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51 Sentences With "poor imitation"

How to use poor imitation in a sentence? Find typical usage patterns (collocations)/phrases/context for "poor imitation" and check conjugation/comparative form for "poor imitation". Mastering all the usages of "poor imitation" from sentence examples published by news publications.

The contest, say critics, is a poor imitation of democracy.
Even paintings by the great masters were a poor imitation.
Shortly afterward, a truckload of poor-imitation Giacometti statues arrived from Switzerland.
It makes one look like, quite literally, a pale — and poorimitation.
The second became a replacement—a poor imitation, the one who could never measure up.
Opening your mouth hole will summon a tiny Pikachu who screams and tries to electrocute your poor imitation.
Shepard's masc-for-masc love affair in Mass Effect 3 was the kind of poor imitation of intimacy found in badly acted porn.
The BJP's state leader in Uttar Pradesh, Keshav Prasad Maurya, dismisses the alliance as a fiasco and called the war room a poor imitation.
I felt like the Italian slalom legend Alberto Tomba, despite the poor imitation my snowplow turns were of his muscular moves around each gate.
Ultimately, they end up feeling like a poor imitation of something truly special, when they have the potential to add something totally new to the story.
Obviously, the version of Berghain represented through these cliché-ridden jokes (which I myself, as a baby Berliner gif blogger helped to create) is a poor imitation of reality.
Years after it was canceled, Netflix's revived comedy felt like a poor imitation of its pioneering first incarnation — especially in the wake of the great sitcoms that Arrested had influenced, like 30 Rock and Community.
Yes, there's paint on canvas, or a kickdrum and a bassline, but something's been lost in translation, and the result is nothing but a piss-poor imitation masquerading as the past reassessed by the present.
I wanted the American women's team to play with the confidence of the world champions they are, rather than the insecurity of the poor imitation of the men that their detractors accuse them of being.
He did a bit that he called "fat Michael Jackson," telling the crowd that he was a distant cousin of the King of Pop, putting a dirty white sock on one of his hands, and doing a poor imitation of the moonwalk.
One day an acquaintance came round, and before I could embark on my tale, he remarked, running his hand fondly over the peeling laminate kitchen counter, on how rare and refreshing it was to be somewhere untransfigured, somewhere of an authentic ugliness that didn't look like a photograph in a magazine or a poor imitation of one.
Hamlett praised the sound as well, and The Games Machine praised the music. Reviewers for Zzap!64 criticized the music, which was described by Horgan as depressing. Reviewers for ST Action criticized the lack of the Pink Panther theme music, and Lawton considered the music to be a poor imitation of the theme.
After the coup in December 1851, Prince-President Louis- Napoléon Bonaparte decided to have his effigy on French stamps. The first denominations were issued progressively from September 1852 and throughout the Second Empire. A poor imitation of the French stamps was used by the Corrientes Province local post in Argentina between 1856 and 1880.
The band released Their Satanic Majesties Request, which reached No. 3 in the UK and No. 2 in the US, in December 1967. It drew unfavourable reviews and was widely regarded as a poor imitation of the Beatles' Sgt. Pepper's Lonely Hearts Club Band. Satanic Majesties was recorded while Jagger, Richards and Jones were awaiting their court cases.
Also, not all film-industry publications supported the photoplay. The Moving Picture World labeled it a "poor imitation" of A Fool There Was and hampered by a "wearisome" plot with overly dramatic scenes that at one point "brought a general laugh from the large audience at a private showing" in New York."'The Devil's Daughter'", The Moving Picture World, June 1915, p. 2120. Internet Archive.
The opening theme, "Beach Blanket Bingo", first appeared in the 1965 movie, Beach Blanket Bingo. The dance sequence also features a poor imitation of the famous Michael Jackson "Thriller" monster walk. Tim Fakker and Pammy Faye fund raise in the movie by performing faith healing, reminiscent of the scandalous fund raising activities between 1984–1987 of Jim Bakker and his wife Tammy Faye Bakker.
Stewart later disparaged Shotgun Express as a poor imitation of Steampacket, and said "I was still getting this terrible feeling of doing other people's music. I think you can only start finding yourself when you write your own material." By now, Stewart had bounced around without achieving much success, with little to distinguish himself among other aspiring London singers other than the emerging rasp in his voice.
Reviews were mixed. Most reviewers were struck by its similarity to Edward Albee's recent international success, The Goat, or Who is Sylvia?, and indeed, The Goat and Beautiful Child are similar in their explorations of sexual transgression in affluent domestic settings, as well as their edgy amalgams of comedy and horror. Some critics, like Adrienne Onofri, dismissed Silver's play as a poor imitation of Albee Onofri, Adrienne.
