"It's a topic that polarises opinions," Bilston told the indy100.
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But they have turned it into an issue that polarises diplomatic opinion.
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But nearly a decade after coming to Britain, the event's worth to retailers still polarises opinion.
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But we're told the company was so happy Cespedes put his Polarises out on display during his spring training car show -- they sent him TWO FREE ONES!
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As Britain polarises over Brexit, a growing number of voters want parties that represent clear, stark views of EU membership: leave without a deal, or reverse the referendum and remain.
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Anything that polarises voters by religion benefits the BJP, especially in nearby West Bengal, where Muslims are over a quarter of the population and the BJP is locked in a political knife-fight with a regional party it accuses of coddling Muslims, the Trinamool Congress.
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In practice, however, capitalism does not homogenise but rather polarises the world. Eurocentrism is thus more of an ideal than a real possibility. It also creates problems in reinforcing racism and imperialism.
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Ultimately, for Garner, Cochrane's theory serves as a challenge to abolitionism, which, Garner fears, both polarises the debate and is unrealistic.Garner 2012, pp. 100, 102–3. The themes of this review were built upon in Garner's 2013 book A Theory of Justice for Animals.
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He was replaced by Andrea Kalavská on that position. Drucker, however, resigned only after three weeks in the position. Instead of removing the President of the Police from his office, which the protests demanded, he resigned himself. He stated that he could not feel authentic in a position that polarises the society.
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In left-leaning provinces, local terror fatalities increase support for right-of-centre political parties, whilst terror fatalities outside of the province increase support for left-of-centre political parties. They conclude that their analysis provides evidence for the theory that the electorate is sensitive to terrorism, and demonstrates that terrorism polarises the electorate.
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A catalytic triad charge-relay system as commonly found in proteases. The acid residue (commonly glutamate or aspartate) aligns and polarises the base (usually histidine) which activates the nucleophile (often serine or cysteine, occasionally threonine). The triad reduces the pKa of the nucleophilic residue which then attacks the substrate. An oxyanion hole of positively charged usually backbone amides (occasionally side-chains) stabilise charge build-up on the substrate transition state.
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Since no natural amino acids are strongly nucleophilic, the base in a catalytic triad polarises and deprotonates the nucleophile to increase its reactivity. Additionally, it protonates the first product to aid leaving group departure. The base is most commonly histidine since its pKa allows for effective base catalysis, hydrogen bonding to the acid residue, and deprotonation of the nucleophile residue. β-lactamases such as TEM-1 use a lysine residue as the base.
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The acidic triad member forms a hydrogen bond with the basic residue. This aligns the basic residue by restricting its side-chain rotation, and polarises it by stabilising its positive charge. Two amino acids have acidic side chains at physiological pH (aspartate or glutamate) and so are the most commonly used for this triad member. Cytomegalovirus protease uses a pair of histidines, one as the base, as usual, and one as the acid.
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The chemistry of lithium shows several differences from that of the rest of the group as the small Li+ cation polarises anions and gives its compounds a more covalent character. Lithium and magnesium have a diagonal relationship due to their similar atomic radii, so that they show some similarities. For example, lithium forms a stable nitride, a property common among all the alkaline earth metals (magnesium's group) but unique among the alkali metals. In addition, among their respective groups, only lithium and magnesium form organometallic compounds with significant covalent character (e.g.
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The villagers, in their fight are supported and advised by Mao who regularly sends messages to the villagers, written on cloth. Later in the film it is revealed that Mao is none other than Matru who is advising the villagers without revealing himself in order to retain the key position as Harry's aide. Bijlee's love for Baadal is depicted to be a contradiction to her subtle, probably subconscious, knowledge of Baadal's incompatibility with her. This subtle thought aggravated by Baadal's affiliation and deeds supporting his mother's corrupt cause, overpowers Bijlee's will to marry him and polarises her into helping Matru and the villagers instead.
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Threonine proteases, such as the proteasome protease subunit and ornithine acyltransferases use the secondary hydroxyl of threonine in a manner analogous to the use of the serine primary hydroxyl. However, due to the steric interference of the extra methyl group of threonine, the base member of the triad is the N-terminal amide which polarises an ordered water which, in turn, deprotonates the catalytic hydroxyl to increase its reactivity. Similarly, there exist equivalent 'serine only' and 'cysteine only' configurations such as penicillin acylase G and penicillin acylase V which are evolutionarily related to the proteasome proteases. Again, these use their N-terminal amide as a base.
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Deacon said in an interview published in the Sydney Biennale 2000 "Photography is white people's invention. Lots of things seem really technical, for example the camera, the darkroom.. I've started taking the kind of pictures I do because I can't paint..and then I discovered it was a good way of expressing some feelings that lurk inside". Deacon works across a spectrum of different mediums including photography, video, installation and performance, but her most prominent is her use of dolls to convey her message about the racism that exists within Australia. Deacon's photography polarises popular Anglo culture against Indigenous existence, creating satirical images, using Aboriginal imagery, found items, family members, and friends in very strange scenarios.
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Mitchell has been described as "a director who polarises audiences like no other" and "the closest thing the British theatre has to an auteur". In 2007, the artistic director of the NT accused the British press of affording Mitchell's productions "misogynistic reviews, where everything they say is predicated on her sex". Her productions have been described as "distinguished by the intensity of the emotions, the realism of the acting, and the creation of a very distinctive world" and accused of "a willful disregard for classic texts", but Mitchell suggests that "there's a signature in every director's work" and that it is not her intent to work to a "strong personal signature". At the beginning of her career, Mitchell's process involved long and intensive rehearsal periods and use of the Stanislavski's system.
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