The shape of the dress, rising pyramidally upward, mountain-like, feels as if it were the real subject of the portrait. Mrs.
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The fruit are woody capsules long and wide with prominent longitudinally winged ridges. The fruits contain pyramidally shaped dark grey seeds that are long.
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It has painted brickwork and rests on a stone foundation. The building's brickwork is laid in American bond. It has a pyramidally capped tower on its front facade.
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The shell grows to a length of 11 mm; its diameter is 4.5 mm. (Original description) The shell is pyramidally oblong. It contains eight whorls. These are concavely depressed above and contain about ten longitudinally nodose ribs.
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The length of the shell varies between 20 mm and 29 mm. The shell is pyramidally oblong, transversely elevately striated and longitudinally ribbed. The body whorl is furnished with a small gibbous tubercle. The siphonal canal is very short.
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The shell grows to a length of 20 mm. The imperforated shell is somewhat pyramidally ovate. The sutures of the spire are excavated. The whorls are spirally squamately ridged, slanting around the upper part, sharply angled, erectly squamate at the angle.
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The parapets are banded on both sides by heavy stone bulkheads having pyramidally shaped concrete caps. The bulkheads extend below the level of the road, and continue as pilasters along the sidewalls. The Cedar Creek Culvert is unaltered and in excellent condition.
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The length of this shell attains 5.5 mm, its diameter 2 mm. (Original description) This is a very delicate, beautiful little shell. The white shell is pyramidally spindle-shaped. It contains seven whorls, the two in the protoconch being glassy and apical.
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In the solid state the sulfate ions are linked together by O-Sn-O bridges. The tin atom has three oxygen atoms arranged pyramidally at 226 pm with the three O-Sn-O bond angles of 79°, 77.1° and 77.1°. Other Sn-O distances are longer ranging from 295 - 334pm.
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The shell grows to a length of 13 mm. The solid, pyramidally conical shell is deeply but narrowly umbilicate. The seven whorls are all, with the exception of the two apical which are smooth and glossy, closely spirally seven-ribbed. These ribs are thickly and regularly formed of gemmae (buds or bud-like growth), contiguous and crowded.
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The Talbot County Courthouse, on Courthouse Sq. in Talbotton, Georgia, was built in 1892. It was listed on the National Register of Historic Places in 1980. It was designed by architects Bruce & Morgan in Queen Anne style and " is smaller and more picturesque than many of their courthouses." It has a tall, pyramidally topped clock tower on the east, and a squat bell-capped tower on the west, linked by a gable.
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The Cowdrey House is a historic house at 1 Valley Street in Yellville, Arkansas. It is a 2-1/2 story wood frame structure, with asymmetrical massing and a pyramidally-roofed turret typical of the Queen Anne style. Built in 1904, the house is particularly notable for its interior woodwork, which was made in Memphis, Tennessee and transported to Yellville for installation. It was built by J. S. Cowdrey, whose family were early settlers of the area and were involved in many local businesses.
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The library is set on the north side of Main Street (Massachusetts Routes 19 and 67), just east of the town's central business district and west of the town common. It is a 2-1/2 story structure, built of granite with brownstone trim, with a slate roof and a granite foundation. Its front facade is asymmetrically arranged into three sections, with a three-story pyramidally-roofed tower on the left, the main entrance in the center, and a large projecting gable section on the right. Courses of granite are periodically interspersed with bands of brownstone that extend across and around the building.
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Footguard Hall is located at the northwestern corner of downtown Hartford, at the northwest corner of High Street and Footguard Way. It is a large red brick building trimmed with brownstone, Its front section is two stories in height and capped by a hip roof, with a pyramidally roofed square tower rising near the center of the front facade. On either side of the tower are window bays with banded sash windows, set in rectangular openings on the ground floor and large rounded arches on the second. The main entrance is at the base of the tower, with a projecting round-arch portico providing shelter.
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The AOF was organized pyramidally under a centralized federal structure in Dakar. Directly appointed by the president of the French Republic, the governor general of the AOF came to have a great deal of power because of the instability and short duration of Third Republic governments in Paris. The governor general was the head of centralized administrative bureaucracy consisting of a lieutenant governor for each territory, the commandant of a cercle (a colonial administrative subdivision), and chiefs of subdivisions, cantons, and villages. The key figure in the system was the commandant in each cercle, who was almost always a European and who was closest to the indigenous population in his duties of collecting taxes, overseeing works projects, maintaining peace and security, and carrying out administrative decrees.
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The Type XI remained in production until the outbreak of the First World War, and a number of variations were produced. Various types of engine were fitted, including the 120° Y-configuration, "full radial" three-cylinder Anzani (the restored example at Old Rhinebeck Aerodrome still flies with this) and the and , seven cylinder Gnome rotary engines. Both single and two-seat versions were built, and there were variations in wingspan and fuselage length. In later aircraft the tip elevators were replaced by a more conventional trailing edge elevator, the tailwheel was replaced by a skid, and the former "house-roof" five-member dorsal cabane being replaced by a simpler, four-sided pyramidally framed unit similar to the ventral arrangement for the later rotary-powered versions.
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They differ from liturgical lights in that, whereas these must be tapers of pure beeswax or lamps fed with pure olive oil (except by special dispensation under Certain circumstances), those used merely to add splendour to the celebration may be of any material; the only exception being, that in the decoration of the altar, gas-lights are forbidden. In general, the ceremonial use of lights in the Roman Catholic Church is conceived as a dramatic representation in fire of the life of Christ and of the whole scheme of salvation. On Easter Eve the new fire, symbol of the light of the newly risen Christ, is produced, and from this are kindled all the lights used throughout the Christian year until, in the gathering darkness (tenebrae) of the Passion, they are gradually extinguished. This quenching of the light of the world is symbolized at the service of Tenebrae in Holy Week by the placing on a stand before the altar of thirteen lighted tapers arranged pyramidally, the rest of the church being in darkness.
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