Venus is the yin to Mars's yang, meaning Venus is the more receptive energy while Mars is more concerned with projecting outwards.
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A similar window treatment is found along the east profile. The west profile of the building has one window similar to the others, with a large wing projecting outwards for the loading dock. It wraps around the north as well. Stone steps flanked by cast iron lampposts rise to the main entrance.
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It is shiny black with bright colourful patterns. These colours can vary, but they are usually white, yellow, or yellow-orange. Its most distinctive feature are the three pairs of large "spines" projecting outwards. The first two pairs on the front are close to each other, forming a V-shape as they point to the sides.
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The antennae, a pair of long and thin bristles, serve as the insect's sensory perception. Projecting outwards, the antennae can detect much in the surrounding environment such as chemicals, movement, and odors. The male antennae are more developed than those of the females and are feather-like. This allows them to track down females by detecting the pheromones released by the females.
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It has three mihrabs with the central mihrab being the largest in size and projecting outwards. It has a hemispherical dome with frontal arches. There are also squinches and half domes. It is distinctly different from the Khan Jahan style mosque in its exterior decorations, particularly the east façade, which depicts four rectangular panels bordered by foliated scrolls with merlons having plant motifs.
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Each person masks their emotions differently. During one's childhood, an individual learns to behave a certain way when they receive approval from those around them and thus develops a mask. The individual is "not conscious of the role they've adopted and is projecting outwards to people they meet". In some cases where the individual is highly conscious, they may not know that they are wearing a mask.
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The two lateral plates often have a number of elongated spines projecting outwards; these help to provide traction against the substrate while the animal is moving. The spines, in ophiuroids, compose a rigid border to the arm edges, whereas in euryalids they are transformed into downward-facing clubs or hooklets. Euryalids are similar to ophiurids, if larger, but their arms are forked and branched. Ophiuroid podia generally function as sensory organs.
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Proteoglycan protein cores attach to the surface of the collagen fibrils with the GAG chains projecting outwards. The GAG chains are able to form antiparallel links with other GAG chains from adjacent fibrils, perhaps through the mediation of positively charged ions. In such a way, bridges are formed between adjacent collagen fibrils. These bridges are subject to thermal motion which prevents them from assuming a fully extended conformation.
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Instructor and pupil sat side-by-side, with the Limbach SL 1700EC1 air cooled flat four piston engine behind them, where the wing became broader to allow propeller clearance. Two slender, tapering booms ran rearwards from the wing, each ending at a straight edged fin which tapered both above and below it. A tapered, straight edged tailplane was carried on top of the fins, projecting outwards. The rudders and one piece elevator were rectangular.
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Interior view of the church's dome The church's façade includes a high plinth, and it is divided into three bays, with the central one projecting outwards. Each bay contains a portal decorated with mouldings and segmented pediments. A roundel with a relief of the Virgin Mary, topped by a triangular pediment, is found above the central doorway. The central bay's upper tier contains another segmented arch, and an aedicule topped by a cross.
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The first section, projecting outwards, had various workshops, cloakrooms and the foyer on the ground floor while upstairs it had a restaurant and a scenography studio. The second section housed the theatre proper. The boxes contained separate dressing rooms while the audience area was flat so that the hall could also be used as a ballroom. The third section, the stage, was designed in three sweeps with two lateral compartments large enough for backstage requirements.
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The teeth were extensively restored and enlarged until the wider front of the jaws showed very large and robust teeth projecting outwards, forming a sort of "rosette". This kinked upper jaw and its interlocking teeth suggested a piscivourous diet, allowing the animal to keep hold of slippery fish. No crests seemed to be present. The new preparation made clear that a crest was present on the snout and that the rosette was a lot smaller.
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Octav Grigorescu introduces the morphology of reality in fantastical syntaxes. His imagination reaches the far end sections of the conscience projecting outwards a passionate, phantasm rich universe, meant to cover the real one and occult it to us, in grasping fashion. He is a poet with great graphical skill, a seducingly engaged poet through his mere subjective excesses. His undivided character between cerebral and affective urges him, through unmitigated prodding, to find, in a symbolic language, spontaneously, its translation.
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On the edges of the pediment, projecting outwards, are numerous golden Naga heads; these are called chofa. Hung along the eaves of the roof are hundreds of small, gilded wind-bells with Bodhi-leaf sails. The brackets protruding from the top of the columns to support the roof take the form of Nagas with their heads pointing downwards. This commemorates the legend of Mucalinda, the King of the Nagas, who protected the Buddha from rain before he achieved Enlightenment.
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The vertical sides of the base, about in height, display a Greek key pattern. This is surmounted by a low, conical wreath of acanthus leaves that meets the cylindrical column shaft approximately above the vertical sides. The base is welded to the lower section of the vertical element, which is approximately in diameter and tall. It is decorated with several tiers of repeating, vertical, leaf-like patterns, topped with a wreath of acanthus leaves projecting outwards approximately from the section below it.
