After 20143, his books were republished with long print runs.
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Edith Wharton kept restlessly editing her best sellers even through numerous print runs.
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Print runs were usually 5,000 to start, and there was often demand for more.
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Because if publishers get it wrong and overestimate their print runs, the economic ramifications can be painful.
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It is toying with paywalls, and in January said it will churn out print runs of its algorithm's top picks.
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Digital printing made it possible to do shorter print runs, with way less cost and setup time, but the quality suffered.
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They are also working to open a dispatch office in Bangkok to manage the movement of their print runs more efficiently.
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All of which means that print runs are already inflated just to cover the returned books that publishers don't expect to sell.
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And across three print runs and several decades, she sold about 15,000 copies of it, keeping it stocked at the Samata supermarket in Hyderabad.
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Although promotion of the book was quietly blocked, it has enjoyed several editions, multiple print runs, and an estimated sale of several hundred thousand copies.
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Typically, building something complex and animated with a 3D printer requires multiple print runs for all the various parts that then need to be assembled afterwards.
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Authorities have arrested four dissidents, closed a television channel and seized the print runs of four newspapers over the past week to silence criticism of reforms.
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The two reports Das wrote about his second, 14-month journey were kept confidential until the 1890s and then published, with severe redactions, in small print runs.
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Here's how publishing works to keep print runs conservative, and how it led to you not being able to buy a hard copy of Fire and Fury anywhere.
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Since the print runs were so limited, most of those records are now highly coveted but largely unavailable unless you're looking to break your wallet over at Discogs.
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KHARTOUM (Reuters) - Sudanese authorities seized the print-runs of four daily newspapers on Tuesday, staff said, a move one editor called a crackdown on coverage of anti-austerity protests.
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It's almost stubborn in its insistence on being exclusive and unique—it's only available in print runs of 1,000 copies, and rather than accepting submissions it assigns "homework" to contributors.
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That level of efficiency enables online printing companies to process more orders with fewer print runs — that translates to much lower prices for customers and higher profit margins for the business.
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Far from considering it a golden age, Berg shows instead how concerned an editor had to be, even a century ago, with print runs, dust jackets, advances, marketing, reviews, and sales.
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Since being published two years ago, Mr. Liew's book has gone through multiple print runs and become central to a slow-burning national discussion over this country's history, culture and values.
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Newspapers cancelled print runs in Mumbai after vendors refused to distribute them due to worry about the coronavirus, which emerged in China late last year and has spread around the world.
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A few months later, on the night of August 20th-21st, 5,000 tanks and 250,000 Warsaw Pact troops from five countries invaded, just as Literarni listy's print runs were surpassing 300,000 copies.
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It suffocated him but turned into a surprise hit—with two print runs totaling 10,000 copies—thanks in part to his meticulous research and the surge in interest in retro NES games.
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I think I had other fills that worked without them, but being able to pack in KYLO REN, OTC STOCK, PRINT RUNS, DNA BANK, SPORTS BAR and even DOLLOPS felt worth it.
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The Times leases a window on the presses for publications like The Atlanta Journal-Constitution, The Dallas Morning News and The Santa Fe New Mexican, and is squeezed in between other print runs.
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The U.K.'s central bank said on Thursday that it would continue using the substance in future print runs, and that the only other viable options to printing polymer notes was to use chemicals derived from palm oil.
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As Gevinson notes repeatedly in her letter, it's a difficult time for media at large — including other teen magazines like Teen Vogue and Seventeen, which ended their print runs over the last year in favor of digital-only versions.
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But Shatner also devotes generous space to his friend's sensitive artistic side, taking note of Nimoy's photographic pursuits and seven volumes of poetry — including, in 1973, the surprisingly successful debut "You & I," which went through five print runs in hardcover and had an initial paperback printing of 250,000 copies.
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The first edition had two print runs, which the second edition is still on its first.
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This allowed reasonable print runs or conversion to stereotypes for longer print runs. But these machines could produce type with all possible alloys, when needed. The used type, like the slugs from line casters, was re-melted when no longer needed. Each time remelting caused some loss of Tin and Antimony, through oxidation.
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McFarland employs a staff of about 50, and has published 7,800 titles. McFarland's initial print runs average 600 copies per book.
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Ray, p. 149 Large print runs, often exceeding 10,000 for first printings, were necessary. Routledge asserted that each title required sales of 50,000 to be profitable.
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This was due to a combination of smaller print runs and what the traffic would bear. Such magazines were usually sold "under the counter" upon request.
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In July 2019, the Chicago Defender reported that recent print runs had numbered 16,000 but that its digital edition reached almost half a million unique monthly visitors.
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At the time, Serenity RPG was the most popular role playing game since the original Dungeons and Dragons, requiring four print runs in the first year of publishing.
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Where once a large print run was needed for an instant book (but often translated in high returns), now smaller print runs can make instant publishing more feasible.
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The full uncut print runs 12 minutes longer than the Mei Ah (Hong Kong) and Xenon (U.S.) releases and was released in Taiwan on video by ERA Home Video.
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Farmer and Chevely published three issues of Tits & Clits on their own from 1972–1977 (often in print runs of 10,000–20,000).Tits & Clits, ComicBookDB.com. Accessed Sept. 15, 2011.
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East of Eden was first published by Viking Press in September 1952. The first edition had two print runs: 1,500 copies were signed by Steinbeck; the second run was of unsigned copies. In both print runs, there is a spelling mistake on page 281, line 38: "I remember holding the bite of a line while Tom drove pegs and braided a splice." The word "bite" was mistakenly changed from the original word, "bight", during proofreading.
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The series consisted of five issues with the final issue published on August 23, 2017. The first issue released with positive initial reviews and three print-runs on the initial issue.
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The 2019 edition featured Oil Wars by Philiac, Jay Reatard's Blood Visions, Old LP by that dog., and Midi Swamp from Dr. Dog but print runs were curtailed by a shortage of ferric oxide.
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In comparison, "Scotland's Future", the Scottish Government's so-called "White Paper" on independence, had a total of over 100,000 copies produced by the Scottish Government in four print runs at a cost of £1.25 million.
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Mimeography was often considered "the next step up" in quality, capable of producing hundreds of copies. Print runs beyond that level were usually produced by professional printers or, as the technology became available, xerographic copiers.
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Most commercially published RPGs are small press products, having less than a thousand units sold. The technology of print on demand is strongly used in RPGs, since it reduces run costs for the typical small print runs.
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A number of books in Dungan language, including textbooks, Dungan-Russian and Russian-Dungan dictionaries, a Dungan etymological dictionary, collections of folk tales, original and translated fiction and poetry have been published in Kyrgyzstan. Usual print runs were no more than a few hundred copies. A newspaper in Dungan has been published as well. Works of the Dungan poet Yasir Shiwaza have been translated into Russian, Standard Chinese and a number of other languages, with print runs in some of them been much higher than in the original Dungan.
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Gravure printing is used for long, high-quality print runs such as magazines, mail-order catalogues, packaging and printing onto fabric and wallpaper. It is also used for printing postage stamps and decorative plastic laminates, such as kitchen worktops.
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Georg Julius Leopold Engel (born 22 October 1866 in Greifswald; died 19 October 1931 in Berlin ) was a successful German writer, dramatist and literary critic. His novels appeared in large print runs. He also used the pseudonym Johannes Jörgensen.
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At peak the company produced 18 titles – 12 originals and six reprints – per month. Print runs for individual titles peaked at 25,000 copies. In all, close to 10,000 titles were published. The genres published included crime, romance, war and westerns.
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On 1 March 2017, chief editor Andrej Skurko resigned, his position was taken by Jahor Marcinovič. Skurko remained deputy editor-in-chief. By 2018, the editors office included 12 journalists. Nasha Niva on paper was published monthly in 3000 print runs.
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It received positive critical reaction and picked up by the History Book Club and the Military Book Club, though most sales were limited to Utah. Oxford considered it "a big best-seller" for its "smaller press" with conservative print runs.
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Loubert was publisher of Aardvark-Vanaheim until she and husband Dave Sim (owner and major contributor to Aardvark-Vanaheim) divorced, at which point she started Renegade and moved to the United States. With the move, all of Aardvark- Vanaheim's titles (with the exception of Cerebus) left that publisher to continue with Renegade. (These included Flaming Carrot Comics, Journey: The Adventures of Wolverine MacAlistaire, normalman, Neil the Horse, and Ms. Tree.) Although Renegade started in high-profile fashion, its titles suffered from low print runs."High Profile and Low Print Runs," The Comics Journal #119 (January 1988), pp. 40–48.
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The savings in labor and the ever-increasing capability of digital presses means that digital printing is reaching the point where it can match or supersede offset printing technology's ability to produce larger print runs of several thousand sheets at a low price.
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Jennifer Crusie began her career writing category romances. One of these was Getting Rid of Bradley, published in February 1994 by Harlequin Books. Category romances have limited print runs and are usually available for no more than a month.Eykelhof, Paula; Macomber, Debbie (July 31, 2006).
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In the early 1940s the Press for Dawson's Book Shop published print runs of several books. When he died in 1947, his sons Glen and Muir took over the business. Ernest Dawson was an active climber and expedition leader in the Sierra Nevada and in southern California.
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This technology relies on digital printing, where low-volume print runs are cost justifiable, and the variable data can be merged to personalize each drip message. Social media. The principles of drip marketing have been applied in many social media marketing tools to schedule a series of updates.
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It was the first Swedish picturebook with photos of everyday life of a child in a continuous story, and the first of many such books that the photographer was to make. It was a success. Translated into eighteen languages in editions with high print runs;Kümmerling-Meibauer, B. (2013).
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Luukkanen wrote his memoirs (published in 1956). These proved a success, with three print runs. His book was translated to English and published in Britain in 1961 and reprinted in the US in 1992 entitled "Fighter over Finland". After the war, Luukkanen was convicted of spying for Sweden.
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The largest English-language dailies, both published in Jakarta with print runs of 40,000, are the Jakarta Post and the Jakarta Globe. As of 2003, newspapers have a penetration rate of 8.6 percent. The principal weekly news magazines are Tempo, which also produces an English-language edition, and Gatra.
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The printing was done using a hand-press, with nine or ten print runs required for each illustration. For A Chronicle of England, Evans engraved prints dropped into the text at six- page intervals.Ray, p. 150 Doyle drew the illustrations directly onto the wood blocks and created coloured proofs.
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This is a list of English language small presses, small publishers, current or past, that have published (printed) works of fiction and nonfiction, poetry, short stories, essays, pamphlets, limited edition or collectible books and chapbooks, and other forms of literature. In addition to publishing few books per year, the print runs of their titles are often smaller than for books from larger publishers. This list does include periodic publishers of poetry, and literature journals and magazines, including alternative comic books. This list does not include exclusively online publishers, academic publishers (who often publish very limited print runs, but for a different market), or businesses operating solely as printers, such as print-on-demand companies or vanity presses.
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The gelatin process produced print runs of somewhere between 20 and 80 copies, depending upon the skill of the user and the quality of the original. At least eight different colors of hectographic ink were available at one time, but purple was the most popular because of its density and contrast.
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Canongate was founded in 1973 by Stephanie Wolfe Murray and her husband Angus Wolfe Murray.Lucinda Byatt, "Jamie Byng and Canongate", Solander magazine, Historical Novel Society, UK, Vol. 19, May 2006. Originally a speciality press focusing on Scottish-interest books, generally with small print runs, its most major author was Alasdair Gray.
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A pamphlet or chapbook is a small collection of poetry, usually 15 to 30 poems, centering around one theme. Poets often publish a pamphlet as their first work. Pamphlets are not usually more than 40 pages. They are sometimes handmade or saddle-stitched, a format best suited for small print runs.
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In the 1980s Queensland comic enthusiast, Nat Karmichael, published John Dixon's Air Hawk Magazine. While the first few issues had small print runs of just 500 copies, later issues were being sold through newsagents. One issue was co-published with Cyclone! Comics, who released it as one of their 'Summer Specials'.
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At its peak, Horwitz reportedly released up to 48 comics and 24 fiction titles each month, with print-runs of up to 250,000 copies. From c. 1950 – c. 1966, Horwitz published a large number of war, Western, and crime comics, predominantly reprints of American comics, sourced mainly from Timely/Atlas/Marvel.
