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"prerecording" Synonyms

15 Sentences With "prerecording"

How to use prerecording in a sentence? Find typical usage patterns (collocations)/phrases/context for "prerecording" and check conjugation/comparative form for "prerecording". Mastering all the usages of "prerecording" from sentence examples published by news publications.

The nature of live simulation means that the characters who populate the island control themselves in real time, as opposed to a prerecording that would play on loop.
So we really had about a year to work on it and the songs were so familiar to me in my bones by the time we even started rehearsing and prerecording them.
A music director gave us a tour of an office space that housed several local stations, segmented into what looked like conference rooms, where hosts would spend a few hours prerecording spots for the week.
Sally-Anne McCormack (left) 2015 Prerecording The Sally-Anne Show Sally-Anne McCormack (born 12 March 1965) is an Australian clinical psychologist, former teacher and media commentator.
As a classical station serving a binational audience, XLNC1 typically introduced pieces in Spanish and gave the information in English at the end. Announcers included Kingsley McLaren, Sue Harland, Gabriela Guinea-Johnston (chief Spanish announcer) and Gordon Brown. Most of the programming was automated, with the announcers prerecording their identifications of titles, artists and composers.
By October 1946, Cole Porter had turned in eight songs and departed for New York. One of these, "[It's Chic In] Martinique" was dropped when Horne's role was eliminated, but seven other Porter numbers were slotted in the new script. The choreographer, conductor, orchestrator, and vocal arranger comprised a solid crew from the Freed Unit at MGM: Robert Alton, Lennie Hayton, Conrad Salinger, and Kay Thompson. Garland began prerecording the score at the studio on December 27, 1946.
Strictly speaking, voice-tracking refers to the process of a disc jockey prerecording his or her on-air "patter." It is then combined with songs, commercials, and other elements in order to produce a product sounding like a live air shift. Voice-tracking has become common on many music radio stations, particularly during evening, overnight, weekend, and holiday time periods. Most radio station owners consider it an economical alternative to employing live disc jockeys around the clock.
There were two reasons for this: prerecording provided Marx with time to fish around for funny exchanges and any intervening dead spots to be edited out; and secondly to protect the network, since Marx was a notorious loose cannon and known to say almost anything. The television show ran for 11 seasons until it was canceled in 1961. Automobile marque DeSoto was a longtime major sponsor. For the DeSoto ads, Marx would sometimes say: "Tell 'em Groucho sent you", or "Try a DeSoto before you decide".
During World War II, prerecorded broadcasts from war correspondents were allowed on U.S. radio. In addition, American radio programs were recorded for playback by Armed Forces Radio radio stations around the world. A disadvantage of recording first is that the public may know the outcome of an event from another source, which may be a "spoiler". In addition, prerecording prevents live radio announcers from deviating from an officially approved script, as occurred with propaganda broadcasts from Germany in the 1940s and with Radio Moscow in the 1980s.
Pardo nominally retired from NBC in 2004. However, he continued to announce for Saturday Night Live at the behest of executive producer Lorne Michaels, initially under the assumption that a permanent replacement would be found quickly. In 2006, he began prerecording his announcements from a studio in his Arizona home. That arrangement lasted only a few episodes before producers insisted that they needed him in Studio 8H, and he resumed weekly flights to New York. On Saturday, February 23, 2008, Pardo appeared at the closing of Saturday Night Live to blow out the candles on his 90th birthday cake.
One such example, Discovery Channel After Dark, featured an edited montage of wild animals mating, and performing other actions that would be considered obscene if shown being done by their human counterparts. This was a parody of adult-based, late-night cable programming. An animated sketch that first appeared on the show, The Ambiguously Gay Duo, featuring the voices of Stephen Colbert and Steve Carell, became well known on SNL after Carvey's show was canceled. Additionally, a sketch used in the unaired eighth episode about Tom Brokaw prerecording the announcement of Gerald Ford's death was used verbatim when Carvey hosted Saturday Night Live on October 26, 1996.
Despite a general ban on use of recordings on broadcasts by radio networks through the late 1940s, "reference recordings" on phonograph disc were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common. Local stations, however, had always been free to use recordings and sometimes made substantial use of prerecorded syndicated programs distributed on pressed (as opposed to individually recorded) transcription discs. Recording was done using a cutting lathe and acetate discs.
However, a good number of syndicated programs from this period have survived because copies were distributed far and wide. Recordings of live network broadcasts from the World War II years were preserved in the form of pressed vinyl copies issued by the Armed Forces Radio Service (AFRS) and survive in relative abundance. Syndicated programs from World War II and later years have nearly all survived. The survival of network programming from this time frame is more inconsistent; the networks started prerecording their formerly live shows on magnetic tape for subsequent network broadcast, but did not physically distribute copies, and the expensive tapes, unlike electrical transcription ("ET") discs, could be "wiped" and re-used (especially since, in the age of emerging trends such as television and music radio, such recordings were believed to have virtually no rerun or resale value).
Bernie Mac on the set of the film in March 2008 Jackson and Mac with Gabe Witcher prerecording songs for the film in December 2007 Soul Men received generally mixed reviews from film critics. Based on 98 reviews, Rotten Tomatoes reported that 46% of critics gave the film a positive review stating that "Soul Men features lively performances from Bernie Mac and Samuel L. Jackson, and some hilarious moments, but ultimately suffers from an unoriginal script." Metacritic, another review aggretator, reported that critics gave the film an average score of 49/100, based on 23 reviews. The film opened at #6 with $5,000,000 behind Zack and Miri Make a Porno, Changeling, High School Musical 3: Senior Year, Role Models, and Madagascar: Escape 2 Africa (which, coincidentally, Mac was also in; both films are dedicated in his memory).
When videotape technology was first created, in the 1950s, tapes were extremely costly; but their reusability meant that the cost of a single tape could be spread across several productions, with each successive production erasing and then reusing the tape from a previous one, with the result that relatively few programmes produced on videotape in the 1950s and 1960s still exist in their original format. The expense of videotape and the various mutually incompatible television standards around the world made it impractical at the time for programme makers to sell their productions to foreign broadcasters in their original video form. Film, however, was considered a universal medium, and most broadcasters had the facility to broadcast from it. Before the development of practical video tape, programme makers such as the BBC developed the technology to record programmes—either live or for prerecording—from specially adapted monitors with a film camera.

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