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"polysyllabic" Definitions
  1. (of a word) having several (usually more than three) syllables

128 Sentences With "polysyllabic"

How to use polysyllabic in a sentence? Find typical usage patterns (collocations)/phrases/context for "polysyllabic" and check conjugation/comparative form for "polysyllabic". Mastering all the usages of "polysyllabic" from sentence examples published by news publications.

Now it's been traded for polysyllabic corporatese, a negation (de-) of an abstraction (centralize).
It grabbed every polysyllabic word and ambient alliteration available and turned it up to 12.
You know, five-dollar words, polysyllabic words, and that's how, the right way to do it.
Keszler's polysyllabic drumming radiates into other sounds, sometimes shooting off quick sparks, elsewhere generating long, atmospheric tones.
But the gender conversation is vast, and genders themselves are more polysyllabic than ever — so what about all the others?
You go to clubs with polysyllabic names where all you can see is a strip of blue light at belt level.
Malaprop is a character in the 18th-century Irish play The Rivals who delights in elaborate, polysyllabic words and constantly misuses them.
These are built on foundations of salt and monosodium glutamate, artificial flavors, artificial colors, polysyllabic ingredients that are difficult to pronounce much less identify.
And when the hitherto mute Lucky is prompted into polysyllabic speech, it comes across as a pyrotechnic explosion of Carroll-style, grown-up gobbledygook.
It's when I discovered the difference between solving problems outright, and solving problems with this sort of polysyllabic obfuscating jungle, that I made the switch.
Cockwomble is a word in mourning for a power we lost, a polysyllabic bloom of rot on the corpse of swearing as a literary form.
Mr. Rodríguez-Lopez's guitar riffs stop and start, churn and flail; Cedric Bixler-Zavala sings salvos of polysyllabic lyrics, flinging dystopian imagery in all directions.
Every night, I'd practice spelling polysyllabic words, like "arachnophobia" and "Czechoslovakia," backward; I'd do complex math problems; I worked on relearning memories that had been disrupted.
Mr. Rees-Mogg's double-breasted suits, antique diction and penchant for polysyllabic words have long endeared him to a nostalgic set of Conservatives pining for the return of a different Britain.
On "Bop," the third track from his latest album KIRK, DaBaby make good on the song's namesake, slowing his mile-a-minute flow to a steady, polysyllabic stutter made with the club in mind.
His theater work, often in collaboration with David Mamet, features Jay's sleight of hand, his passion for showbiz history and a lascivious joy in the polysyllabic mot juste — the last nicely on show in this book.
"Now it has brinkmanship, and things you wouldn't see before - an 8-year-old spelling a German or polysyllabic word that I've never heard of," said Lala, who will shortly start a medical residency at Brown University.
Mr. Bercow, known for his booming voice and his hyperarticulate, theatrical style, squeezed in a typically polysyllabic farewell as he gave way to a deluge of congratulatory speeches, referring only glancingly to the political chaos that may await.
Madagascar has its own kings and noblemen, whose polysyllabic names lie deeply rooted in the historical conquests and ancient migrations of each tribe, but none of those revered Indian Ocean pedigrees belongs by birthright to either of the half-Italian children.
For the media-averse Diaz, this most recent round of interviews looks like immersion therapy—a drawn-out grind to get him to laugh and answer questions he finds less than stimulating with polysyllabic answers, to shore up social skills that pale compared to his pugilistic ones.
Rising glides can occur at any time and at either monosyllabic or polysyllabic words.
Accent 1 generally occurs in words that were monosyllabic in Old Norse, and accent 2 in words that were polysyllabic.
Goemai also uses reduplication and compounding to form words. Polysyllabic words are also less frequent than monosyllabic words, but are attested. Most commonly, polysyllabic words are of the form CV.CVC, where the first consonant may be subjected to secondary articulation, including prenasalization, labialization, or palatalization. There are three open word classes in Goemai: nouns, verbs, and adverbs.
Big Words' favorite expression of surprise is "I'll be superamalgamated!" This phrase was originally used by the similarly polysyllabic William Harper Littlejohn in Doc Savage.
Italian phonotactics do not usually permit verbs and polysyllabic nouns to end with consonants, except in poetry and song, so foreign words may receive extra terminal vowel sounds.
In disyllabic words, the primary stress is placed on the final syllable. In polysyllabic words, the primary stress is assigned to the antepenult (third from last) syllable, and the last syllable is assigned secondary stress. If the polysyllabic word is five syllables or more, every odd syllable (leftward) from the antepenult syllable is also assigned secondary stress. Therefore, regardless of how many syllables a word has, the primary stress is always on the last or antepenult syllable.
Victor Mair, "Polysyllabic characters in Chinese writing", Language Log, 2011 August 2 However, for the sake of consistency and standardization, the CPC seeks to limit the use of such polysyllabic characters in public writing to ensure that every character only has one syllable. Conversely, with the fusion of the diminutive -er suffix in Mandarin, some monosyllabic words may even be written with two characters, as in huār "flower", which was formerly disyllabic. In most other languages that use the Chinese family of scripts, notably Korean, Vietnamese, and Zhuang, Chinese characters are typically monosyllabic, but in Japanese a single character is generally used to represent a borrowed monosyllabic Chinese morpheme (the on'yomi), a polysyllabic native Japanese morpheme (the kun'yomi), or even (in rare cases) a foreign loanword. These uses are completely standard and unexceptional.
Polysyllabic words are sometimes formed by combining two existing words via compounding, as in the two-syllable word hàːm.ʃíŋ ("gruel"), which is formed from the two single syllable words hàːm ("water"), and ʃíŋ ("mix").
A former member, Rooney Roon, was fired following an assault arrest. Beat-boxer Rahzel was also involved with the group early in its career. The group's work was associated with unorthodox sampling, polysyllabic rhymes, and bizarre lyrical imagery.
Like many indigenous American languages, Yuchi grammar is agglutinative.Speck 1909, p.16. Words are formed by the addition of various prefixes and suffixes to a mono- or polysyllabic stem. Yuchi features separate male and female registersGatschet 1885, p. 253.