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The book was wildly successful with subsequent print runs and translations in German, Portuguese, Spanish, Japanese and Italian. Worldwide circulation was close to a million and McLuhan's largest-selling publication. The style was pushed further in DO IT!: Scenarios of the Revolution (1970), the controversial yippie manifesto by social activist Jerry Rubin.
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Jansen, Marije. Hiroshige's Journey in the 60-Odd Provinces Hotei, 2004. 90-74822-60-6 A deluxe edition featuring bokashi—additional overprinting to enrich the design—was produced as an initial run to publicize the series. Subsequent print runs tended to limit or eliminate the overprinting which was relatively costly to produce.
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Each approved image is added to the searchable online database, where it can be found by purchasers. Files can be downloaded immediately, and used in almost anything. The basic license agreement prohibits some uses, such as web templates, print on demand, adult materials, etc. Print runs over 500,000 must pay additional royalties.
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It was a period of intense speculation in comic book investment, with especially strong interest in black and white comics from independent companies. The first printings of the original TMNT comics had small print runs that made them instant collector items. Within months, the books were trading at prices over 50 times their cover price.
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The term also implies that no further additional printings of the book with the same design treatment will take place, unlike open-ended trade editions wherein further copies may be released in more print runs as the first and subsequent printings sell out.Carter, John (1998). ABC for Book Collectors (7th ed., revised by Nicholas Barker).
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Despite the dedication of their producers, Jadidist papers in Central Asia usually had very small circulations and print runs that made it difficult for publications to maintain their existence without significant patronage. Jadids publishing in Turkestan also sometimes ran afoul of their Russian censors, who viewed them as potentially subversive elements.Khalid (1994), p. 194.
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Campe was reluctant to publish uncensored books as he had bad experience of print runs being confiscated. Heine resisted all censorship; this issue became a bone of contention between the two.Sammons, pages 118 to 124 However, the relationship between author and publisher started well: Campe published the first volume of Reisebilder ("Travel Pictures") in May 1826.
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Prices may be posted online. Some collectors annotate their copies of the catalogs, to record prices brought and even buyers' identities. The actual physical auction catalog is limited to print runs which started in 2005 when the major auction houses created their own app. In 2018 it is rare that you can purchase the physical auction catalog.
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The collectables catalogs on Colnect are created by collectors using the site. New items are added by contributors and verified by volunteering editors. Though any collector may add their comments on a catalog item, actual changes are done only by site-trusted editors. All users can see the catalog information (issue dates, print runs, pictures, etc.).
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Lane intended to produce inexpensive books. He purchased paperback rights from publishers, ordered large print runs (such as 20,000 copies—large for the time) to keep unit prices low, and looked to non- traditional book-selling retail locations. Booksellers were initially reluctant to buy his books, but when Woolworths placed a large order, the books sold extremely well.
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The limited edition broadsides were printed by The Ravine Press on a No. 4 Vandercook proof press on Arches paper. The color illustrations were done by Amazingrace using the hand-pulled screen printing process. Print runs varied from 150-199. Advisors were The Art Institute of Chicago on paper and ink, and the Newberry Library on typography.
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A studio idyll depicting the artist's wife with her first child, Suzanne Larsson's popularity increased considerably with the development of colour reproduction technology in the 1890s, when the Swedish publisher Bonnier published books written and illustrated by Larsson and containing full colour reproductions of his watercolours, titled A Home. However, the print runs of these rather expensive albums did not come close to that produced in 1909 by the German publisher Karl Robert Langewiesche (1874–1931). Langewiesche's choice of watercolours, drawings and text by Carl Larsson, titled Das Haus in der Sonne (Königstein, Verlag Karl Robert Langewiesche. 1909), immediately became one of the German publishing industry's best-sellers of the year—40,000 copies sold in three months, and more than 40 print runs have been produced up to 2001.
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Grishin, 33-35. King did not do detailed preliminary drawings for his lithographs.Gleeson, 2 Nor did he make an artist's print when printing them. Rather, he printed the whole edition in one colour, then added other colours in subsequent print runs until "the print says it is finished ... At some stage, the work of art takes over and I have to understand it".
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He completed Stone Tablets in 1965. The Polish censors initially blocked its publication, but their decision was overturned in person by Poland's head of state, Władysław Gomułka. The book was published in Poland in 1966. The public reaction to the book's criticisms of Stalinist abuses and its conceptual sympathy with the Hungarian Revolution of 1956 led to problems with its subsequent print runs.
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The print runs were very limited, certainly not exceeding 500 copies. It sold by mail order and through the London alternative-music shop Rough Trade. The magazine is now a sought-after collector’s item. The cover of Stabmental 7, the final issue, included a hand-finished element, with each copy therefore unique – an anticipation of Balance’s enthusiasm for handcrafted editions of Coil releases.
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Limited Run Games releases games exclusively on their website, and deliberately creates small print runs. With this, the team maintains a pledge to refuse creating reprints of past titles, even if there is high demand. The company name itself is a reference to this business model, as their games are available in a firm, limited printing for a short time.
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Prophecies of Nostradamus was released theatrically in Japan on 3 August 1974 where it was distributed by Toho. Toho released their 90-minute international version in the United States on 13 July 1979. It was later released to television by United Productions of America as The Last Days of Planet Earth with English dubbing. The television print runs 88 minutes in length.
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Gaming Universal was a magazine dedicated to play-by-mail games. The magazine was published between 1983 and 1988, in two separate print runs with Bob McLain as editor of both editions. Its first print run was between November 1983 and 1985 and was published by Imagascape Industries. The second edition ran between 1987 and 1988, published by Aftershock Publishing.
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In addition to the above magazine and newsletters, GSP volunteers have compiled, and GSP has published, transcriptions, indexes, and records from throughout Pennsylvania. Some of these publications were available only in limited print runs, but copies can be found at the HSP library and other institutions, while other publications are available for sale to the public through the GSP Online Store.
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His wartime service and his career as a journalist provided much of the background, detail and depth of the James Bond novels. Fleming wrote his first Bond novel, Casino Royale, in 1952. It was a success, with three print runs being commissioned to cope with the demand. Eleven Bond novels and two collections of short stories followed between 1953 and 1966.
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IMPACT press was an Orlando, Florida-based magazine started in 1996 by Craig Mazer. IMPACT press ran for 10 years, printing its last issue in Spring 2006. Most of the articles were political in nature and usually supported the left and far left. During its 10 years in existence, IMPACT press printed 60 issues with print runs of at least 10,000 copies each.
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This provides larger print-runs of the poetry cards for distribution in hospitals. These are adapted to display the hospitals own message and sponsorship details. A key consideration for the charity is the selection of poems. Guidelines for the selection of poems have been devised with this in mind, and with help from a consultant psychiatrist as well as from poets.
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33 The books were released for the Christmas season, when sales would be sufficient to warrant print runs as large as 100,000. Later, collected editions of four works reprinted in a single volume were published.Hegel, p. xiii Throughout the late 1870s, Evans and Caldecott collaborated on 17 books, considered Caldecott's best, and to have changed the "course of children's illustrated books".
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This forced Revolutionary to build its own distribution network outside traditional comic shops, eventually getting them into music and gift retail outlets which had never carried comics before. This independence from the comic book marketplace served the company well, as sales continued to rise from issue to issue, with their Metallica comic going into multiple print runs totaling over 75,000 copies.
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In the spring of 1996, Ryan Somers, a.k.a. Fritz tha Cat, a teenager from London, Canada, started a magazine titled In Search of Divine Styler in order to bring the emcee back from retirement. Eight issues were published over three years, with the magazine growing from 100 copies of the first issue to 10,000-copy print runs that were distributed all across North America.
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The titles are known of almost thirteen hundred illegal papers and leaflets. Some only appeared for a short time, while others were issued throughout the five years of the occupation. A few were handwritten, but most were duplicated, and some were actually printed. The majority of the illegal papers appeared in print runs of a few hundred, but some achieved a circulation of some tens of thousands.
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Most print runs were under 500 copies. A few titles, most notably Robert A. Heinlein's Destination: Moon, were reprinted, but no one title ever sold more than 1,250 copies. In addition to the classic titles Hartwell and Beeler also produced sets of titles in series with jackets. These included the Witch World novels of Andre Norton and the Fafhrd and the Gray Mouser collection of Fritz Leiber.
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The gamebook series was published between 1984 and 1998 in over 30 countries, translated into 18 languages, and sold in excess of 10 million copies worldwide. Each of the first 20 books had average print runs of 250,000. The response to the Lone Wolf book series has been largely positive. Three books of the series won "Game Book of the Year" between 1985 and 1987.
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Gutenberg's newly devised hand mould made possible the precise and rapid creation of metal movable type in large quantities. His two inventions, the hand mould and the printing press, together drastically reduced the cost of printing books and other documents in Europe, particularly for shorter print runs. From Mainz the printing press spread within several decades to over two hundred cities in a dozen European countries.
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Some of the association's members are also members of the Norwegian Media Businesses' Association (MBL). The National Association of Local Newspapers has over 100 small newspapers as members,Norsk Opplagskontroll AS: Om oss. representing a combined circulation of 330,000, or 950,000 readers. Most of the member newspapers are published one to three times a week, and they usually appear in print runs of 1,000 to 6,000 copies.
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Māori were quick to learn the power of the printed word. The first Māori newspaper appeared in 1842. A number of different newspapers such as ' and ' were written in the Māori language to convey information to a widespread Māori audience, often of a political or ideological nature. Although print runs were often small it was common for a newspaper to be passed around a whole .
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The novel is one of Coupland's more popular. In its initial publication run, it was printed in two halves, glued back to back, so that one cover was upside down. The reader was forced, halfway through the novel, to turn the book upside down to continue reading. This quirk was eliminated on subsequent print runs, but the cover still retained this peculiar arrangement in some later printings.
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Print runs for early Bibles were relatively short by present-day standards; typically perhaps 1000 to 2500 copies. Editions printed in England required a royal licence. Later the printing of Bibles in England became a monopoly shared between the Oxford University Press, the Cambridge University Press and the "King's Printers". This situation continued into the 20th century, at which time Eyre and Spottiswoode were the King's Printers.
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The series began in 1994 as the black-and-white mini-comic, Holey Crullers, written by Hickman and drawn by Jerry Smith. It was circulated through mail order and direct sales at comic book conventions with small print runs. In 1997, Wizard magazine covered it in a four-page article. In 2003, Wizard editor Jim McLauchlin became editor-in-chief of Top Cow Productions.
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When citizens of Salihorsk began a petition on the paper's behalf, police made visits to the homes of the signatories to interrogate them. In March 2006 in Minsk several thousand copies of the newspaper were confiscated by the police. On 13 March 2006, a week before the presidential election that would usher in Lukashenko's third term, Narodnaja Volya, BDG, and Tovarishch had their print runs abruptly cancelled by their Smolensk supplier.
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Wolfgang Baur launched Open Design in 2006. Open Design funded projects using a crowdfunding model dubbed "patronage," with the resulting products available exclusively to backers through PDF releases and limited print runs. The first product published by Open Design was Steam & Brass (2006), a steampunk-themed adventure module using the d20 System. Steam & Brass was also the first product set in Baur's setting of Zobeck, later known as Midgard.
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The first edition, first printings of the series were denoted by a colophon on the copyright page until 1960. The colophon consisted of either FR (1937–1946) or R (1946–1959) in a circle or diamond. After 1960, "First Edition" was printed on the copyright page. Special signed and numbered limited editions were also produced, though not for every volume in the series, and sometimes in very limited print runs.
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86 In 1928, when it was the largest weekly in Europe by circulation, the magazine published Vicki Baum's novel of the New Woman, Stud. chem. Helene Willfüer, in serial form. It provoked heated discussions and required repeated increases in the print runs until they exceeded 2 million.Kerstin Barndt, Sentiment und Sachlichkeit: Der Roman der Neuen Frau in der Weimarer Republik, Literatur, Kultur, Geschlecht 19, Cologne: Böhlau, 2003, , p.
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Literary presses are publishing companies that publish books with a literary or artistic emphasis. This is a list of publishing companies and imprints whose primary emphasis is on literature and the arts. It does not include exclusively online publishers, academic publishers (who often publish very limited print runs, but for a different market), or businesses operating solely as printers, such as print-on-demand companies or vanity presses.
