" She added that "they came out of the gate with their pompadours swinging together.
|
|
There are men, too (I counted 18), with pompadours and afros painted with ice cream scoop flourishes.
|
|
They played hollow body guitars and upright basses—five guys with cuffed jeans, slicked up pompadours, and low-cut shirts.
|
|
Fashion seems to be forbidden, but home decoration is not, and the Authorities are allowed pompadours that would make Snooki jealous.
|
|
The hair they used to grease into pompadours has turned white; and instead of cigarette packs, they carry photos of their grandchildren.
|
|
A photograph of four young men, dressed in sharp suits, with their jet-black hair slicked into pompadours, made me stop and stare.
|
|
While pachucos wore zoot suits, hats, and shiny boots, pachucas rolled their hair into high pompadours, wore tight skirts, and painted their lips red.
|
|
There were twisted buns, sculpted pompadours, bedazzled box braids, and curly top knots that work on a variety of curly and coily hair types.
|
|
Variations of '20s finger waves were seen at Marc Jacobs and Prada, while sculpted pompadours at Simone Rocha and Sibling had a '50s rockabilly attitude.
|
|
Our shiny, full black hair looks fabulous swept up in pomaded pompadours or pinup-girl curls, looks that remind us of pachucos and pachucas, of motorcycle rebels and rock 'n' roll stars.
|
|
The edgy young theater folk wear leather waistcoats and have safety-pin piercings; the fashionable well-to-do wear slashes of pink eye shadow across their faces and gel their hair into elaborate pompadours.
|
|
In Washington, several thousand people who had gathered at the foot of the Capitol — many holding replicas of chickens with golden pompadours — marched through the streets, passing the Trump International Hotel near the White House.
|
|
At any given Morrissey or Smiths party, it's likely that you'll spot dudes sporting pompadours and gals bedecked in retro-swing gear, drunkards in a haze and lovers entwined—all standard fixtures of a gathering of sorts.
|
|
As a kid in Mobile I'd ride my bike a half-dozen blocks to where Mr. Snow, in a window behind the red-and-white pole out front, groomed us boys in pompadours made slick with Vitalis.
|
|
Every time I reread it, I'm so overwhelmed by them that I forget everything else: families eating onion sandwiches on Sunday; girls piling their hair over "rats" to make big elaborate pompadours; aspiring writer Betsy stowing her stories-in-progress in an old cigar box she keeps in an actor-uncle's theatrical trunk.
|
|
Also the glittering tunics with a tailcoat dip in the back over narrow mosaic skirts, L.B.D.s (lengthy black dresses) bristling a feather ruff at the shoulders and neck and exploding at the hem, elaborately pleated and gathered taffeta frocks, and emerald-trimmed duchesse-satin dresses — all worn over thigh-high black ruched suede boots and matching shoulder-length fingerless gloves, and topped by towering curled pompadours.
|
|
Back when being queer was a punishable offense—when cops could raid our bars for no reason, and when abuse and assault by authority figures were rampant—queers found other queers through means of stealth—clothing/hair styles (plaid, leather, pompadours, etc.), accessories, tattoos (the nautical star, the Labrys), flowers (violets, particularly), and other symbols were used to convey one's sexual orientation and proclivities.
|
|
The LP was released under the name of The Imperial Pompadours. Bubbles painted privately, increasingly in the early 1980s.
|
|
Men's hair fashion favoured the wet look, achieved by the use of products such as Brylcreem. Young men often grew their hair out and, with pomade or other hair treatments, coiffed their hair into pompadours.
|
|
Wickes, p. 83, notes that the intention originally was to change to blue, but this was not allowed as it was not a royal regiment. The colour was often called "pompadour", from which the regiment's nickname of "The Pompadours" came.Cannon, p.
|
|
In 1870 The History of a Town came out - a grotesque, politically risky novel relating the tragicomic history of the fictitious Foolsville, a vague caricature upon the Russian Empire, with its sequence of monstrous rulers, tormenting their hapless vassals. The book was a satire on the whole institution of Russian statehood and the way of life itself, plagued by routine mismanagement, needless oppression, pointless tyranny and sufferers’ apathy. The novel ended with the deadly tornado sweeping the whole thing away, "making the history stop" which was construed by many as a call for radical political change. A series called Messieurs et Mesdames Pompadours (also known as Pompadours and Pompadouresses, 1863–1874) looked like a satellite to the History of a Town, a set of real life illustrations to the fantastic chronicles.
