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53 Sentences With "psychedelically"

How to use psychedelically in a sentence? Find typical usage patterns (collocations)/phrases/context for "psychedelically" and check conjugation/comparative form for "psychedelically". Mastering all the usages of "psychedelically" from sentence examples published by news publications.

Young violinists and a psychedelically dressed marching band backed up the Brits.
The Texas artist told THUMP about the song's psychedelically cosmic backstory over email.
Few soft corals lived here, but the angelfish popped psychedelically against the gray backdrop.
Psychedelically-inclined musician and visual artist Ross Goldstein's forthcoming album, Inverted Jenny, doesn't have a lot of lyrics.
In the dim interior of the Alexandra Palace, as spotlight beams played all around, the racecourse shimmered psychedelically.
" She appeared in a psychedelically disorienting commercial for Apple's Memoji, with an animated Grande head performing "7 Rings.
A psychedelically-imposed connection with nature could do more than make for a Alice-in-Wonderland-esque story later.
And when Aquaman and Mera entered the sprawling, psychedelically colored city of Atlantis, my inner 13-year-old nearly fainted from excitement.
Have you ever wondered what'd happen if you put Andrew Weatherall in a blender with an psychedelically-inclined Australian dance-pop trio?
Forty adolescents who drank ayahuasca ritualistically at least 24 times in the preceding two years were compared to their psychedelically naïve counterparts.
The electorate expanded the psychedelically good vibes of legalized weed in four additional states (we're looking at you, California, Maine, Massachusetts, and Nevada).
Status Quo evolved from psychedelically infused rock to the straight ahead, 12-bar based, boogie-driven hits for which they became best known.
Richard Allen of the psychedelically minded boutique label Delirium Records was encouraging to many of the bands on the scene at the time, Chousmer says.
He was promptly expelled, but now that same iconoclasm is creating a stir with his mind-bending carpets: traditional Azerbaijani designs that have been psychedelically reassembled.
But when Ms. Sevigny's character retreats to the sanctuary of her psychedelically patterned bedroom and begins nodding off, you may feel like joining her in what looks like a seriously comfortable bed.
The esthetics, themes, and approaches feel decidedly West Coast —  to be blunt, a little more psychedelically influenced than their East Coast equivalents — but the tensions and resolutions are, in the end, fairly universal.
Spiritualized originally formed from the ashes of Spacemen 3, a similarly psychedelically minded outfit Pierce co-founded when he was still a teen in the early 80s, before eventually burning out in 1992.
The emotional wages of technology also inform the two psychedelically colored videos of "Consciousness Engine 2: absentblackfatherbot" (2013), in which disembodied heads voice a series of Facebook chats between Mr. Sekhukhuni and his estranged father.
A psychedelically gynocentric safe space The Lure's logline is straightforward enough: it's a musical set in the 1980s about a pair of siren sisters who get hired to sing at a nightclub and also eat people.
With the headset on, I was left to experience a short immersive animation set to the Chainsmokers' "Roses," starring wolves and giants rendered in the psychedelically vivid style that pops up frequently on branded festival merch.
Among the spread: a psychedelically-patterned 1960's-era "dreamsicle cake," covered with vanilla yogurt frosting, and an apple spice cake with a honey yogurt-based cream cheese frosting representing the '90's and the early days of computers.
The Los Angeles-based producer born Alfred Darlington has spent the last 15 years issuing interstellar starbursts at the center of the constellation of woozy, psychedelically minded producers and parties known to the world as the LA Beat Scene.
Its matriarchal narrative — the struggles and rivalries are between women, the men are all dolts, victims, or playthings — makes what could have easily been exploitative in the hands of another director feel more like a psychedelically gynocentric safe space.
Given the fact that Michael Bloomberg is worth more than sixty thousand million dollars, and because he has been so impossibly, unconscionably rich for decades, it stands to reason that his presidential campaign would be as psychedelically strange as it was.