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The books have had various publishers over the years including the Dickens Press, a company set up to continue the book publishing interests of the News Chronicle, and Polystyle Publications, a publisher of children's comics. The books became very popular, with print runs well into six figures. Big Chief I-Spy had a succession of assistants, usually known as "Hawkeye". In the early 1970s, this position was held by Ralph Mills.
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29, 2018. This periodical, however, was neither sold nor available on newsstands, but rather sent free as a promotional item to consumers who mailed in coupons clipped from Procter & Gamble soap and toiletries products. Ten-thousand copies were made. The promotion proved a success, and Eastern Color that year produced similar periodicals for Canada Dry soft drinks, Kinney Shoes, Wheatena cereal and others, with print runs of from 100,000 to 250,000.
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The Spike and Suzy comic books, originally created by Willy Vandersteen have had four print runs in the English language. The first of these was called Willy and Wanda and was released in the United States. The second and third were released in the UK, the first being entitled Bob and Bobette, and the second Spike and Suzy. The fourth is Luke and Lucy and was released in Belgium.
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The National Print Run Service () is an independent Moscow-based nonprofit organization oversighting print runs and distribution of periodicals in Russia. The service was established in August 1998 by the Russian Chamber of Commerce and Industry, Union of Journalists of Russia and five other organizations. The National Print Run Service maintains the black list of print run fraudsters (publishers and publications who exaggerate their actual print run figures).
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Passing was published in April 1929 by Knopf in New York City. Sales of the book were modest: Knopf produced three small print runs each under 2,000 copies. While early reviews were primarily positive, it received little attention beyond New York City. Comparing it to Larsen's previous novel Quicksand, Alice Dunbar-Nelson's review in The Washington Eagle began by declaring that "Nella Larsen delights again with her new novel".
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During these years Crane and Evans worked for the publishing house Routledge and collaborated on books such as The Yellow Dwarf, Beauty and the Beast, Princess Belle – etoile, and Goody Two Shoes. Crane sold his illustrations directly to the publisher and, with printing and engraving expenses, large print runs were required.Crane, pp. 152–156 Crane was abroad from 1871 to 1873 while Evans continued to print his work.
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The issue sold nearly a million copies, selling the entire first and second print runs within two weeks. It became a collector's item, a first in the history of People. Betty Cortina, an editor of People, told Biography they never had an issue that was completely sold out; "it was unheard of". In the following months, the company released People en Español aimed at the Hispanic market, due to the success of the Selena issue.
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The editors office was forced to use the loophole in state law and print in Russian Smolensk. Border forces arrested three print runs and advised the editors office not to bring any more copies until the presidential election is over. OSCE representative said that the closure made the country lose two- thirds of its independent press, BAJ called it lawless. The Union of Right Forces Russian political party offered the newspaper to finance its work.
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Russell Patterson and Carolyn Wells' New Adventures of Flossy Frills was a continuing strip series seen on Sunday magazine covers. Beginning January 26, 1941, it ran on the front covers of Hearst's American Weekly newspaper magazine supplement, continuing until March 30 of that year. Between 1939 and 1943, four different stories featuring Flossy appeared on American Weekly covers. Sunday comics sections employed offset color printing with multiple print runs imitating a wide range of colors.
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Roy Lichtenstein's own rendering of Dance, sans Tintin, hangs in the same museum. The book went through several print runs, both in the United States and the UK (in Britain, the novel was published by Marion Boyars Publishers, and later Minerva). The novel was also translated into French, German, Dutch, Spanish, Catalan, and Swedish. In 2005, it was re-released by Black Classics Press in the USA, with an introduction by Paul LaFarge.
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Every denomination of the Japanese "A-yen" series is considered to be "scarce". The large denomination bills of "20" and "100 yen" had been delivered in much smaller quantities than their "B" series counterparts. Denominations with low print runs are generally harder to find than ones which circulated in greater amounts. In addition, the transition from civilian to military usage in Korea on July 10, 1946 made the "A" yen series worthless to civilians.
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For a number of reasons, discovery, access, evaluation and curation of grey literature pose a number of difficulties. Generally, grey literature lacks any strict or meaningful bibliographic control. Basic information such as authors, publication dates and publishing or corporate bodies may not be easily identified. Similarly, the nonprofessional layouts and formats, low print runs and non-conventional channels of distribution make the organized collection of grey literature a challenge compared to journals and books.
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A Complete History of American Comic Books (Peter Lang, 2008), p. 72. Belmont's initial offerings were four titles — a Western, a mystery, a science fiction book, and a detective book. Once they got going, Belmont published about 12 titles per month, with print runs of between 30,000–70,000 copies. Rather than bookstores, their books were sold in railroad stations, airports, bus terminals, drug stores, and the lobbies of office buildings and hotels.
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Unlike most of its competitors, Hafner never created an electric train. Any Hafner electric trains that exist today were retrofitted with a motor from another manufacturer. Electrifying Hafner locomotives by outfitting them with surplus Marx electric motors is a somewhat common practice. Both Hafner and Marx were known to use "recycled" lithography, a cost-saving practice where the tinplate from defective print runs was flipped over and printed on the blank side and used.
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Eastern Color neither sold this periodical nor made it available on newsstands, but rather sent it out free as a promotional item to consumers who mailed in coupons clipped from Procter & Gamble soap and toiletries products. The company printed 10,000 copies. The promotion proved a success, and Eastern Color that year produced similar periodicals for Canada Dry soft drinks, Kinney Shoes, Wheatena cereal and others, with print runs of from 100,000 to 250,000.
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In China, the company produced books in both Mandarin and English. Twenty titles were offered each year in Mandarin, with 550,000 copies offered of each. An additional ten titles were offered in English, with print runs of 200,000 copies each. In total, Harlequin has offices in Amsterdam, Athens, Budapest, Granges-Pacot, Hamburg, London, Madrid, Milan, New York, Paris, Stockholm, Sydney, Tokyo, and Warsaw, as well as licensing agreements in nine other countries.
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March 1994: Foundation of the "Arbeitsgemeinschaft zur Enttabuisierung der Zeitgeschichte" (AEZ) – "Work community to free history from taboos". Later the group was renamed "Arbeitsgemeinschaft zur Erforschung der Zeitgeschichte" (work community for the exploration of history). The founders were four former teachers: Arthur Vogt, Andreas Studer, Jürgen Graf, and Schaub.GRa Links The related magazine "Aurora", which ran to 13 editions between 1994 and 1997 (print runs up to 200 copies), was predominantly written by Schaub.
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With time, societal expectations of low patient mortality have led to hospitals reinstating the patient outcomes as a measure of success. Evolving technology have also forced the development of orthogonal measures. As early as 855, the success of texts was measured by print runs. In 1942, The New York Times began publishing a list of best-selling books, which has been shown to influence the purchases of the majority of American book buyers.
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The movable type used to compose the original forme could then be re-used. Both methods could be used to prepared curved plates for rotary presses, which were used for the longest print runs. The widespread adoption of electrotyping for this use occurred after mechanical electrical generators (dynamos) became commonly available around 1872. These generators supplanted the whole rooms of chemical batteries (Smee cells) that were previously used to provide electricity for electrotyping.
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1739 Edition of Poor Richard's Almanack Poor Richard's Almanack (sometimes Almanac) was a yearly almanac published by Benjamin Franklin, who adopted the pseudonym of "Poor Richard" or "Richard Saunders" for this purpose. The publication appeared continually from 1732 to 1758. It sold exceptionally well for a pamphlet published in the Thirteen Colonies; print runs reached 10,000 per year.Oracle ThinkQuest (2003) Franklin, the American inventor, statesman, and publisher, achieved success with Poor Richard's Almanack.
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Less popular out-of-print books are often rare and may be difficult to acquire unless scanned or electronic copies of the books are available. With the advent of book scanning, and print-on-demand technology, fewer and fewer works are now considered truly out of print. A publisher creates a print run of a fixed number of copies of a new book. Print runs for most modern books number in the thousands.
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This increase in the player base created a Magic subculture based on finance speculation. New players entering the market from 2009 to 2015 desired cards that were printed before 2009 and with smaller print runs. Demand outstripped quantity and prices of certain cards increased and speculators started to directly manipulate the Magic card market to their advantage. This eventually attracted the interest of the controversial figure Martin Shkreli, former CEO of Turing Pharmaceuticals, for a brief period of time.
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Games were still being produced for the PlayStation 2, Xbox, and Nintendo GameCube as of 2008, while Dreamcast games were officially discontinued in 2003. There were still a few games being produced for the Dreamcast in 2004, but they are essentially NAOMI arcade ports released only in Japan, with small print runs. The PlayStation 2 was still being produced after the launch of the Wii U in 2012, making the sixth generation the second longest generation of all time.
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Quality paperbacks were produced in Canada with their New Canadian Library series, launched with four titles. They were aimed at a college or university market, for course texts. The term "quality" was intended to suggest a divide between the mass market paperback and this higher production valued, often scholastic, publication. These paperbacks were the same size as mass market paperbacks, but had more sober covers, sometimes better quality binding, and were produced in smaller print runs.
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However, there being many differences between Stettenheim and him, he founded his own satirical magazine, the Lustigen Blätter, which reached large print runs particularly in the Weimar of the time. Moszkowski was from 1892 a member of the Gesellschaft der Freunde. He was a personality of the Berliner society, and with celebrities such as Albert Einstein, he was among the first writers to bring the Theory of Relativity to a wider audience.Isaacson, Walter, Einstein: His Life And Universe, p.
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Many companies allow single books to be printed at per-book costs which are not much higher than those paid by publishing companies for large print runs. Ingram is the largest book distributor, and it can help self-published authors get access to 39,000 bookstores, according to one report. The physical quality of print-on-demand self-published books is generally the same as that from an established publisher, although quality can in some instances vary.
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It is explained that not every print technology was designed to print millions of copies. Spirit duplicators, photocopiers, and print-on- demand publishing allowed access to print for smaller print runs of projects with less mass appeal. Post-Digital Print innerpages Artists and political groups pushed the technology with pamphlets, unlicensed newspapers, the alternative press, fanzines, books, and journals. Ludovico establishes that due to how technology and the internet present the problem of filtering rather than access.
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In an effort to increase sales, the UNPA used a combination of smaller printings of stamp issuances, aggressive marketing, and having famous artists create stamp designs. Still, stamp sales have never recovered to previous levels and today print runs are on the order of 400,000 stamps. Due to these lower printing quantities, the stamps from the late 1990s and 2000s are harder to find on the discount postage market. Although it is rare, some issues have sold out.
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Switzerland used three colors in 1850 for its first stamps, then switched to a single-color design in 1854. Stamps with two colors ("bi- colored") began to appear very early, although typically reserved for higher values, due to the added expense of multiple print runs. Multicolored stamps appeared along with the development of color printing techniques; they now account for the majority of modern stamps, although single-color designs are still common, more so for some countries than others.
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Also in many cases where large scale text was required, it was simpler to hand the job to a sign painter than a printer. Images could be printed together with movable type if they were made as woodcuts or wood engravings as long as the blocks were made to the same type height. If intaglio methods, such as copper plates, were used for the images, then images and the text would have required separate print runs on different machines.
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He states: "We all suffer the same problem of minimum print runs on two formats where sales are then split across those formats and often leaving us large quantities of stock. Recent increases in costs of warehousing unsold and slow moving stock has made it all the more important to consider the hard economics of servicing two formats. It's just a repeat of the old VHS / DVD position." '' The official dropping of DVD began in Q4 2018.
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Print-on-demand (POD) publishing refers to the ability to print high-quality books as needed. For self-published books, this is often a more economical option than conducting a print run of hundreds or thousands of books. Many companies, such as Createspace (owned by Amazon.com), Outskirts Press, Blurb, Lulu, Llumina Press, ReadersMagnet, and iUniverse, allow printing single books at per-book costs not much higher than those paid by publishing companies for large print runs.
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This periodical, however, was neither sold nor available on newsstands, but rather sent free as a promotional item to consumers who mailed in coupons clipped from Procter & Gamble soap and toiletries products. Ten- thousand copies were made. The promotion proved a success, and Eastern Color that year produced similar periodicals for Canada Dry soft drinks, Kinney Shoes, Wheatena cereal, Phillips’ Dental Magnesia, John Wanamaker Department Stores, and others, with print runs of from 100,000 to 250,000.Goulart, Ron.
