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"quaintness" Definitions
  1. the quality of being attractive in an unusual or old-fashioned way

65 Sentences With "quaintness"

How to use quaintness in a sentence? Find typical usage patterns (collocations)/phrases/context for "quaintness" and check conjugation/comparative form for "quaintness". Mastering all the usages of "quaintness" from sentence examples published by news publications.

A quaintness to its complexity that leaves you with a smile.
It's liable to be read by women's groups and valued for its quaintness.
Despite its quaintness, Leipzig is clearly the ideal location for a festival like Wave-Gotik Treffen.
While those days are far behind us, there's a certain level of quaintness still evident at these breakfast stands.
The '90s weren't so long ago at all — but these movies have the faint sheen of quaintness about them.
Theirs is music as far from Countryfile quaintness as you can get; anguished, embittered, and ever-so slightly terrifying.
But these kindred spirits are gone now, Trump has raised the stakes and patience for quaintness has long since expired.
On Advertising WIMBLEDON, England — As the world's oldest and most prestigious tennis tournament grows, a degree of quaintness remains essential.
Hull's production drops you right into the Chernobyl and its surroundings, a dire contrast of Mad Men-esque quaintness and calamity.
"He didn't look down on foreign places he visited and their 'quaintness/backwardness/insert-usual-derogatory adjective,'" the journalist Rania Abouzeid tweeted.
The community still presents a vision of suburban quaintness, with streets like Restful Lane dotted with picket fences and pinwheel garden ornaments.
Located right on the water at Casco Bay and lined with cobblestone streets, Portland immediately evokes the quaintness of a much smaller town.
I love my little life in Vermont and all the quaintness of my garden, my neighbor's goats, cross country skiing in my backyard.
The festival embraces the quaintness offered by Rouyn-Noranda; featuring surprise pop-up show outside a 24-hour poutine stop or secret shows on the lake.
Salisbury combines the quaintness of Norman Rockwell New England, the cachet of the Upper East Side and the enthusiasm for the outdoors of Vermont and Colorado.
As someone reared in a sea of My Little Ponies and Snoopy Sno-Cone Machines, I must have found all of this Weimar-era quaintness strangely appealing.
"We're going to lose some of the quaintness that we had, in the old cottage style houses," he told Reuters as he surveyed the damage in his truck.
And due to the quaintness of independent league ball, Cruz had to exit the game through the stands, where he got into it with the fans who were taunting him.
The picture celebrates women, of course, both rookies and legends, bringing together Franklin, Estefan, and King with the, then, quaintness of the "new" being Twain, Carey and, to a certain extent, Dion.
One of those companies is Amazon: its holiday commercial, starring an array of smiling boxes and rushed customers who are trying to finish their shopping, tries for all the quaintness of a Folgers ad.
After realizing that "not ever leaving Greece" was a viable option, these real and fictional Americans seized their chance to carve out their very own space of Aegean quaintness (frankly, I get the impulse).
The quaintness of these conjured shibboleths was no accident: Brexit rhetoric was all about a battle to save English values and an English way of life beleaguered by waves of immigration and European interference.
Will it somehow try to recapture the quaintness that it was and that appealed to us as a family, or will some big developer come in and make it an extension of Destin and Panama City?
Everything adhered to a postcard quaintness, except for a couple of details: Many of the front doors were adorned with signs that read, "May Be Haunted," and the church services seemed more like networking events for dead people.
That the cable combatants James Carville (the Bill Clinton strategist) and Mary Matalin (the Bush and Cheney operative) were married in real life held a certain novelty and quaintness in the relatively tame Beltway soap opera of the 1990s.
Angry and chaotic radicalism is not generally charming, but Buruma's rather wistful recollection of a Japanese avant-garde that believed "authenticity lay in deliberate ugliness" has an endemic quaintness, as though the revolutionary edge had been a youthful excess rather than the loud manifestation of a country's urgent attempt to repair its bruised postwar identity.