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It was at 20 Prince Arthur Avenue where the collaboration of Prii and Hiller produced what is arguably Prii's most expressive design ever to be realized. The single 23-storey high-rise apartment tower completed in 1968 emphasizes its vertical form with a bold, upwards sweeping concrete façade. What appear to be flying buttresses create a massive flared base projecting outwards from the main façade. These elements not only became the distinguishing feature of the tower, but reduced the need for wind bracing.
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The Sportsmen's Club (Now Sportsmen's Board) was founded in the early 1970s. Membership to this board is extremely exclusive to those who excel in sports and character. Annually, less than 5 students are awarded membership to the Sportsmen's Board. The Sportsmen wear a Sportman's Badge, which is a silver pentadecagon with 120 decorative straight lines (8 lines between each vertices) projecting outwards engraved on the edge with the standard school crest in the centre encircled by a blue ring that bear the words "Lembaga Olahragawan Kuala Lumpur".
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Individual sclerites had star-shaped bases that lay flat against the body and one spine projecting outwards at a right angle. The sclerites had internal cavities and in fact many are preserved as castings of the cavities filled with phosphate. It is thought that when the animals were alive these cavities were filled with tissues that secreted the hard outer coverings. It is not clear what the hard substance of the walls was since it has been replaced or converted to a different crystalline form.
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Some of the teeth were extensively restored and enlarged until the wider front of the jaws showed very large and robust teeth projecting outwards. With this arrangement, the maxilla was kinked, and its interlocking teeth suggested that Cearadactylus had a piscivourous diet, allowing the animal to keep hold of slippery fish. Cearadactylus was somewhat similar to ornithocheirids like Coloborhynchus, but it lacked the "keeled" crest on its snout, and therefore it was suggested to be a more basal form of ornithocheiromorph pterosaur.Rodrigues, T. and Kellner, A.W.A. (2008).
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Type II MAPs are found exclusively in nerve cells in mammals. These are the most well studied MAPs—MAP2 and tau (MAPT)—which participate in determining the structure of different parts of nerve cells, with MAP2 being found mostly in dendrites and tau in the axon. These proteins have a conserved C-terminal microtubule- binding domain and variable N-terminal domains projecting outwards, probably interacting with other proteins. MAP2 and tau stabilize microtubules, and thus shift the reaction kinetics in favor of addition of new subunits, accelerating microtubule growth.
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Exterior of the House of Industry, circa 1890 The main feature of the site is the residential building, a two-storey stone masonry building designed in an Italianate style by Guelph architect Victor Stewart in 1876. Stewart unexpectedly left town during the building's construction, leaving the completion of the project to local architect C. J. Soule. The building, completed in 1877, sits on a raised basement on a hilltop overlooking the Grand River. Its overall structure consists of five symmetrical pavilions with the entry and end pavilions projecting outwards, a design popular in contemporary public buildings of the British Empire.
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Ujigami Shrine in Uji, Kyoto Prefecture The or is a traditional Shinto shrine architectural style characterized by a very asymmetrical gabled roof () projecting outwards on one of the non-gabled sides, above the main entrance, to form a portico (see photo).History and Typology of Shrine Architecture, Encyclopedia of Shinto accessed on November 2009 This is the feature which gives it its name. It is the most common style among shrines all over the country. That the building has its main entrance on the side which runs parallel to the roof's ridge (non gabled-side) makes it belong to the style.
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Ujigami Shrine in Uji, Kyoto Prefecture The or is a style characterized by a very asymmetrical gabled roof ( in Japanese) projecting outwards on the non-gabled side, above the main entrance, to form a portico. This is the feature which gives the style its name, the most common among shrines all over the country. Sometimes the basic layout consisting of an elevated partially surrounded by a veranda called hisashi (all under the same roof) is modified by the addition of a room in front of the entrance. The honden varies in roof ridge length from 1 to 11 ken, but is never 6 or 8 ken.
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Ujigami Shrine in Uji, Kyoto Prefecture The or is a style characterized by a very asymmetrical gabled roof ( in Japanese) projecting outwards on the non-gabled side, above the main entrance, to form a portico (see photo). This is the feature which gives the style its name, the most common among shrines all over the country. Sometimes the basic layout consisting of an elevated partially surrounded by a veranda called hisashi (all under the same roof) is modified by the addition of a room in front of the entrance. The honden varies in roof ridge length from 1 to 11 ken, but is never 6 or 8 ken.
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Conisbrough's keep was positioned on the north-east side of the inner bailey. It is an important medieval survival: the historian Sidney Toy considered it to be "one of the finest keeps in England", the archaeologist Oliver Creighton describes it as an "architectural gem" and Stephen Johnson as "one of the finest examples of late Norman defensive architecture".; ; The keep, re-roofed and floored between 1993 and 1995 The keep comprises a central circular tower, in diameter, with six, large solid buttresses projecting outwards to form an hexagonal design, unique in England. It was made from magnesian limestone and tall with walls up to thick in places.