The Satirist, or the Censor of the Times was a controversial 19th-century British newspaper which featured reports of scandals involving well known residents of London. It was published by Barnard Gregory, who faced multiple libel charges and was later imprisoned due to its articles. The Satirist was frequently criticised by commentators, and James Hain Friswell described it as a "poor imitation of Town and Country".
"I didn't care for them a bit. Mr. Murphy did a very poor imitation. He made Buckwheat into a stereotype that he wasn't, at the expense of the people in his family who are still alive." In 1990, the ABC newsmagazine 20/20 aired a segment featuring a man named Bill English, then a grocery bagger in Arizona, who claimed to be the adult Buckwheat.
Pascal was given a third opportunity to film Shaw's work with Caesar and Cleopatra (1945). It cost three times its original budget and was rated "the biggest financial failure in the history of British cinema". The film was poorly received by British critics, although American reviews were friendlier. Shaw thought its lavishness nullified the drama, and he considered the film "a poor imitation of Cecil B. de Mille".
At rateyourmusic.com one reviewer likened them to a poor imitation of Faith No More with only two songs worthy of note. Other reviews on this site are much more positive, remarking on the band’s ability to showcase such a wide selection of styles, noting that they are one of the few bands able to do this so successfully. Overall the most common vote on this site is 4 out of 5.
It received polarizing reactions from audiences. The use of most of the said themes was widely criticized, with the commercial described as "cringeworthy", "sexist" and a poor imitation of the similarly controversial Jumbo ones, as well as the intention of promoting a restaurant directly unrelated to them. However, others praised the commercial for that, and were favorable on the commercial's artistic sector. The music track Epic, composed, arranged and produced by Rabbeats Music, (video description) was also praised.
At the 75th Hunger Games, Katniss notes that the District 10 tributes, who are dressed as cows, have flaming belts on as if they are broiling themselves, a poor imitation of Cinna and Portia's techniques to showcase Katniss and Peeta at the 74th Hunger Games. In the 10th Hunger Games, the female tribute, Brandy, is shot dead after killing her mentor. The male tribute, Tanner, forms an alliance with the District 4 tributes, only to later be betrayed by them.
Returning from World War I Eric (Farley) adapts Carl's beloved Negro Spirituals into Jazz, including the song My Beloved. He continues to plagiarize additional music, featured in stage hits sung by Patricia Sedley (Hall), whom Eric later marries. Carl visits Eric's publisher, Mr. Yates (Clark) who insults him by calling his music a poor imitation of Eric's. Finally, Alexander Talbot (Shaw) of the "Metropolitan Symphony Society", encouraged by a donation from Eric, looks at Carl's American Symphony and, impressed, agrees to perform it.
Kōji and Kimi return to the forest bonfire. Kimi says she purposely did not swim after the boat because she wished be alone with Kōji. Kimi says she respects Kōji's love for Yūko, but is "prepared to make a sacrifice and act as a stand-in". Kōji and Kimi have sex, but Kōji cannot suppress the thought that the experience is "nothing but a poor imitation" of the "perfect flesh" that he created and refined with his imagination while in prison.
For this performance, he earned a Primetime Emmy Award nomination for Outstanding Supporting Actor in a Comedy Series in 1995. Schwimmer starred in his first leading film role in the 1996 romantic comedy film, The Pallbearer with Gwyneth Paltrow. In the film, Schwimmer plays a man asked to deliver the eulogy for a high school friend he cannot remember, and begins an affair with the friend's mother. Critics dismissed The Pallbearer as a poor imitation of the 1967 film The Graduate.
The Old French Fort at the Mission of Sainte Marie was the site of an early attempt by French Jesuits and colonists to establish a base in Central New York. In the 1930s, the remains of the original fort were replaced with what was claimed to be a "replica" or reconstruction of the site. Research since then has revealed that it was a poor imitation. During the 1980s, a decision was made to replace the structure with a historically accurate reconstruction.
Johns stated that the show's Flash would resemble his comic book counterpart, complete with his trademark red costume, and not be a poor imitation. Kreisberg elaborated: "No sweat suits or strange code names; he will be The Flash." While researching the best way to depict the Flash's lightning speed, Johns stated it would not just be the standard "blurring around". The developers brought in costume designer Colleen Atwood, who also designed the costumes for Arrow, to create the Flash suit.
Steve was replaced by National Nine News US Correspondent Karl Stefanovic. Liebmann expressed disappointment to an AAP journalist on the program's content and format under its new management, saying it had become a "poor imitation" of its Seven Network rival, Sunrise. In 2002–2003, Liebmann appeared on television advertisements for a counter-terrorism advertising campaign on behalf of the Federal Government. He presented Ten Weekend News bulletin in Sydney during 2006, and more recently has hosted Foxtel's Crime Investigation Australia show focusing on infamous Australian crimes.