I smiled at her quaintness and made to follow her, but cumshaw interposed quickly.
"Bizerte: Tunisia's Secret Tourism Weapon: Framed by Wide Sandy Beaches Dotted by Unimposing Resorts, Bizerte, Tunisia's Northernmost City, Offers an Unrivalled Quaintness, Surpassing the Country's More Tourism Centred Destinations." The Middle East. IC Publications Ltd. 2014. HighBeam Research.
Leimen consists of the Leimen (proper), nowadays called "Leimen (Mitte)", and the four boroughs Gauangelloch, Lingental, Ochsenbach and Sankt Ilgen. Despite its industrial roots, Leimen's downtown has maintained a certain quaintness. It is an active town, with a regular cycle of festivals and activities. At Ochsenbach, there is the NDB NKR.
The judge concluded that he would have been promoted for his dedication to his church duties, if not for his sudden death. These letters where reprinted, both in The Gentleman's Magazine and Nichols' History and Antiquities of the County of Leicester (1795); the editors saw the communications as a curiosities and apparently printed them "for their quaintness".
Until 1993, showers were forbidden in Freimersheim by the local authorities. This quaintness stemmed from a bylaw that had been prompted by a water shortage in the mid 19th century, called the Verbot über den Gebrauch frei fallenden Wassers zum Zwecke der flächigen Reinigung (“Ban on the use of free- falling water for the purpose of cleaning surfaces”).
The town of Greve's busy quaintness and the lushness and diversity of the undulating landscape which surrounds it, have long attracted tourists and travelers. The current flow of tourism to the area and the purchase of homes by both Italians and foreigners is fully integrated with viniculture, wine-making and various related enterprises to form a highly integrated and highly productive local economy.
Royal Commission on Historical Manuscripts 14th Rep. i. 368, 378 Its "unqualified and audacious attacks on all private characters" were at the start "smiled at for their quaintness, then tolerated for their absurdity", and ultimately repudiated with disgust.William Gifford, The Baviad and The Mæviad (satires), p. xi In it appeared accounts of "elopements, divorces, and suicides, tricked out in all the elegancies of Mr. Topham's phraseology".
She published 33 short stories from 1912–49. As many of Rawling's works were centered in the North and Central Florida area, she was often considered a regional writer. Rawlings herself rejected this label saying, "I don't hold any brief for regionalism, and I don't hold with the regional novel as such … don't make a novel about them unless they have a larger meaning than just quaintness."Clowes, Molly.
It lies between bedrocks at the southwest, sometimes known as Thunder Cove, and the Spurwink River on the northeastern end. This small seaside community has about 300 cottages. In addition, the community has two inns (The Breakers and the Higgins Beach Inn) which are open during the summer season. Higgins Beach is most known for its family-oriented oceanside neighborhood, striped bass fishing, the beach's quaintness, the shipwreck embedded in the beach's sands, and surfing.
DÉCEMBRE: God Save the Cuisine With my palate attuned to French cuisine, I try my best to get nostalgic about British food. JANVIER: A Maison in the Country I discover the EU-subsidized quaintness of rural France and decide to buy a suspiciously cheap cottage. FÉVRIER: Make Amour, Not War Tensions as the Iraq war looms. Meanwhile, a girl tries her best to turn me into a Latin lover with an intensive course in French sexual traditions.
It gained him the favor of James I, by which he won promotion in Ireland. The poem summarizes the main issues in religious thought in the Elizabethan Era, addressing the relation of body to soul, and of Materialism to Idealism. A. H. Bullen described it as being "singularly readable for such a subject: highly accomplished verse, no Elizabethan quaintness, bothe subtle and terse". Bullen also described Davies's Orchestra, or a Poem of Dancing as "brilliant and graceful".
Popular tourist activities include relaxing at the beach, snorkeling, taking an ox-cart ride through the village, and simply walking or biking around the island while enjoying the quaintness of the village and the natural scenery. It is recognized by academics that Taketomi's "traditional" landscape is a modern product. Today Taketomi's houses are known for visually appealing red- tiled roofs. However, commoners were prohibited from building houses with roof tiles by Ryūkyū on Okinawa until its abolishment.
