Jake Gyllenhaal, you'll be delighted to hear, can speak pointillism.
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Now abstract liner isn't new — remember the pointillism trend from last year?
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"Artist who went dotty?" is a comment on his use of pointillism.
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We think Georges Seurat, the father of pointillism, would be very proud.
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The technique was known as pointillism, and it seemed new at the time.
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Instead, he describes his technique as pointillism that is both efficient and minimally traumatic.
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The decorations of Pont Alexandre III are lit with the pointillism of the Lyon school.
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Even more to the, uh, point, he can sing pointillism, which isn't easy at all.
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Drawings in all manners of style — pointillism, minimalism, Art Deco, realism, Pop Art — covered the walls.
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Forbes's writing combines the gale-force imagination of Margaret Atwood with the lyrical pointillism of Toni Morrison.
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I started playing around with rhinestones when I became interested in notions of pointillism during my undergrad years.
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After Reben gave SeuratBot a photo to work with, he instructed it to create a portrait in the style of pointillism.
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Pixel art, the digital equivalent to old-school pointillism, can be an incredibly tedious to make if you don't know how.
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I produced a series of portraits using elements of pointillism and optical color mixing to get the most photorealistic results possible.
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Sometimes that means embracing mind-bending new formats like VR memories that recreate a scene in digital pointillism based on a photo.
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The results, shown on giant screens or projected onto walls or entire buildings, use data points in a kind of AI pointillism.
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Is there a sort of pointillism equivalent for film in digital stuff next to the more watercolor-y way actual film stock behaves?
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That's certainly the unspoken message of Talmadge's exhibition, for which she appropriates pointillism as the perfect aesthetic form to envisage a funeral home.
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Evenly spreading it out over the entire grid to simulate pointillism, while maintaining the best fill possible, required several nonstandard constraints and techniques.
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The first iterations of pointillism emerged way back in 1886, when artists covered their canvases in small dots of color rather than sweeping strokes.
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The dotlike stencils aren't dissimilar from the pointillism of Georges Seurat or the digital tricks of contemporary painters like Albert Oehlen and Jeff Elrod.
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It looked like some kind of "pointillism" filter had been applied to make the figure look mysterious, or maybe to disguise a skin condition.
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It was a technique that's come to be known as pointillism, and thanks to this vibrating electronic pen, the process is now far less excruciating.
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The result: 14 dots before either word, two dots in POINTILLISM, 15 dots between the two, 3 dots in GEORGES SEURAT and eight dots afterward.
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The museum houses the collection of American couple William and Anna Singer, with a focus on modernism such as neo-impressionism, pointillism, expressionism and cubism.
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Some observers will look at the Belt and Road Initiative, and the occupation of islands in the South China Sea, and detect pointillism with Chinese characteristics.
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Nothing says money like total color coordination, but none of this would look good if Ms. Talmadge's pointillism weren't so convincing, down to the painted frames.
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To enhance the blurry quality of the warplanes, he painted dots on the bounding pictorial frames, turning the revealed RGB dots into a mimicry of traditional pointillism.
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Something about the polychromatic pointillism of lidar imagery has always intrigued me, but as a writer I can't say I have many opportunities to use the technology.
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"The Girls" is most acute at this local level—the perfect pointillism evoking a remembered world in which detail itself seems precariously balanced between report and hallucination.
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In other works, County obsessively draws dots in bright colors, rimmed in black or white circles, rendering these cloaked characters in a manner akin to psychedelic pointillism.
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Second, I intersected parts of the painting's name with POINTILLISM and GEORGES SEURAT, which I also had to keep away from the top, the bottom, and each other.
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Combined with previous images from nearby caves in France and Spain, the tablets suggest an early form of pointillism, and a very early point on art history's timeline.
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Like many of Mr. Mendini's works, it mixed two somewhat incongruous influences: It's an oversize Baroque armchair but decorated in a pointillism reminiscent of the artist Paul Signac.
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Robert Rauschenberg's backdrop — an abstraction of Monet's Impressionist landscapes and Seurat's pointillism, with contributions made by both Jasper Johns and Mr. Taylor himself — brought an immediate burst of applause.
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Wenzel Hablik, a technicolor utopian from the early 20th century whose early work waves between pointillism and a fauvist palette, may initially seem more like a follower than a leader.
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"An Old Tree" (2016) was done on a vertical sheet of nylon fabric printed with a grid of tiny dark and light blue squares — the modernist grid as commercial pointillism.
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And it's only the sketchy gray man paddling a canoe across "The Beginning" who, by keeping the painting anchored however tenuously in figuration, gives its psychedelic pointillism the power to shock.