The Variety reviewer Robert Koehler praised Ralph Ziman and Matthew Bishop's for exploring Sam Neill's character Ludovic. Koehler also praised Neill's portrayal of Ludvoic, whom he described as a "man who has emotionally shut down but can’t stop the world from marching back in." Despite commending Piotr Kukla's lensing and Ziman's juxtaposition of explosions in the zoo scenes, Koehler criticized Nikolaj Egelund's score as a poor imitation of Lisa Gerrard's signature vocal music. Rotten Tomatoes gave The Zookeeper an audience review score of 46%.
The Orlando Times described the song as a "poor imitation of Simple Minds, fraught with such spiritual observations". They also awarded the album it was culled from one star out of five. Conversely, the Orange County Register stated that "both Butterfly on a Wheel and Sea of Love (the fourth track from Carved in Sand) show what The Mission UK can do if they cut down on the bombast". The track was also described as being a vehicle to "show off [Wayne] Hussey's offbeat romanticism".
Though Tuck felt that Computer Space was a poor imitation of Spacewar! and his Galaxy Game a superior adaptation, many players believed both arcade games to be upgraded variants of Spacewar!. Byte magazine published an assembly language version of Spacewar! in 1977 that ran on the Altair 8800 and other Intel 8080-based microcomputers using an oscilloscope as the graphical display and a lookup table to approximate the calculations for orbits, as well as a three- dimensional variant in 1979 written in Tiny BASIC.
CW executives, impressed by early cuts of Barry Allen's appearances in the first two episodes of Arrow, ordered a stand-alone pilot. This allowed the creative team to flesh out his story and his world with a larger budget, as opposed to a backdoor pilot's constraint of incorporating characters from the parent show The Flash. Colleen Atwood, Arrows costume designer, created the Flash's suit. The creative team wanted to make sure that the Flash resembled his comic book counterpart, and was not a poor imitation.
Around 1891 reflected the end of the Music Hall heyday, the building becoming the "Oxford Restaurant and Public Hall". Unfortunately the building and its contents were completely destroyed by fire in 1899, by which time it was being used as a billiard hall. A new building, also containing a billiards room, was erected and opened 1901 as the “Carlton Hotel”. In about 1962 it became "Balmbra's Music Hall" complete with balcony at one end, but it was a poor imitation of the famous mid-Victorian Venue.
Although literary critics generally used to believe that the work was a poor imitation of Chaucer's work rather than a work warranting criticism in and of itself, in recent years the Siege of Thebes has undergone more extensive study and some scholars have come to conclude that the Siege of Thebes indeed merits study. Apart from its complex Lancastrian and pacifist message, the text situates Lydgate as both a follower and rival of Chaucer's poetic tradition, and re- examines the way medieval patronage affected the production of poetry.
L'Eplattenier renounced the new model as a poor imitation of the Stahlhelm, while also filing a lawsuit against the Swiss government which brought him 30,000 swiss francs. The helmet's only deployment came on the day of the Armistice, when troops oversaw the progress of a general strike organized by revolutionary socialists. A second lawsuit was filed in 1930, by the German company Tarfwerke, which alleged that the Swiss had illegally plagiarized a patent in their possession. The lawsuit was dismissed by the Swiss Federal Court, however Tarfwerke pressed on, filing for violation of cultural properties and eventually winning 5,000 reichsmarks.
This book is one of those listed by Blackstone as being authoritative statements of the law at the time at which they were written.William Blackstone, Commentaries on the Laws of England, Book I, page 72 1791 Ed. Edward Coke cites Fleta as authority in his Institutes in a number of places.Search of the PDF copies on Google Book Search on 11 March 2009 The article on Fleta in the Encyclopædia Britannica Eleventh Edition says that it "is for the most part a poor imitation of" De Legibus et Consuetudinibus Angliae by Henry de Bracton. O. Hood Phillips described it as an "epitome of" that book.
In addition to directly criticizing members of the oil industry, Young has also focused blame on the actions of the Canadian government for ignoring the environmental impacts of climate change. He referred to Canadian Prime Minister Stephen Harper as "an embarrassment to many Canadians ...[and] a very poor imitation of the George Bush administration in the United States". Young has also been critical of Barack Obama's government for failing to uphold the promises made regarding environmental policies during his election campaign. Young recorded "A Rock Star Bucks a Coffee Shop" in response to Starbucks' possible involvement with Monsanto and use of genetically-modified food.