Vynález zkázy treats the scientific themes of Jules Verne's novels with gently satiric affection, implicitly praising Verne's style while deliberately pointing up the quaintness of the science involved. In an interview, Ludmila Zeman summed up the film's themes, saying that Verne "always warned that even if the future is technologically perfect with all these mod cons, it needs love, it needs poetry, it needs magic. He believed only these can make people feel happy and loved".
The extended non- speaking sequences had to be arranged by director Richard Lester because of Starr's lack of sleep the previous night; Starr commented: "Because I'd been drinking all night I was incapable of saying a line." Epstein attributed Starr's acclaim to "the little man's quaintness". After the release of the Beatles' second feature film, Help! (1965), Starr won a Melody Maker poll against his fellow Beatles for his performance as the central character in the film.
Nguyễn Tuân mastered the journal free style, with a tone easily distinguished from other authors. Before the August Revolution in 1945, his style can be summarized as free will with a dash of eccentricity. Every subject of his essays was described with artistic remarks and knowledgeable observations. After 1945, his works no longer seek the contrast between the old traditional values and the new life, but the tone still had the light combination of quaintness and youthful.
Open salt dish, pressed glass; Boston and Sandwich Glass Company, 1830–1835. Silver, glass, china, pewter, stoneware, and other media used in the creation of tableware are collectible and have most likely been collected for centuries. By extension, salt cellars first became collectible as pieces of silver, glass, etc. Whether because of their commonness (and hence affordability), or the wide variety of them, or because of their slide into anachronism and quaintness, salt cellars themselves became collectible at latest by the 1930s.
Middlewich town centre, unlike the centres of other local towns such as Northwich and Winsford, was not heavily remodelled as a shopping centre during the 1970s and consequently many of the original shops remain. This contrasts with, for example, Winsford, where the High Street was demolished and replaced by Winsford Shopping Centre. However Middlewich has not capitalised on the potentials of this quaintness, and since there are no large supermarkets in the town, it has failed in becoming a shopping destination for residents of other towns.
Charles Spurgeon included John Berridge on his list of Eccentric Preachers along with Hugh Latimer, Hugh Peters, Daniel Burgess, Rowland Hill, Matthew Wilks, William Dawson, Jacob Gruber, Edward Taylor, Edward Brooke, and Billy Bray.Charles Spurgeon, Eccentric Preachers (Passmore and Alabaster, 1879), 107-220. Berridge was not only on Spurgeon's list, but Spurgeon reckoned Berridge to be the "chief" of the eccentric preachers. "What a lump of quaintness that man was," Spurgeon said, but "what a power he was to stir the souls of men and lead them to the Saviour’s feet".
The notorious Hawkhurst Gang used its ancient inns The Mermaid Inn and The Olde Bell Inn, which are said to be connected to each other by a secret passageway. Those historic roots and its charmPaul Theroux found it "museum-like in its quaintness... It had the atmosphere of a china-shop." (Theroux, The Kingdom by the Sea, 1983:53f.) make it a tourist destination, with hotels, guest houses, B&Bs;, tea rooms, and restaurants. It has a small fishing fleet, and Rye Harbour has facilities for yachts and other vessels.
As collectibles today, the friction powered models are worth somewhat less than official promos, but the quaintness of the frictions makes them equally appealing. Nevertheless, not all models offered as promotionals were also made as commercial frictions, like the 1964 Comet Caliente which came as a dealer promo only. Conversely, some dealer promotionals like the 1961 Falcons, did come with friction motors but were painted in dealer colors (Doty 2002a, p 88). Like promotionals, friction car models are extremely durable, using the same basic plastic components as the promos.