According to Thomas Hischak, Hart "had a remarkable talent for polysyllabic and internal rhymes",Hischak, Thomas. The Rodgers and Hammerstein Encyclopedia (2007). Greenwood Publishing Group, p. 109. . and his lyrics have often been praised for their wit and technical sophistication.
At the inception of written Chinese, spoken Chinese was monosyllabic; that is, Chinese words expressing independent concepts (objects, actions, relations, etc.) were usually one syllable. Each written character corresponded to one monosyllabic word. The spoken language has since become polysyllabic, but because modern polysyllabic words are usually composed of older monosyllabic words, Chinese characters have always been used to represent individual Chinese syllables. For over two thousand years, the prevailing written standard was a vocabulary and syntax rooted in Chinese as spoken around the time of Confucius (about 500 BC), called Classical Chinese, or 文言文 wényánwén.
Monotonic orthography, adopted in 1982, replaces the ancient diacritics with just two: the acute accent (tónos, e.g. ), used to mark the stressed syllable in polysyllabic words, and the diaeresis (dialytiká, e.g. ), which indicates that the vowel is not part of a digraph.
Yamato kotoba are generally polysyllabic (often three or more syllables), and more closely follow the CV (consonant-vowel, CVCVCV) pattern of Old Japanese. By contrast, kango are often one or two syllables, and more often have terminal consonants, yōon, and long vowels.
Kambot Ap Ma (Ap Ma Botin, Botin, also Karaube), is a Keram language of Papua New Guinea. Compared to its nearest relative, Ambakich, Kambot drops the first segment from polysyllabic words. Kambot is spoken in Kambot village (), Keram Rural LLG, East Sepik Province.
Pagsanjan is located in the riparian delta formed by the confluence of the Balanac and Bumbungan rivers. Originally named Pinagsangahan, meaning "branching" or "juncture", the town was given renamed Pagsanjan by early Spanish colonists because they found it extremely difficult to pronounce its polysyllabic name.
This fact led Monboddo to perceive that these peoples needed to communicate reliably regarding a more limited number of subjects than in modern civilisations, which led to the polysyllabic and redundant nature of many words. He also came up with the idea that these languages are generally vowel-rich and that correspondingly, languages such as German and English are vowel-starved. According to Burnett, this disparity partially arises from the greater vocabulary of Northern European languages and the decreased need for the polysyllabic content. Monboddo also traced the evolution of modern European languages and gave particularly great effort to understanding the ancient Greek language, in which he was proficient.
Adalgisel Grimo had a double name, such as appears occasionally in early medieval sources. Grimo is the diminutive of a longer polysyllabic name.Herrmann 1975, S. 77. He was educated at the Cathedral of Verdun, served as a deacon under Bishop Paulus of Verdun, and founded Tholey Abbey.
This contrasts with skilled esophageal speakers that spend less than 20% of their time producing noise. Such speech has limited success in making some place of articulation and especially manner of articulation and voicing phonetic distinctions. There are also difficulties in creating consonant clusters and polysyllabic words.
This series, which he both wrote and illustrated, presents the comic misadventures of the eponymous mild-mannered polysyllabic bourgeois. In all 42 albums appeared, the first years with short gags, later with full-length (i.e. 44 pages) stories. The series was continued by Widenlocher after the death of Greg.
The Yuchi verb consists of a mono- or polysyllabic stem modified almost exclusively by suffixing.Wagner 1938, p. 312. Yuchi features attributive verbs, which is to say that the language makes very little distinction between verbs and adjectives as parts of speech. For this reason, Yuchi verbs and adjectives are virtually identical.
Blue-footed boobies make raucous or polysyllabic grunts or shouts and thin whistling noises. The males of the species have been known to throw up their heads and whistle at a passing, flying female. Their ritual displays are also a form of communication. Mates can recognize each other by their calls.
The numbers 1-5 in Hiri Motu are, respectively, ta, rua, toi, hani, ima. The number system in Hiri Motu goes all the way to 100,000. Many of the numbers in Hiri Motu are polysyllabic, meaning they have many syllables. For example, 99 in Hiri Motu is taurahanita ahui taurahanita.
Most MSEA languages are of the isolating type, with mostly mono- morphemic words, no inflection and little affixation. Nouns are derived by compounding; for example, Mandarin Chinese is rich in polysyllabic words. Grammatical relations are typically signalled by word order, particles and coverbs or prepositions. Modality is expressed using sentence-final particles.
The same word, in a decompositional model, would likely be stored under the root word "cat" and could be searched for after removing the "s" suffix. "Falling", similarly, would be stored as "fall" and suffixed with the "ing" inflection.Taft, Marcus and Kenneth I. Forster. "Lexical Storage and Retrieval of Polymorphemic and Polysyllabic Words".
In linguistics, extrametricality is a tool for prosodic analysis of words in a language. In certain languages, a particular segment or prosodic unit of a word may be ignored for the purposes of determining the stress structure of the word. For example, in a language like classical Latin, where polysyllabic words never have stress on their final syllables, and the position of stress in a word is determined by looking at the penultimate and antepenultimate syllables only, it simplifies the linguistic formulation of the stress- assignment rules of Latin to say that the final syllable of a polysyllabic word is invisible to rules which determine stress.Bruce Hayes, "Extrametricality and English Stress", Linguistic Inquiry, Volume 13, issue 2 (Spring 1982), pp. 234-235.
Disyllabic words are stressed on the second-to-last syllable: дéте (: child), мáјка (): mother) and тáтко (: father). Trisyllabic and polysyllabic words are stressed on the third-to-last syllable: плáнина (: mountain) планѝната (: the mountain) планинáрите (: the mountaineers). There are several exceptions to the rule and they include: verbal adverbs (i.e. words suffixed with -ќи): e.g.
Hornby's sister, writer Gill Hornby, is married to writer Robert Harris.Hornby, Nick. (2006.) The Polysyllabic Spree, Viking. . Nick Hornby was directly involved in the creation of the charity Ambitious about Autism, then known as TreeHouse Trust, and its school TreeHouse School, as a result of trying to find specialist education for his son Danny.
The Polysyllabic Spree is a 2004 collection of Nick Hornby's "Stuff I've Been Reading" columns in The Believer. The book collates his columns from September 2003 to November 2004, inclusive. It also includes excerpts from such authors as Anton Chekhov and Charles Dickens. In it, Hornby lists the books he bought each month, and the books he actually read.