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When Zartan was originally released in the toy line, it stated on his file card that he suffered from paranoid schizophrenia and multiple personality disorder. After a complaint from a mental health organization, Hasbro removed this information from the file for later print runs, and was not referenced on file cards for future releases of the character. In early development, he was called Captain Chameleon. He was later named Zartan, an anagram of Tarzan, by writer Larry Hama.
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On 13 April 1953 Casino Royale was released in the UK in hardcover, priced at 10s 6d, with a cover designed by Fleming. It was a success and three print runs were needed to cope with the demand. The novel centres on the exploits of James Bond, an officer in the Secret Intelligence Service, commonly known as MI6. Bond is also known by his code number, 007, and was a commander in the Royal Naval Reserve.
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August Hoen, Lithographic Process, U.S. Patent 227,782, May 18, 1880. Alfred Hoen, August's son, was not only an accomplished printmaker, but he also maintained a laboratory for testing lithographic limestone and carried out laboratory tests and experimental print runs using stones from promising new sources.A. B. Hoen, Discussion of the Requisite Qualities of Lithographic Limestone, with Report on Tests of the Lithographic Stone of Mitchell County, Iowa, Iowa Geological Survey Annual Report, 1902, Des Moines, 1903; pages 339-352.
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The Approval was designed to mimic the quality of Printing presses using high resolution imaging (2,400 or 2,540 DPI similar to the printing plate) and halftone screening to accurately reflect what would be seen on press. Stochastic screening (or FM screening) can also be used to proof print runs with this screening technique. Being able to simulate screening effects with high fidelity makes it possible to detect undesirable screening artifacts (i.e. Moiré patterns) before going to press, consequently saving customers time and money.
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In some cases, especially with older cards that preceded the advent of card collecting as a widespread hobby, they have become collectors' items of considerable value. In recent years, many sports cards have not necessarily appreciated as much in value due to overproduction, although some manufacturers have used limited editions and smaller print runs to boost value. Trading cards, however, do not have an absolute monetary value. Cards are only worth as much as a collector is willing to pay.
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It soon became apparent that sales projections were grossly overestimated, with print runs being too high and returns from newsagents being substantial. By the end of 1976, Newton Comics was defunct. Following the collapse of his publishing empire Newton relocated to the United States and re-established his career as a right-wing economic journalist becoming financial editor of the New York Post, with his columns syndicated in the Murdoch press. In 1983 he published a book on the American monetary system.
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The comic did still include a few pages of riddles, poems and a crossword puzzle, as well as three text adaptations of Disney shorts, but the era of the children's magazine was decidedly over. In October 1940, the first issue of Walt Disney's Comics and Stories sold 252,000 copies, and within a few months, the comic began to increase its print runs by 100,000 or more each month. By issue #23 (Aug 1942), the comic was printing 1 million copies per issue.
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For small print runs, dye-transfer remained an option, but at a significantly higher cost. not withstanding the significant "loss of register" that occurred in such prints that were expanded by CinemaScope's 2X horizontal factor, and, to a lesser extent, with so-called "flat wide screen" (variously 1.66:1 or 1.85:1, but spherical and not anamorphic). This nearly fatal flaw was not corrected until 1955 and caused numerous features initially printed by Technicolor to be scrapped and reprinted by DeLuxe Labs.
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The extremely limited print runs of the zine have been somewhat ameliorated over the years by a number of collections. Despite Everything: A Cometbus Omnibus (Last Gasp Publishing 2002, ) a 608-page compendium of selections from 43 early Cometbus issues which are long out of print and often difficult to find. Double Duce (Last Gasp Publishing 2003; ) a novel based on life in a punk house called Double Duce that collects material from issues 32, 35, 37, 38, 41, 42, 43, and 45.
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In the United Kingdom, the tradition of special prize bindings persisted until the mid-20th century with the demise of traditional hand binding. Most titles consist of classical works in the humanities published in unbound print runs for this purpose. Schools would contract with a local bindery to prepare prize editions stamped or embossed with the logo of the school. The editions are often made to resemble the fine bindings of the 18th century and are prized by booksellers for their classical appearance.
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First-print runs of the Japanese release included codes for special costumes inspired by other Atlus games. In addition, Atlus produced a "Fortissimo Edition", containing a special box, an original artbook, a six- track CD release including "Reincarnation", and downloadable content (DLC) outfits for the playable characters. A Wii U bundle was also created, featuring similar content in addition to special stickers and special lyric cards. Between its original reveal and the retail release, Kiria's stage costume for her number "Reincarnation" was altered to be less revealing.
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The pamphlets were generally photocopied, initially by furtive weekend use of Key's office photocopier but later using commercial services. A few later publications, such as Twitching and Shattered, were paperbacks. Print-runs were short, with as few as 25 copies and, as Sam Jordison remarked in 2007, "So rare are these books that very few have even seen them." However, some of the stories were later republished on the Hooting Yard blog, and the site's archive has synopses of six of the early pamphlets.
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Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling ("hydrophobic") substance, while the negative image would be water-retaining ("hydrophilic"). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing (e.g.
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To avoid comparisons to her previous novels, Steel does not write sequels. Although many of her earliest books were released with initial print runs of 1 million copies, by 2004 her publisher had decreased the number of books initially printed to 650,000 due to the decline in people buying books. However, her fan base was still extremely strong at that time, with Steel's books selling out atop charts worldwide. Twenty-two of her books have been adapted for television, including two that have received Golden Globe nominations.
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Hammarström was known in particular as an author of children's books with nature themes. Her eleven books of stories were published in large print runs. She gained an international foothold with her debut work Två myrors äventyr (The Adventures of Two Ants, 1906); the book was translated into Finnish, Norwegian, German, English, and Russian. This was followed, among other works, by Vårvindarnas färd (The Spring Wind's Journey; 1929), a story in which the south wind tells about everything it meets on its journey north.
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To counter this, and allow for longer print runs, electro-plating (here called steelfacing) has been used since the nineteenth century to harden the surface of a plate. The technique appears to have been invented by the Housebook Master, a south German fifteenth-century artist, all of whose prints are in drypoint only. Among the most famous artists of the old master print, Albrecht Dürer produced three drypoints before abandoning the technique; Rembrandt used it frequently, but usually in conjunction with etching and engraving.
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The film was initially rejected for UK cinema by the BBFC and released in a heavily pre-edited form with an additional 1 min 55 secs of censor cuts in 1983. The fully uncut hardcore print was passed with an R18 rating by the BBFC in 2005. It is rumored that the full uncut version was released in the U.S on Laser Disc by Lorimar Home Video. It was also said the Laser Disc Print runs at 87 minutes and has 1:33 ratio.
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Rene Ben Sussan (born 1895 in Salonika)Michael C. Bussacco, Heritage Press Sandglass Companion Book: 1960-1983 (Archbald, PA: Tribute Books, 2009), 56, available online, accessed August 31, 2011 was an illustrator, active from the 1920s to the 1960s. His most widely seen works are his illustrations for the various "Limited Editions Club" and "Heritage Press" series of small print runs of handmade and hand-bound books. He illustrated: Volpone, or The Fox, by Ben Jonson, 1952 Jonson, Ben. Illustrated by Rene Ben Sussan.
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The result of this is hidden graphics on the interior of cars and accessories. In addition to re-using its own defective sheets, Hafner would sometimes buy defective sheets from other companies as scrap and use it. Some Hafner collectors specialize in collecting these variations. Additionally, some metal products from the mid-20th century such as flashlights have surfaced with Hafner lithography inside, which indicates that Hafner sold its surplus or unusable print runs for use in the manufacture of products that would be painted.
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It went through two print runs of 55,000 copies each with a "Youngsters Prohibited" label on the cover. In 1990, Green had an essay published entitled "The Binky Brown Matter" in The Sun. In the essay, he describes the OCD with which he was diagnosed years after completing Binky Brown. Last Gasp reprinted the story in 1995 in The Binky Brown Sampler, a softcover anthology of Binky Brown strips with an introduction by Art Spiegelman and an expanded version of "The Binky Brown Matter".
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Béjoint, Henri (2000). Modern Lexicography, pp. 30–31. Oxford University Press. Encyclopedias have existed for around 2,000 years and have evolved considerably during that time as regards to language (written in a major international or a vernacular language), size (few or many volumes), intent (presentation of a global or a limited range of knowledge), cultural perspective (authoritative, ideological, didactic, utilitarian), authorship (qualifications, style), readership (education level, background, interests, capabilities), and the technologies available for their production and distribution (hand-written manuscripts, small or large print runs, Internet).
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Sigvaldson started the paper after leaving rival paper News of the North in 1971 after courting controversy from both the federal and municipal government, recruiting Jack Adderly who had also left the paper. Initial print runs were produced at home, using the bathroom as a darkroom. The paper was not commercially successful during its early years and was kept afloat by income from Sigvaldson's wife. By 1978, the paper had become a financial success, and Sigvaldson purchased News of the North, renaming it News/North.
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Starstruck's move from New York stage play to comic series anticipated a similar path for Warp!. This 1971 sci-fi play had played a limited run on Broadway, with Art Direction by comics innovator (and Kaluta's friend/mentor) Neal Adams. It eventually became a comic series from First Comics in 1983, after Starstruck. Another contemporary parallel is A Distant Soil, a challenging sci-fi/fantasy series by writer/artist Colleen Doran which had print runs and revised expansions across multiple alternative comic companies, also starting in 1983.
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Café Royal Books have appeared in larger print runs: as examples, the first printings of Killip's Huddersfield 1974 and of Chris Steele-Perkins' Wolverhampton 1978 were of 500 copies.As indicated on the front cover of Huddersfield 1974 (see for example this photograph of it) and of Wolverhampton 1978 (ditto). And some of the publications are later reprinted.As examples, Chris Killip's Isle of Man TT Races 1971 (see CRB's page about it) and Ian Beesley's Esholt Sewage Works 1977–78 (see CRB's page about it).
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One-third of Wundt's own library was left to his children Eleonore and Max Wundt; most of the works were sold during the times of need after the First World War to Tohoku University in Sendai, Japan. The University's stock consists of 6,762 volumes in western languages (including bound periodicals) as well as 9,098 special print runs and brochures from the original Wundt Library.M. Takasuma: The Wundt Collection in Japan. In: R.W. Rieber, D. K. Robinson (Hrsg.): Wilhelm Wundt in history: The making of a scientific psychology.
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The publisher prepared 300,000 copies, the largest number of first edition copies of a hardcover book in the company's history. Furthermore, the number of copies to be printed over the course of three more print runs before the release date was expected to reach 450,000 copies. "Frenzy over Haruki Murakami's new novel Colorless Tsukuru Tazaki and His Years of Pilgrimage" , MSN Sankei News, 10 April 2013. "Haruki Murakami's first new novel in three years, 500,000 copies already sold" , MSN Sankei News, 22 April 2013.
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As editing and design are underway, sales people may start talking about the book with their customers to build early interest. Publishing companies often send advance information sheets to customers or overseas publishers to gauge possible sales. This information feeds back through the editorial process and may affect the formatting of the book and the strategy employed to sell it. For example, if interest from foreign publishers is high, co-publishing deals may be established whereby publishers share printing costs in producing large print runs thereby lowering the per-unit cost of the books.
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"Neste Verlag" became a specialist publisher of German language translations of English-language crime novels. Its better remembered (at least among English language readers) writers included Margery Allingham, Raymond Chandler, Francis Durbridge, Erle Stanley Gardner, Michael Innes and Dorothy Sayers. The German translations of the anglophone crime novels appeared in a series called "Krähen Bücher", with print runs typically of 5,000 copies. However, the appetite for them faded in the 1960s and the Frankfurter Rundschau in turn sold the business on, after which it faded from the scene.
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With low print runs (typically less than 2000), the company were able to run with a profit with runs as low as 300. The low running costs meant that the company was able to have a 70% gross profit margin, and was able to give its artists a 20% royalty, more than 4 times the industrial average. In April 2008, the Plan Nine main page was replaced by a message stating: Plan Nine has gone on hiatus for re-tooling and transition to new owners. Please check back with us Sept 1st, 2008.
