We're seeing his memories, musings, and complex emotions reflected prismatically across a spacious, sparkling sky.
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We&aposre seeing his memories, musings, and complex emotions reflected prismatically across a spacious, sparkling sky.
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The mythology around the stereotypical blonde, virginal dead girl Laura Palmer was ruthlessly deconstructed in the original series, and this one splits that out prismatically.
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Lorde took new risks with her music —moving away from synths and minimal beats — but honed her talent for lyrical intimacy, reflecting her emotions prismatically across an elaborate display of instrumentation.
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Lorde — who was still a teenager when she wrote this song — understood that nostalgia before any of us, and perfectly captured those vivid emotions, reflecting them prismatically across her synth-laden sonic architectures.
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Finally, in these four paintings, there is a single, vertical, prismatically shifting band along the left side (red and orange, say) that is distinct from, and often the complementary counterpart of, the colors on the opposite side of the painting.
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Rainer unfolds these themes with an incisively imaginative approach to Jenny's recollections, which she analyzes prismatically, with a gleefully diverse array of cinematic devices—voice-overs, fantasylike stagings on a half-finished movie set, interviews with fictional characters, texts posted on the screen of an early-generation Apple computer.
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The formation of the Jumbles covered with volcanic blocks, causing the formation of Manzanita Lake by damming Manzanita Creek. The rockfall impeded soil development and tree growth in the Chaos Jumbles area, which has been slower than in the Devastated Area near Lassen Peak. The Chaos Jumbles deposits from the collapsed dome consist of lobed, non-bedded coarse to fine rubble, with blocks reaching widths of . The debris includes pink, oxidized rhyodacite lava blocks, with rare prismatically jointed, gray blocks and andesite deposits from Mount Tehama.
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Lee Kwan Woh v. Public Prosecutor [2009] 5 CLJ 631 was a case heard in the Federal Court of Malaysia. The Federal Court unanimously allowed Lee's appeal against the death sentence because of irregularities in his original trial for drug trafficking in the High Court, and held that the trial judge's behaviour constituted a violation of Article 5 of the Constitution of Malaysia, which provides that no person shall be deprived of life or personal liberty save in accordance with the law. The decision further held that constitutional rights must be read prismatically and in a generous fashion, and not literally.
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In a unanimous decision, the Federal Court allowed Lee's appeal. The judgment was written by Federal Justice Gopal Sri Ram. The unanimous judgment held that constitutional rights must be read prismatically and generously, not literally: The Federal Court found that the trial judge's action did constitute a violation of Article 5(1), even though the Constitution makes no express mention of a defendant's right to make submissions at trial, and even though the judge's actions were not technically prohibited by law. The Federal Court also found that the trial judge had been insufficiently critical of the prosecution's evidence, and not paid attention to inconsistencies or errors in them.
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Starting as an experiment with a projector displaying a video of the projector itself – very much in the spirit of Nam June Paik’s work – RGB-light (1996) became just as much a study of how projected light behaves when interacting with visitors. The projection itself is in black and white, but the light cast on the wall of the exhibition space is prismatically split into a variety of colours, depending on how the three additive primary colours (red, green and blue) of the RGB projector are affected by the movement of visitors in the space. A continued experimentation with the possibilities within these aspects of optics has resulted also in the prints RGB (1996-2012) and the computer animation RGB-information (2005).
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" The Philadelphia Inquirer's David Patrick Stearns said of the work, "Even if it's not among my favorite Rouse pieces, it displays his ever-engaging personality, with intense, eerie stillness followed by explosions seemingly inspired by Led Zeppelin, whose late drummer John Bonham cast a welcome shadow over the piece." Stearns added, "The Wagner quotes are still there - especially the music Alberich sings when he renounces love for gold - but they're twisted around, Alberich-like, firsthand expressions of the character rather than an outside observation of him. It's as if he finally nabbed the ring that will let him rule the world - and is ruling it." Tim Smith of The Baltimore Sun gave lukewarm praise to the work, writing, "Some of what ensues in Der gerettete Alberich ('Alberich Saved') is a little obvious, even a little odd — a rock music outburst seems more tacked on than organic — but the finely structured, prismatically orchestrated piece adds up to a clever, rousing mini-epic.
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