White's friend Charles Lamb considered it to be "full of goodly quips and rare fancies, 'all deftly masked like hoar antiquity' — much superior to Dr. Kenrick's Falstaff 's Wedding."Talfourd, Thomas Noon, Life and Letters of Charles Lamb, Willis, Philadelphia, 1856, p.18. He published a review of the book in The Critical Review in which he criticised Kenrick because "the peculiar quaintness of the character [of Falstaff] was lost by being sunk in modern wit", a defect supposedly avoided in White's book.Preface, The Falstaff Letters, Alexander Morning, 1904, p.xiv.
The original phrase "Think global, act local" has been attributed to Scots town planner and social activist Patrick Geddes. Although the exact phrase does not appear in Geddes' 1915 book "Cities in Evolution," the idea (as applied to city planning) is clearly evident: "'Local character' is thus no mere accidental old-world quaintness, as its mimics think and say. It is attained only in course of adequate grasp and treatment of the whole environment, and in active sympathy with the essential and characteristic life of the place concerned."— Patrick Geddes, was a Scottish biologist, sociologist, philanthropist and pioneering town planner.
In fact it's amazing that anybody could put together a book that is this compulsively readable while at the same time being almost entirely devoid of substance of any kind . . . The Associate is as close to being about nothing as a book can be — it's a masterpiece of almost ghostly narrative minimalism, a book of names without characters, a book with plot points but no plot. There's something comforting about the meaningless hindbrain tension that The Associate generates in the reader — empty tension, the kind where there's nothing genuine at stake. Comforting too is the cozy quaintness of Grisham's little world.
Fraser posits that the Scottish king probably intended to allow Catholics to worship privately, which if true was a much more reserved view than that subsequently announced by Percy, who told his fellow Catholics that the king had promised to protect their religion. Considering the "quaintness" of James's spoken English there may have been some misunderstanding on both sides. In his surviving correspondence with Northumberland, the king writes only that neither would "quiet" Catholics be disturbed, nor would those that deserved recognition "through their good service" be overlooked. This mixing of signals was to have lasting consequences.
It has been described as a fantasy novel, an alternative history, and an historical novel and draws on various Romantic literary traditions, such as the comedy of manners, the Gothic tale, and the Byronic hero. Clarke's style has frequently been described as a pastiche, particularly of 19th-century British writers such as Charles Dickens, Jane Austen, and George Meredith. The supernatural is contrasted with and highlighted by mundane details and Clarke's tone combines arch wit with antiquarian quaintness. The text is supplemented with almost 200 footnotes, outlining the backstory and an entire fictional corpus of magical scholarship.
The Church of St Mary de Castro, Leicester, where Bickerstaff was baptised in 1728, held a curacy for seven years, and was buried in 1789. William Bickerstaff or Bickerstaffe ( 18 August 1728 - 26 January 1789) was an English antiquarian, curate and schoolmaster. He was a well known character in his home county of Leicestershire, remembered for his humour and charity, with several of his letters printed posthumously in The Gentleman's Magazine and John Nichols' historical works, because of their perceived quaintness. Bickerstaff is also remembered as a keen local antiquarian, writing articles and letters to fellow antiquarians on his historical researches.
Howard Pyle sketch from his 1876 visit to Chincoteague In 1876, art student Howard Pyle visited Chincoteague. He wrote of his experiences, including viewing the pony penning (which took place behind his hotel), the following year in Scribner's Magazine, accompanying the text with the first known contemporary drawings of the event. Pyle was struck by the quaintness of Chincoteague, describing it as "an enchanted island, cut loose from modern progress and left drifting some seventy-five years backward in the ocean of time". The publicity in a national magazine did nothing to reduce the crowds coming to Chincoteague for the penning.
Amenities were simple, corridors were heavily congested, and by the 1980s, the cars and teams had outgrown the aging facility. With car counts swelling in the 1970s and early 1980s to sometimes over 100 entries, some smaller teams were left out and forced to work out of tents. Even the formidable teams found themselves needing to store some of their equipment (tools, tires, bodywork, etc.) outside the doors or back at their transporters because there simply was not enough room. Despite their lack of modern amenities, the garages had a nostalgic quaintness admired by participants and fans, and they also served important intrinsic purposes for the teams.