Kasztelan's works are more figurative-narrative (albeit psychedelically so), often leveraging the pop culture cache of her materials as a symbolic language, while Barlow uncannily provokes an emotional reaction in the viewer through her formal arrangements of informal materials and texture-on-texture-on-texture.
Like the soundtrack to a government film about interplanetary travel released in 1974, songs like their infinitely infectious "Ran Ran Run" and the laid-back flow of "Wiserway" are equal parts psychedelically transportive and evocative of the 21st century Brooklyn where they were written.
Watch the youngster at work, if you so please: The dead-eye focus, the lack of hesitation, the anticipation, the coordination and conviction, and the intoxicating style automatically granted to anyone who moves so many steps ahead of his peers: he has all that, and also a psychedelically weird shooting motion.
Dis-Play II (1970), a large, darkened, psychedelically-tinged installation at Dia, features a nicely disorienting array of black lights and flickering strobes, neon, and scattered fluorescent Day-Glo pigments; as well as foam rubber, glass, and plywood — all made even more complex by a looping presentation of jumpy videos.
In its gleeful collaging and knack for hitting these catchy pockets of swirling melodies and dizzy rhythms, it kinda feels like a Madlib record, as imbued with the cosmic vibrations of Koze's beloved "XTC"—whether that means the psychedelically minded pop band or the psychotropic substance... that's up to you to decide.
The EP included the instrumental title track, two rock pieces, "Midnight in London" and "People Say I'm Crazy", and an instrumental jazz rock-oriented track, "E.S.P.". In 1998, inspired by psychedelically-informed experiences in Belgium, Würzel recorded and released an ambient, improvised avant-garde album entitled Chill Out or Die.
New York: Berkley Books, 2014. Rothchild expressed his concern over her absence from the studio and asked Cooke to search for her. Cooke and two of his friends noticed her psychedelically painted Porsche 356 C Cabriolet in the hotel parking lot. Upon entering her room (#105), he found her dead on the floor beside her bed.
The psychedelically inspired album was written and recorded in London, with the "Blitz" of the title referring the city's climate after the Brexit vote and terrorist attacks. In addition to loing-time collaborators Fabien Waltmann and Jean-Louis Piérot, Daho recorded with the musicians from Unloved (composer/producers David Holmes and Keefus Ciancia and singer Jade Vincent), who he met on the release of their first album.
Attorney Harold Fine (Sellers) is forced into setting a date for marriage by his secretary/fiancée Joyce. Because of a fender bender, he ends up driving a hippie vehicle, a psychedelically-painted station wagon. At the funeral of his family's butcher he encounters his brother, Herbie, a hippie living in Venice Beach. Herbie's girlfriend, an attractive flower power hippie girl named Nancy (Leigh Taylor-Young), takes a liking to Harold and makes him pot brownies.
Astro is a Japanese noise group, originally started in 1993 as a solo project of of the group C.C.C.C.. Hiroshi Hasegawa uses assorted analog equipment including vintage Moog and EMS synthesizers. His music covers a wide range of styles in the noise field, from space music to psychedelically-tinged harsh noise. Since 2013, Astro has been a duo of Hiroshi Hasegawa and Rohco (Hiroko Hasegawa), who has played with Astro since 2009.
The reported total studio costs were £1,782. The self-funding was important because it meant they could record exactly what they wanted without record company interference. For the recordings Page played a psychedelically painted Fender Telecaster – a gift from friend Jeff Beck after Page recommended him to join the Yardbirds in 1965, replacing Eric Clapton on lead guitar. Page played the Telecaster through a Supro amplifier, and used a Gibson J-200 for the album's acoustic tracks.
In the 1960s, the beats (AKA beatniks) grew to be an even larger subculture, spreading around the world. Other 1960s subcultures included radicals, mods, rockers, bikers, hippies and the freak scene. One of the main transitional features between the beat scene and the hippies was the Merry Pranksters' journey across the United States with Neal Cassady and Ken Kesey, in a psychedelically-painted school bus named Further. In the US, the hippies' big year was 1967, the so-called summer of love.
