The title character in "The Happiest Day in the Life of Olli Maki" is a rabbity guy — nervous, jumpy and fast.
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His face, dashing and slightly rabbity, lit up when he found a display Marmite, the love-it-or-hate-it sticky yeast paste.
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He puts up with the nerdy, White Rabbity stranger (Jeremy Strong) chasing after him and managing the return of Karen, this ex of his and mother of his son.
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Rabbity, intensely focused and practically shivering with emotion, the little man — using a short yellow pencil — frantically wrote in a small bound book, the size of a small date book.
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At last, after a frantic rabbity burst, he shuddered, came, and collapsed on her like a tree falling, and, crushed beneath him, she thought, brightly, This is the worst life decision I have ever made!
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Their numbers have shrunk over time, so now it's a lonely guys' club that includes the gruff Luther (Ving Rhames), who's some kind of tech guy, and the rabbity Benji (Simon Pegg), another tech guy with more, faster patter.
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The terrible sex shared between the pair leads Margot to a realisation: At last, after a frantic rabbity burst, he shuddered, came, and collapsed on her like a tree falling, and, crushed beneath him, she thought, brightly, This is the worst life decision I have ever made!
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Sam & Max Hit the Road is a graphic adventure video game released by LucasArts during the company's adventure games era. The game was originally released for MS-DOS in 1993 and for Mac OS in 1995. A 2002 re-release included compatibility with Windows. The game is based on the comic characters of Sam and Max, the "Freelance Police", an anthropomorphic dog and "hyperkinetic rabbity thing".
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She further states Peter Rabbit's nature is familiar to rabbit enthusiasts "and endorsed by those who are not ... because her portrayal speaks to some universal understanding of rabbity behaviour." She describes the tale as a "perfect marriage of word and image" and "a triumph of fantasy and fact". Mr. McGregor tries to trap Peter under a garden sieve According to Stuart Jeffries, "...psychoanalytic critiques of her work have multiplied since her death in 1943."Jeffries, Stuart.
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Sam & Max Save the World is set in a universe that parodies American popular culture, and it follows the title characters of Sam and Max, the Freelance Police, a pair of vigilantes and private investigators. Sam is a level-headed but enthusiastic anthropomorphic dog who wears a blue suit and fedora. He is inquisitive, knowledgeable in obscure areas and tends to prefer the logical solution to problems, but he is not above using force. Max is described as a "hyperkinetic rabbity thing"; cunning, uninhibited and reveling in violence and mischief.
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"Harry Connick Jr. to star in New Orleans-shot movie for Lifetime", The Times Picayune, May 2, 2008. 2010 Tribeca Film Festival Her next film was the 2009 comedy New in Town, in which she played a Miami high-powered consultant adjusting to her new life in a small Minnesota town. The movie rated poorly with reviewers and made a lackluster US$16 million in its domestic theatrical run. Peter Bradshaw of The Guardian stated that her "rabbity, dimply pout – surely the strangest facial expression in Hollywood – simpers and twitches out of the screen in this moderate girly flick that adheres with almost religious fanaticism to the feelgood romcom handbook".
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A Wii port of the game was published in late 2008, and an Xbox Live Arcade version was released in mid-2009. Based on Steve Purcell's comic book series Sam & Max, the game follows the title characters Sam and Max—self-styled vigilante private investigators, the former an anthropomorphic dog and the latter a "hyperkinetic rabbity thing"—through several cases involving a hypnotism conspiracy. Each episode features one case with a contained story, with an underlying plot running through the series. The game was announced by Telltale Games in 2005 following the cancellation of Sam & Max: Freelance Police by LucasArts in the preceding year; many of the employees at Telltale Games were members of the Freelance Police development team.
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Grind The Complete Book of 1980s Broadway Musicals, Rowman & Littlefield, 2016, , pp 239-241 According to New York Daily News columnist Douglas Watt, the show was in "serious trouble" during its out-of-town tryout in Baltimore. A number of songs were taken out of the show during its tryout and New York previews, including "The Best," "La Salle Street Stomp," "The One I Want is Always on the Bottom," "Rabbity Stew" (which was eventually incorporated into Grossman's 1993 musical Paper Moon), "Rise and Shine" (whose music was eventually incorporated into the title song), and "You, Pasha, You". At one point, Bob Fosse was brought on to choreograph a number for performer Ben Vereen.
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Then there is the gait - a rabbity hop rather than a walk- which is caused by the height of the hindquarters: according to the Manx Cat Club these "cannot be too high, and the back cannot be too short, while there must be great depth of flank. The head should be round and large, but not of the snubby or Persian type. Rose Tenent wrote: "No cat is more fascinating than the tailless Manx, with its rabbit-like hoppity gait [...] . The hind legs are considerably longer than the front ones, thus giving the cat its peculiar hopping gait; incidentally, also the reason for the reasonable theory held in some quarters that the Manx cat is the result of a cross-mating between a cat and a rabbit.
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Killpatient", parodying Dr. Kildare), painting a room with red, yellow and blue spots to make Elmer think he sees spots before his eyes and pretending to be Elmer's reflection in the mirror (like the mirror scene in the Marx Brothers' film, Duck Soup) and his own rabbity image reflected at him in a mirror that's really just Bugs after the glass has been removed. And when Dr. Killpatient (Bugs) tests Elmer's reflexes, Elmer goes into a familiar Russian kick dance, and Bugs decides to join him in a busby hat and boots. Finally, Elmer sees Bugs' game and chases him out of the house with a shotgun. But Bugs quickly halts the chase and, in an unusually lengthy breaking of the fourth wall, even by Bugs' standards, he convinces Elmer that members of the audience are now afflicted with rabbititis by saying "Hey, wait a minute.
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Bernard Weish or Bernard Weiss (or Bernhard, or Weis, depending on who cited him) was a fictional linguist invented by unknown(s) in order to back the theories that differentiate between Valencian and the Catalan language, but it might be also possible the reversed possibility: it was created by an opposer of the Language secessionism to ridicule it and the Blaverists did not realise it. At the beginning of the 1980s, a Dr. Bernard Weiss, a philologist from the Romance languages Department of the University of Munich, sent some papers to blaverist meetings and articles to the Valencian media on which he supported the secessionist linguistic theories regarding Valencian and Catalan. That way, the Blaverists had the scientific source they lacked from any other university. Dr. Weiss was the discoverer of manuscripts dating from the 11th century in the Mozarabic language by Valencian troubadours such as Bertran Desdelueg (likewise as Bertrand Ofqours), Luís Llach (freely translated as Miqel Jaqson) and Salvatore Coniglia (something like Johny Rabbity).
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