Overall, the New York critics disliked the opera, although some noted her technical skill. However, Yohalem notes "whether the music evidenced "femininity" was a matter of no little disagreement" and he goes on to quote The Telegraphs review: :This little woman writes music with a masculine hand and has a sound and logical brain, such as is supposed to be the especial gift of the rougher sex. There is not a weak or effeminate note in ', nor an unstable sentiment."Quoted in Yolahem In contrast, The Daily Mail dissented: "The charm and quaintness of it will appeal more than its attempt to mirror intense human emotion and to this extent it is feminine, according to all tradition.
A reporter who visited the house to interview her described it as "a homey one and a half story red granite and wood structure built upon a still green terrace ... About it hangs an air of quaintness and quiet." She preferred simple interior decoration, eschewing pictures of herself in favor of modest furniture, paintings and Native American handicraft. The district's last house was built in 1926. Like its predecessors, the A. Doty House at 4 Delavan Terrace used a contemporary style, in its case the neo-Georgian mode, a substyle of the Colonial Revival style that evolved from the Queen Anne Style at the end of the 19th century and has remained popular in the U.S. ever since.
The art historian, writing in 1971, noted that "nowadays the coin seems charming for its quaintness and its Victorian flavor, a mixture of cold Hellenism and Renaissance romance. Perhaps one of its greatest joys is that none of the customary inscriptions, mottoes and such, appear on it." Numismatic historian Don Taxay, in his study of early U.S. commemoratives, dismissed contemporary accounts (such as in the fair's official book) that Kenyon Cox had provided a design for the quarter; he noted that the artist's son had strongly denied that his father was involved in the coin's creation. Taxay deemed the design "commonplace" and "typical of Barber's style", stating that "the modeling, though somewhat more highly relieved than on the half dollar, is without distinction".
" Writing for The Spectator in 1936, Graham Greene observed, "I have seldom been so moved by any fictional film . . . After ten minutes or so of the usual screen sentiment, quaintness and exaggeration, one began to watch the incredulous pleasure of nothing less than life." Greene praised the acting of the protagonists portrayed by Oberon, Hopkins, and to a lesser extent McCrea, as well as the "shocking mastery" of the performances of Granville and Jones as the antagonists. (reprinted in: ) Film Daily wrote, "Tense, dramatic, this is one of the most powerful pictures that has come to the talking screen ... Miriam Hopkins and Merle Oberon give splendid performances, but it is the work of little Bonita Granville, as the troublemaker, which will attract the most attention.
In 1937, Georges Auric gave an account of his impression of the première performance a quarter century earlier: "While nothing is more easily intolerable than false exoticism and this tainted quaintness which has sickened us with its quite mediocre music, there is, under the prestige of an instrumentation of a rare subtlety, a very pure and deep feeling there". According to Michel Duchesneau, the co-premières of the Quatre poèmes hindous, Ravel's Trois poèmes de Mallarmé, and Stravinsky's Three Japanese Lyrics at the SMI provoked "an evolution" of the French mélodie, understood as "chamber music with voice" until 1939. In 1941, Charles Koechlin cited the cello's pizzicato-glissando (or pizz. vibrato molto) passage in his Traité de l'orchestration as a "characteristic example" of modern composition with pizzicato.
The meeting ends with the Purists laughing at Taub. Macdermott dismisses the Realists as “revolutionary nihilists,” explaining, “They don’t know what they want… They’re so conservative they’re afraid of their own thoughts.”McCarthy. Pg. 105-106. After a short “lyrical period” of peace, prosperity, and basking in the pastoral quaintness of the commune, the Utopians begin to question the purpose of their project, and whether or not their mission serves a greater good. Katy Norell laments not living up to the expectations of Monteverdi, the ideological “Founder” of the commune and champion of the Purists’ beliefs. They consider creating a “United States of Europe in Exile,” a mission to bring refugees displaced by World War II to America in order to create more small-scale communities like their own.
