, Georgia.

In its raspier moments, her voice on Diary of Me curled like incense smoke as she sang about everything from the mushiness of early love, on "Marry Me", to bullying, on "Silly Girl," about a girl who targeted her in school.

Mr. Sanders, raspier than usual but no gentler on the sound system, insisted that Mr. Biden has "got to defend" a status quo that bankrupts cancer patients, drawing a steely glare from a front-runner well-versed in the disease's ravages.

In Arabic, is similar to the English , but it is much "raspier", IPA: ~. (Pharyngeal H) In Persian, it is , like and the English h.

Moore was a heavy smoker, which contributed to his voice growing raspier over the years. Even as he aged and sported graying hair, he continued to be a popular figure. He kept busy, hosting the 5 p.m., 6 p.m.

A prototype version of Grover appeared on The Ed Sullivan Show on Christmas Eve in 1967. This puppet had greenish-brown fur and a red nose. He also had a raspier voice and was played a bit more unkempt than Grover would later behave. The monster was referred to as "Gleep", a monster in Santa's workshop.

The yazheng is generally played while seated on the floor. It has a tone similar to that of a viola, but raspier. Some contemporary players prefer to use an actual horsehair bow rather than a stick, believing the sound to be smoother. The instrument is used in court, aristocratic, and folk music, as well as in contemporary classical music and film scores.

Also, the basement zombie's ("Tar-Man") voice was altered. Originally, the zombie had a higher, raspier voice that can still be heard in theatrical trailers and releases that contain the original audio. A 25th anniversary edition was released on September 14, 2010, exclusively for Blu-ray Disc. The Blu-ray Disc version is a 2-disc combo pack with both a Blu-ray Disc and DVD.

The female loudsong resembles that of the male initially, being just raspier; the second part however consists of 2-4 short notes that successively become deeper and more muted. In mated couples, the male often sings first, followed immediately by the female.Zimmer & Isler (2003a), Cuervo et al. (2007) The dull-mantled antbird also gives very short (0.1 to 0.2 seconds) downslurred burr as well as abrupt chip or chip-chip calls.

AXS's Lucas Villa compared the funk sound of the recording to George Clinton's "Atomic Dog" (1982). Andy Kellman's AllMusic said the recording "aimed for early Time", but it sounded more like One Way's "Let's Talk"(1985). Annie Galvin of Slant Magazine found Mars "channeling Little Richard's raspier inflections." Critics noticed the influence of Cameo on the horns, Morris Day & The Time on the keyboards, and "Party Train" (1983) by The Gap Band on the drums.

The song was called a "...high-energy radio-rock with a taste for ‘80s flash..." by Altpress writer Matt Crane and stated that the music video promoting the song "feels like a night out in Vegas—at one of the cheap casinos". Crane also believes that as a result of Worsnop's vocal strain from performing with his former band Asking Alexandria it has enabled him to sing with more raspier 'rock' vocals.

It has a tone similar to that of a cello, but raspier. Some contemporary players prefer to use an actual horsehair bow rather than a stick, believing the sound to be smoother. The instrument is used in court, aristocratic, and folk music, as well as in contemporary classical music and film scores. The ajaeng is derived from the Chinese yazheng (simplified: 轧筝; traditional: 軋箏) and Vietnamese nha tranh in Nhã nhạc – Vietnamese court music.

Female snowy owls have also been known to utter chirps and high screaming notes, similar to those of the nestlings. Both sexes may at times give a series of clucking, squeals, grunts, hisses and cackles, perhaps such as in circumstances when they are excited. The alarm call is a loud, grating, hoarse keeea. Another raspier bark is recorded, sometimes called a "watchman's rattle" call, and may be transcribed as rick, rick, rick, ha, how, quack, quock or kre, kre, kre, kre, kre.Thaxter, C. (1875).

Jus Allah is known for his aggressive lyrics that are commonly Afro-centric subject matter, as well as heavily using a multi-syllabic rhyming technique which is abundant in Violent by Design and his debut solo All Fates Have Changed. In later years he switched his delivery to a more aggressive, deeper and raspier style, most noticeable in later JMT albums such as A History of Violence and Violence Begets Violence. Jus Allah's involvement in Jedi Mind Tricks has sometimes been conflictual, resulting in him leaving and rejoining the band several times.

Gunnar Graps' singing style was somewhat similar to the style James Hetfield of Metallica used to have, which was essentially trying to sing from the throat to produce a raspier sound. A very busy schedule contributed to the development of his signature rasp. It was not uncommon for Graps to perform even 3 shows per day and 25 days in a month. He was still able to produce very high notes, as is evident from his songs and Jesus Christ Superstar song "Gethsamen", which is included on the Gunnar Graps – Eesti kullafond 4.

"Face to Face" was co-produced, co-written and features a vocal performance by American house music producer Todd Edwards. Daft Punk considered Edwards to be one of the biggest influences on their work, and were delighted at the opportunity to collaborate with him. The duo initially wanted to work with him on Daft Punk's debut album Homework, but had difficulty convincing Edwards as the two were not as well known at the time. When the three later recorded "Face to Face", the duo directed him to "sing a little raspier, like Foreigner".

Female mallard ducks (as well as several other species in the genus Anas, such as the American and Pacific black ducks) make the classic "quack" sound while males make a similar but raspier sound that is sometimes written as "breeeeze", but, despite widespread misconceptions, most species of duck do not "quack". In general, ducks make a wide range of calls, ranging from whistles, cooing, yodels and grunts. For example, the scaup - which are diving ducks - make a noise like "scaup" (hence their name). Calls may be loud displaying calls or quieter contact calls.