Polysyllabic words are always stressed on the final vowel; for example, neai "never" is pronounced . (However, the question clitic "-li" does not affect the stress of the word it attaches to.) Where there is secondary stress, as is found in the compounding of several roots together, it is found on the final syllable between the roots.
In all cases discussed in the other sections of this article, individual characters are simplified, but separate characters are not merged. There are rare cases of single-character abbreviations for multiple-character words or phrases, such as for toshokan, "library", but this is very unusual; see polysyllabic Chinese characters for this phenomenon in Chinese, where it is more common.
His stenographic method consisted in cutting out the superfluous consonants as well as the vowels in polysyllabic words. It used an alphabet composed of 19 letters of simplified shapes. He taught stenography at Oxford as well as the universities of Scotland and Ireland for many years.Butler, 70-71 His system was adopted for several other languages, including French, German, Spanish, Italian, and Swedish.
A few polysyllabic words become monosyllabic though, like "mon1" (monitor), literally means computer monitor. And some new Cantonese lexical items are created according to the morphology of Cantonese. For example, "laai1 記" from the word "library". Most of the disyllabic words and some of the monosyllabic words are incorporated as their original pronunciation, with some minor changes according to the Cantonese phonotactics.
Roots are sometimes monosyllabic, but mostly disyllabic or a word consisting of two syllables. Polysyllabic words are nearly all derived or compound words; as nofogatā from nofo (sit, seat) and gatā, difficult of access; taʻigaafi, from taʻi, to attend, and afi, fire, the hearth, making to attend to the fire; talafaʻasolopito, ("history") stories placed in order, faletalimalo, ("communal house") house for receiving guests.
Hornby has also written essays on various aspects of popular culture and, in particular, he has become known for his writing on pop music and mix tape enthusiasts. Since 2003, he has written a book review column, "Stuff I've Been Reading", for the monthly magazine The Believer; all of these articles are collected between The Polysyllabic Spree (2004), Housekeeping vs.
Dâw and Hup—especially Hup—have undergone grammatical restructuring under Tucano influence. They have lost prefixes but acquired suffixes from grammaticalized verb roots. They also have heavily monosyllabic roots, as can be seen by the reduction of Portuguese loan words to their stressed syllable, as in Dâw yẽl’ "money", from Portuguese dinheiro. Nadëb and Nïkâk, on the other hand, have polysyllabic roots.
Many of the most common polysyllabic English words are of Latin origin through the medium of Old French. Romance words make respectively 59%, 20% and 14% of English, German and Dutch vocabularies.Uwe Pörksen, German Academy for Language and Literature’s Jahrbuch [Yearbook] 2007 (Wallstein Verlag, Göttingen 2008, pp. 121-130) Those figures can rise dramatically when only non-compound and non- derived words are included.
Shakespeare uses the portentous polysyllabic verb prognosticate with the alliteration 'doom and date' which is the stock in the trade of astrologers. This is Shakespeare's prognostication, and it is delivered with a smile. West believed this due to the emphasis against the metre on 'this'. Line 14 is saying that when one is dead, their truths and beauties come to an end as well.
The result was essentially the normal iambic pentameter except for the avoidance of the "Italian" line. It was Philip Sidney, apparently influenced by Italian poetry, who used large numbers of "Italian" lines and thus is often considered to have reinvented iambic pentameter in its final form. He was also more adept than his predecessors in working polysyllabic words into the meter. However, Sidney avoided feminine endings.
However, Keats incorporates spondees in 37 of the 250 metrical feet. Caesurae are never placed before the fourth syllable in a line. The word choice represents a shift from Keats's early reliance on Latinate polysyllabic words to shorter, Germanic words. In the second stanza, "Ode on a Grecian Urn", which emphasizes words containing the letters "p", "b", and "v", uses syzygy, the repetition of a consonantal sound.
Shakespeare Wrote for Money is a 2008 collection of English author Nick Hornby's "Stuff I've Been Reading" columns for The Believer. It contains columns written from August 2006 to September 2008, Hornby's "Stuff I've Been Reading Column." The introduction is written by American author Sarah Vowell. Previous collections of Hornby's "Stuff I've Been Reading Column" were collected in The Polysyllabic Spree (2004) and Housekeeping vs.
He claims that no one knows what he does, and that he does not get paid. His official credit, during the Marvel/Epic run, was usually a ludicrously polysyllabic title that changed every issue. Caricatures of Aragonés, Evanier, Sakai, and Luth often appear as background characters within the stories, sometimes with family members. Evanier and Sakai are also the role models for the characters Weaver and Scribe.
Matbat has five lexical tones: high falling 41, high 3, low rising 12, low level 1, and low falling 21, which in open syllables has a peaking allophone, 121. Most Matbat words are monosyllabic; additional syllables in polysyllabic words are often weak and toneless, though a few words do have two tonic syllables. Examples of some of the longer monomorphemic words are 'star', 'sea shore', 'round', 'butterfly'.
The vocabulary of Teochew shares a lot of similarities with Cantonese because of their continuous contact with each other. Like Cantonese, Teochew has a great deal of monosyllabic words. However, ever since the standardisation of Modern Standard Chinese, Teochew has absorbed a lot of Putonghua vocabulary, which is predominantly polysyllabic. Also, Teochew varieties in Singapore, Malaysia and Indonesia have also borrowed extensively from Malay.
The phonology of Welsh includes a number of sounds that do not occur in English and are typologically rare in European languages. The voiceless alveolar lateral fricative , the voiceless nasals , and , and the voiceless alveolar trill are distinctive features of the Welsh language. Stress usually falls on the penultimate syllable in polysyllabic words, and the word-final unstressed syllable receives a higher pitch than the stressed syllable.
Lord Monboddo's original inkwell from c. 1760 Monboddo studied languages of peoples colonised by Europeans, including those of the Carib, Eskimo, Huron, Algonquian, Peruvian (Quechua?) and Tahitian peoples. He saw the preponderance of polysyllabic words, where some of his predecessors had dismissed these languages as a series of monosyllabic grunts. He also observed that in Huron (or Wyandot) the words for very similar objects are astoundingly different.
