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28 Sentences With "print again"

How to use print again in a sentence? Find typical usage patterns (collocations)/phrases/context for "print again" and check conjugation/comparative form for "print again". Mastering all the usages of "print again" from sentence examples published by news publications.

I never need to hear them shout out "Pussy Print" again.
According to the exhibition's text, he would never make such a dark print again.
It was after this moment of recognition that, I finally reached for a print again.
So Wizards created what it called a compromise—the reserved list, a collection of cards the company promised to never print again.
To appease the game's longtime fans, Wizards created the reserved list—an expanding list of cards it's promised to never print again.
After every game, I would grab a Magic Marker and scribble in new words that had popped up, type them into my list, then print again.
The book, which was out of print since its original publication, went into print again when the film was released.
Paris, 291(7):447–449, 1980 The theorem appeared in print again several years later, in a certain Russian journal, by an author apparently unaware of Ushiki's work.
The S and T in "STreet" came from the first letters of the founders' last names.Englebert, John. "Remember Adventure Comics? They're in Print Again," Waukesha Daily Freeman (September 2, 1972), p. 19.
1845 to #7718, 30 Sept. 1845. The complete seven volume diary is now in print again. On 13 Sept. 1845, in paragraph #7504, under the rubric Heavy Glass, he wrote: He summarized the results of his experiments on 30 Sept.
The Oberamts descriptions have become sought-after and expensively paid collector's items; in the 1970s all volumes were therefore reprinted as reprints. Most of them are now also out of print again. All of them are now available in digital form, see Wikisource.
Some Girls, Some Hats and Hitler is a 1984 memoir written by Trudi Kanter. The book was initially published in 1984 but was out of print till 1987 when it was discovered by Ursula Doyle in one of the bookstores in Cambridge, England. From 1987 to 2011 it was out of print again.
"Remember Adventure Comics? They're in Print Again," Waukesha Daily Freeman (September 2, 1972), p. 19. In the fall of 1972, The Gazette had 780 subscribers in 47 U.S. states, 10 countries, Midway Island, and Puerto Rico. (By August 1976 the circulation of The Gazette was up to 1,600.) The Gazette published ballots for the 1973 Goethe Awards (for comics published in 1972).
The work, entitled Discovery, was a favourite concert piece of Kathleen Ferrier, who went on to record it. Thirteen of Welch's poems were included in the text of his Journals, published the year after A Last Sheaf. It would be almost twenty-five years before any more of his poetry appeared in print again, in the 1976 anthology, Dumb Instrument.
He oversaw the reconstruction of the journal and found it a new publisher in time to have it in print again by 1980. Theodore A. Sackett became editor in 1984 and directed the journal through most the 1980s. Sackett added "Pedagogy" as a special section in Hispania in order to address the changing face of the classroom that resulted from the advent of computers and the new concern for communicative competence.Oxford, Raquel.
It also marks the start of Charteris phasing out the character of Patricia Holm, who would not appear in print again until "The Masked Angel", one of the two novellas compiled in the 1948 release, Call for the Saint. Beginning with this novel, Templar's adventures take place primarily in the United States, or North America. The next non-American Saint adventures would not be published until The Saint in Europe in 1953.
In 1956, Quality Comics characters were sold to DC Comics. Quality's Blackhawk continued to be published without interruption, but most of their other characters languished. While most of the classic Quality superheroes saw print again many years later, Hugh Hazzard has not returned. A robot resembling Bozo did make a single-panel appearance in an issue of James Robinson's Starman (issue #64, April 2000), where the inactive robot was in a store-room with a Japanese collector's horde of Golden Age superhero artifacts.
After this issue, the title character, avian superman Red Raven, did not appear in print again until 1968. The first Human Top was also introduced in this issue, as was a character named Mercury, presented as the Roman god but later retconned to be Makkari, one of the Eternals. Also introduced were Magar the Mystic, the all-seeing Eternal Brain, space adventurer Comet Pierce, and hapless policeman Officer O'Krime. None of these characters were continued in the Human Torch title.
The theme of the convention was "Sci-Fi Camp" with a camping theme given to convention signage and publications plus convention volunteers wearing "Camp Staff" shirts. FenCon once again held an auction and sold a limited-edition art print to raise funds for a charity. This year the designated charity was the American Diabetes Association, selected to honor the memory of "Admiral" Judith Ward. Artist GoH Darrell K. Sweet supplied the program book cover art for that year's print, again each signed and numbered to 50 prints.