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It's a kind of grainy pointillism, and as the artist Jennie C. Jones notes in a brief catalog essay, a sort of visual music comparable to the minimalist jazz piano of Ahmad Jamal.
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I dress in a full skirt and polka dot blouse so I'm on theme for the "Spot On" museum event at the Barnes tonight — it's inspired by pointillism, and dressing to theme is encouraged!
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Where weather wonks of centuries past sought in rain gauges and barometers something like a brush with divinity, in the pointillism that emerges from today's observation stations, we hunt, strangely, for traces of ourselves.
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He switched from brush strokes to pointillism to convey young Einstein's understanding of the atom on one page of "On a Beam of Light: A Story of Albert Einstein" (20173), written by Jennifer Berne.
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With his oeuvre ranging from pointillism to cadavers as sculpture — the infamous shark in formaldehyde, shocking in 1992, was inspired by the film "Jaws," he said — much of it was made by an army of helpers.
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End up being a little disappointed by the event itself (drink lines are insane, snacks are just okay, and there is no pointillism anywhere!), but we have a lot of fun with a big group of friends.
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Even though I didn't spend my childhood fussing with DOS like many did I can still see the appeal of all that digital pointillism lovingly rendering every weft of dark auburn hair and every pale, lacy ruffle.
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Honoré Daumier plays a supporting role, and cameos are made by Paul Signac, Seurat's sidekick in color theory, and the talented Louis Hayet, who was either at their heels or just ahead of them in inventing Pointillism.
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For his latest body of work, the artist Paul Anthony Smith, photographed here in his Brooklyn studio, created textured photographic collages, which he calls "picotages," that evoke both pointillism and the West African coming-of-age ritual of scarification.
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And in her songwriting, in addition to Antonoff she collaborates with Louis Bell and Joel Little, who have been some of the most successful songwriters in pop over the last two years, but who don't approach the power of Swift's pointillism.
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And in her songwriting, in addition to Antonoff she collaborates with Louis Bell and Joel Little, who have been some of the most successful songwriters in pop over the last two years, but who don't approach the power of Swift's pointillism.
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While pointillism was about the optical, Drummond, in a passage quoted on the gallery's website for her solo show in 2724, describes the effect of her work in terms of sound: […] like a humming, a drone, emanating from somewhere, a unified field, pulsing, energetic.
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But she has sidestepped Impressionism's speedy improvisation for an implicitly static style: the dot-by-dot pointillism of the Post-Impressionist painter Georges Seurat, a method that has all the deliberation and precision of a funeral director preparing a corpse for an open coffin.
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Smith, 31, made the barrier by picking for hours at the image with a retrofitted wooden needle tool that he often uses to puncture the surface of his pictures, a technique which evokes both the coming-of-age ritual of scarification once common in West Africa and the luminous pointillism of Georges Seurat.
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Over his brief six-year career, he pursued a range of styles, including a sober realism befitting portrait commissions but enlivened by texture and chromatic daring; a somewhat stiff, regimented Impressionism; a scaled-up airy pointillism; and a loose Post-Impressionism indebted to Munch and Van Gogh, whose influences run throughout his work.
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In her large, multi-media works, vivid spray-painted, translucent atmospheres are contrasted with opaque, hand-painted geometric areas reminiscent of pointillism or pixelation, a juxtaposition that creates significant spatial depth Recent works such as "Gray Matter" (2017) inhabit an intersection between the theatrical baroque and the graphic specificity of stained glass, which is accentuated a dynamic sense of movement, swirling spirals, upward diagonals, and heavy impasto.
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I could continue to expound on the individual works — the coarse, delicious pointillism of "Dot Universe" (2018) by Jason Luckoff; Jacob Barron's small, tombstone-like monuments made from found and cut scrap wood and assembled, along with a stream-of-consciousness narrative, into "journal pages"; the evocative and vulnerable little papier-mâché "Huckleberry Mountain" (2018) by Brian Nanry, whose work is largely inspired by alien landscapes — but perhaps it's time for the reveal.
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In her essay, Birmingham draws connections to Swain's "brushstroke paintings" from Georges Seurat's pointillism and Claude Monet's serial haystacks and cathedrals, and in her section on Sanford Wurmfeld, she cites a 21 exhibition, Past Present: Conversations Across Time, at the Allentown Art Museum in Allentown, Pennsylvania, in which "the curators invited Wurmfeld to create a new work in dialogue with Canaletto's View of Piazza San Marco, Venice (22011-215)," a pairing that reflected Wurmfeld's fascination with panoramic painting (see Yau's review of the artist's viewer-enveloping cycloramas, exhibited at the Neuberger Museum of Art, Purchase, New York, in 21).