|
|
They also wore blue V-neck T-shirts with the New Traditionalists astronaut logo on the black sleeves. This shirt can be seen on the US and Australian versions of the album cover. On the European cover, Devo is seen wearing "Sleeveless Maxi-Turtleneck Sweaters." The T-shirts, turtlenecks and plastic versions of the pompadours were all available through Devo's fan club catalog.
|
|
As centuries went by, the suzerainty of the Pompadours spread to all the adjoining parishes. Geoffroi Hélie de Pompadour extended the castle in the 15th century having inherited the illustrious Viscounty of Comborn in 1513. The House of Pompadour had reached its religious, military and political height. Elevated to a marquisate, it died out at the dawn of the 18th century, with several successive deaths.
|
|
Mick Stupp played with many different bands with varying styles, moving from drums to guitar over time. The Imperial Pompadours were an ICU side project with sleeve designer Barney Bubbles. Bubbles also produced the band's first three album covers. In the 1980s, original guitarist Judge Trev Thoms started a three-piece metal band named Atomgods which, for a while, also featured second ICU guitarist Steve Pond on bass.
|
|
Ball Program With the exception of the Pompadours, these founding Carnival Season organizations remain active in Pensacola's celebrations to this day. The public celebration is currently organized by Pensacola Mardi Gras, Inc., and Pensacola Mardi Gras krewes parades and balls occur in the weekend prior to Fat Tuesday. Parades are on Friday night ("Krewe of Lafitte"), Saturday afternoon (the "Grand Parade"), and the "Krewe of Wrecks" parade on Pensacola Beach on Sunday.
|
|
Clothing often associated with the "Guido" stereotype includes gold chains (often herringbone chains, figaro chains, cornicellos, or saints' medallions), pinky rings, oversized gold or silver crucifixes, rosaries worn as necklaces, working class clothing such as plain white T-shirts, muscle shirts or "guinea Ts", leather jackets, sweat or tracksuits, scally caps, unbuttoned dress shirts, Italian knit shirts, designer brand T-shirts such as Armani, and often typical Italian "tamarro" or "truzzo" club dress. Slicked-back hair and pompadours, blowouts, tapers, quiffs, fades and heavily pomaded or gelled hair are also common stereotypes.
|
|
In this magazine he published first sketches of the Pompadours cycle and got involved with Svistok (The Whistle), a satirical supplement, using pseudonyms N.Shchedrin, K.Turin and Mikhail Zmiev-Mladentsev. The series of articles entitled Our Social Life (1863–1864), examining “new tendencies in Russian nihilism,” caused a raw with equally radical Russkoye Slovo. First Saltykov ridiculed Dmitry Pisarev's unexpected call for Russian intelligentsia to pay more attention to natural sciences. Then in 1864 Pisarev responded by "Flowers of Innocent Humor" article published by Russkoye Slovo implying that Saltykov was cultivating "laughter for good digestion's sake".
|
|
Brian Jones of the Rolling Stones with typical mod haircut, 1967 For professional men born before 1940, the side parted short back and sides was the norm in the UK, Europe and America from the early 60s until the end of the decade. Black men usually buzzed their hair short or wore styles like the conk, artificially straightened with chemicals. Blue collar white men, especially former military personnel, often wore buzzcuts and flat tops during the summer. During the early to mid 60s, rebellious Irish-American, Italian-American and Hispanic teens influenced by the greaser subculture often wore ducktails, pompadours and quiffs.
|
|
In November 1861 Bandmann returned to New York SS Fanny Kirchner Passenger List, November 11, 1861, Daniel Bandmann, age 24, Ancestry.com where on January 15, 1863, he was well received in his English-language debut at Niblo's Garden as Shylock. Soon his Hamlet gained considerable attention from critics for his introduction of a number of innovations from German theatre, such as bringing his Ghost up from beneath the stage with leaves twitching to and fro matching Hamlet's anxiety. On September 1, 1863, Bandmann appeared at Niblo's in the first performance in New York of John Guido Methua's adaptation from the German of Emil Brachvogel, entitled Narcisse: or, The Last of the Pompadours.
|
|
The group in 1965 When they landed in England, record producer Johnny Franz was keen to sign them up. In a short time, Walker and Engel had secured a recording contract with Philips Records, an affiliate of Mercury, and had played several venues around the UK, with Leeds as drummer. Along with the group's relocation came a change in image, abandoning matching suits and pompadours in favor of the mop top haircuts and casual attire typical of British pop stars. Their first single, "Pretty Girls Everywhere," had little success, but radio stations picked up on the follow-up "Love Her" with Engel's baritone vocals, and it made the Top 20 in the UK Singles Chart in June 1965.