Some components of Space Opera are in print again after a long absence and are available via FGU's online store and the RPG download sites DriveThruRPG and RPGNow. The rights to the game are jointly held by the authors and Fantasy Games Unlimited, whereas the rights to the title were probably held by FGU solely. The rights to the game were to revert to the authors if the company went out of business. Despite going into dormant periods operating as a company in name only, FGU is still in operation.
Youngblood told the story of John Gaunt's troubled childhood, via flashbacks from a point in Gaunt's life prior to his first published appearance in Starslayer, but after the Demon Wars. It concluded in issue #81. Although one of First Comics' most popular titles, after the company declared bankruptcy, it did not make it into print again until 2005. In 1990, First published Demon Knight, a stand-alone graphic novel featuring the James Twilley incarnation of Grimjack going back in time to the Demon Wars to try to change his fate.
This long out-of-print duets album was re-released in 1999 as a CD on the First Generations label, on the 20th anniversary of its release, and it quickly went out of print again. In 1980, he appeared as himself in Loretta Lynn's autobiographical film, Coal Miner's Daughter with Roy Acuff and Minnie Pearl. His singing voice remained intact until late in life, when he fell ill with emphysema. Even so, he continued to make over 200 personal appearances a year, carrying an oxygen tank on his bus.
Both studies are notable for extensive appendixes of translations. His second book was the editio princeps of Nigel of Canterbury, Miracles of the Virgin Mary, in Verse. Miracula sancte Dei genitricis Marie, uersifice, which appeared as Toronto Medieval Latin Texts 17 in 1986. Within a decade he brought into print, again in the first edition ever, the original Latin (with English translations) of additional works by the same poet in Nigel of Canterbury, The Passion of St. Lawrence, Epigrams, and Marginal Poems, Mittellateinische Studien und Texte 14, in 1994.
Its specific association in print, again according to Macmillan, seems to have been first used by T J Honeyman , the art critic and director of Glasgow Art Gallery, in his book Three Scottish Colourists published in 1950. Why he did not include Fergusson at this point is unclear, but Fergusson seems to have soon been accepted into this group of artists. The four artists did in fact exhibit together, for the first time in 1924 in Paris at an exhibition at the Galerie Barbazanges entitled ‘Les Peintres de l’Ecosse Moderne’ (Bilcliffe) .
However, once again the Dwight Twilley Band fell victim to some label politics, as EMI bought the rights to Shelter just weeks after the release, and all three of the DCC Dwight Twilley Band albums went out of print again. In 1997, The Right Stuff, a reissue label owned by EMI, reissued Sincerely and Twilley Don't Mind with somewhat different bonus tracks from the DCC versions. They both went out of print the following year, when EMI discontinued the label. The Dwight Twilley Band albums Sincerely and Twilley Don't Mind were reissued in a two-disk compilations by Australia's Raven Records in 2007 with still different bonus tracks.
First edition The Hero's Journey: Joseph Campbell on His Life and Work is a biography of the mythologist Joseph Campbell (1904–1987). In the form of a series of conversations, the book was drawn from the film, The Hero's Journey: A Biographical Portrait This book was originally published by HarperCollins in 1990. A second edition was published in 1999 by Element Books—which closed within weeks of the book's rerelease, leaving it out of print again until another new edition was published by New World Library in 2003 in anticipation of the centennial of Campbell's birth. This edition was the seventh title in the Joseph Campbell Foundation's Collected Works of Joseph Campbell series.
Retrieved June 1, 2008. Reiber's Tell Me Dark, produced for DC, was collected in softcover by Vertigo, and he also contributed to various anthologies. J. M. DeMatteis began his comics career on DC's House of Mystery title over a decade before the formation of Vertigo, and later became one of the earliest Vertigo creators thanks in large part to his proposed Touchmark projects. DeMatteis' Mercy (1993) one-shot and miniseries The Last One both debuted in 1993, with reprints of two creator-owned Epic Comics projects following in subsequent years: his 198587 creator-owned maxiseries Moonshadow was reprinted between 1994–5, with the miniseries Blood: A Tale seeing print again in 1996–7.
In the Preface to the Reader he claims to have finished the book on March 14, 1663 though publication was delayed for another nine years until 1672. In 1664, his work again appeared in print, again through the good offices of Kaspar Schott, the first section of whose book Technica Curiosa, titled Mirabilia Magdeburgica, was dedicated to von Guericke's work. The earliest reference to the celebrated Magdeburg hemispheres experiment is on page 39 of the Technica Curiosa, where Schott notes that von Guericke had mentioned them in a letter of July 22, 1656. Schott goes on to quote a subsequent letter of von Guericke of August 4, 1657 in which he states that he now had carried out the experiment, at considerable cost, with 12 horses.

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