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Although street art is a consistent aspect of FAILE's practice (in concrete terms and as a source of inspiration), the post-2005 period has permitted them to work more slowly, generating thematically driven suites (War Profitees; Lost in Glimmering Shadows),FAILE, Prints + Originals, 138. small print runs, and increasingly three-dimensional media, from arcade cabinets, salvaged wood, and large-scale casting. Each of FAILE's projects is unified, however, by a consistent openness to chance, external cultural influences, audience interactivity, and the organic rhythms of the street.McCormick, op cit, 15.
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In 1969, Heym was convicted of breaching the exchange control regulations after publishing his novel Lassalle in West Germany. He was nonetheless able to leave the GDR on foreign trips, such as his two-month visit to the U.S. in 1978, and his books continued to appear, albeit in lower print runs, in the GDR. In 1976, Heym was among those GDR authors who signed the petition protesting the exile of Wolf Biermann. From this point on Heym could only publish his works in the West, and he began composing works in German.
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A number of factors often mean that the changes are not permanent. Extremely long print runs make the popularity of characters (with writers and fans) and occasionally rights issues for using the character in licensed adaptations often make characters often be brought back to life by later writers. That can happen either as a depiction of their literal resurrection or by retcon, a revision that changes earlier continuity and establishes the character not to have died in the first place. This phenomenon is known as the comic book death.
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Most distribution of periodicals took place via a network of kiosks throughout the GDR, including railway stations, roadside rest stops, and in urban areas. Delivery by subscription was relatively rare, owing in part to the fact that print runs of popular publications were normally never sufficient to meet demand. Most West German (and other West European) publications were excluded from the list. However, by the late 1980s, even certain Soviet periodicals, such as the popular magazine "Sputnik", were removed from the authorized distribution list, effectively resulting in a ban.
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In December 1997, Drive-Thru released Riverfenix's thirteen-track full-length debut Riverfenix, produced by Jim Barnes. Within the following year, the album managed to sell out its first three print runs of 5,000 copies each, which was quite an achievement for an independent record label operating out of the owners' garage. The CD's lyrics and melodies caught the attention of Blink-182's Mark Hoppus, whose sister was at that time dating Riverfenix's DeLaPaz. Hoppus offered the band an opening slot on an upcoming Blink-182 tour, and eventually became their manager.
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To some extent, the simplicity was born of economic necessity, but when she was interviewed in 2013 Boden-Gerstner was keen to point out the extent to which it anticipated future trends, describing the publication as a cross between The New Yorker and Vogue. It was not ashamed to flaunt uncompromising luxury, even to readers in a workers' and peasants' state. In this way it also expressed a kind of dissidence, or even stubbornness. Sibylle was a success, always sold out even when print runs peaked at 200,000 copies.
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For the other European countries, including France, Novedi farmed out publication licenses to local publishers in return for approximately 10% gross of their actually sold print runs. (p. 40) This actually made (Young) Blueberry a Belgian creation between 1980 and 1991, instead of a French one. Still, it took some time for the new publisher to get up and running, and some sort of stop-gap resolution had to be found for the intervening 1979-1980 period in order to secure income for the stable of comic artists.
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The pages were demy quarto size. Occasional special editions were produced in addition to the daily editions.Caption on Australian War Memorial photograph 052471 It contained news on the progress of the war, as well as home news such as current events in Australia and sport results. It was published in Atherton during the Second World War, where it was typeset on Linotype machinesCaption on Australian War Memorial photograph 052475 and then printed on an old Wharfedale printing press on overnight print runs so that the paper was ready to be sent to units for breakfast.
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However, in the late 1990s print runs were reduced to as little as 500 copies, appearing once or twice a year. The main avenue of distribution was BUFP members standing on city street corners and engaging (usually black) citizens in conversation. Some editions were placed in left-wing or black- owned bookshops, such as the Index Book Centre and the Black Cultural Archives – both situated in Brixton, South London. There were also regular postal subscribers both in the UK and internationally – from as far afield as Australia and India.
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Nouse ( ; Ancient Greek: , meaning intellect, or common sense; also the local River Ouse; also a potential pun on the words 'No Use') is a student newspaper and website at the University of York. It is the oldest registered society of, and funded by, the University of York Students' Union. Nouse was founded in 1964 by student Nigel Fountain, some twenty years before its rival York Vision. The newspaper is printed three times in each of the Autumn and Spring terms, and twice in the Summer term, with frequent website updates in between print runs.
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X-O Manowar began as an original character by Valiant Comics with issue #1 with a cover date of February 1992. Less than a year after it began, with the Unity crossover and quality storytelling bringing attention to Valiant books, back issue prices rose dramatically due to limited early print runs. With comic book speculators buying multiple copies of each issue, sales reached as high as 800,000 copies for X-O Manowar #0 (August 1993) before dropping off. This original series ran for 68 issues before being canceled after the Sept.
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Some authors would eventually try their hand at mainstream, like Leonid Pilipović and Tihomir Čelanović, or turn to illustration, like Neda Dokić and Milan Pavlović. In the 21st century new publishers (such as Lavirint, System Comics, Komiko, Darkwood, Rosenkrantz and others) continue to nurture international as well as Serbian comics. However, the print runs remain limited, so artists have been forced to seek work abroad, especially in France. The list includes Vladimir Aleksić, Tiberiu Beka, Mirko Čolak, Bojan Kovačević, Dražen Kovačević, Miroljub Milutinović, Siniša Radović, Bojan Vukić and others.
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The group's name came from "The Songs of Bilitis," a lesbian- themed song cycle by French poet Pierre Louÿs, which described the fictional Bilitis as a resident of the Isle of Lesbos alongside Sappho. DOB's activities included hosting public forums on homosexuality, offering support to isolated, married, and mothering lesbians, and participating in research activities. Del Martin became DOB's first president, and Phyllis Lyon became the editor of the organization's monthly lesbian magazine, The Ladder, which was launched in October 1956 and continued until 1972, having reached print runs of almost 3,800 copies.
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It was launched December 2011 by editor-publisher Russ Cochran, who was associated with the classic comics reprints of Another Rainbow Publishing, Gladstone Publishing and Gemstone Publishing. Cochran stated, "These are full-size, full-page comics from the greatest years of newspaper comics. Initial print runs will be very small and early issues are likely to sell out." The source of the strips is the Billy Ireland Cartoon Library & Museum at Ohio State University, which houses Bill Blackbeard's collection of comic strips, the largest and most comprehensive in the world.
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The company stopped publishing comics in 1984, and all of its licenses have since gone to other publishers. Many of these new licensees have included among their offerings reprints of stories originally published by Western. Prior to 1962, in addition to comics published through Dell, Western published some comics under its own name, particularly giveaways such as March of Comics and the annual kite safety title (which featured an array of licensed characters) published over a span of 32 years for power utility companies. Both series had print runs in the hundreds of thousands.
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In the context of literature, this growing demand caused the publication of numerous limited edition spanking novels (although, while the term novel is/was used many of these works from this time and subsequently can be instead classified as novellas). This interest for spanking (both in regards to literature and photography) followed into the next century, with the early 20th century being considered the "Golden Age" of spanking literature. This period of spanking literature is marked by three notable characteristics. First, greater audiences were reached with the availability of less expensive editions and greater print runs.
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Cargo Cult Press was launched in 2008 by Brian Cartwright to publish limited edition books in the horror genre. Cargo Cult Press is particularly notable for bringing to the collector's market writers such as Andersen Prunty and Gina Ranalli, known primarily in for their work in the Bizarro genre. Cargo Cult Press titles are currently distributed only through the Horror Mall website and a small number of specialty booksellers. Despite the low print runs typical of the small press, their first publication, "Population Zero", was nominated for a Bram Stoker Award in Superior Achievement in Long Fiction.
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The game did not use the PlayOnline service used for XI. This was explained as being due to the marked decrease of content on the service. Instead, they would migrate to a new service that still allowed cross-platform gameplay, including the use of a universal Square Enix ID that would allow players to play from wherever they left off. In October 2009, the game's Beta release was announced as being only for Windows. First print runs of the PS3 version of Final Fantasy XIII contained a bonus code for the PS3 version of XIV for a special in-game item.
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The main form of advertising was a 75-page pull out preview of the game featured in the April 2003 issue of InQuest Gamer which included the basic rules, minus character creation, and a number of character profiles to allow people to play the game. The system was a heavy seller with multiple print runs for the main book. Designers for the system revealed that Marvel did not consider the system a success since it did not sell in quantities similar to its top selling comics or Dungeons & Dragons, the most popular roleplaying system in the world.
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Gregg produced a mystery reprint series edited by Otto Penzler, a children's series edited by Betsy Groban and a few groups of popular and bestselling novels that had originally been published only as mass market paperbacks, including Silhouette Romances. The aim of these series was to establish a market for Gregg Books at higher print runs among public libraries. These secondary series met with limited success, and by the mid-1980s Gregg was no longer publishing. In March, 1985, when ITT sold G.K. Hall & Co. to Macmillan Publishing in New York, Gregg was no longer active.
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Just This Once is a 1993 romance novel written in the style of Jacqueline Susann by a Macintosh IIcx computer named "Hal" in collaboration with its programmer, Scott French. French reportedly spent $40,000 and 8 years developing an artificial intelligence program to analyze Susann's works and attempt to create a novel that Susann might have written. A legal dispute between the estate of Jacqueline Susann and the publisher resulted in a settlement to split the profits, and the book was referenced in several legal journal articles about copyright laws. The book had two small print runs totaling 35,000 copies, receiving mixed reviews.
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The print runs of each issue were limited to 400 copies, which were individually numbered. Beginning with Issue #5, the publisher became Blazek's own Open Skull Press (some/all printed by Charles Plymell in San Francisco, California, who is featured in many issues), also of Bensenville. Other contributors to Ole' included Bukowski acolyte Neeli Cheery, as well as James Baldwin, Anaïs Nin, William S. Burroughs and William Carlos Williams, all of whom contributed work to the "Harold Norse Special Issue" (#5). The last issue was #7, which was published by Open Skull Press in San Francisco in May 1967.
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Local cultural differences in areas such as north and east Ulster produced minor, and often only loosely associated, vernacular movements that do not readily fit into the categories of Irish or English literature. For example, the Ulster Weaver Poets wrote in an Ulster Scots dialect. Working-class or popular in nature, remaining examples are mostly limited to publication in self-published privately subscribed limited print runs, newspapers, journals of the time.Charles Jones, The Edinburgh History of the Scots Language p594ff (Edinburgh: Edinburgh University Press, 1997) The promotion of standard English in education gradually reduced the visibility and influence of such movements.
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Some documents had a very wide distribution and huge production runs were necessary – such as for the field service postcards that were regularly issued to every man in the British and Indian Armies – while some manuals were highly specialised and print runs of only 500 were made. Partridge's unit also undertook the printing of mess menus and Christmas cards. The Army Printing and Stationery Service was also responsible for the manufacture and issuing of the rubber stamps used by mail censors. From 1916 all documents produced by the unit were denoted with a SS (Stationery Service) reference code.
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Cuspinianus let Manutius publish the missing parts of Valerius Maximus's work, which Cuspinianus "had found in a manuscript in Vienna." Francesco Negri let Manutius publish the missing text of Julius Firmicus, which Negri found in Romania, and "a manuscript from Britain made an improved edition of Prudentius possible." The press printed first editions of Poliziano's collected works, Pietro Bembo's Asolani, Francesco Colonna's Hypnerotomachia Poliphili, and Dante's Divine Comedy. The 1501 publication of Virgil introduced the use of italic print and was produced in higher-than-normal print runs (1,000 rather than the usual 200 to 500 copies).
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But with the rise of role playing games and multimillion-dollar sales for that arm of gaming, SPI expanded into hobby shops and increased their market. However, retail meant significantly higher print runs and lower margins, and with the rapid inflation of the 1970s, the rise in paper costs put them in a financial bind. When the recession of 1980-81 hit, the company found themselves short of cash and unable to continue without a loan. TSR appeared to be a savior, making the loan as a promissory note, but then reversed course and demanded payment.
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His adopted practices radically changed the music publishing market, ensuring that composers received revenues not only at the time they delivered the composition, but also for the subsequent productions mounted elsewhere. In 1825 he acquired all the manuscripts belong to the Teatro alla Scala, and began to circulate handwritten copies intended for rental, which alongside the sale of the reductions for soloists and piano, produced another level of demand. In addition, Ricordi's use of new techniques such as lithography and intaglio printing, he was able to reduce costs and increase the print runs. Finally, the company produced vocal scores and then complete scores.
