But instrumental expression means far more than the spectacular display of technological prowesses.
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He dilated upon his own prowesses, caressed his moustache, and threw side glances at Joan.
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The prowesses to cut the breath are carried by a childish grace which goes right to the heart.
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His many fighting prowesses against the Aurloks had brought this force of nature to become a renowned swordsman and a respected lord.
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He is among the directors of The Pianola Institute in London, whose goal is to restore esteem for the musical prowesses of these instruments.
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So, it gives me the desire to go further on, unfortnately my 200mm compel me to some prowesses with my camouflage, and Im not really good at that time.
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As a virtuoso, who it is, it is demanding with respect to the instrumentalists which it asks technical prowesses in order to draw all the sound possibilities from the instrument.
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The music is as operatic as Blind Guardian at their best and most enjoyable, with the inclusion of keyboards and of a great female voice alongside the singer's excellent vocal prowesses.
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The performers have acquired a greater theatricalness, they better control the effects of their prowesses jazz-smurf and so on, and when it is necessary they impose moderation to their crossbred ardour?
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Boardman (1998), 13-19 Indian historian Upinder Singh comments on some of the differences and similarities, writing that "If the Ashokan pillars cannot in their entirety be attributed to Persian influence, they must have had an undocumented prehistory within the subcontinent, perhaps a tradition of wooden carving. But the transition from stone to wood was made in one magnificent leap, no doubt spurred by the imperial tastes and ambitions of the Maurya emperors." Whatever the cultural and artistic borrowings from the west, the pillars of Ashoka, together with much of Mauryan art and architectural prowesses such as the city of Pataliputra or the Barabar Caves, remain outstanding in their achievements, and often compare favourably with the rest of the world at that time. Commenting on Mauryan sculpture, John Marshall once wrote about the "extraordinary precision and accuracy which characterizes all Mauryan works, and which has never, we venture to say, been surpassed even by the finest workmanship on Athenian buildings".
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Sara's daughter Edith Coleridge In 1822, Sara Coleridge published Account of the Abipones, a translation in three large volumes of Martin Dobrizhoffer,Barbeau, 13. undertaken in connection with Southey's Tale of Paraguay, which had been suggested to him by Dobrizhoffer's volumes; and Southey alludes to his niece, the translator (canto, iii, stanza 16), where he speaks of the pleasure the old missionary would have felt if In less grandiloquent terms, Charles Lamb, writing about the Tale of Paraguay to Southey in 1825, says, "How she Dobrizhoffered it all out, puzzles my slender Latinity to conjecture." In 1825, her second work appeared, a translation from the medieval French of the Loyal Serviteur, The Right Joyous and Pleasant History of the Feats, Jests, and Prowesses of the Chevalier Bayard, the Good Knight without Fear and without Reproach: By the Loyal Servant. In September 1829, at Crosthwaite Parish Church, Keswick, after an engagement of seven years duration, Sara Coleridge was married to her cousin, Henry Nelson Coleridge (1798–1843), younger son of Captain James Coleridge.
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