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Pointillism also refers to a style of 20th-century music composition. Different musical notes are made in seclusion, rather than in a linear sequence, giving a sound texture similar to the painting version of Pointillism. This type of music is also known as punctualism or klangfarbenmelodie.
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Seurat's Parade de cirque, 1889, showing the contrasting dots of paint which define Pointillism Pointillism () is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" was coined by art critics in the late 1880s to ridicule the works of these artists, but is now used without its earlier mocking connotation. The movement Seurat began with this technique is known as Neo-impressionism.
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Betty Acquah (born 20 March 1965) is a Ghanaian feminist painter. She uses the techniques of pointillism, oil painting and acrylic.
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Le Pont Neuf (c. 1912) Hippolyte Petitjean (11 September 1854, Mâcon – 18 September 1929, Paris) was a French Post-Impressionist painter who practiced the technique of pointillism.
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One of his lesser-known paintings, The Lagoon of Saint Mark, Venice, (1905) is a prime example of his technique of pointillism and experimentation with color theory.
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Daniels married television producer Victor Cipolla in 2017. She is also a blogger and painter. She creates her artwork under the name "Kira Lee". Her technique is pointillism.
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Biography @ Stephen Ongpin Art He was initially associated with the Neo-impressionists, such as Paul Signac and Georges Seurat. For a time, he practiced Pointillism, but returned to more classical styles in 1890. As a result, Paul Signac removed his name from the second edition of his book, From Eugène Delacroix to Neo-impressionism (considered to be the manifesto of Pointillism). His original workshop was in La Frette, where he painted numerous cityscapes and landscapes.
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By viewing a funeral parlor or a treatment center through the conventions of pointillism or midcentury melodramas, she transforms the private inevitability of loss or trauma into something demanding collective examination.
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Retrieved 2016-10-27. He has also captured a famous location in San Francisco, Dolores Park, where he used pointillism."A Sunday Afternoon at Dolores Park (2009)." www.sfmuralarts.com. Retrieved 2016-10-27.
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The effective utilization of pointillism facilitated in eliciting a distinct luminous effect, and from a distance, the dots came together as a whole displaying maximum brilliance and conformity to actual light conditions.
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Having been introduced to Impressionism and Pointillism in Paris, van Gogh began experimenting with related techniques. Van Gogh also utilized complementary colors to allow the formation of vibrant contrasts which enhance each other when juxtaposed.
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In Bank of the Seine (F293) van Gogh uses Pointillism in the small dots for the trees, larger dots in the sky and dashes for water. Impressionism is harnessed to create light and reflection of the water.
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In Bank of the Seine (F293) van Gogh uses Pointillism in the small dots for the trees, larger dots in the sky and dashes for water. Impressionism is harnessed to create light and reflection of the water.
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Divisionism developed along with another style, Pointillism, which is defined specifically by the use of dots of paint and does not necessarily focus on the separation of colors.Ratliff, Floyd. Paul Signac and Color in Neo- Impressionism. New York: Rockefeller UP, 1992. .
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Nowak's paintings were brightly coloured and naturalistic; under the Secession's influence, he experimented with pointillism in the style of Théo van Rysselberghe. His work as a designer was firmly within the Secession's tradition. He was influenced by Theodor von Hörmann.
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Artists like Atanasije Popović, Lazar Drljača, Gabrijel Jurkić, Branko Radulović, Petar Šain etc., are influenced by academism with slight touches of impressionism, art nouveau, and pointillism. After the Great Exhibition of Bosnian Artists in 1917, the native born artists have prevailed.
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The practice of Pointillism is in sharp contrast to the traditional methods of blending pigments on a palette. Pointillism is analogous to the four-color CMYK printing process used by some color printers and large presses that place dots of cyan, magenta, yellow and key (black). Televisions and computer monitors use a similar technique to represent image colors using Red, Green, and Blue (RGB) colors.Vivien Greene, Divisionism, Neo-Impressionism: Arcadia & Anarchy, Guggenheim Museum Publications, 2007, If red, blue, and green light (the additive primaries) are mixed, the result is something close to white light (see Prism (optics)).
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Marie Bronislava Vorobyeva-Stebelska (; 1892 - 4 May 1984), also known as Marevna, was a 20th-century, Russian-born painter known for her work with Cubism and pointillism. She is internationally known for convincingly combining elements of cubism (called by her "Dimensionalism") with pointillism and – through the use of the Golden Ratio for laying out paintings – structure. She has been accredited with being the first female cubist painter. Though she lived the greater part of her life abroad – her formative years as a cubist painter in France and her mature years in England – she is often referred to as a "Russian painter".