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On Her Majesty's Secret Service is the tenth novel (and eleventh book) in Ian Fleming's James Bond series, first published in the UK by Jonathan Cape on 1 April 1963. The initial and secondary print runs sold out, with over 60,000 books sold in the first month. Fleming wrote the book in Jamaica whilst the first film in the Eon Productions series of films, Dr. No, was being filmed nearby. On Her Majesty's Secret Service is the second book in what is known as the "Blofeld trilogy", which begins with Thunderball and concluded with You Only Live Twice.
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The Tibet Vernacular Paper was first printed lithographically (at the rate of fewer than 100 copies a day) on a stone printing machine brought to Tibet by Zhang Yintang.Xinhua, Protection and Development of Tibetan Culture (White Paper), China Daily, 25-09-2008, p. 7:"Old Tibet had only one lithographically printed newspaper in the Tibetan language in the last years of the Qing Dynasty (1644-1911), titled The Tibet Vernacular Newspaper, and its print-run was fewer than 100 copies a day." In order to achieve larger print runs, printing machines were later bought in India and brought to Tibet.
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The book is considered a classic in Finland with print runs into hundreds of thousands. Even most of those who have not read the book are familiar with the iconic opening words "Alussa olivat suo, kuokka — ja Jussi" ("In the beginning there were the marsh, the hoe — and Jussi"). The second book in the trilogy, The Uprising, generated considerable controversy over its portrayal of the Finnish Civil War because, for the first time, a novel was published that was sympathetic (in human terms, if not politically) towards the Reds. Up until then, all history of the Finnish Civil War had been written by the Whites.
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These general parodies soon gave way to parodies of targeted subjects—Tarzan was the first such parody with "Melvin!" in the second issue. The first three issues struggled—they did not sell enough of their 350,000-copy print runs to break even, and lost thousands of dollars for EC. In the fourth issue appeared the Wally Wood-drawn "Superduperman", a parody of Superman and Captain Marvel, and the copyright infringement lawsuit that National Periodicals had recently brought against Fawcett Comics. The fourth issue quickly sold out—Mad had found its audience. The sixth issue featured a parody of Ernest Thayer's 1888 poem "Casey at the Bat".
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Since 1997, comic book sales have fallen to a fraction of early-1990s levels, with print runs of many popular titles down as much as 90% from their peaks. Currently, most of the hype generated around the major companies' comics involves changes to the characters, well-known creators writing or illustrating a title, and media coverage surrounding an adaptation to another medium such as film or television. The one remaining bastion for comic speculation remains in online auction sites such as eBay; but even there, comic books remain a buyer's market. In the 2000s, prices for genuinely rare near-mint comics rose steadily, doubling in some cases.
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The standardization of the text of the Authorized Version after 1769 together with the technological development of stereotype printing made it possible to produce Bibles in large print-runs at very low unit prices. For commercial and charitable publishers, editions of the Authorized Version without the Apocrypha reduced the cost, while having increased market appeal to non- Anglican Protestant readers. With the rise of the Bible societies, most editions have omitted the whole section of Apocryphal books. The British and Foreign Bible Society withdrew subsidies for bible printing and dissemination in 1826, under the following resolution: The American Bible Society adopted a similar policy.
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Taguchi denounced this practice, and many other elements of Confucian moralist history, seeking to describe history as accurately and objectively as possible, eliminating the literary or mythological aspects of heroes and villains. Taguchi also wrote a number of other historical texts, published collections of classical documents in large-scale print runs, many of which survive today, and edited a historical journal called Shikai (, "Ocean of History"). This journal would ignite a controversy in 1892 which would cost major kokushi historian Kume Kunitake his job. Though his historical works were fairly thorough in their treatment of culture, technology, and other aspects of historical study, Taguchi's expertise was in economics.
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Because the pressure of printing quickly destroys the burr, drypoint is useful only for comparatively small editions; as few as ten or twenty impressions with burr can be made, and after the burr has gone, the comparatively shallow lines will wear out relatively quickly. Most impressions of Rembrandt prints on which drypoint was used show no burr, and often the drypoint lines are very weak, leaving the etched portions still strong. To counter this and allow for longer print runs, electroplating (called steelfacing by printmakers) can harden the surface of a plate and allow the same edition size as produced by etchings and engravings.
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Vittachi started his journalism career on the Morning Telegraph in Sheffield in the north of England before moving to London's Fleet Street, then to Hong Kong, where he wrote the gossip columns "Lai See" (see red envelope) and "Spice Trader" for the South China Morning Post until 1997. Although remembered mainly for humor and affectionate take on cross-cultural clashes, the column was often hardhitting, and regularly received writs. His abrupt removal at the time of the 1997 change of sovereignty was widely seen as an act of political censorship. Collected editions of the columns under titles such as Only in Hong Kong went through numerous print runs.
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One of the publisher's bestsellers was ' (A Guide Book to Mathematics, Handbook of Mathematics). Originally this work by the Russians Bronstein and Semendjajew was translated and edited by Viktor and Dorothea Ziegler and Günter Grosche for the East-German publisher . Some contingents of the East German print runs were dedicated for Verlag Harri Deutsch who had obtained a license from Teubner for distribution of the title in Western countries. Following licensing problems resulting from market environmental and legal changes caused by the German reunification, the title was reworked by and now based on the latest non-Teubner influenced Russian edition and independently produced by Verlag Harri Deutsch.
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McFarland and Co., Inc. The English-subtitled print runs 76 minutes.Galbraith,Stuart (1994). Japanese Fantasy, Science Fiction and Horror Films. McFarland and Co., Inc. The film was in Eastman Color and Shintoho-Scope, and is considered by many critics to be the best of the myriad adaptations of the Yotsuya Ghost Legend.Galbraith,Stuart (1994). Japanese Fantasy, Science Fiction and Horror Films. McFarland and Co., Inc. The film falls in a trend of Japanese horror films throughout the 1950s and 1960s. In these ghost story films, greed commonly leads to murder and extramarital affairs, many involving former Samurai characters.Colette Balmain, Introduction to Japanese Horror Film, Edinburgh University Press, 2008, p. 50.
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The same year, Harlequin's German joint venture began distributing books in Hungary. Within two years, the company was selling 7 million romances in that country, and by the third year, Harlequin sold 11 million books in Hungary, a nation which at the time contained only 5.5 million women. At the same time, Harlequin's wholly owned subsidiary in Poland was able to order initial print runs of 174,000 copies of each title, and the Czech Republic was purchasing over $10 million each year of Harlequin novels.Hemmungs Wirten (1998), p. 68. In 1992, Harlequin had its best year (as of 1998), selling over 205 million novels in 24 languages on 6 continents.
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Wolfgang Diewerge (12 January 1906 in Stettin – 4 December 1977 in Essen) was a Nazi propagandist in Joseph Goebbels' Reich Ministry of Popular Enlightenment and Propaganda. His special field was anti-Semitic public relations, especially in connection with trials abroad, which could be exploited for propaganda purposes. He also played an essential role in the preparation of a show trial against Herschel Grynszpan, whose assassination attempt on a German embassy employee in Paris had been used by the Nazis as a trigger for the November pogroms in 1938. In 1941, his pamphlets on the so- called Kaufman Plan and the Soviet Union were published in print runs of millions.
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After Galton's death in 1911, Pearson embarked on producing his definitive biography — a three-volume tome of narrative, letters, genealogies, commentaries, and photographs — published in 1914, 1924, and 1930, with much of Pearson's own money paying for their print runs. The biography, done "to satisfy myself and without regard to traditional standards, to the needs of publishers or to the tastes of the reading public", triumphed Galton's life, work and personal heredity. He predicted that Galton, rather than Charles Darwin, would be remembered as the most prodigious grandson of Erasmus Darwin. When Galton died, he left the residue of his estate to the University of London for a Chair in Eugenics.
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The original series of 23 Chip Hilton books has become a popular collectible, with the last few books fetching the highest prices because of their relatively limited print runs. The first six Chip Hilton titles were originally issued in fire- engine red, smooth textured bindings, with blank outer covers and full color picture dust jackets. These first six titles were later re-issued with blank rougher tweed cover bindings and picture dust jackets, as were the first editions of issues #7 through #19. There is an "urban legend" circulating that volume #7 was also originally issued in a fire-engine red binding, but this is unverified.
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There are exceptions, however; YouTuber Zoella published her debut novel Girl Online in November 2014, and the book sold 78,109 copies in Britain in its first week. The novel saw huge sales because she already had an established audience, and publishers were willing to run a large print run. By comparison, bestselling Fifty Shades of Grey sold 14,814 copies in its first week, or later popular novels, like Harry Potter and the Philosopher's Stone, only receive small initial print runs. Debut novels that do well will be reprinted as sales increase due to word of mouth popularity of the novels—publishers don't often run large marketing campaigns for debut novelists.
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Over the last decade due to rapid changes in preservation technology microfilm has been replaced by digital media. The Project has adapted to these changes by changing from a static "film and save" strategy to a dynamic sharing of copies among a small group of Jewish publishers who are disseminating digital copies of Rabbinics and rare Hebrew books. Unfortunately major libraries are continuing to lose a substantial portion of their base collections due to paper acidification. As for Judaica and Hebraica the percentages are even higher due to inferior paper quality, low print runs, and the willful destruction of Jewish books during the Holocaust.
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Hybrid publishers are not a new phenomenon and have developed alongside the traditional publishing model. As traditional publishers face higher competition than ever with more difficulty determining which books will sell and which won't, some have turned to creative ways of publishing to subsidize their business models. Experimenting with author funded projects has been around for as long as modern publishing has, with books from the 19th century using the vanity press model. Hybrid publishing has also evolved with the introduction of print on demand (POD) services, allowing publishers to produce smaller print runs, and get creative with how they produce and distribute their books.
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Due to the success and prestige of the Nuremberg Chronicle, which had one of the largest print-runs of an edition during the incunabula (also known as the incunable period of book production circa 1455-1500), one of the first large- scale pirated editions of the Chronicle appeared on the market. The culprit was Johann Schönsperger (c. 1455-1521), a printer working out of Augsburg who produced smaller editions of the Chronicle in 1496, 1497, and 1500 in German, Latin and a second edition also in German. It was the beginning of unauthorized book editions; pirated editions which capitalized on the success of another author and printer/publisher without consent.
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Limited edition prints, also known as LEs, have been standard in printmaking from the nineteenth century onwards. A limit to the print run is crucial, as many traditional printmaking techniques can only produce a limited number of best quality impressions. This can be as few as ten or twenty for a technique like drypoint, but more commonly would be in the low hundreds - print runs of over a thousand are regarded as dubious by the serious art market for original prints, even though with many techniques there is no loss of quality. Edition sizes higher than about 500 are likely to be of print reproductions of paintings, of much less value, though some modern techniques blur this traditional distinction.
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Dhammaloka produced a large amount of published material, some of which, as was common for the day, consisted of reprints or edited versions of writing by other authors, mostly western atheists or freethinkers, some of whom returned the favour in kind. In the early 1900s Dhammaloka published and reprinted a number of individual tracts attacking Christian missionaries or outlining Buddhist ideas. In 1907 he founded the Buddhist Tract Society in Rangoon, which produced a large number of tracts of this nature. It was originally intended to produce ten thousand copies of each of a hundred tracts; while it is not clear if it reached this number of titles, print runs were very large.
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Throughout its run, this fiction anthology zine received newsstand distribution in addition to catalog sales, the internet—at the time—not being a viable distribution alternative. In 1995, Thomas would begin releasing single author and anthology chapbooks, starting with his own collection The Bones of the Old Ones and Other Lovecraftian Tales and averaging one non-magazine release per year. Necropolitan Press releases maintained low print runs; Jeff VanderMeer's The Hoegbotton Guide to the Early History of Ambergris, by Duncan Shriek, for instance, was produced in a 300-copy edition. Necropolitan Press ceased producing new releases in 2001, the reasons being the press's financial drain on Thomas and the desire of Thomas to focus on his own work.
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Score also made alternate versions of all the ultra-rares from Saiyan Saga to Babidi Saga. The way to tell the difference is the Foil pattern and the number was replaced with UR 1-22. Limited and Unlimited: Score often printed their cards on "Limited Print Runs", which meant that it was on a separate production line which would be discontinued after an uncertain amount of time. The "Limited" cards were distinguished from "Unlimited" cards with a symbol of a Dragon in Z or the GT symbol in GT. The value of "Limited" cards are greater than Unlimited, and certain Sub-Sets that are in "Unlimited" booster packs (such as Broly sets), would be marked as "Limited" regardless.