This phenomenon exists, in part, because polysyllabic words evolved in Chinese to disambiguate homophones that result from sound changes. This is similar to such phenomena in English as the pen–pin merger of many dialects in the American south and the caught-cot merger of most dialects of American English: because the words "pin" and "pen", as well as "caught" and "cot", sound alike in such dialects of English, a certain degree of confusion can occur unless one adds qualifiers like "ink pen" and "stick pin." Similarly, Chinese has acquired many polysyllabic words in order to disambiguate monosyllabic words that sounded different in earlier forms of Chinese but identical in one region or another during later periods. Because Classical Chinese is based on the literary examples of ancient Chinese literature, it has almost none of the two-syllable words present in modern Chinese varieties.
A distinctive feature of southwestern Mandarin is its frequent use of noun reduplication, which is hardly used in Beijing. In Sichuan, one hears bāobāo () "handbag" where Beijing uses bāo'r (). There are also a small number of words that have been polysyllabic since Old Chinese, such as () "butterfly". The singular pronouns in Mandarin are () "I", ( or ) "you", () "you (formal)", and (, or /) "he/she/it", with - (/) added for the plural.
" When Weber stepped down as an assistant coach in 1958, he became a full-time recruiter for Michigan. At the time, a Michigan sports columnist wrote of Weber: "For 23 years Wally has blown the whistle on freshman football players. . . . The polysyllabic Weber is Michigan's foremost representative on the banquet circuit. In fact, he's about the only one of the staff to get out and stump the state . . .
Most native Germanic words (the bulk of the core vocabulary) are stressed on the root syllable, which is usually the first syllable of the word. Germanic words may also be stressed on the second or later syllable if certain unstressed prefixes are added (particularly in verbs). Non-root stress is common in loanwords, which are generally borrowed with the stress placement unchanged. In polysyllabic words, secondary stress may also be present.
The phonology of Welsh is characterised by a number of sounds that do not occur in English and are rare in European languages, such as the voiceless alveolar lateral fricative and several voiceless sonorants (nasals and liquids), some of which result from consonant mutation. Stress usually falls on the penultimate syllable in polysyllabic words, while the word-final unstressed syllable receives a higher pitch than the stressed syllable.
The individual words are monosyllabic, with the exception of "otto" and his comments "soso" and "ogottogott", which stand out because they are polysyllabic and because they are reduplicated. The pug is the grammatical subject of five sentences. The first and last stanzas of the poem show the pug's actions, which are commented on by Otto, who himself first becomes the agent in the middle of the stanza.Uhrmacher: Spielarten des Komischen.
Each group tells its own ancestral history of migrations through the region. These tales are encoded in long chains of complex polysyllabic names called tsagi that are known only to ritual specialists.Bateson, Gregory, 1958, Naven: A Survey of the Problems Suggested by a Composite Picture of the Culture of a New Guinea Tribe Drawn From Three Points of View, Revised edition, Cambridge: Cambridge University Press (Orig. 1936); Stanek, Milan, 1983.
The most extensive analysis of the co-authorship theory is that of Brian Vickers in 2002. A strong advocate of the Peele theory, Vickers opens his preface by arguing "given that collaboration was very common in Elizabethan, Jacobean and Caroline theatre, and that every major and most minor dramatists shared in the writing of plays, it would be highly unusual if Shakespeare had not done so."Vickers (2002: vii) As well as elaborating on the work of previous analysts such as Parrott, Timberlake, Dover Wilson, Tarlinskaja, Boyd and Jackson, Vickers devises three additional authorship tests.Vickers (2002: 219-230) The first is an analysis of polysyllabic words (words of three syllables or more, excluding names), a test which has been successfully used to distinguish the work of John Webster and Thomas Dekker. Vickers shows that in Act 1, 2.1 and 4.1, polysyllabic words occur every 2.8 lines, a comparable number to elsewhere in Peele.
He next made a start at building his repertoire and bought the rights to comic songs and monologues by several well-established music hall writers, including Sax Rohmer and Bennett Scott. For his routines, Robey developed a characteristic delivery described by Cotes as "a kind of machine-gun staccato rattle through each polysyllabic line, ending abruptly, and holding the pause while he fixed his audience with his basilisk stare."Cotes, p. 43.
Written Chinese () comprises Chinese characters used to represent the Chinese language. Chinese characters do not constitute an alphabet or a compact syllabary. Rather, the writing system is roughly logosyllabic; that is, a character generally represents one syllable of spoken Chinese and may be a word on its own or a part of a polysyllabic word. The characters themselves are often composed of parts that may represent physical objects, abstract notions, or pronunciation.
Originally, "yeah" means "yes/okay" in English, but it means "trendy" when being incorporated into Hong Kong Cantonese (Cf. "yeah baby" and French "yé-yé"). Semantic change is common in loanwords; when foreign words are borrowed into Cantonese, polysyllabic words and monosyllabic words tend to become disyllabic, and the second syllable is in the Upper Rising tone (the second tone). For example, "kon1 si2" (coins), "sek6 kiu1" (security) and "ka1 si2" (cast).
See polysyllabic Chinese morphemes for further discussion. Linguists usually distinguish between productive and unproductive forms when speaking about morphemes. For example, the morpheme ten- in tenant was originally derived from the Latin word , "to hold", and the same basic meaning is seen in such words as "tenable" and "intention." But as ten- is not used in English to form new words, most linguists would not consider it to be a morpheme at all.
In Chuvash, represents the mid central vowel , as in word "editor". It is always reduced and can occur stressed only in the first syllable of a polysyllabic word. The sound varies in its phonetic realization from a reduced or (like the pronunciation of in English "sofa") to a labialized version of the in English "all" (with rounded lips). It is sometimes so reduced as to sound coalesced with the following consonant as in сӑтел table, .
Kristang is a syllable-timed language (not unlike Malay which also displays syllable-based rhythm). According to Baxter (2004), most polysyllabic words in Kristang can be classified into two large groups based on the stress position in the word. ;Stress Rule A Most words which end in a vowel have tonic stress on the penultimate syllable. ;Stress Rule B Most words which end in a consonant have tonic stress on the final syllable.