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Instead they are absorbed into a kaleidoscopically fragmented texture that has often been compared to a painterly technique known as pointillism.”Taruskin, R. (2010, p.731) The Oxford History of Western Music: Music in the Early Twentieth Century. Oxford University Press. Listen.
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The Two Sisters, also known as The Serruys Sisters is an 1894 oil painting by Belgian artist Georges Lemmen, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It uses pointillism to depict the sisters Jenny and Berthe Serruys.
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Van Gogh learned from Seurat the beauty in simplicity and a means to convey messages in a more optimistic, light way than his work in the Netherlands. While he could not match Seurat's precision, aspects of Pointillism were integrated into van Gogh's work.
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From then on, most of his works would have Northern themes and he visited the area every year until 1914; often going to places that were dangerous to reach. In 1904, under the influence of Igor Grabar, he began experimenting with pointillism.
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Pointillism was the only exception as he occasionally painted in this style up until 1931, taking inspiration from Georges Seurat. He claimed to be influenced by the Ashcan School early on in his career. Held admired the caricatural quality of Greek vase painting.Held, John. 1972.
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Van Gogh learned from Seurat the beauty in simplicity and a means to convey messages in a more optimistic, light way than was his work in the Netherlands. While he could not match Seurat's precision, aspects of Pointillism were integrated into van Gogh's work.
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There is no masterpiece that has not an aggressive character. Poetry must be a violent assault on the forces of the unknown, to force them to bow before man.” The Futuristic style borrows from other forward thinking movements: Post- Impressionism, Symbolism, Divisionism, Cubism and Pointillism.
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Albert Dubois-Pillet Albert Dubois-Pillet (28 October 1846 – 18 August 1890) was a French Neo-impressionist painter and a career army officer. He was instrumental in the founding of the Société des Artistes Indépendants, and was one of the first artists to embrace Pointillism.
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She thrived in the problem-solving approach to severe technological constraints of the 1980s, drawing heavily upon her fine art experience in mosaics, needlepoint, and pointillism. Considering to be generous for icons, this improvised mastery of "a peculiar sort of minimal pointillism" made her an early pioneer of pixel art. For example, her original fonts are constrained to per character, yet she solved the problem of the typical jagged look of existing monospaced computer typefaces by using only horizontal, vertical, or 45-degree lines. Veteran designers at Apple had previously thought it impossible to convey personality and accuracy in a human portrait of only until Kare did it.
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Inspired by the moon landing in 1969, Alma Thomas began her second major theme of paintings. The series Space, Snoopy and Earth were applying pointillism. She evoked mood by dramatic contrast of color with mosaic style. Using dark blue to against the pale pink and orange color.
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By the spring of 1887, van Gogh embraced use of color and light and created his own brushstroke techniques based upon Impressionism and Pointillism. The works in the series provide examples of his work during that period of time and the progression he made as an artist.
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Dumont's early work was in the realist style. Her more recent painting is primarily in the style of pointillism. Her primary medium is acrylic, but some of her works also include oil and watercolor work. Much of her artistic work draws on her experience as an Indigenous person.
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Johannes Theodorus 'Jan' Toorop Jan Toorop, Netherlands Institute for Art History, 2014. Retrieved on 18 February 2015. (; 20 December 1858 – 3 March 1928) was a Dutch-Indonesian painter, who worked in various styles, including Symbolism, Art Nouveau, and Pointillism. His early work was influenced by the Amsterdam Impressionism movement.
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O'Keeffe, the art director of the school's 1905 yearbook, illustrated the book with her cartoons, drawings, and illustrations. They reflect an interest in Art Nouveau, pointillism, symbolism, and the works of Charles Dana Gibson. Willis urged the O'Keeffes to send their daughter to the School of the Art Institute of Chicago.
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He is known as a specialist artist in physical pointillism and creator of the figurative nail sculpture art-form. His works of art can contain from 15,000 to 200,000 nails, depending on their size and complexity. Levine's work is known for its abstract approaches, with influences from Michelangelo and Auguste Rodin.
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The House of the Deaf Woman and the Belfry at Eragny is an 1886 oil painting by French artist Camille Pissarro, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It is a view of Pissarro's neighbor's yard in Eragny, created during his brief period of experimentation with pointillism.
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Neuroplasticity is a key element of observing many pixel images. While two individuals will observe the same photons reflecting off a photorealistic image and hitting their retinas, someone whose mind has been primed with the theory of pointillism may see a very different image as the image is interpreted in the visual cortex.
