27 Sentences With "put on air" | Random Sentence Generator

The studios are the ones choosing what projects to fund and what to put on air.

Yes, the younger generation still loves their highlights, and they love the personalities that we put on air.

The network's acting director general, Mostefa Souag, told the BBC in 2017 he's never been told what to put on air.

When Last Week Tonight first debuted, he told us, there were several times when they came dangerously close to not having anything to put on air.

Jackson is put on air not only to take over Mitch Kessler's (Steve Carell) job after he is fired for allegations of sexual misconduct, but to mix things up alongside longtime Morning Show co-host Alex Levy (Jennifer Aniston).

"Network (TV) is limited by what it can put on air, and it answers to advertisers, so there are a lot of limitations as to how far you can go, whether a character is likeable, edgy, racy," said "Jessica Jones" creator Rosenberg.

These patrols continued until January 1943. At various times, supervised heavy bomber flights to Hawaii, gave air support to ground units in training, participated in air-ground maneuvers, and put on air support demonstrations.

The II Air Support Command is an inactive United States Air Force unit. It was last assigned to Second Air Force, based at Biggs Field, Texas. It was inactivated on 22 December 1945. The unit participated in various air-ground maneuvers, supported ground units in training, and put on air support demonstrations.

After being appointed managing director of the BBC in 1922, John Reith instigated a programme of expansion of the radio network in the United Kingdom, increasing the number of local stations from three to twenty in a relatively short period of time. Aberdeen was one of the first new stations to be put on air.

Three more IFT-6 stations remain to be put on air. In March 2020, Canal 13 programming began to air on XHBG-TDT in the state of Michoacán. That station, a former Televisa-aligned local outlet, had shuttered its own local operation in early January. Local program production there was started at the same time.

KXCS (105.5 FM) is a radio station licensed to Coahoma, Texas, United States, serving the Big Spring-Snyder area. The station is currently owned by Weeks Broadcasting, Inc. There was an earlier authorization for 105.5 at Coahoma called KBYG-FM and assigned to Drew Ballard, owner of KBYG Big Spring. The station was never constructed or put on air owing to an economic downturn at the time.

The FM radio stations were awarded to the university by the state of Guanajuato in 1999; the stations, put on air in the 1980s by the state government, had previously been part of a radio service known as "La Voz de Guanajuato". In 2006, the station began 24-hour broadcasting. XHLTO was originally assigned 104.1 MHz but was built on 91.1 instead, to not conflict with XHMD-FM.

XHCAL-FM is a radio station on 94.3 FM in Calpulalpan, Tlaxcala. It is part of CORACYT, the radio and television organization of Tlaxcala, along with TDT, La Televisión de Tlaxcala as well as XETT-AM 1430 and XHTLAX-FM 96.5, both in Tlaxcala. XHCAL was put on air by the state government in 1990 as part of a bid to promote Tlaxcalan identity among the residents of the northeast corner in the state.

Brothers Lino (left) and Mario (right) Bocchini, creators of the website. Here, they are depicted on the day of an audience about the case at the Court of Law of the State of São Paulo. The website was put on air on September 2010. It featured a logo identical to that of Folha, except that the first "o" was replaced by an "a" so that it read "Falha de S. Paulo", which translates as "Failure of S. Paulo".

Students are put on air as a requirement of college course COM 188, Applied Radio Production, and/or COM 191, Radio Station Operations. Students also create special programming through COM 188. Other on-air programs are provided by people who have volunteered for an on-air slot. There is a five-week DJ training course that is offered for those who want to be on the air at WGFR, but do not want to partake in the COM 188 or COM 191.

Volunteering – Walsall Hospital Radio Shows were presented either solo of with up to two co-presenters. Both studios were connected to internal phone lines allowing patients to phone in direct to interact with live shows, for example to make requests or dedications. The phone lines were integrated with the mixing console meaning that callers could be put on air. DJs were able to bring in their own records or use the station's record library and computer system, the library was especially useful for locating older albums and songs.

In the twelve months following March 2001 a rapid expansion began, seeing the number of relay stations 'on-air' triple from around 30 to 90. Also in April 2001, Vision introduced Australia's first nationwide news service from a Christian perspective. Vision's News service is heard across their own network, as well as being accessed by a growing number of community stations who don't have the resources to produce their own news content. During 2003 Vision had opportunity to secure its first high powered open narrowcast licences, which were soon put on air.

In 2006, she participated in the show if Channel one" Stars on the ice " with Alex Yagudin. In February 2013, she left NTV and returned to Channel One where she hosted the show I demand divorce ("Я подаю на развод") The show was put on air on weekdays from March to August 2013, then was deleted for unexplained reasons. In 2016, Oksana Pushkina returned to NTV where she hosted the program Mirror for Heroes ("Зеркало для героя") She described her return to air on the main event of 8 March. This show lasted from 8 March to 7 July 2016.

The station started broadcasting in October, 1986 as Radio Metro to compete with the now defunct Radio Bop. Playing a mix of urban contemporary and bubblegum pop Radio Bop was able to reach black audiences in parts of the Transvaal by broadcasting on the AM band from the "independent" bantustan of Bophuthatswana where it was licensed. This prompted the SABC's then white management to launch Radio Metro which was put on air in about six months, from the planning stages. The station launched the careers of a number of radio celebrities including, Bob Mabena, Shado Twala and Lawrence Dube.