|
|
Priscus remained the title of the festival's ceremonial king, and Alexander Clement Blount II was named the first King Priscus of the new group. Pensacola's first ladies mystic society, the "Pompadour Mystic Society" (the Pompadours), held its first annual Mystic Ball at the Armory Hall on February 19, 1909, crowning Dudley Thornton as King.The Pensacola Journal 2/20/1909 The "Revellers of Ariola", Pensacola's first male mystic society, was organized in 1909The Pensacola Journal 12/26/1909 and held its first Tableau Ball at the K of C Hall on January 28, 1910 crowning Miss Cornelia Bass as Queen of Ariola.The Pensacola Journal 01/26/1910 In 1936, the female krewe "Merry Markers" held its first ball in 1936.
|
|
Jazz musician thumb The conk (derived from congolene, a hair straightener gel made from lye) was a hairstyle popular among African-American men from the 1920s to the 1960s. This hairstyle called for a man with naturally "kinky" hair to have it chemically straightened using a relaxer (sometimes the pure corrosive chemical lye), so that the newly straightened hair could be styled in specific ways. Often, the relaxer was made at home, by mixing lye, eggs, and potatoes, the applier having to wear gloves and the receiver's head having to be rinsed thoroughly after application to avoid chemical burns. Conks were often styled as large pompadours although other men chose to simply slick their straightened hair back, allowing it to lie flat on their heads.
|
|
In the border areas of California and Texas, a distinct youth culture known as pachuquismo developed in the 1940s and has been credited as an influence to Chicanismo. Pachuco zoot suiters were influenced by Black zoot suiters in the jazz and swing music scene on the east coast. In LA, Chicano zoot suiters developed their own cultural identity, "with their hair done in big pompadours, and 'draped' in tailor-made suits ... They spoke cálo, their own language, a cool jive of half-English, half-Spanish rhythms ... Out of the zoot-suiter experience came lowrider cars and culture, clothes, music, tag names, and, again, its own graffiti language." Pachucos were perceived as alien to both Mexican and Anglo-American culture–a distinctly Chicano figure.
|
|
In the 1867-1868 Saltykov- Shchedrin stopped working upon the Pompadours and Pompadouresses series of short stories and sketches and started upon a novel, seeing it a kind of a spin-off for the cycle. In January 1869 two first chapters ("The City Inventory" and "A Little Organ") appeared in the No.1 issue of Otechestvennye Zapiski. A pause followed and lasted till the end of the year: the author wrote and published several satirical fairytales ("The Tale of How One Peasant Fed Two Generals", "The Lost Consciousness", "A Rabid Landlord" and others), started the new series called Tashkenters (Gospoda Tashkentsy) and finished "Sign of the Times" and "Letters About a Province" cycles. The rest of the novel was published in issues No.1-4, 9, 1870, of Otechestvennye Zapiski.
|
|
Elvis Presley with a pompadour haircut in the mid-1950s Indian pop star Sonu Nigam with modern adaptation of the Teddy Boy cut Everly Brothers' pompadour haircut Big Boy Restaurants statue In the 1950s, this hairstyle was not yet called the pompadour, and was donned by James Dean and Elvis Presley. It was then called by other names (Quiff, ducktail, jelly roll, Rocker, Greaser, or simply "the Elvis cut"). During the 1980s, the hair style was associated with the "rockabilly" culture, and adopted by those enamoured with vintage culture of the late 1950s and early 1960s, which included antique cars, hot rods, muscle cars, American folk music, greasers, Teddy Boys, rockabilly bands, and Elvis Presley impersonators. Celebrities known for wearing pompadours during the 1950s and 1960s include Little Richard and Afghanistan's Ahmad Zahir as well as actors such as James Dean, Marlon Brando, and Desi Arnaz.
|
|
DNA", and adding "Here to Go" from 1984's Shout (the only time the song was ever played live), as well as older songs "Blockhead" and "Be Stiff." This gig also marked the last time Devo played "Be Stiff" until the 2009 Freedom of Choice re-release tour as well as the final performances of "When We Do It" and "Somewhere with Devo". The concert saw Devo don a new look, eschewing the aforementioned white Tyvek shirts and shorts and replacing them with multi-colored leisure suits (as seen in the artwork for the album) as well as red pompadours for the encore. In an interview for their 1996 computer game Adventures of the Smart Patrol, Mark Mothersbaugh stated, "Around '88, '89, '90 maybe, we did our last tour in Europe, and it was kind of at that point, we were watching This Is Spinal Tap on the bus and said, 'Oh my God, that's our life.
|
|