Not everything you happened to eat in prepubescence is comforting.
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After a few clicks, some played more overtly at prepubescence, posing in children's clothing.
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Though more than a century of prepubescence might sound bad, there's a bright side for the sea creature.
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In an industry that champions youth bordering on prepubescence, it sometimes takes gray hair and wrinkles to feel truly provocative.
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Created by Maya Erskine and Anna Konkle — Erskine and Konkle are adults and star as the seventh-grade semi-autobiographical versions of themselves — along with Sam Zvibleman, PEN15 zooms us back to the world of middle school circa 2000, before the dawn of Instagram-cataloged pre-prepubescence.
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Growing up in a wealthy and glamorous New Jersey family with a father who built grand edifices for the diocese, Rush was far too smart, elegant, and sensitive for his own good, and by prepubescence had become a profound acidhead and addict too high on spiritual ideals to understand he was out of control.
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In "Swing Time," she excels at capturing the world of prepubescence, with all of its unwritten rites and rules and frank sexuality: the group games of hide-and-seek in which the boys chase the girls for the reward of a quick, furtive groping, or the "Crucible"-like way other girls form a vicious allegiance against the one who suffers the misfortune of developing breasts early, thus becoming too popular with the boys.
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A castrato (Italian, plural: castrati) is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents a boy's larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way.
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In 1936, at the age of 27, Bartlett began the personal hobby that would hold his interest for the next 27 years: dollmaking. He had no formal training in sculpture, but by making use of books on anatomy and medical growth charts he was able to create, first in clay and then cast in plaster, at least 15 half-sized likenesses of children (there may have been more but these are the only ones known to remain). Twelve of them are girls, ranging roughly in age from prepubescence to adolescence, and three are boys, of approximately eight years of age and bearing some resemblance to the artist himself.Saltz, Jerry.
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