Uninflected native stem syllables are overwhelmingly monosyllabic. With few exceptions, these monosyllabic stems typically consist of an onset, a vowel (nucleus), and a coda. Their structure is as follows: C (Cj/w) V (V) (V) C The monosyllabic stems give rise to polysyllabic words through processes of derivation or inflection. For verbs and nouns alike, the most common prefixes are /a- ʊ-/, and the most common suffixes are /-Cɪ -ɪ -a (-ɔ)/.
Hemphill created an ethnographic database of hip-hop lyrics covering the period from 1979 to the present. In the database, assets are geotagged and dated according to album release dates. Hemphill calls this data a geography of language in the universe of hip-hop. Hemphill faceted the information with analysis of word count, number of syllables per word, number of letters per word, polysyllabic words, as well as an education and audience reading level rating.
Mizo contains many analyzable polysyllables, which are polysyllabic units in which the individual syllables have meaning by themselves. In a true monosyllabic language, polysyllables are mostly confined to compound words, such as "lighthouse". The first syllables of compounds tend over time to be de-stressed, and may eventually be reduced to prefixed consonants. The word nuntheihna ("survival") is composed of nung ("to live"), theih ("possible") and na (a nominalising suffix); likewise, theihna means "possibility".
The verbal complex is formed of preverbal and postverbal affixes, with preverbal affixes communicating positional, instrumental and pronominal elements. These are added to a verb stem, which can be mono-, duo- or polysyllabic, and either agent (transitive) or patient (intransitive). Most verb stems are passive. Altogether, the Chiwere verb complex is arranged as follows: [wa- pronoun] [wa- directional] [positional] [-wa/ri- pronouns] [ha-/ra- pronouns] [reflexive] [possession] [gi- directional] [instrumental] STEM [pronoun suffix] [causative]Whitman 1947, p. 247.
Some of these may, however, have arisen from early borrowing between members now included in this language family. The history of Vietnamese, to cite one example, shows how an originally atonal, polysyllabic language can, under Chinese influence, adopt the characteristics of the latter.Zev Handel, 'The Classification of Chinese (Sinitic (The Chinese Language Family),‘ in William S-Y. Wang, Chaofen Sun, (eds.) The Oxford Handbook of Chinese Linguistics, Oxford University Press 2015 pp.35-44.p.38.
In Chinese, these ligatures are called () or (); see polysyllabic Chinese characters for more. One popular ligature used on decorations used for Chinese Lunar New Year is a combination of the four characters for (), meaning "ushering in wealth and fortune" and used as a popular New Year's greeting. In 1924, (; 1898–1967) created the ligature from two of the three characters (), meaning "library"."'圕'字怎麼念?什麼意思?誰造的?" Sing Tao Daily online.
After Europe's colonial era widened the orbits of cultural contact, aureation could in theory draw on other ancient languages such as Sanskrit. While many classically derived loan words become useful new terms in the host language, some more mannered or polysyllabic aureations may tend to remain experimental and decorative curiosities. Words such as , , or are examples in Scots. Aureation commonly involves other mannered rhetorical features in diction; for example circumlocution, which bears a relation to more native literary devices such as the kenning.
There are more polysyllabic words in Mandarin than in all other major varieties of Chinese except Shanghainese. This is partly because Mandarin has undergone many more sound changes than have southern varieties of Chinese, and has needed to deal with many more homophones. New words have been formed by adding affixes such as lao- (), -zi (), -(e)r (/), and -tou (/), or by compounding, e.g. by combining two words of similar meaning as in cōngmáng (), made from elements meaning "hurried" and "busy".
Zenzontepec Chatino's tone bearing unit is the mora, and each mora may be assigned a mid tone /M/, a high tone /H/, or be unspecified for tone /Ø/. On words with two or more moras (polysyllabic words or monosyllabic words with long vowels) different combinations of tones can be found (/ØØ/, /ØM/, /MH/, /HØ/, and /HM/), some of which are morphologically specialized (/ØH/ and /MM/ which only appear on words inflected for second person singular), while others do not occur (/MØ/ and /HH/).
Most languages of the world allow syllables without consonants, and monosyllabic words may therefore consist of a single vowel. Examples in English are a, O, I, eye (all of which are diphthongs at least when stressed: ). A smaller number of languages allow sequences of such syllables, and thus may have polysyllabic words without consonants. This list excludes monosyllables (see instead List of words that comprise a single sound) and words such as English whoa and yeah which contain the semivowels y and w.
Since polysyllabic characters are often non-standard, they are often excluded in character dictionaries. Modern examples particularly include Chinese characters for SI units. In Chinese these units are disyllabic and standardly written with two characters, as límǐ "centimeter" ( centi-, meter) or qiānwǎ "kilowatt". However, in the 19th century these were often written via compound characters, pronounced disyllabically, such as for or for – some of these characters were also used in Japan, where they were pronounced with borrowed European readings instead.
Ayla earns her name during her first waking meeting with the Clan members; they cannot pronounce her birth name, and their approximation, "Ayla," becomes her given name. Auel uses the term "polysyllabic" to describe Ayla's birth name, implying it is more than two syllables long. This is may be further supported by Creb's first try at pronouncing her name, "Aay-rr," which could be an attempt to say "Aela." However, Auel does not explicitly state the name of Ayla's birth.
Virtually all polysyllabic morphemes in Mizo can be shown to have originated in this way. For example, the disyllabic form bakhwan ("butterfly"), which occurs in one dialect of the Trung (or Dulung) language of Yunnan, is actually a reduced form of the compound blak kwar, found in a closely related dialect. It is reported over 18 of the dialects share about 850 words with the same meaning. For example, ban ("arm"), ke ("leg"), thla ("wing", "month"), lu ("head") and kut ("hand").
Note that contrary to the information in the map, the dialects of Rogaland, Aust-Agder and Trøndelag are not traditionally classified as East Norwegian, but as West Norwegian, South Norwegian and Trøndersk, respectively. Norwegian is a pitch accent language with two distinct pitch patterns. They are used to differentiate polysyllabic words with otherwise identical pronunciation. Although difference in spelling occasionally allows the words to be distinguished in the written language (such as bønner/bønder), in most cases the minimal pairs are written alike.
