"What we put on view does matter," Ms. Mergel said.
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The only solid gauge of commitment is when something is brought into the collection, and put on view in the permanent galleries.
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The case put on view an internet subculture that attracted men who fantasized about tying women up, slashing their throats, raping them, roasting them and eating them.
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These shows hardly exhaust their subjects, but they are sufficiently concentrated and together they put on view more Mexican Surrealism than we have seen here in some time.
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On March 17, 2018, the museum will put on view its recently acquired portfolio of 26 large color prints taken by a Magnum photographer, Paul Fusco, now 87.
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There is an admirable tautness and clarity between the artists' statements and what they have put on view that makes "Artistic License" dense and exciting and will sustain repeated visits.
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There were several showstopping canvases, especially "And Then We Saw the Daughter of the Minotaur" (1953), which MoMA acquired and put on view as a centerpiece in its reconfigured Surrealist gallery.
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The show will put on view nearly all of the museum's Russian paintings and sculptures from these years, tracing the absorption of Cubism and Futurism and the rise of Suprematism and Constructivism.
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He's held various odd jobs throughout the years, including as a taxi driver and a model for the sculptor Chaim Gross — whose work, Andresen notes enthusiastically, was recently put on view at the Met.
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They are more like posthumous reperformances of it, or maybe they are this art's latest "exhibition" — the way Warhol's Marilyns and Brillo boxes are being put on view at the Whitney so we can come to grips with them once again.
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This week, the Robert Mann Gallery has put on view 34 vintage Hase photographs, from a huge archive of negatives, diary entries and ephemera newly acquired by the gallery from Nani Simonis, Ms. Hase's daughter, who took nearly 20 years to organize the work.
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Even an artwork that was actually acquired by the Guggenheim in this iteration of the UBS initiative — Ramallah-based Emily Jacir's Where we come from, a project begun in 2001 wherein Jacir used her American passport to enact requests from Palestinians whose movements were impeded — was not put on view.
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A series of posters of Duncan Boyes VC and other medal recipients was put on view on the Victoria line in London on 11 November 2004.
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In 2016 the Albertina in Vienna dedicated an exhibition to his woodcuts, showing 35 made between 1977 and 2015, with an accompanying catalogue. He unveiled his first public art commission in the United States in May 2018, at Rockefeller Center. The Uraeus sculpture was inspired in part by the religious symbols of Egypt and Thus Spoke Zarathustra. It was put on view until 22 July.
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The original route of Via Cassia was modified, leaving the old village completely isolated. Water was brought and the village of San Lorenzo Nuovo was founded. The parish, the central square, the Governor's Palace (then Palazzo Comunale), and a few buildings housing about 300 people were in place in 1777. As a sign of gratitude, two years later the citizens created and put on view a marble frame in memory of the saviour and founder of the new town.
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On 14 December 2008, a conference entitled "Facing Jihad" was organized at the Menachem Begin Heritage Center in Jerusalem. Geert Wilders, Arieh Eldad, Robert Spencer, Itamar Marcus, Daniel Pipes, Shlomo Sharan, and John David Lewis were in attendance. During the conference, Fitna was put on view and distributed to all conference attendees; it was announced that it would be shown in several European parliaments. The Ruder Finn PR company organized the conference and set up the group's website, and are also actively distributing the film.
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From 1967 to 1972 he was a teacher (drawing and geometry) at Colegio Nacional de Capiatá, he also made the seal office of the Municipalidad. Ramón Elías made native masks combining different kinds of ingredients. His masks were put on view at the Dirección de Turismo in Paraguay on May 1966 and La Casa Paraguaya in Buenos Aires, Argentina. Since he was a very curious person and had a researcher spirit, he travelled all the small towns in the interior of the country looking for antiquities which were bought and restored to be sold.
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The original cast starred Anna Maria Alberghetti as Lili, James Mitchell as Marco, Kaye Ballard as Rosalie, Pierre Olaf as Jacquot, Henry Lascoe and Jerry Orbach making his Broadway debut as Paul Berthalet. Gower Champion both directed and choreographed with orchestrations by Philip J. Lang. The puppets were designed and created by Tom Tichenor. Carnival was notable for its innovative staging: there was no overture, and before the play commenced the curtain was already raised to put on view a field with a few trees; at the play's beginning actors hauled in wagons and raised a tent as if they were setting up a traveling fair at a new site.
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Together they starred in a 1971 comedy sketch series for BBC2, Get The Drift, based on their stage show The Northern Drift. Livings also jointly translated, together with academic Gwynne Edwards, three works by Spanish poet and playwright Federico García Lorca-–The Public, Play Without a Title and Mariana Pineda. Books by Livings include That the Medals and the Baton Be Put on View: Story of a Village Band, 1875–1975, which relates to Dobcross Band, two volumes of short stories, Pennine Tales (1985) and Flying Eggs and Things: more Pennine tales (1986), illustrated by his daughter Maria Livings, and his autobiography The Rough Side of the Boards (1994), also turned into a stage show, which featured Arthur Bostrom in its premiere. Livings died on 20 February 1998 at Delph, near Oldham.
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Herb at work in his Chicago studio Herb had his own Advertising studio on Chicago's Michigan Avenue, which is known as "The Magnificent Mile." He was a very successful Designer/Illustrator/Author. His talents were expansive working with everything from books and magazines, architectural designs, commercial television work for Kelloggs and various companies, and more. Kāne said he found advertising work unsatisfying. “The end came when I won a Jolly Green Giant campaign, and for a year, did drawings and paintings of that big green fairy until I could no longer suffer it.” Kāne had been sailing a racing catamaran on Lake Michigan, and had begun researching Hawaiian canoes in the library of the University of Chicago and in the Field Museum of Natural History, where in 1961 the museum had installed one of the most extensive collections of artifacts from Pacific Ocean cultures put on view to that date.
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