One of its founders was Michael Ansara.Katharine L. Day, "Two Radicals Subpoenaed By a Senate Subcommittee", The Harvard Crimson, February 20, 1971 It was more politically oriented than many of the more hippie, psychedelically oriented underground papers of the period, and its politics tended to reflect the positions of the Students for a Democratic Society chapter at Harvard, supporting the Harvard student strike in 1969."Swimming in a countercultural sea" by Dick Cluster, The Newetowne Chronicle (newsletter of the Cambridge Historical Society), Summer 2010, p. 1, 6.
This was similar in format to the "Word Dance" segments of A Thurber Carnival. The show then proceeded through rapid- fire comedy bits, taped segments, and recurring sketches. At the end of every show, Rowan turned to his co-host and said, "Say good night, Dick", to which Martin replied, "Good night, Dick!". The show then featured cast members' opening panels in a psychedelically painted "joke wall" and telling jokes, After which, the show would continue with one final batch of skits, before drawing to a close.
Most recently Glenn has formed the band Lemonjuice, and released his latest album, The Sound of Strawberry, a collection of melodic, anthemic and psychedelically tinged pop/rock gems. In your face vocals and dreamy harmonies make this a record that will take you back to when music was all. The album is available on iTunes, Amazon Music, Bandcamp, Spotify, and most other streaming platforms. Lemonjuice are lead singer/songwriter/guitarist Glenn Bidmead with Bill Risby (keys/vocals), Tom Ruki (bass/vocal) and Dave Ferry/Paul Bidmead (drums).
In 1967 the band released the unexpectedly prophetic "Merry Go Round," with Jim Perry sitting in on vocals for the deceased for Cox who had taken one final and fateful spin, as the B-side on their next single which featured the psychedelically tinged "Flight 13" on the A-side sung by Terry Lee. "Flight 13" become a regional hit. Bassist Shep Cooke quit shortly after that to join Linda Ronstadt's group, the Stone Poneys. After Cooke's departure the band started to unravel at the seams and eventually broke up.
The Pranksters helped popularize LSD use through their road trips across America in a psychedelically-decorated school bus, which involved distributing the drug and meeting with major figures of the beat movement, and through publications about their activities such as Tom Wolfe's The Electric Kool-Aid Acid Test (1968).J. Mann, Turn on and Tune in: Psychedelics, Narcotics and Euphoriants (Royal Society of Chemistry, 2009), , p. 87. Leary was a well-known proponent of the use of psychedelics, as was Aldous Huxley. However, both advanced widely different opinions on the broad use of psychedelics by state and civil society.
The Pranksters helped popularize LSD use, through their road trips across America in a psychedelically-decorated converted school bus, which involved distributing the drug and meeting with major figures of the beat movement, and through publications about their activities such as Tom Wolfe's The Electric Kool-Aid Acid Test (1968).J. Mann, Turn on and Tune in: Psychedelics, Narcotics and Euphoriants (Royal Society of Chemistry, 2009), , p. 87. In San Francisco's Haight-Ashbury neighborhood, brothers Ron and Jay Thelin opened the Psychedelic Shop in January 1966. The Thelins opened the store to promote safe use of LSD, which was then still legal in California.
In the "Tell Mama" video shown on MTV in the 1980s, Joplin wore a psychedelically colored, loose-fitting costume and feathers in her hair. This was her standard stage costume in the spring and summer of 1970. She chose the new costumes after her friend and designer, Linda Gravenites (whom Joplin had praised in Vogues profile of her in its May 1968 edition), cut ties with Joplin shortly after their return from Brazil, due largely to Joplin's continued use of heroin. During the Festival Express tour, Joplin was accompanied by Rolling Stone writer David Dalton, who later wrote several articles and two books on Joplin.