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Furthermore, printers who underestimated demand would be forced to reset the type for subsequent print runs. > . . . while Nathaniel Hawthorne's publishers assumed that The Scarlet Letter > (1850) would do well, printing an uncharacteristically large edition of > 2,500 copies, popular demand for Hawthorne's controversial "Custom House" > introduction outstripped supply, prompting Ticknor & Fields to reset the > type and to reprint another 2,500 copies within two months of the first > publication. Still unaware that they had an incipient classic on their > hands, Ticknor & Fields neglected at this time to invest in stereotype > plates, and thus were forced to pay to reset the type for a third time just > four months later when they finally stereotyped the book.
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Along with growth in numbers, dictionaries and encyclopedias also grew in length, often having multiple print runs that sometimes included in supplemented editions. The first technical dictionary was drafted by John Harris and entitled Lexicon Technicum: Or, An Universal English Dictionary of Arts and Sciences. Harris' book avoided theological and biographical entries and instead it concentrated on science and technology. Published in 1704, the Lexicon technicum was the first book to be written in English that took a methodical approach to describing mathematics and commercial arithmetic along with the physical sciences and navigation. Other technical dictionaries followed Harris' model, including Ephraim Chambers' Cyclopaedia (1728), which included five editions and was a substantially larger work than Harris'.
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Publishers printed instant books in mass paperback in high quantity print runs that resulted in returns to the publisher after public interest waned in the topic. But by the 1990s advances in the publishing and distribution had allowed costs to go down and some publishers built instant publishing back into their plans. St Martin's Press published several instant books in the late 1990s focusing on true-crime, including books on the O.J. Simpson case (Fallen Hero) and the Susan Smith case (Sins of the Mother). Executive editor, Charles Spicer, described to Writer's Digest how he looked for authors who were experienced reporters who were capable of gathering information quickly and writing to a deadline.
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In 1953, together with Nicolás Loureiro, Susana Turiansky and other artists, Leonilda González founded the Montevideo Engraving Club, in order to disseminate and democratize access to art through graphic techniques that allow reproducing works in large print runs at low cost. González worked as a woodcut teacher and actively participated in the editions, exhibitions, and engraving shows of this entity, of which she was a member of the board of directors from 1953 until she left the country during the civic-military dictatorship in 1976. During her exile, between 1976 and 1986, she settled first in Peru and then in Mexico, representing the Engraving Club abroad in her travels through various countries of Latin America.
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Many years later Seredich recalled that the situation with printing and distribution was so desperate, that he even signed an agreement with some Lithuanian aeronautic company in to deliver Narodnaja Volya print runs across the state border from foreign print shops by aerostats. Meanwhile, in May 2007 at a press conference Lukashenko refused to acknowledge any oppression against authorities upon opposition and non-governmental media. On October 19, 2005, Narodnaja Volya freelance journalist Vasiliy Grodnikov was found dead with a head wound. Retiree Grodnikov wrote articles on the most actual topics from Belarusian life. Beginning on 1 January 2006, the Belarusian post office refused to distribute the paper, and an entire print run of 30,000 copies was confiscated by police on 9 January.
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Modern digital typography has reduced the costs of typesetting substantially, especially for small print runs. As long as a freely licensed Deseret alphabet font and a font of the standard orthography have similar inked surface areas, printing a book in the Deseret alphabet using modern technology would have a similar cost as printing a book in the standard orthography. Film director Trent Harris used the Deseret alphabet in his 1994 satire of Mormon theology, Plan 10 from Outer Space, where it features as an alien language used on a mysterious "Plaque of Kolob". During the 1996 Utah Centennial celebration, an activity book for children was distributed, within which one of the activities was for a child to write their own name in the alphabet.
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The cost of a single volume was still prohibitive, costing roughly the equivalent of what a laborer could earn for two or three days of work (4000 of Japanese currency). Moreover, the books, because of their small print runs (often only a few hundred copies), rarely circulated beyond Kyoto, Osaka, and Edo, the publishing centers in premodern Japan. Illustration from Ukiyo Monogatari, showing patrons visiting the licensed prostitution quarter Despite these limitations, the appearance of these books amounted to an important new trend in literary production. Closely tied to the rise of Japan's urban centers, the growing economic power of the chōnin (urban commoner) class, the improvement of literacy rates, and the advent of woodblock print technology, kanazōshi emerged as a new, distinctly plebeian form of literature.
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While still in high school, Stewart Wieck and Steve Wieck decided to self-publish their own magazine, and Steve chose the name "White Wolf" after Elric of Melniboné. White Wolf #1 was published by their White Wolf Publishing in August 1986 and distributors began to order the magazine a few issues later as its print runs continued to increase. In 1990, Lion Rampant and White Wolf Publishing decided to merge into a new company that was simply called "White Wolf", and in an editorial in the magazine Stewart Weick explained that the magazine would remain independent despite the company's interest in role-playing production. With issue #50 (1995), the magazine's name was changed to White Wolf: Inphobia, but the magazine was cancelled by issue #57.
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A typical issue throughout the 1970s and 1980s might contain an article about violent incidents between the British police and African-Caribbean or Asian residents — often referred to as "police brutality". In addition there would be pieces about the apartheid regime in South Africa and party analyses of various controversies such as the education of African-Caribbean children in British schools. For several years in the early 1980s, the party published articles by the American Professor Manning Marable under the banner "Across the Colour Line". The journal was published in editions of up to 24 pages with print runs of up to 2000 between one and four times a year (although it was initially intended to be a monthly journal).
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The press is meant to be operated by a pressman working on small jobs, as opposed to long print runs or newspaper work, or jobs that require less than a full-sized sheet of paper, though the definition of "small jobs" may vary widely depending on the printing shop. Such work might include printing personal stationery, handbills, or other small printing jobs, or may include even a small book. Such presses were common in the later 19th and 20th centuries, have yet been largely replaced by the photocopier for small and medium runs, and by the desktop computer for personal stationery. Today, the jobber is the preferred press for letterpress printers who now produce high-end prints (often wedding invitations) for customers who want an antique effect.
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On May 13, 2016, Matador Records recalled the entire initial compact disc and vinyl print runs of the album following the denial of permission to use lyrics from The Cars' "Just What I Needed" in the song "Just What I Needed/Not Just What I Needed". It was the first time in the label's history that they had recalled a record. The recalled copies were destroyed at the label's warehouse using a garbage truck compactor. Car Seat Headrest and Matador Records had believed that they had secured the proper approval from The Cars' publisher to include the interpolation of "Just What I Needed" in "Just What I Needed/Not Just What I Needed" and had moved forward with pressing copies of Teens of Denial with the song.
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But few, in the glut of new series, possessed lasting artistic quality and the items that were predicted to be valuable did not become so, often because of huge print runs that made them commonplace. The speculator market began to collapse in summer 1993 after Turok #1 (sold without cover enhancements) badly underperformed and Superman's return in Adventures of Superman #500 sold less than his death in Superman #75, something speculators and retailers had not expected. Companies began expecting a contraction and Marvel UK's sales director, Lou Marks, stated in September 29 that retailers were saying there was "simply no room to display all the comics being produced".STARLOGGED reprinting Comic World #22, December 1993 The resulting crash devastated the industry: sales plummeted, hundreds of retail stores closed and many publishers downsized.
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Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. ' indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time. Originating during the late nineteenth century, Akzidenz-Grotesk belongs to a tradition of general-purpose, unadorned sans-serif types that had become dominant in German printing during the nineteenth century. Relatively little-known for a half-century after its introduction, it achieved iconic status in the post-war period as the preferred typeface of many Swiss graphic designers in what became called the 'International' or 'Swiss' design style which became popular across the Western world in the 1950s and 1960s.
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In a series of books, Haukenæs presented information about nature, folk life, and folk belief in Hardanger, Sunnhordland, and Voss. He also wrote an autobiography. The print runs were quite small; this, combined with some mishaps—such as some boxes of books that burned during a fire in Granvin in 1885 and a large shipment of books that went down with the steamer Ole Bull when the ship was wrecked outside Volda in 1888—has resulted in many of Haukenæs's titles being very rare and hard to obtain. Haukenæs was successful as an author, and on May 17, 1899 he and his family were able to move into his attractive new home at the Solbakken farm at Eide in Granvin, named after Bjørnstjerne Bjørnson's 1857 peasant novel Synnøve Solbakken.
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Anecdotally the pseudonym 'Andrew MacAllan' was conceived by Leasor and his literary agent, Gillon Aitken, during a long lunch. Leasor was now in his sixties and finding it harder to interest publishers in new book projects. They were happy to publish some of his proven successes, such the Jason Love thrillers – but even then they would limit their print runs to 20,000 in hardback, which would virtually all be snapped up by libraries. They would then say that few had been sold to retailers and that therefore there was no popular demand for a larger run. Leasor was also frustrated by people accosting him at drinks parties claiming that it was now virtually impossible for a new author to get published on merit alone, without some fashionable backstory to excite the publisher’s interest.
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In 2005, still under the auspices of the fame of her blog, Surfistinha published an account of her life. The book, titled "O Doce Veneno do Escorpião — O Diário de uma Garota de Programa" (The Sweet Poison of Scorpio - The Diary of a Call Girl), was a non-fictional description of life as a prostitute, written by journalist Jorge Tarquini, who collected the girl's testimonials to write the work. The only page Rachel herself wrote was the last, where she says she decided to drop prostitution. In the book, the reader finds descriptions of a young prostitute who entered a world, she said, unknown, but became routine to her: Once released, the book quickly topped the bestseller list, with crowded book signing and release nights in Portugal and Spain, as well as several print runs.
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Artists generally use inkjet printing to make reproductions of their original two-dimensional artwork, photographs, or computer-generated art. Professionally produced inkjet prints are much more expensive on a per-print basis than the four-color offset lithography process traditionally used for such reproductions. (A large-format inkjet print can cost more than $50, not including scanning and color correction, compared to $5 for a four-color offset litho print of the same image in a run of 1,000.) Four-color offset lithographic presses have the disadvantage of the full job having to be set up and produced all at once in a mass edition. With inkjet printing the artist does not have to pay for the expensive printing plate setup or the marketing and storage needed for large four-color offset print runs.
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Although the Carthay Circle Theater had hosted the first- run "roadshow", reserved-seat engagements of a great many esthetically- and economically-important films, by the 1960s the "roadshow" concept, and, indeed, the Carthay Circle Theater itself, was considered an anachronism, overshadowed by modern multi-screen cinemas. Its customer base had also been sapped by suburbanization, and many other economic factors, as film print runs increased almost exponentially from a few, high-quality, high-resolution prints (often "wide gauge"), to literally thousands, or even several thousands of average-quality, lower-resolution prints (usually "standard gauge"). The theater was demolished in 1969 by its owner, NAFI Corporation, which erected its headquarters and main computer operations center in its place; today, two low-rise office buildings and a city park occupy its former site.
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The series received praise from Alan Moore ("quite impressive, quite ambitious"), Neil Gaiman ("intelligent and urgent mythology for the end of the millennium"), The Village Voice ("difficult but intriguing"), The Comics Journal ("Zulli's wildlife art is utterly breathtaking"), and Peter Laird ("a multi-level, imaginative, lushly-rendered story"). The relative low print runs of The Puma Blues, coupled with Zulli's later popularity (primarily due to his work on Neil Gaiman's The Sandman) has made it a popular cult comic among both fans and collectors. A lengthy tribute to and analysis of the series by Steve Bissette was included in Teenage Mutant Ninja Turtles: Soul's Winter, a 2007 trade paperback collecting Zulli & Murphy's work on Eastman and Laird's Teenage Mutant Ninja Turtles . Rolling Stone chose The Puma Blues collection as “One of the 50 best non-superhero graphic novels of all time”.