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Learning of the rapid approach of the main Scots force, Balliol's army was ordered to form a line, with the archers projecting outwards on both flanks and the men-at-arms in the centre, the whole formation resembling a quarter moon. All were dismounted, save for a small group of Germans to the rear. Beaumont now made ready to employ tactics that had been demonstrated in outline at Boroughbridge ten years before, which in their fully evolved form were to allow the English to dominate the battlefields of Britain and western Europe for the next century. The Scots were angry that their enemy had been allowed to carry out so simple a manoeuvre under their noses.
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Underside dull ochraceous brown, the basal half of both forewings and hindwings and a broad terminal margin darker brown; the wings entirely and thickly covered with slender transverse dark brown striae; irregular cell-marks on the forewing and a transverse highly sinuous subterminal band of dark blue lunules on both wings: these lunules defined by slender black lines on both sides. Bases of the wings with a clothing of long stiff black hairs, which are blunt at their apices, and on the forewing extend along the basal half of the costal margin, projecting outwards beyond it. Antennae, head and thorax very dark brown, abdomen fulvous (tawny); beneath very hairy; palpi, thorax and abdomen dark brown, the abdomen towards the apex paler.. Wingspan of 63–68 mm.
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The atlas differed from that of other ornithomimids in that the front surface of its intercentrum was slanted downwards towards the back, instead of being concave and facing upwards to support the occipital condyle. The neck appears to have been proportionally longer in relation to the trunk than in other ornithomimids. The neck was divided into two distinct sections: the cervical vertebrae at the front had centra which were nearly triangular in side view and tapered towards the back, as well as low neural arches and short, broad zygapophyses (the processes that articulated between the vertebrae); the cervical vertebrae at the back had spool-like centra which became gradually higher, and long, thin zygapophyses. The pneumatic foramina here were small and oval, and the neural spines projecting outwards from the centra formed long, low and sharp ridges, except for in the hindmost cervical vertebrae.
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X. croceago F. (= aurantiago Don.) (35 f). Forewing dark yellow, thickly irrorated with orange red, in a few instances with blackish dusting ; the costa with 4 white dashes in median area ; lines generally marked with olive grey, sometimes blackish; inner line pale, waved, edged externally by darker, angled outwards in submedian interval; outer line at 3/4, curved, marked by dark veinspots; upper stigmata large, pale orange, with yellow annuli, the reniform 8-shaped and projecting outwards below cell; median shade broad, dark grey, running from inner margin to outer dark edge of reniform, along which it appears to run, its upper arm from costa above orbicular being more or less obscured and often obsolete, distinct only in the darker orange and black- speckled examples; submarginal line grey, sinuous; veins towards termen often darker; hindwing white, slightly pinkish-tinged, with cellspot and outer line; fringe white; — fulvago Esp. nec L. (35 f) has the orange suffusion deeper, the dark irroration stronger, the upper arm of median shade well-marked; corsica Mab. (35 f), from Corsica, is of a very pale biscuit colour.
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The main difference between the E.I and E.II was the engine - the former having the seven-cylinder 60 kW (80 hp) Oberursel U.0 rotary engine which was essentially a direct copy of the French-made 60 kW (80 hp) Gnome Lambda seven-cylinder rotary engine, while the latter had the nine-cylinder 75 kW (100 hp) Oberursel U I, a direct copy of the 75 kW (100 hp) Gnome Monosoupape Type 9-B2 rotary. The larger diameter of the E.II's nine-cylinder rotary mandated raising the upper nose paneling to match the larger-diameter cowl the U.I required — this also caused the outer edges of the upper nose paneling to overhang the fuselage's upper longerons, making it necessary to add "soffit"-like surfaces, projecting outwards and upwards from the upper longerons' forwardmost length behind the cowl to fully enclose the nose once more on all E.II and E.III aircraft. The "soffit"-like surfaces were eventually created from upward extensions of the sheetmetal panels on the sides of the forward fuselage, by the time the E.III was in full production. Production of the types, built in parallel, depended on engine availability.
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The undersized development of one side of a person's face, demonstrates the influence of skeletal development upon the position of the external ear on the head, as caused by the deficient morphologic development of the temporal bone, and by the medial positioning of the temporomandibular joint, the synovial joint between the temporal bone and the mandible (upper jaw). Moreover, in severe cases of hemifacial microsomia, without the occurrence of microtia (small ears), the normal external ear might appear to have been sheared off the head, because the upper half of the pinna is projecting outwards, and, at the middle point, the lower half of the pinna is canted inwards, towards the hypoplastic, underdeveloped side of the face of the patient. A similar type of asymmetric development of the head and face features a relatively broad head, a narrow face, and a narrow mandible; when observed from the front perspective, the head and face of the person present a triangular configuration. Such wide-to-narrow skeletal sloping, from the head to the face, might create the bone promontory upon which rests and from which projects the upper anatomy of the pinna, which otherwise is an external ear of normal proportions, size, and contour.
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