In some dialects of Norwegian, mainly those from Nordmøre and Trøndelag to Lofoten, there may also be tonal opposition in monosyllables, as in ('car') vs. ('axe'). In a few dialects, mainly in and near Nordmøre, the monosyllabic tonal opposition is also represented in final syllables with secondary stress, as well as double tone designated to single syllables of primary stress in polysyllabic words. In practice, this means that one gets minimal pairs like: ('the rooster') vs. ('get him inside'); ('in the well') vs.
The Chinese-English section's head entries are not single characters, as in traditional Chinese dictionaries, but monosyllabic and polysyllabic words, which are alphabetically collated using a newly devised system for romanizing Chinese (which became the prototype for Yale romanization). "This represents a radical departure from all earlier Chinese-English dictionaries, which were primarily dictionaries of Chinese characters (hànzi) and not of the spoken language as such" (Norman 1988: 175). Although the Chinese-English section gives characters for head entries, they are treated as secondary.
Classical Chinese lexicon is the lexicon of Classical Chinese, a language register marked by a vocabulary that greatly differs from the lexicon of modern vernacular Chinese. In terms of conciseness and compactness, Classical Chinese rarely uses words composed of two Chinese characters; nearly all words are of one syllable only. This stands directly in contrast with modern Chinese dialects, in which two-syllable words are extremely common. This phenomenon exists, in part, because polysyllabic words evolved in Chinese to disambiguate homophones that result from sound changes.
No syllable ends with a stop or with the retroflex flap /ɽ/. The most common kind of consonant cluster occurs when a syllable ends with a nasal consonant and the next syllable begins with the corresponding stop, but other clusters like /rk/ and /lp/ also occur. Stress is not generally distinctive but is assigned by rule. Polysyllabic words receive primary stress on the first syllable, with secondary stresses tending to occur on alternate syllables thereafter; this rhythm may be broken by the structure of the word and so some three-syllable stress groups occur.
Hashimoto theorized that the varieties of Chinese had been heavily influenced by the non-Chinese languages on their periphery (Wadley 1996: 99-100). For examples, northern varieties have comparatively fewer tonal distinctions and more polysyllabic words than southern Chinese varieties with complex tonal systems and more monosyllabic words. The syntax of sentence structure is frequently subject–object–verb in northern varieties and subject–verb–object in southern ones. Grammatical modifiers contrast between to modifier-modified word order in the north and modified-modifier in the south (Wadley 1996: 102).
Schlegel set the tone for later Orientalists. Scholars went on to point out that monosyllabic Chinese characters could not be equated to polysyllabic Chaldean words used in Bablylon; that in any case, knowledge of ancient Assyria was "dangerously uncertain" and too unreliable to make such claims; and that it had not even been established that Babylonian civilization was earlier than Chinese.Norman J. Girardot, The Victorian Translation of China: James Legge's Oriental Pilgrimage (Berkeley: University of California Press, 2002), 388–390. Girardot describes the controversies in detail, pp. 382–393.
However, there are a few exceptions to this general correspondence, including bisyllabic morphemes (written with two characters), bimorphemic syllables (written with two characters) and cases where a single character represents a polysyllabic word or phrase. Modern Chinese has many homophones; thus the same spoken syllable may be represented by one of many characters, depending on meaning. A particular character may also have a range of meanings, or sometimes quite distinct meanings, which might have different pronunciations. Cognates in the several varieties of Chinese are generally written with the same character.
This analysis was rejected as untenable by the thorough analysis of Wallis (1968) and the three tone analysis became the standard. One variety of the Sierra dialect, that of San Gregorio, has been analyzed as having a fourth, falling tone. In Mezquital Otomi, suffixes are never specified for tone, while in Tenango Otomi, the only syllables not specified for tone are prepause syllables and the last syllable of polysyllabic words. Stress in Otomi is not phonemic but rather falls predictably on every other syllable, with the first syllable of a root always being stressed.
Like most central and eastern Tani languages, Galo is largely synthetic and agglutinating. Two primary lexical tones are present – High and Low – which may reflect two Proto-Tani syllable tones; in modern Galo, the surface TBU (Tone-Bearing Unit) is the usually polysyllabic phonological word. A robust finite/non-finite asymmetry underlies Galo grammar, and clause chaining and nominalization are both rampant. No synchronic verb-serialization appears to exist, although what seems to have been proto-verb-serialization has developed into a very large and productive system of derivational suffixes to bound verbal roots.
In the case of Bate however, in 2002, he came out in support of Brian Vickers' book Shakespeare, Co-Author which restates the case for Peele as the author of Act 1, 2.1 and 4.1.Chernaik (2004: 1030) Vickers' analysis of the issue is the most extensive yet undertaken. As well as analysing the distribution of a large number of rhetorical devices throughout the play, he also devised three new authorship tests; an analysis of polysyllabic words, an analysis of the distribution of alliteration and an analysis of vocatives.
Many writers are not yet aware of the rules for dividing text into words by spaces, and either put a space after each syllable, or run all words together. The manufacturer of this image's blankets put unnecessary spaces into the city name, 'Bishikaike' (which is the correct pinyin for , 'Bishkek') on the bottom line, but wrote the English text in the arc on top with no spaces at all. Although Chinese characters represent single syllables, Mandarin Chinese is a polysyllabic language. Spacing in pinyin is usually based on words, and not on single syllables.
Thus, in most of western and northern Norway (the so-called high-pitch dialects) accent 1 is falling, while accent 2 is rising in the first syllable and falling in the second syllable or somewhere around the syllable boundary. The pitch accents (as well as the peculiar phrase accent in the low-tone dialects) give the Norwegian language a "singing" quality that makes it easy to distinguish from other languages. Accent 1 generally occurs in words that were monosyllabic in Old Norse, and accent 2 in words that were polysyllabic.
The difference occurs only in certain words ending in the sounds [m] or [ŋ]; for instance, the word kham (, "piece") is pronounced with a high flat tone, whereas the word Khams (, "the Kham region") is pronounced with a high falling tone. In polysyllabic words, tone is not important except in the first syllable. This means that from the point of view of phonological typology, Tibetan could more accurately be described as a pitch-accent language than a true tone language, in which all syllables in a word can carry their own tone.