Time Out London was particularly critical of the film, calling the film's metafiction commentary a poor imitation of Craven's own horror film Wes Craven's New Nightmare (1994). Of the characters, Roger Ebert said "[the characters] are so thin, they're transparent" but praised Campbell's appearance saying, "The camera loves her. She could become a really big star and then giggle at clips from this film at her AFI tribute." In a positive review, the Los Angeles Times called the film, "Genuinely scary and also highly amusing", and the BBC stated that "as the conclusion to the trilogy it works more effectively than anyone had a right to expect".
At that time no other science fiction pulp was including novels; readers approved, and Startling quickly became one of the most popular science fiction magazines. Strange Stories was launched as a direct competitor to Weird Tales, and the first issue featured many of Weird Tales' most popular authors, including Robert Bloch, August Derleth, Henry Kuttner and Manly Wade Wellman. Bloch, Derleth, and Kuttner were all frequent contributors over the magazine's life, but Ashley regards it as a poor imitation of Weird Tales, fewer of its stories having been anthologized since. At the end of 1938 Weird Tales' owner, B. Cornelius, sold his interest in the magazine to William J. Delaney, the publisher of Short Stories, a general fiction magazine.
For Voltaire, it was obvious that if the monarch can get the people to believe unreasonable things, then he can get them to do unreasonable things. This axiom became the basis for his criticism of the Lumières, and led to the basis of romanticism: that constructions from pure reason created as many problems as they solved. According to the Lumières philosophers, the crucial point of intellectual progress consisted of the synthesis of knowledge, enlightened by human reason, with the creation of a sovereign moral authority. A contrary point of view that developed, arguing that such a process would be swayed by social conventions, leading to a "New Truth" based on reason that was but a poor imitation of the ideal and unassailable truth.
The show received a dismal reaction from viewers and failed to perform in the ratings, being canceled before the November sweeps, with six episodes remaining unaired despite heavy publicity by the network. It was immediately panned as a poor imitation of the original UK series by viewers and critics. BBC America even ran commercials noting that they would play the original British versions on their station just after the American equivalent episodes on NBC aired, so that viewers could see instantly just how superior the original was. Miscasting and stilted delivery of a nearly identical script were believed to be the reasons for the failure, though creator Moffat blamed the show's failure on NBC's intervention during the creative and production processes.
Hermione wakes up the following morning and searches for her mother, considering the possibilities that she got lost in the mountains or was drowned in the river (326-62). She falls asleep exhausted and sees her mother in her dreams telling her that she was abducted by the foreigner who visited them the previous day (363-79). Hermione calls her father to return, while on seeing the arrival of the couple from the walls of Troy Cassandra sheds her veil and tears her hair (380-92). The poem, described in 1911 as "dull and tasteless, devoid of imagination, a poor imitation of Homer, and [having] little to recommend it except its harmonious versification, based upon the technical rules of Nonnus", has been more recently evaluated as a "short and charming miniature epic".
On July 30, 2013, it was announced that Arrow co-creators Greg Berlanti and Andrew Kreisberg, Arrow pilot director David Nutter, and DC Comics CCO Geoff Johns would develop a television series based on the Flash for The CW, and it would detail Barry Allen's origin. Kreisberg revealed after the announcement that Allen would first appear as a recurring character on Arrow in three episodes of season two—all written by Berlanti, Kreisberg and Johns—and the last of the episodes would act as a backdoor pilot for the new show. Kreisberg added that Allen would be a forensic scientist and the introduction of his superpowers, as well as the reactions to this, will be very human and grounded. Johns stated that the character of the Flash in the show would resemble his comic book counterpart, complete with his trademark red costume, and not be a poor imitation.
P. 196. As a writer, Melnikov debuted in 1839 in Otechestvennye Zapiski with the series of sketches called From Tambov Governorate to Siberia: The Traveller's Notes. But his first stab at fiction, a short story "About Who Epidor Perfilievich Was and Which Preparation Were Taken for his Birthday", published by Literaturnaya Gazeta in 1840, proved to be a failure; critics dismissed it as a poor imitation of Gogol. Dismayed, Melnikov stopped writing fiction for the next 12 years. In 1841 Pavel Melnikov became the associate member of the Russian Archeological society. In 1840-1850 he edited The Nizhny Novgorod Government News (the non- official section of it) where he often published historical and ethnographical materials which he had collected. In 1847 he became the Governor of Nizhny Novgorod's special envoy, then moved to the Russian Interior Ministry to supervise the issues dealing with the Raskol. An 'administrative Don Quixote', as was known, treated his mission with extraordinary zeal which vexed his seniors and got him a bad name in the city.

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