The station was put on air on February 16, 1990 (by Telemundo, then under separate ownership), as a translator of KSTS in San Francisco.Call sign history of K15CU-D - Federal Communications CommissionApplication Search Details (BPTT-19890310N4) - Federal Communications CommissionPublic Notice Comment (BPTT-19890310N4) - Federal Communications Commission The translator briefly had a local operation in Salinas, including a news bureau, which was closed in a cost-cutting move in 1992. On February 8, 2010, the station went dark for technical reasons.Notification of Suspension of Operations / Request for Silent STA - Federal Communications Commission The station returned to the air on March 11, 2010.

The video was quickly put on air by French media, among them Fun Radio, Contact FM in New Zealand and the high-end social networking service, Skyrock. Kamini also appeared on numerous prestigious French television programs, such as le Journal de Jean-Pierre Pernaut, Le Grand Journal de Canal+, Cauet, Laurent Ruquier, and Direct 8. In mid-October, without having toured or even played a single gig, Kamini signed a record deal with RCA for Marly-Gomont and two albums. On December 1, 2006, Kamini appeared on the French show Star Academy, a French version of American Idol.

103.3 FM got its start as XERPM-FM 103.1, a station owned by Radio Programas de México and put on air in 1957. The initial programming on XERPM was music, mainly of the rock 'n' roll variety, and by 1976 had been turned into a classical music station, but in 1978, after its acquisition by Grupo Radio Fórmula, XERPM became Disco Radio FM with a disco format, which helped to make 103.3 FM successful into the 1980s. The station went through various format changes. In 1983, it became Cosmo Estéreo 103, with more techno-pop and electro-pop music.

Rollins sold WJWL to Herbert Scott and his Scott Broadcasting in 1960 for $400,000. Herbert Scott continued to own and manage WJWL, airing a middle-of- the-road music format, and its FM counterpart WSEA (93.5 FM), which he had put on air in July 1969; he had become the largest individual owner of radio stations in the United States by the time he died in 1984 of a heart attack. Ed Marzoa, who had been the founding station manager in 1951 and had hosted a talk show, Hot Line, since 1967, was forced out in 1979. The station had adopted a country music format by 1983.

The report suggested a moratorium of two to three years during which time the French market would look at the deployment of digital radio in the rest of Europe. The report also stated that the government approved the CSA's decision to allow further trials to continue. The CSA is responsible for taking the findings of the Kessler report forward and in order to do this set up an 'Observatory' which includes all of the industry players. The publication of the Kessler report meant the market could move forward after a period of stagnation and to this end various trials were put on-air (Paris, Nantes, Marseille and Lyon).

The network had presence in 14 cities in 2004, but in this time of the year lost affiliates in Porto Alegre, Belo Horizonte, Vitória and Rio de Janeiro. At the end of 2005, the small schedule and prime time from 7pm at 12am was further reduced. The newscast host and the Blog 21 hosts were fired and was canceled the programs Top of the Pops, Doc 21 (with the National Geographic documentaries), the sitcom Seinfeld and Top of the Pops Brasil and put on air the Gamecorp programs. On June 5, 2006, Rede 21 shut down and Play TV was put in its place.

WBCE was put on air by a pair of attorneys, Charles Geveden and Bill Cunningham, who under the Ballard-Carlisle Broadcasting Company put stations on air in Wickliffe and Eddyville. The station's call letters were chosen after WBCK, the first option in mind, was found to be in use in Battle Creek, Michigan; the station later justified the E for "Entertainment" by the time it signed on January 3, 1981 on 1010 kHz. After signing on with a country format (as well as NBC and Kentucky Network news), WBCE changed formats to gospel music on November 1, 1982, citing the glut of area stations playing country music. WBCE applied to build an FM station in Wickliffe, which was approved in 1984 after the competing applicant for the frequency dropped out, though it was never built. The AM station also got a boost when it moved from 1010 to 1200 kHz in 1985, increasing its power to 1,000 watts from 250, though it remained daytime-only.

The station established a second studio in Crosby, away, and it bought an aircraft to help it serve clients in its 100-mile trading radius. It was the only station in North Dakota to maintain its own aircraft. By 1960, the station was on its third plane: a Beechcraft Bonanza. In addition to sales calls, KEYZ's plane was put to use for news coverage, farm programming, promotional events, executive travel, and even search and rescue efforts. In 1957, KEYZ was approved to move to 1360 kHz, permitting a power boost from 250 to 5,000 watts. The company grew with the establishment of the Community Service Television cable system in 1967, and in 1979, the signing on of FM outlet KYYZ. In 1985, after a five-year hearing, Basin Broadcasters, owned by former KGCX general manager Duane Simpson, obtained the construction permit for a new station at 660 kHz in Williston, beating out KEYZ on diversification and integration criteria. Basin had also put on air the first commercial competitor to KEYZ-KYYZ, KDSR, which began operations on February 28, 1985.