It is furthermore lengthened in the adjectives bad, glad and mad; family also sometimes has a long vowel, regardless of whether it is pronounced as two or three syllables. Some speakers and regional varieties also use before , , and/or ; such lengthening may be more irregular than others. Lengthening is prohibited in the past tense of irregular verbs and function words and in modern contractions of polysyllabic words where the was before a consonant followed by a vowel. Lengthening is not stopped by the addition of word-level suffixes.
Geoffrey Blainey, A Short History of the World, p.87, citing J.T. Hooker et al., Reading the Past: Ancient Writing from Cuneiform to the Alphabet, British Museum, 1993, Ch. 2 A word that consists of a single syllable (like English dog) is called a monosyllable (and is said to be monosyllabic). Similar terms include disyllable (and disyllabic; also bisyllable and bisyllabic) for a word of two syllables; trisyllable (and trisyllabic) for a word of three syllables; and polysyllable (and polysyllabic), which may refer either to a word of more than three syllables or to any word of more than one syllable.
It was primarily spoken in the Amazonas region of Venezuela and along the Colombian border, and had dialects called Quirruba and Baniva-Avani. The language likely began deteriorating with the arrival of the Jesuits in the late 18th century. The Avane language included a colloquial name to refer to the neighboring indigenous Maipure people, "Metimetichini", which may be humorously alluding to the polysyllabic nature of many Maipure words and contains two sounds not usually found in Avane. The language also shares some words with others in the same family, including Maipure and Guipunave, but is clearly phonetically distinct.
" His official position was public relations, which one paper said "in blunt terms means recruiting chief." In the 1950s and 1960s, Weber was a popular banquet speaker renowned for his "polysyllabic fluency," "mind--boggling after-dinner speeches," and his often humorous talks about the history of Michigan football. It was noted that he would "regale with dubious rhetoric" audiences before whom he would thunderously and whimsically "expatiate upon" Michigan's storied history. Another described Weber's unusual speaking style this way: "He still sounds like an educated foghorn, and still flips that king's English around in a manner to amaze and apall old Noah Webster.
Some polysyllabic morphemes exist even in Old Chinese and Vietnamese, often loanwords from other languages. A related syllable structure found in some languages, such as the Mon–Khmer languages, is the sesquisyllable (from meaning "one and a half"), consisting of a stressed syllable with approximately the above structure, preceded by an unstressed "minor" syllable consisting only of a consonant and a neutral vowel . That structure is present in many conservative Mon–Khmer languages such as Khmer (Cambodian), as well as in Burmese, and it is reconstructed for the older stages of a number of Sino-Tibetan languages.
All roots carry primary stress. Most words begin with a two-syllable sequence of the sort, CV:CV (with primary stress on the V). The roots of polysyllabic words cannot always be isolated in this language, making it impossible to predict where the primary stress is going to fall solely on the type of morpheme. However, primary stress does occur on the second syllable of most words, including the words in which the roots cannot be isolated. The weakest degree of stress falls on a syllable following a primarily or secondarily stressed syllable, and alternates on the following syllables.
In English, since the early modern period, polysyllabic nouns tend to have an unstressed final syllable, while verbs do not. Thus, the stress difference between nouns and verbs applies generally in English, not just to otherwise-identical noun-verb pairs. The frequency of such pairs in English is a result of the productivity of class conversion. When "re-" is prefixed to a monosyllabic word, and the word gains currency both as a noun and as a verb, it usually fits into this pattern, although, as the following list makes clear, most words fitting this pattern do not match that description.
The vocative of nouns is the only remaining case in the Macedonian language and is used to address a person directly. The vocative case always ends with a vowel, which can be either an -у (јунаку: hero vocative) or an -e (човече: man vocative) to the root of masculine nouns. For feminine nouns, the most common final vowel ending in the vocative is -o (душо, sweetheart vocative; жено, wife vocative). The final suffix -e can be used in the following cases: three or polysyllabic words with the ending -ица (мајчице, mother vocative), female given names that end with -ка: Ратка becomes Ратке and -ја: Марија becomes Марије or Маријо.
Lapidge states that "the hermeneutic style was practised with considerable flair and enthusiasm at Canterbury". Other centres of the style were also closely associated with leaders of the Benedictine reform: Ramsey Abbey, founded by Oswald, Bishop of Worcester, Glastonbury Abbey, where the future Archbishop of Canterbury, Dunstan, was abbot in the 940s and Winchester, where Æthelwold was bishop. There are different emphases in the various centres: a predilection for neologisms at Canterbury and for grecisms at Winchester, while the leading Ramsey scholar, Byrhtferth, favoured unusual polysyllabic adverbs. The most important document of the Benedictine Reform, the Regularis Concordia, drafted by Æthelwold, was written in hermeneutic style strongly influenced by Aldhelm.
Double Happiness is a ligature, "囍" composed of 喜喜 – two copies of the Chinese characters (') literally meaning joy, compressed to assume the square shape of a standard Chinese character (much as a real character may consist of two parts), and is pronounced as a polysyllabic Chinese character, being read as 双喜 (shuāngxǐ). Typically the character "囍" is written in Chinese calligraphy, and frequently appears on traditional decorative items, associated with marriage. Double happiness symbol also often found all over the wedding ceremony, as well as on gift items given to the bride and groom. The color of the character is usually red, occasionally black.
In Classical Chinese, a word and a character were almost the same thing, so that word dividers would have been superfluous. Although Modern Mandarin has numerous polysyllabic words, and each syllable is written with a distinct character, the conceptual link between character and word or at least morpheme remains strong, and no need is felt for word separation apart from what characters already provide. This link is also found in the Vietnamese language; however, in the Vietnamese alphabet, virtually all syllables are separated by spaces, whether or not they form word boundaries. An example of Javanese script scriptio continua of the first article of declaration of human rights.
The Chinese language, however, was quite different from the Korean language, consisting of terse, often monosyllabic words with a strictly analytic, SVO structure in stark contrast to the generally polysyllabic, very synthetic, SOV structure, with various grammatical endings that encoded person, levels of politeness and case. Despite the adoption of literary Chinese as the written language, Chinese never replaced Korean as the spoken language, even amongst the scholars that had immersed themselves into its study. The first attempts to make literary Chinese texts more accessible to Korean readers were hanmun passages written in Korean word order. This would later develop into the gugyeol () or 'separated phrases,' system.