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From 1904 until 1906, he studied at Pennsylvania Academy of the Fine Arts in Philadelphia. In May 1906, he was awarded the Cresson Scholarship, a traveling scholarship to Paris for two years of travel, and he studied at the Académie Julian. While studying in Paris, Hinkle was influenced by Impressionism and Pointillism.
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In her exhibition "Windows", she also applied pointillism in multiple artworks. In Chinese painting, her works focus on the expression and admiration of nature and Hong Kong. She shows love for natural scenes and animals, especially to tigers. With Chinese painting, she uses saturated colour to intensify the expression of colour contrast.
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His great influence was Impressionism which he discovered during a trip to Europe. Seurat and his pointillism style played a major role in his formation as an artist. Upon his return to Mexico he became a professor at the Escuela de Bellas Artes. Francisco Romano Guillemin died in Cuautla, Morelos in 1950.
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Alexandr Rodin, sometimes spelled as Alexander Rodin (; Belarusian pronunciation: Aliaksandr Rodzin; born 15 May 1947) is a Belarusian contemporary painter, and is currently (August 2011) residing in Berlin, Germany. He often turns to technique called 'pointillism'. His paintings have been noted for being polysemantic.Alexander Rodin – Contemporary Belarusian Art & Paintings – Online Art Gallery. Bellabelarus.
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The Seine with the Pont de la Grande Jatte (F304) is a painting made by van Gogh of a favored area on the Seine near Asnières. It was made during a period where he explored the use of "dots" of paint set alongside contrasting colors, influenced by Georges Seurat, who introduced Pointillism. In 1885 Seurat made A Sunday Afternoon on the Island of La Grande Jatte and used a technique of placing colored dots on a work which led a movement called "Neo- Impressionism", or "Divisionism" and "Pointillism". Van Gogh was one of the artists later called "Post-Impressionists" who was influenced by Seurat's style that rejected realism and idealism to create a new genre based upon abstraction and simplicity.
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The lines are not very definitive between each form; in fact, there aren't many lines at all. The piece emulates an unusual sort of micro-cubist style. Balla also calls upon the techniques of both French Pointillism and Italian Divisionism. Pointillist painters utilize tiny points, which they dot on the canvas to create an image.
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The technique of many nail sculptors varies. Levine stated in an interview with Global News that it can often take anywhere between two days to two months to create the various sculptures. The 3D art can often contain anything from 15,000 to 200,000 nails. His work has sometimes been referred to as physical pointillism.
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During high school, Hansen's obsession with pointillism resulted in permanent nerve damage. Out of frustration, Hansen left art and art school, but, after speaking to his neurologist, decided to explore other forms of art, both two- and three-dimensional. Hansen dropped out of college after two terms, and his only formal art education is from high school.
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As time went by critics lost interest in Breitner. The younger generation regarded impressionism as too superficial. They aspired to a more elevated and spiritual form of art, but Breitner did not allow himself to be influenced by these new artistic trends. Around 1905–1910 pointillism as practised by Jan Sluyters, Piet Mondrian and Leo Gestel was flourishing.
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Discontented with what he referred to as romantic Impressionism, he investigated Pointillism, which he called scientific Impressionism, before returning to a purer Impressionism in the last decade of his life.Cogniat, Raymond (1975). Pissarro. New York: Crown, pp. 69–72. . Vincent van Gogh used colour and vibrant swirling brush strokes to convey his feelings and his state of mind.
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Later he became more hyperrealist with the use of the aerographer to forge a contemporary pointillism. He was the first multi-media artist, inventing in 1979 holopeinture where he mixed painting with holography. He had worked at the beginning of the 1970s on techniques of restoration of 3D. Beyond his representative forms, his painting is conceptual.
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The use of pointillism in the work suggests that it postdates The Little Street, and the absence of bells in the tower of the New Church dates it to 1660–1661. Vermeer's View of Delft has been held in the Dutch Royal Cabinet of Paintings at the Mauritshuis in The Hague since its establishment in 1822.
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For more complex concepts, understanding is the key to remembering. In a study done by Wiseman and Neisser in 1974 they presented participants with a picture (the picture was of a Dalmatian in the style of pointillism making it difficult to see the image).Wiseman, S., & Neisser, U. (1974). Perceptual organization as a determinant of visual recognition memory.
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Francis Picabia (: born Francis-Marie Martinez de Picabia; 22January 1879 – 30November 1953) was a French avant-garde painter, poet and typographist. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly abstract planar compositions were colourful and rich in contrasts. He was one of the early major figures of the Dada movement in the United States and in France.
