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"postlapsarian" Definitions
  1. of, relating to, or characteristic of the time or state after the fall of humankind described in the Bible
"postlapsarian" Synonyms

7 Sentences With "postlapsarian"

How to use postlapsarian in a sentence? Find typical usage patterns (collocations)/phrases/context for "postlapsarian" and check conjugation/comparative form for "postlapsarian". Mastering all the usages of "postlapsarian" from sentence examples published by news publications.

She went from a steady maker of big hits to some kind of postlapsarian has-been, seemingly overnight.
But whereas such polar bear imagery conjures a disappearing natural world, the Beckettian CGI rhino conjures that world's postlapsarian digital afterlife.
For many of us who participated in the early days of the web, the last few years have felt almost postlapsarian.
They are cynical by nature, skeptical of "truths," and, because of this, shrewd and acute interpreters of what passes for reality in our vividly postlapsarian world.
Bloody Disgusting. Retrieved February 22, 2017. Sande, reviewing for Fact, wrote that Urban Gothic, "despite revelling in the postlapsarian imagery of sex and ultraviolence, has a musical innocence that is rare, and very charming." It landed at the number 50 on the publication's list of the 50 best releases of 2011.
Judaism does not have a concept of "the fall" or "original sin" and has varying other interpretations of the Eden narrative. Lapsarianism, understanding the logical order of God's decrees in relation to the Fall, is divided by some Calvinists into supralapsarian (prelapsarian, pre-lapsarian or antelapsarian, before the Fall) and infralapsarian (sublapsarian or postlapsarian, after the Fall). The story of the Garden of Eden and the fall of man represents a tradition among the Abrahamic peoples, with a presentation more or less symbolic of certain moral and religious truths.
In the idea of prelapsarian/postlapsarian times, he knows that this great joy will not last forever. The poem begins with the laughter and happiness of nature in the first stanza, personifying the wood, hills, and air. In the second stanza, Blake gradually goes on to the "grasshopper" and "Mary and Susan and Emily," the children who will also join in the singing of the "Ha, Ha, He." The children and grasshopper also reiterate the idea of innocence and joy. Repetition of the words "merry" and "laughs/laughing" also emphasises the overall tone of the poem.

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