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10 Sentences With "pourings"

How to use pourings in a sentence? Find typical usage patterns (collocations)/phrases/context for "pourings" and check conjugation/comparative form for "pourings". Mastering all the usages of "pourings" from sentence examples published by news publications.

But, Dr Blue says, the 3D-printed versions, composed of carbon-fibre-reinforced plastic, were able to survive at least 200 pourings.
Usually, such moulds are made out of wood by skilled carpenters and might last only three or four pourings, so builders get through a lot of them.
Ask what's behind the bar for off-the-menu pourings of sought-after whiskeys like Karuizawa or Hanyu, and expect to pay almost 22,000 yen ($201) for some shots.
These works show Pollock attempting to find a balance between abstraction and depictions of the figure.William Cook, "Jackson Pollock's forgotten bleak masterpieces: The 30-year wait for 'black pourings' exhibition", BBC — Arts, June 30, 2015. Retrieved July 8, 2015. He later returned to using color and continued with figurative elements.
At the peak of his fame, Pollock abruptly abandoned the drip style. Pollock's work after 1951 was darker in color, including a collection painted in black on unprimed canvases. These paintings have been referred to as his 'Black pourings' and when he exhibited them at the Betty Parsons Gallery in New York, none of them sold. Parsons later sold one to a friend at half the price.
Then, the priest announces the beginning of the san-san-ku-do ceremony, or "three-three-nine-times," reflecting three oaths taken three times, represented by three cups, poured three times, and swallowed in three sips. This often includes three pourings from three cups of increasing sizes. The first, smallest cup, is first poured to the groom, who drinks from it before offering it to the bride. The second pouring goes first to the bride, then to the groom.
Dorothea Buck was born in April 1917, the fourth of five children in Naumburg an der Saale, where she grew up. In 1936, at the age of nineteen, she was diagnosed with schizophrenia at Bodelschwingh Foundation Bethel. There she was exposed to baths and cold water head pourings for "disciplining", then common practices of psychiatry in the first half of the 20th century. She found the "complete speechlessness" to be especially humiliating: patients did not speak to each other and conversations between staff and patients were unusual.
This is likely to be due to the reuse of material from earlier pourings, casting sprues, defective medals, etc. The barrels of the Chinese cannon are on display in the Artillery Hall of The Royal Armouries at Fort Nelson, Hampshire. The remaining portion of the only remaining cascabel, weighing 358 oz (10kg), is stored in a vault maintained by 15 Regiment Royal Logistic Corps at MoD Donnington and can only be removed under armed guard. It is estimated that approximately 80 to 85 more VCs could be cast from this source.
During the following recital of Yasna 62, 64, 65 and 68, the celebrant repeatedly pours the combined parahaomas between two bowls and the mortar, such that, by the end of Yasna 68, all three vessels contain the same amount of liquid. The service then concludes with the recitation of Yasna 72, immediately after which the priest carries the mortar with parahaoma to a well or stream. There, in three pourings, libations are made to the waters (Aban), accompanied by invocations to Aredvi Sura Anahita. The remaining parahaoma in the two bowls is given to persons attending the ceremony.
Primitive Period She began her career in the late 1960s in what is known in Spanish as her "Epoca Primitiva", which roughly translates to "Primitive Period" which began after she participated in a clay modeling course sponsored by the French embassy in San Salvador (1967–1968), where she made casts and polychrome pourings using many techniques including encaustics, which she would later use in paintings, combined with other contemporary techniques and materials. It was during this time that Ana Maria, inspired by Mayan and Colonial art, began the search for a style of her own where she could begin to express her message of "Spiritual peace and the joy of living". She focuses on regional landscapes and the traditions of Salvadoran folklore and its surroundings—fields of flowers and scenes with great architectonic ideas—all executed with great precision. In this period, carrying on until around 1982, she evolves very quickly, blending colors with the magic of the artist.

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