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Originating in France, Impressionism was also adopted by Belgian artists. Emile Claus is the most well known representative of 'Luminism', an art movement inspired by Impressionist plein-air painting. The young avant-garde painter James Ensor experimented briefly with Impressionism but soon found his very own style. Painters of his generation were more inspired by french Pointillism, most notably by Seurat and Signac.
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Georges Seurat founded the style around 1884 as chromo-luminarism, drawing from his understanding of the scientific theories of Michel Eugène Chevreul, Ogden Rood and Charles Blanc, among others. Divisionism developed alongside Pointillism, which is defined specifically by the use of dots of paint but does not primarily focus on the separation of colors.Ratliff, Floyd. Paul Signac and Color in Neo- Impressionism.
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The oil paintings show the influence of impressionism and pointillism expressed in a new way. Thick strokes layered one after another do not quite mix colors in the eye, leaving a directness of emotion. His subjects, most often women, were the overlooked and marginalized-- poor women (often with children), gypsies, wounded soldiers repatriated from the Cuban war, and people suffering from cretinism.
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This was followed by a year in Paris at the Académie Julian and the Atelier Cormon. Self-portrait with his wife, Johanna. Initially, he painted in the style of Amsterdam Impressionism but, while in Paris, came under the influence of Vincent van Gogh and Georges Seurat and adopted Pointillism. His first studio, in Amsterdam, had originally belonged to Jozef Israëls.
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In fact, his next creative period is entirely centered in North Scandinavian landscape. Ole left his earlier calm and transcending planes of restrained colours to scintillating, vibrating, and dramatic compositions. Post-impressionist Pointillism became strong although never dominant. Ole's style evolution can be clearly noticed in his 1948 paintings Motiiv Stockholmi saarestikust I (), Motiiv Stockholmi saarestikust II (), and Kodusadamasse saabumine ().
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He took on the job as a cowman. There were now so many paintings, laboriously constructed dot by dot (pointillism). His wife Nancy decided it was time that Lloyd's work was seen by more people. Without telling her husband she wrote to Sir Herbert Read and he paid Lloyd a visit to see his paintings, and bought a couple of them.
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Soon, however, disillusioned by the poor organization of the Indépendants, Seurat and some other artists he had met through the group – including Charles Angrand, Henri- Edmond Cross, Albert Dubois-Pillet and Paul Signac – set up a new organization, the Société des Artistes Indépendants. Seurat's new ideas on pointillism were to have an especially strong influence on Signac, who subsequently painted in the same idiom.
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After Munich, Kraljević spent time in the family home at Požega, and then in Paris where he produced his best work. He died in Zagreb in April 1913, aged 27, from tuberculosis. Miroslav Kraljević painted in many different styles, including Impressionism, Pointillism and Expressionism. He also became known for his drawings of grotesque or erotic characters, in a similar way to Aubrey Beardsley, and for his sculptures.
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His instrumental works, influenced by the spectral school, some acoustic illusions and techniques from various non-Western cultures, mainly focus on paradoxes of perception and musical grammatology, and on techniques of "cross-rhythms" generalized to every musical parameter and "instrumental pointillism", and on deconstructing major concepts of the Western music. While using new technologies, he has also developed some "meta-works" (such as Soliloque sur [x, x,...]).
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Day was born in Hartford, Connecticut on May 8, 1870 to John Calvin Day. She was a granddaughter of Isabella Beecher Hooker and a grandniece of Harriet Beecher Stowe. She attended Hartford Public High School but left in 1887 when her family moved to Europe. She became interested in painting while living in Europe and studied the Pointillism technique in Paris and exhibited her work there.
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It refers to the method of applying individual strokes of complementary and contrasting colors. Unlike other designations of this era, the term 'Neo-Impressionism' was not given as a criticism. Instead, it embraces Seurat's and his followers' ideals in their approach to art. Note: Pointillism merely describes a later technique based on divisionism in which dots of color instead of blocks of color are applied.
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Painting by Paul Signac Many painters have depicted Marseille's port with Notre-Dame's basilica in the background. Paul Signac, who helped to develop pointillism, produced a painting in 1905 that is now shown in the Metropolitan Museum of Art, New York. Albert Marquet produced three works. The first was a drawing executed in ink in 1916, shown at Musee National d'Art Moderne in Paris.
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Dardel explored Pointillism, using strong colors together with very clear motifs. Begravning i Senlis (Funeral in Senlis) from 1913 typifies this style and was painted while Dardel was visiting a staying in the medieval town of Senlis. Another early painting was the portrayal German art dealer Alfred Flechtheim. Over the course of Dardel's life, he primarily painted humans, concentrating on portraiture or paintings of groups of people.