Released in September 1989, Laughter produced two singles that reached the top 10 of the U.S. Modern Rock Tracks chart: "Into the Heart of Love" (number five) and "Where Do We Go From Heaven" (number eight). The album peaked at number 195 on the Billboard 200 in March 1990. Dave Schulps and Ira Robbins of Trouser Press called Laughter "an altogether great album which remains by far the band's best" and compared it to the "psychedelically tinged pop joy of Stone Roses' debut, released in the same year". Robin Reinhardt of Spin said Laughter combines the "raw energy of Happy Head with the fuller, tighter sounds of World Without End".
During the late 1960s and early 1970s, producer/composer Norman Whitfield and lyricist Barrett Strong crafted a string of "psychedelic soul" tracks for the Temptations. By 1970, the Temptations had released psychedelically influenced hits such as "Runaway Child, Running Wild", "Psychedelic Shack", "Ball of Confusion (That's What the World Is Today)", and the Grammy Award-winning "Cloud Nine". In a 1991 interview, Eddie Kendricks recalled that many of the Temptations' fans were "screaming bloody murder" after the group delved into psychedelia, and demanded a return to their original soul sound.Audio interview with Eddie Kendricks and David Ruffin , recorded in 1991 in the United Kingdom.
Todd is surely not, as one of his titles would have it, 'Just Another Onionhead.'" Among retrospective assessments of Wizard, music journalist Barney Hoskyns called the record "the greatest album of all time ... a dizzying, intoxicating rollercoaster ride of emotions and genre mutations [that] still sounds more bravely futuristic than any ostensibly cutting-edge electro-pop being made in the 21st Century." In MusicHound Rock (1996), Christopher Scapelliti described Wizard as "a fascinating sonic collage that skews his pop-star image 180 degrees". Evan Minsker of Pitchfork wrote it was "a trippy, constantly moving album that's as psychedelically detailed as it is (intentionally) creepy—not unlike the Sparks record he had recently helmed.
Dr. Malocchio is believed to be deceased but is actually living in a secret base with Mr. Awesome, who is attempting to find the cure for the evil super-gene formula. In the season two finale, thanks to the blood transfusion from Mr. Awesome he finally becomes good again but a mishap in the lab resulted in his evil-genes entering into Mr. Awesome's bloodstream making him evil as a result. He agreed to return to Earth to warn the Awesomes about what happened, but was locked out of the escape capsule when he stepped outside to urinate and it drifted away. Suffering from oxygen deprivation and severely amnesiac, Malocchio was rescued by a troupe of space hippies in a psychedelically-painted craft.
While Spider Baby remained in legal limbo, Banner was featured in Deadlier Than the Male (1966), a British mystery about two female assassins. In (1967) she played Wendy, a wholesome teenager, in C'mon, Let's Live a Little, one of the last of the "beach party" films, and as Caroline in the Spaghetti Western, The Stranger Returns. In the psychedelically paranoid spy spoof The President's Analyst (1967), Banner was a flower child named "Snow White", who temporarily rescues James Coburn (Our Man Flint, In Like Flint) from a combined conspiracy of the American CIA, the Russian KGB, and The Phone Company (referred to cryptically as "TPC"). She was featured in several episodes of Jack Webb's police-procedural shows, Dragnet 1967 and Adam-12, usually playing clueless teenagers and spaced-out daytrippers.
Ejaculation onto a woman's chest after mammary intercourse Although earlier pornographic films occasionally contained footage of ejaculation, it was not until the advent of hard-core pornography in the 1970s that the stereotypical cum shot scene became a standard feature—displaying ejaculation with maximum visibility. The 1972 film Behind the Green Door featured a seven-minute-long sequence described by Linda Williams, professor of film studies, as "optically printed, psychedelically colored doublings of the ejaculating penis". Steven Ziplow's The Film Maker's Guide to Pornography (1977) states: Cum shot scenes may involve the female actor calling for the shot to be directed at some specific part of her body. Cultural analysis researcher Murat Aydemir considers this one of the three quintessential aspects of the cum shot scene, alongside the emphasis on visible ejaculation and the timing of the cum shot, which usually concludes a hard-core scene.