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Among these works of his, the Japanese version of The Last Eunuch of China – The Life of Sun Yaoting went through seven print runs within a few months. He also wrote other books such as The Birth of New China’s National Flag, National Anthem, National Emblem, Capital, and Chronology (chosen as a politics textbook counsel by the State Education Commission). In 2012, his Last Emperor's Family serial was published by the People's Literature Publishing House, namely, The Extraordinary Life of The Last Emperor of China: Telling The Pu Yi That You Don't Know (), The Last Emperor’s Sister-The Life of Yun He (), The Last Emperor’s Uncle-The Life of Zaitao (), and The Last Emperor’s Brother-in-law- The Life of Runqi (). In addition, he also wrote a lot of reportage, prose, travelogues, poems, and so on.
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Cambridge University Library released a complete digital scan of the manual, including all writings and illustrations in August, 2015. Said Charles Aylmer, Head of the Cambridge University Chinese Department, "The binding is so fragile, and the manual so delicate, that until it was digitized, we have never been able to let anyone look through it or study it – despite its undoubted importance to scholars." This volume went on to influence colour printing across China, where it paved the way for the later but better-known Manual of the Mustard Seed Garden (Jieziyuan Huazhuan ), and also in Japan, where it was reprinted and foreshadowed the development in ukiyo-e of the colour woodblock printing process known as . The popularity of the Ten Bamboo Studio Manual was such that print runs continued to be produced all the way through to the late Qing dynasty.
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Although Prather's first novel was unsold, Gold Medal liked his second novel and his Shell Scott character enough to offer a four-book contract, and Prather's Case of the Vanishing Beauty soon set sales records.Davis, Dean. "The Ultimate Richard S. Prather Interview". In 1950, Bruno Fischer's House of Flesh sold 1,800,212 copies. In 1951, Charles Williams' Hill Girl sold 1,226,890 copies, Gil Brewer's 13 French Street sold 1,200,365 and Cassidy's Girl by David Goodis sold 1,036,497."Noir Fiction" by George Tuttle Authors were attracted to Gold Medal because royalties were based on print runs rather than actual sales, and they received the entire royalty instead of a 50-50 split with a hardback publisher. Gold Medal paid a $2000 advance on an initial print run was for 200,000 copies. When a print run increased to 300,000, the advance was $3000.
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Many cards were initially purchased in response to ads in sports card magazines and even at various sporting events, including minor league baseball and hockey games. To this day, these cards are difficult to find due to the small print runs and non-standard distribution methods. These factors are also among the reasons the hobby does not view Star cards as traditional "rookie" cards, but instead considers them "extended rookies" or licensed cards published chronologically before a player's recognized rookie card. The 1986 Fleer set, published after most Star Company sets, remains the set viewed by most as listing the official rookie cards of many of the 1980s great players. Authentication of these cards, a longtime problem for collectors as a result of issues with counterfeiting, has recently been bolstered by Beckett Grading Services (BGS), which began grading these cards in December, 2008.
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He won one of the awards from the program and went on to perform stand up semi regularly through college, appearing occasionally on TV and being featured in a documentary focused on how terrible the quality of comedy had become in New Zealand. It was through this that Richard was able to take his comic production to the next level, using his minor fame to get sponsorship and sell advertising in his books, allowing him to go suddenly from print runs of a few hundred to a few thousand. It was in 2002 that Richard first started selling his books at the Armageddon Expo. Over the next 16 years Richard had booths at over 200 shows in New Zealand and Australia, as well as being a guest at San Diego Comic Con and the London Film and Comic Con in 2010 and 2012 respectively.
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The cards were available from a Decipher subsidiary, the Eccentric Order, and were promised not to be reprinted in order to retain their value. The collection introduced the concept of an "set icon" printed on every card in that set that would continue until the end of 1E. Because of the low print runs, Decipher was able to include some special features on the cards, including metallic ink, UV-light sensitive ink, better color saturation, artwork bleeding onto the card border, and even a card (Qapla'!) printed entirely in Klingon (the design for which is markedly different from every other card in the game). First Contact (release: December, 1997) This set of 130 cards focused entirely on the movie Star Trek: First Contact, greatly changed gameplay and added the first new affiliation in the Borg. It was available in 9-card expansion packs, greatly reducing the number of repeat common cards.
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Between 1927 and 1935, the Library of Congress microfilmed more than three million pages of books and manuscripts in the British Library; in 1929 the Social Science Research Council and the American Council of Learned Societies joined to create a Joint Committee on Materials for Research, chaired for most of its existence by Robert C. Binkley, which looked closely at microform's potential to serve small print runs of academic or technical materials. In 1933, Charles C. Peters developed a method to microformat dissertations, and in 1934 the United States National Agriculture Library implemented the first microform print-on-demand service, which was quickly followed by a similar commercial concern, Science Service. In 1935, Kodak's Recordak division began filming and publishing The New York Times on reels of 35 millimeter microfilm, ushering in the era of newspaper preservation on film. This method of information storage received the sanction of the American Library Association at its annual meeting in 1936, when it officially endorsed microforms.
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Genre stories like Walter M. Miller Jr.'s A Canticle for Leibowitz became mainstream bestsellers as books. For the first time, an author could write science fiction full-time; Barry N. Malzberg calculated that producing 1,000 words a day would earn twice the national median income, and Asimov stopped teaching at Boston University School of Medicine after making more money as a writer. The mainstream book companies' large print runs and distribution networks lowered prices and increased availability, but displaced the small publishers; Algis Budrys later said that "they themselves would draw little but disaster" from the science fiction boom of the 1950s they helped to begin. While book sales continued to grow, the magazine industry almost collapsed from the glut of new titles, shrinking from 23 in mid-1957 to six by the end of 1960, while authors like Heinlein, Clarke, Vonnegut, and Bradbury published through non- genre publications that paid at much higher rates.
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Pythia is most thoroughly discussed in "The New Adventures", a series of licensed spin-off books, in particular the Virgin New Adventures and Virgin Missing Adventures novels and, to a lesser degree of consistency, their successors, the BBC Books Doctor Who novels. Due to Virgin's low print runs, their general non-availability outside of Britain, and the fact that the vision has never been translated to screen, their influence is uneven within the global Doctor Who fan community. The Virgin novels, and by extension the BBC novels, took heavily from the so-called "Cartmel Masterplan" devised by former Doctor Who script editor Andrew Cartmel, which was supposed to explain the Doctor's origins and his ties to Gallifrey's ancient history. Elements of the Masterplan were supposed to be revealed over the course of Cartmel's tenure on the series, but ultimately, as the programme ceased production in 1989, only hints of it surfaced in Seasons 25 and 26 and were never made explicit.
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Without exception, all the works of G.P.Shchedrovitsky (both published and remaining in the archives) are thematically and methodically in line with the works of the MMK. During his lifetime, he published only his two pamphlets, two collective monographs with his participation and about one and a half hundred separate articles written individually or in collaboration. The regulations of the MMK methodological seminars (at least since 1957) included: the rule of an absence of “ownership of ideas” and orientation to fixing the results in the form of collective monographs. Collective monographs were prepared, but often not allowed for publication or published in small print runs: for example, the circulation of the collection Problems of the Study of Systems and Structures (1965) was blocked, and the set of the monograph Pedagogy and Logic (1968) was scattered eleven]; the monograph “Development and implementation of automated systems in design” (1975) was published in the industry publishing house in a small edition and led to the repression of the publishers.
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Pilote de guerre (Flight To Arras), describing the German invasion of France, was slightly censored when it was released in its original French in his homeland, by removing a derogatory remark made of Hitler (which French publisher Gallimard failed to reinsert in subsequent editions after World War II). However, shortly after the book's release in France, Nazi appeasers and Vichy supporters objected to its praise of one of Saint-Exupéry's squadron colleagues, Captain Jean Israël, who was portrayed as being amongst the squadron's bravest defenders during the Battle of France. In support of their German occupiers and masters, Vichy authorities attacked the author as a defender of Jews (in racist terms) leading to the praised book being banned in France, along with prohibitions against further printings of Saint-Exupéry's other works. Prior to France's liberation new printings of Saint-Exupéry's works were made available there only by means of covert print runs, such as that of February 1943 when 1,000 copies of an underground version of Pilote de guerre were printed in Lyon.
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Porter, (2003), pp. 249-50. Encyclopedias and dictionaries also became more popular during the Age of Reason as the number of educated consumers who could afford such texts began to multiply.Headrick, (2000), p. 144 In the later half of the 18th century, the number of dictionaries and encyclopedias published by decade increased from 63 between 1760 and 1769 to approximately 148 in the decade proceeding the French Revolution (1780–1789).Headrick, (2000), p. 168) Along with growth in numbers, dictionaries and encyclopedias also grew in length, often having multiple print runs that sometimes included in supplemented editions.Headrick, (2000), p. 172 The first technical dictionary was drafted by John Harris and entitled Lexicon Technicum: Or, An Universal English Dictionary of Arts and Sciences. Harris’ book avoided theological and biographical entries; instead it concentrated on science and technology. Published in 1704, the Lexicon technicum was the first book to be written in English that took a methodical approach to describing mathematics and commercial arithmetic along with the physical sciences and navigation. Other technical dictionaries followed Harris’ model, including Ephraim Chambers’ Cyclopaedia (1728), which included five editions, and was a substantially larger work than Harris’.
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Born in Palm, Pennsylvania,Over My Shoulder: Reflections On A Science Fiction Era, by Lloyd Arthur Eshbach, 1983, Oswald Train:Publisher, pp 29-31 Eshbach grew up in Reading in the same state. He discovered science fiction at age 15 and began writing letters to the professional magazines, then started to write his own stories. The third story he wrote sold to Science Wonder Stories in 1929. While still writing his own stories and articles, he published two short-lived magazines during the early 1930s, Marvel Tales and The Galleon. He initiated Fantasy Press, a small press which published the work of authors such as E. E. Smith, Jack Williamson, Robert A. Heinlein and John W. Campbell, Jr.. Fantasy Press published a total of 46 titles in its lifetime, with two additional fantasy titles published under the subsidiary imprint, Polaris Press.Over My Shoulder: Reflections On A Science Fiction Era, by Lloyd Arthur Eshbach, 1983, Oswald Train:Publisher, pp 360-364 Fantasy Press books were produced in limited print runs averaging 3,750 copies each, with between 250 and 500 copies of each title bearing a limited plate inserted after the title page that was numbered and autographed by the book's author.
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The men were mainly 'old New Guinea hands', some of them being surveyors and members of the New Guinea Volunteer Rifles and others from the Queensland 49th Infantry Battalion Intelligence Section and some suitably qualified civilians. In early July 1942 the Survey Section was reinforced by a thirty-three man all volunteer group of the 3rd Aust Field Survey Company RAE from Victoria, retitled 2nd Aust Field Survey Section and Captain John Herridge appointed Officer Commanding. The section had field survey and draughting elements and limited one colour sun- dyeline printing, but most colour maps and larger print runs were sent to 2/1 Army Topo Svy Coy (Toowoomba) for rapid cartographic finalisation and printing. One of the original officers, Lieutenant Noel (Gerry) Owers a New Guinea surveyor, was given the tasks of surveys for installations and roads. The Japanese landed at Gona-Buna on 21 July, had captured Kokoda on 29 July and were advancing in force towards Port Moresby. On 15 August, Owers and two sub-sections (16 men total) commenced the task of blazing a jeep road forward of Iiolo across the Owen Stanley Ranges to Kokoda as an alternate route to the footpath Kokoda Trail for supply of forward troops and evacuating the sick and wounded.
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Wildenberg and his coworkers realized that two such plates would fit on a tabloid-sized page, and later that year, Wildenberg created the first modern-format comic book when idly folding a newspaper into halves and then into quarters and finding that a convenient book size. In Spring 1933, Eastern printed one million copies of the first modern-format comic book, the 32-page Funnies on Parade, as a way to keep their press running, and as a promotion for Procter & Gamble.Brown, Mitchell. "The 100 Greatest Comic Books of the 20th Century: Funnies on Parade" (Internet archive link) The names of those associated with the project read as a who's-who of early publishers in what comics historians and fans call the Platinum Age and Golden Age of Comic Books: Max Gaines (founder of EC Comics), Leverett Gleason (publisher of Comic House and other titles, and creator of the Golden Age Daredevil), and many other future industry creators are all brought in to work under Wildenberg's supervision. The Funnies on Parade promotion proved a success, and Eastern Color that year produced similar periodicals for Canada Dry soft drinks, Kinney Shoes, Wheatena cereal and others, with print runs of from 100,000 to 250,000.
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