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Ben Heine during an exhibition of Digital circlism This is the name Heine has given to a whole new creative technique he has developed in 2010. It is a mix between Pop Art and Pointillism. In this project, Heine usually makes portraits of celebrities/cultural icons with digital tools using flat circles on a black background. Each circle has a single color and a single tone.
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These characteristics were clearly transposed by Combaz to his posters.Julie Bawin, Le japonisme en Belgique. L’affiche Art nouveau et l’estampe ukiyo-e in: Bulletin de la Classe des Beaux-Arts, Académie Royale de Belgique, Volume XIV, 2003, pp 47-69 Combaz' work further shows the influence of contemporary movements such as cloisonnism and pointillism. His early lithographs are based on a few flat decorative shapes.
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Ferris uses several main techniques in her work, including spray guns, chunky paint applied with palette knives, and most recently the application of oil and pigments to the canvas using her own body. Her paintings are casualist and reference such disparate sources as pointillism, pixelation, and graffiti, invite the viewer to question what it is they are seeing and to put the images together for themselves.
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Growing Hands (1983) Chinese ink on paper 55 cm x 3.75 cm A painting made with Chinese ink. Wianta considers this to be a painting during the Karangasem Period. Unformal Object II (1998) A painting that combines both western and Asian medium, using both oil and acrylic as well as Chinese ink. This work is considered to be completed during the Dot period, displaying an influence of pointillism within his artwork.
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His paintings of this period are characterised by flat shapes and controlled lines, using pointillism in a less rigorous way than before. Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne in 1905. The paintings expressed emotion with wild, often dissonant colours, without regard for the subject's natural colours. Matisse showed Open Window and Woman with the Hat at the Salon.
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Saint-Tropez plays a major role in the history of modern art. Paul Signac discovered this light-filled place that inspired painters such as Matisse, Pierre Bonnard and Albert Marquet to come to Saint- Tropez. The painting styles of pointillism and fauvism emerged in Saint- Tropez. Saint-Tropez was also attractive for the next generation of painters: Bernard Buffet, David Hockney, Massimo Campigli and Donald Sultan lived and worked there.
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Retrieved on 2007-12-19, Fauvism, Tate Fauvism can be classified as an extreme development of Van Gogh's Post-Impressionism fused with the pointillism of Seurat and other Neo-Impressionist painters, in particular Paul Signac. Other key influences were Paul CézanneFreeman, 1990, p. 15. and Paul Gauguin, whose employment of areas of saturated color—notably in paintings from Tahiti—strongly influenced Derain's work at Collioure in 1905.Teitel, Alexandra J. (2005).
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The first solo exhibition of his paintings was held in 1942 at the Bonestell Gallery in New York City. In the following twenty years or so he had some twenty five solo exhibitions at various galleries. Moller created paintings in a multiplicity of styles, including; expressionism, abstractionism, surrealism, cubism, pointillism, and fauvism. Later he was represented for a stretch ending in 1995 by the Midtown-Payson Gallery in New York City.
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There was no joint endeavor or common style among them. Each followed his individual personality, but they sought their inspiration in "the Zeeland Light", in the dunes, forests, beaches and the characteristic Zeeland population. Toorop was the center of this group. His 1900 novel portrait of his friend Marie Jeanette de Lange was made whilst she was not wearing fashionable (restrictive) clothing and it was in the style of Pointillism.
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Painting is inherently subtractive, but Pointillist colors often seem brighter than typical mixed subtractive colors. This may be partly because subtractive mixing of the pigments is avoided, and because some of the white canvas may be showing between the applied dots. The painting technique used for Pointillist color mixing is at the expense of the traditional brushwork used to delineate texture. The majority of Pointillism is done in oil paint.
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The Towers, Saint-Sulpice, 1887 Around 1885, probably influenced by his friendships with Seurat and others, he began experimenting with Divisionist techniques, and he embraced Pointillism – one of the first artists to do so. By the next year, his works were fully Neo-impressionist. With Signac, he used pen and ink to create pointillist drawings. Dubois- Pillet's studio-apartment served as the unofficial Neo-impressionist headquarters during the movement's early years.
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A totally unique oval miniature of the head of the Virgin Mary with a gold crown; there is an extravagant use of gold leaf for the crown. This miniature is painted in an icon style. Henry is conveying his own beliefs through this miniature. The amazing feature is the background, which looks alive, without solid colour but shimmering (Henry's background in printing would have helped him with the intricate Pointillism).