Longacre was recognized in an exhibit of 100 notable American engravers sponsored by the New York Public Library in 1928. In 1970, art historian Cornelius Vermeule, in his volume on U.S. coins, viewed Longacre and his works less favorably, "uniform in their dullness, lack of inspiration, and even quaintness, Longacre's contributions to patterns and regular coinage were a decided step backwards from the art of [Thomas] Sully, [Titian] Peale, [Robert] Hughes, and Gobrecht" and "whatever his previous qualities as an engraver of portraits, he seems not to have brought much imagination to his important post at the Philadelphia Mint." However, Vermeule considered the Flying Eagle cent more of a work of art, far above the mundane. In his 1991 article, McKenzie notes Vermeule's concerns, but considers Longacre's work important for its use of American symbols, including the representations of Native Americans.
He was born at Troston Hall () in Suffolk. Through the influence of the Duke of Grafton he was appointed to the office of deputy- inspector of plays in 1737, with a salary of £200 per annum, and in 1745 he was made a Groom of the Privy Chamber through the same influence. In 1760 appeared his Prolusions, or, Select Pieces of Ancient Poetry, a collection which included Edward III, placed by Capell among the doubtful plays of Shakespeare. Shocked at the inaccuracies which had crept into Sir Thomas Hanmer's edition of Shakespeare, he projected an entirely new edition, to be carefully collated with the original copies. After spending three years in collecting, and comparing scarce folio and quarto editions, he published his own edition in 10 vols 8vo (1768), with an introduction written in a style of extraordinary quaintness, which was afterwards appended to Johnson's and Steevens's editions.
Oliver Wendell Holmes describes him thus, in his study of Ralph Waldo Emerson: "His 'shining morning face' was round as a baby's, and talked as pleasantly as his voice did, with smiles for accents and dimples for punctuation.... It was of him that the story was always told,--it may be as old as the invention of printing,--that he threw his sermons into a barrel, where they went to pieces and got mixed up, and that when he was going to preach he fished out what he thought would be about enough for a sermon, and patched the leaves together as he best might." His contemporary George Ticknor described Kirkland's sermons as "full of intellectual wealth and practical wisdom, with sometimes a quaintness that bordered on humor." Kirkland served as pastor of the New South Church in Boston, 1794–1810. He was elected a Fellow of the American Academy of Arts and Sciences in 1799.
He claimed that > there is not a single incident in the novel which is borrowed from his real > circumstances except the fact that he resided in an old house near a > flourishing seaport, and that the Author chanced to witness a scene betwixt > him and the female proprietor of a stage coach, very similar to that which > commences the history of The Antiquary. An excellent temper, with a slight > degree of subacid humour; learning, wit, and drollery, the more piquant that > they were a little marked by the peculiarities of an old bachelor; a > soundness of thought rendered more forcible by an occasional quaintness of > expression, were, the Author avers, the only qualities in which the creature > of his imagination resembled his benevolent and excellent old friend. George Gleig, one of Scott's early biographers, was certain that another model for Oldbuck was a Highlander called John Ramsay of Ochtertyre, whom Scott knew for many years.
It's almost as though art is imitating life, or life imitating art." TIME magazine columnist James Poniewozik wrote that the show's "third and fourth seasons have elevated it to one of TV's best because of how it has hit a memorable theme from FNL: the idea of how community can be, inseparably, both a burden and indispensable support." Upon the fourth-season premiere, The Washington Post TV columnist Jen Chaney called the show "a perfect piece of 'reali-scapism': A television show that tackles subjects many of us confront in our own lives and dips all of it in just enough escapism to make it enjoyable to watch." Rachel Stein of Television Without Pity felt that the show "possesses the same family bonding that Lorelai and Rory [of Gilmore Girls] had (times 18 for every member of this family), each episode has a lot of purposeful quirk and there's a certain quaintness about life that it captures in the Braverman clan.

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