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9 Sentences With "prefabricates"

How to use prefabricates in a sentence? Find typical usage patterns (collocations)/phrases/context for "prefabricates" and check conjugation/comparative form for "prefabricates". Mastering all the usages of "prefabricates" from sentence examples published by news publications.

Steam is used to accentuate drying especially in prefabricates. Care should be taken since concrete produces heat during hydration and additional heat from the steam could be detrimental to hardening reaction processes of the concrete.
The palm was made by an American] company Soul-utions.Com. The palm was made using synthetic organics and natural materials. The palm has a height of fifteen metres, and is waterproof. The palm's stability is supported by concrete prefabricates.
In 1997 it consolidated its own sales network and, in 2001, started to manufacture and market ventilated facades, which supplemented its existing products such as architectural prefabricates. Its current site, covering 12,000 sqm. in the Zubillaga district in Oñati, opened in 2001.
ULMA Architectural Solutions is a construction sector cooperative that manufactures polymer concrete prefabricates for facades, channels and drainage. It is one of the 8 cooperatives that make up ULMA. One of the largest groups within the network of companies in Mondragon Corporation, the largest cooperative group in the world.
Martin is home to a Volkswagen Group-owned automotive industry production plant, under the Volkswagen Slovakia, a.s. subsidiary. Opened in 2000, it employs approximately 800 people. The city was hit hard in 2008 by the recession, as Volkswagen was forced to lay off over 200 workers. Other major industrial companies include ŽOS Vrútky (rail vehicles industry) or Prefa Sučany (concrete prefabricates).
Mota- Engil Central Europe S.A. forms part of Mota-Engil Group. It is an international construction company providing mainly general contractorship services for road and bridge construction industry, general construction and housebuilding industry. The Company is present in Poland, Czech Republic, Slovakia, Hungary and Romania. Moreover, Mota-Engil Central Europe S.A. is a producer of asphalt mixtures, bridge prefabricates and all sorts of concrete.
The names of the pupils of Willem van den Broecke have not been recorded, but it is known he operated a large workshop in which he employed a significant number of pupils, many of whom came from his home town Mechelen. His work found a following among workshops in Mechelen and Antwerp, which created reliefs borrowing iconographic motives from van den Broecke. He operated his workshop as a skilled businessman, reproducing designs that were selling well, supplying other workshops with 'prefabricates' and selling finished works from his house De Liefde. Van den Broecke died in Antwerp.
Until the beginning of the 1990s the town had a hide-processing factory together with the connecting fur-processing industry. Later the inhabitants changed focus to provision of tourist services (local thermal springs and nature are used), food industry (baking facilities), construction field (production of concrete prefabricates, house kits, as well as traditional construction industry) and fishery (Mošovce ponds). Agriculture still keeps its importance, with an increasing significance of forestry. It is, however, necessary to emphasize, that the town's function is still predominantly residential and the majority of economically active inhabitants commute to the nearby Turčianske Teplice or Martin.
The chapters presenting the most interest for the artist were those referring to urbanims and the recent approaches to it. In a sub-chapter referring to urbanism in the European "peoples democracies"(Poland, Romania, Czechoslovakia and Yugoslavia), Olos found references to the "industrialization of architecture" using prefabricates in the building of large living ensembles, like districts Floreasca-Tei in Bucharest, the ensemble from Balta-Alba, built for 10,000 inhabitants, or architects N. Kepes' and N. Porumbescu's plans of urbanism, and those of Sully Bercovici in architecture. Among the new buildings from the Romanian capital, Ragon mentioned Ascanio Damian's grand round exhibition hall and the building of the State Circus by Porumbescu, Rula, Bercovici and Prunku. Cesar Lăzăresu's name appeared referring to the Mamaia open air theater.

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