She issued a single, "Air to Me", ahead of the album, in March and followed with a tour. The Dwarf website's Elyse Stoupe felt that her "voice sounds close to that of Missy Higgins, if only a tad bit raspier, making it that much more interesting. It's a quite a bouncy song, with a strong bass line and use of imaginative sound effects". In the following month Rolling Stone Australia described her style as "post trip-hop", and provided a give-away CD, Rolling Stone Supports JB Seed Artists, with tracks by Various Artists including "Air to Me" by Tecoma.

It was announced on May 12, 2016, that Anselmo would be fronting a new band, Scour, with members from Pig Destroyer (John Jarvis), Cattle Decapitation (Derek Engemann), Animosity (Chase Fraser), and Strong Intention (Jesse Schobel). The band's debut EP was released July 15, 2016 on Anselmo's label Housecore Records, featuring six songs all under 3 minutes in length. The band is stylistically black metal, with the exception of Anselmo's use of lower growling instead of the higher, raspier vocals commonly associated with the genre. In August 2017, the next EP titled Red was announced for a November 3 release.

Weiland's vocal and musical style proved to be versatile, evolving constantly throughout his career. At the peak of Stone Temple Pilots' success in the early to mid-1990s, Weiland displayed a deep, baritone vocal style that was initially closely compared to that of Pearl Jam singer Eddie Vedder. However, as STP continued to branch out throughout its career, so did Weiland's vocal style. The band's third album, Tiny Music... Songs from the Vatican Gift Shop, had Weiland singing in a much higher, raspier tone to complement the band's more 60's rock-influenced sound on that album.

Musically, "Trouble" is an anthemic midtempo song, that is styled in the genre of 90s influenced pop rock. The singer's voice in the song was deemed "raspier" and "more exhausted" than in the other album tracks, which are also heard during the "singalong hook". The song's instrumentation utilizes stadium drums, guitars and keyboards, while background vocals resemblant of choirs—and serve as arena rock elements—sing "whoas" repeatedly. Lyrically, Kills speaks of bad behavior and trouble, while searching an alibi and a friend. Jake Buck of Vada described it as being "the perfect ending to represent the album’s entire theme of badass, rawness, [and] honesty".

Faithfull's immediately preceding albums, Dreamin' My Dreams and Faithless, had been in a relatively gentle folk or country and western style. Broken English was a radical departure, featuring a contemporary fusion of rock, punk, new wave and dance, with liberal use of synthesizers. After years of cigarette smoking, Faithfull's voice was in a lower register, far raspier, and had a more world-weary quality than in the past that matched the often raw emotions expressed in the newer songs. The backing band of Barry Reynolds, Joe Mavety (guitars), Steve York (bass) and Terry Stannard (drums) had been formed in 1977 to tour Ireland with Faithfull promoting Dreamin' My Dreams.

Cilmi has a contralto vocal range and has been compared to Anastacia and Amy Winehouse for her vocal stylings during the initial stages of her career. Cilmi also discovered her sound was partly caused by a back problem, known as hollow back or lordosis, which affects the way in which she uses her diaphragm muscles when singing, producing a more throaty sound. During her early twenties, she began to record her third album The Sting as her voice became more raspier and developed a lower range, which allowed her to display her own signature sound. In a review for Ten, Caroline Sullivan of The Guardian complimented her voice stating it as 'precociously blistering' and 'Her zest and powerful voice can't be faulted'.

" Nick Levine of Digital Spy said the song is a "midtempo disco track with an unabashedly feelgood message" and a "classy, dignified and thoroughly likeable comeback effort", while Houston's voice "is deeper and raspier than you might remember, but she's still capable of going for a money note". Bill Lamb of About.com rated the song 3.5 stars out of five in a mixed review, saying that "the performance is undeniably the Whitney Houston we all know" and Keys "has written a song that fits very well with her tradition of 'old soul' songs", but with the "very old school R&B;" approach from Beatz it is "all almost too familiar" and "Houston failed to give it a new twist that would successfully make the old stunningly new again." Gail Mitchell of Billboard wrote: "this club jam practically screams remix.

Spencer Owen, writing for Pitchfork Media, felt that this album "represents a venture into actual melody, at least more so than they've attempted before", likening the result to a "malfunctioning machine that suddenly becomes aware of its existence." Tiny Mixtapes' Tamec explained that the "closest comparison for this music is an arrhythmic Don Caballero with someone moaning and gasping over top of it.". John Fail writing for Fakejazz writes that vocalist Al Johnson has "created another impenetrable mess of words, delivered in a voice that gets raspier with each record." In the film which documents the recording session, Al Johnson explains his vocal style in terms of diagrams which encircle the lyrics, with black dots representing a 'closed throat' sound (producing a rasp), whereas an unfilled dot would mean the lyric would be more traditionally 'sung'.

Guitarist Janick Gers replaced Adrian Smith during the album's preproduction stages. The album departed from the keyboard- and synthesiser-saturated progressive rock direction of the band's two previous studio outings (1986's Somewhere in Time and 1988's Seventh Son of a Seventh Son) in favour of a more "stripped down," straightforward style, reminiscent of the band's earlier material, which ushered in a change of vocal style for Bruce Dickinson from the operatic sound of the 1980s to a raspier way of singing. In addition, Michael Kenney, who had played keyboards on tour for the band, played keyboards on the album, replacing Harris and Adrian Smith from previous albums. The idea to make a more "street level" release also inspired the band to record in a barn on bassist Steve Harris's property in Essex, using the Rolling Stones Mobile Studio.