In an interview, Laura stated that Joplin enjoyed being on the Dick Cavett Show, that Joplin while growing up in Texas had difficulties with some people at school, but not the entire school, and that Joplin was really enthusiastic after performing at Woodstock in 1969. In 1995, Joplin was inducted into the Rock and Roll Hall of Fame. In 2005, she received a Grammy Lifetime Achievement Award. In November 2009, the Rock and Roll Hall of Fame and Museum honored her as part of its annual American Music Masters Series; among the artifacts at the Rock and Roll Hall of Fame Museum exhibition are Joplin's scarf and necklaces, her 1965 Porsche 356 Cabriolet with psychedelically designed painting, and a sheet of LSD blotting paper designed by Robert Crumb, designer of the Cheap Thrills cover. Also in 2009, Joplin was the honoree at the Rock Hall's American Music Master concert and lecture series.
Quarnstrom describes rubbing shoulders and making friends with a wide spectrum of well-known writers and artists – such as Paul Krassner, founder and editor of The Realist, the late Gonzo journalist Hunter S. Thompson, poet Allen Ginsberg, death-and-dying spiritual counselor Stephen Levine, musicians such as Janis Joplin and the Grateful Dead's Jerry Garcia, and Neal Cassady, hero of several Jack Kerouac novels and driver of Further, Kesey's psychedelically painted old school bus. When I Was a Dynamiter! also recounts his ongoing sorrow since the 1982 fatal shooting of his 18-year-old son, Eric, near some of the San Francisco beatnik bars where Quarnstrom had hung out with other writers and artists and musicians. In 2015, Lee Quarnstrom appeared at Beyond Baroque Literary Arts Center in Venice, CA to read from his memoir and at the Bookshop Santa Cruz as part of a 50th anniversary celebration of the Prankster's first Acid Test.
Mebo II at anchor in 1972 Originally Silvretta, and built in Slikkerveer, Netherlands in 1948, the 630-tonne vessel was 8.85 metres wide, 3.25 metres deep and 53 metres long. In 1969 Mebo Telecommunications bought Silvretta, fitted her as a floating radio station, and renamed her Mebo II. Since Mebo was too big to tender Mebo II off the Netherlands, RNI used a smaller vessel, Trip Tender, which Radio London had also used (when she was called Offshore 1.) The psychedelically-painted Mebo II carried a MW transmitter at 105 kilowatts (more than twice the 50 kW TXs used by Radio London and Radio Caroline), though it operated at 60 kW or less. One of five RCA-built prototype transmitters, and the only one still in service, it rarely if ever broadcast at full power. It had the highest power of any ship-based pirate station, and the second-highest of any ship-based broadcast station. The Voice of America's MV Courier in the 1950s had the highest, with 150 kW on mediumwave.
The Helix was an American biweekly newspaper founded in 1967 after a series of organizational meetings held at the Free University of Seattle involving a large and eclectic group including Paul Dorpat, Tom Robbins and Lorenzo Milam A member of both the Underground Press Syndicate and the Liberation News Service, it published a total of 125 issues (sometimes as a weekly, sometimes as a biweekly) before folding on June 11, 1970. The first issue was produced by Paul Dorpat and Walt Crowley with $200 in borrowed capital, out of a rented storefront on Roosevelt Way NE. After being turned down by the first printers they approached, they found a printer in Ken Monson, communications director of the International Association of Machinists local, who had recently acquired a printing press. 1500 copies were printed of the first issue. By the fourth biweekly issue sales had reached 11,000 copies. After the first two issues a "split-font" rainbow effect was sometimes used to print psychedelically colorful front covers; issues averaged 24 pages, with illustrations and graphics clipped from old magazines and having little to do with the adjoining copy crammed into the interior pages.

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