Languages in the "Sinosphere" (East Asia and Viet Nam) tend to be analytic, with little morphology, monosyllabic or sesquisyllabic lexical structures, extensive compounding, complex tonal systems, and serial verb constructions. Languages in the "Indosphere" (South Asia and Southeast Asia) tend to be more agglutinative, with polysyllabic structures, extensive case and verb morphology, and detailed markings of interpropositional relationships. Manange (like other Tamangic languages) is an interesting case to examine in this regard, as geographically it fits squarely in the "Indospheric" Himalayas, but typologically it shares more features with the "Sinospheric" languages. Tibeto-Burman languages spoken in the Sinosphere tend to be more isolating, while those spoken in the Indosphere tend to be more morphologically complex.
Although many of the finer details remain unclear, most scholars agree that Old Chinese differed from Middle Chinese in lacking retroflex and palatal obstruents but having initial consonant clusters of some sort, and in having voiceless nasals and liquids. Most recent reconstructions also describe Old Chinese as a language without tones, but having consonant clusters at the end of the syllable, which developed into tone distinctions in Middle Chinese. Most researchers trace the core vocabulary of Old Chinese to Sino-Tibetan, with much early borrowing from neighbouring languages. During the Zhou period, the originally monosyllabic vocabulary was augmented with polysyllabic words formed by compounding and reduplication, although monosyllabic vocabulary was still predominant.
This is similar to such phenomena in English as the pen–pin merger of many dialects in the American south: because the words "pin" and "pen" sound alike in such dialects of English, a certain degree of confusion can occur unless one adds qualifiers like "ink pen" and "stick pin." Similarly, Chinese has acquired many polysyllabic words in order to disambiguate monosyllabic words that sounded different in earlier forms of Chinese but identical in one region or another during later periods. Because Classical Chinese is based on the literary examples of ancient Chinese literature, it has almost none of the two-syllable words present in modern varieties of Chinese. Classical Chinese has more pronouns compared to the modern vernacular.
Entries in Lin Yutang's Chinese-English Dictionary of Modern Usage are lexicographically sophisticated and have accurate translation equivalents. The basic format for a head entry gives the character, the Instant Index System code, the pronunciation(s) in Simplified GR, the part or parts of speech, optionally other speech levels (e.g., "sl." for slang), English translation equivalents for the head character and usage examples of polysyllabic compounds, phrases, and idioms, subdivided by numbers for multiple meanings, and lastly a list of common Chinese words using the entry character, each given with characters, pronunciation, part of speech, and translation equivalents (Ching 1975: 524). The dictionary distinguishes historical varieties: AC (Ancient Chinese), MC (Middle Chinese), LL (Literary Language), and Dial.
It uses only a single accent mark, the acute (also known in this context as tonos, i.e. simply "accent"), marking the stressed syllable of polysyllabic words, and occasionally the diaeresis to distinguish diphthongal from digraph readings in pairs of vowel letters, making this monotonic system very similar to the accent mark system used in Spanish. The polytonic system is still conventionally used for writing Ancient Greek, while in some book printing and generally in the usage of conservative writers it can still also be found in use for Modern Greek. Although it is not a diacritic, the comma has a similar function as a silent letter in a handful of Greek words, principally distinguishing (ó,ti, "whatever") from (óti, "that").
Language is tested by asking the patient to complete a set of sequenced physical commands using a pencil and piece of paper such as "place the paper on top of the pencil"; to write two grammatically-complete sentences; to repeat several polysyllabic words and two short proverbs; to name the objects shown in 12 line drawings, and answer contextual questions about some of the objects; and to read aloud five commonly-mispronounced words. Language involves ascribing meaning to words and statements so this section consists of simple directions that may involve movements, such as the example of placing the paper on top of the pencil, to see how well they apply meaning. Because language is valuable and important to functioning in society, this section is the longest consisting of seven separate parts.
Verbs with monosyllabic roots can have three different forms of their active stems: the singular imperative, which is just the root; the past stem, usually identical to the root but sometimes formed by adding -k (with changes to the preceding consonant); and the future stem, usually identical to the root but sometimes formed by changing the tone from mid 3 to high 4 or from bottom 1 to top 5. Some have causative (formed by adding or , and changing mid tone to high) and passive (formed by adding , , or to the causative) forms. Verbal nouns are formed from the stem, sometimes with tone change or addition or . Verbs with polysyllabic roots have at least two forms, one with an intransitive or passive meaning and one with a transitive or causative meaning; the former ends in , the latter in .
Systems of scansion, and the assumptions (often tacit or even subconscious) that underlie them, are so numerous and contradictory that it is often difficult to tell whether differences in scansion indicate opposed metrical theories, conflicting understandings of a line's linguistic character, divergent practical goals, or whether they merely constitute a trivial argument over who has the "better ear" for verse. There is even a debate among scholars as to what systems were inherited from the Greek and Roman poetry. To understand any form of scansion, it is necessary to appreciate the difference between meter and rhythm. The rhythm of language is infinitely varied; all aspects of language contribute to it: loudness, pitch, duration, pause, syntax, repeated elements, length of phrases, frequency of polysyllabic words... As C.S. Lewis observes, "[i]f the scansion of a line meant all the phonetic facts, no two lines would scan the same way".
In A Dictionary of Modern English Usage, Henry W. Fowler's general approach encourages a direct, vigorous writing style, and opposes all artificiality, by firmly advising against convoluted sentence construction, the use of foreign words and phrases, and the use of archaisms. He opposed pedantry, and ridiculed artificial grammar rules unwarranted by natural English usage, such as bans on ending a sentence with a preposition; rules on the placement of the word only; and rules distinguishing between which and that. He classified and condemned every cliché, in the course of which he coined and popularised the terms battered ornament, vogue words, and worn-out humour, while defending useful distinctions between words whose meanings were coalescing in practice, thereby guiding the speaker and the writer away from illogical sentence construction, and the misuse of words. In the entries "Pedantic Humour" and "Polysyllabic Humour" Fowler mocked the use of arcane words (archaisms) and the use of unnecessarily long words.

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