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The painting depicts an afternoon on a lagoon in Venice, and is a testament to Signac's skill with seascape imagery. The work is constructed with brilliant hues of blues and greens juxtaposing one another. When standing close to the painting, the only discernible features are the brush strokes; this technique of painting was labeled, Pointillism, by Seurat. Artists using this technique along with Seurat became known as Neo-Impressionists.
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Van de Velde was born in Antwerp, where he studied painting under Charles Verlat at the famous Royal Academy of Fine Arts, Antwerp. He then went on to study with the painter Carolus-Duran in Paris. As a young painter he was strongly influenced by Paul Signac and Georges Seurat and soon adopted a neo-impressionist style, and pointillism. In 1889 he became a member of the Brussels-based artist group "Les XX".
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Gkekas earned a degree in physical education from the National and Kapodistrian University of Athens, but after graduation began studying art under Nikos Michelidakis, a Greek sculptor. Following this training, he founded the workshop Dimitris Galanis in 1985. Inspired by Greek folk culture and an interest in poetry, Gkekas has been recognised as having “created his own visual language”. He has worked in the fields of sculpture, wood engraving, and pointillism painting.
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Though Parade de cirque was eclipsed by Les Poseuses at the 1888 Salon des Indépendants, several critics did mention the arduous and innovative lighting effects employed by Seurat. Félix Fénéon pointed out that it was only "interesting insofar as it applies to a nocturne a method pointillism, that has been mainly used for daylight effects."Félix Fénéon. "Le néo-impressionnisme à la IVe exposition des artistes indépendants". L'Art moderne 8 (April 15, 1888), p.
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He began with abstract form oil painting, and in 1963 he began working with roller and stencils on rice paper, still abstract, emphasizing form and space structure. He was influenced by pop art from 1966. In 1969 he began spray painting works using acrylic paint on canvas, created the "Invisible Image" series. In 1971, in the process of spray gun painting, found how to create different combinations of sprayed color dots, a form of pointillism.
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The Singer Museum of Laren. William Henry Singer, an American painter and art collector, came to Laren in 1901. In 1911, he built a villa called De Wilde Zwanen (The Wild Swans) which, after World War II, was converted into the Singer Museum and concert hall.Holland Theaterweb At De Wilde Zwanen, painters such as Co Breman and Ferdinand Hart Nibbrig differed from the mainstream of Impressionism, painting in the style of Pointillism and Luminism.
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When painting with Bernard, they often painted in the open air. To his sister Wil, Vincent wrote, "While painting at Asnières, I saw more colors than I have ever seen before." Instead of working in the somber colors of his early work, he embraced the use of color and light of the Impressionists. Also influenced by Pointillism, van Gogh modified his traditional style and used vivid color, shorter brushstrokes and perspective to engage the viewer.
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Later pulps began to feature interior illustrations, depicting elements of the stories. The drawings were printed in black ink on the same cream-colored paper used for the text, and had to use specific techniques to avoid blotting on the coarse texture of the cheap pulp. Thus, fine lines and heavy detail were usually not an option. Shading was by crosshatching or pointillism, and even that had to be limited and coarse.
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Until 1940, he was mainly a figure painter but he then extended his scope to landscapes. His early paintings are rather dark but after spending some time in France studying the works of the Impressionists, his palette became brighter and his colours more intense, forming a webbing of light and shade. He increasingly developed an Impressionistic style approaching Pointillism. From 1942, he was a member of the Corner artists association, where he also exhibited.
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While working as a decorator, Loiseau redecorated the apartment of the landscape painter Fernand Quigon (1854-1941). After he left the École des arts décoratifs, he invited Quignon tutor him in painting. In 1890, he went to Pont-Aven in Brittany for the first time, fraternizing with the artists there, especially Paul Gauguin and Émile Bernard. After experimenting with Pointillism, he adopted his own approach to Post-Impressionism, painting landscapes directly from nature.
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Red "Loa" Painting, by Levoy Exil, 1996 Acrylic on Canvas. Levoy Exil (born 1944), is a master Haitian artist and painter; he is one of the main contributors to the Saint Soleil art movement. Exil's paintings are mystical and abstract and often depict Haitian Vodou Loas, suns and stars, birds, and Marassas. His painting style is primitive and dreamlike and employs the Pointillism technique of applying small, distinct dots in a pattern to reveal an image.
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The painting was, for the most part, well received by art critics when first exhibited. A November 1963 Art Magazine review by Donald Judd described Whaam! as one of the "broad and powerful paintings" of the 1963 exhibition at Castelli's Gallery. In his review of the exhibition, The New York Times art critic Brian O'Doherty described Lichtenstein's technique as "typewriter pointillism ... that laboriously hammers out such moments as a jet shooting down another jet with a big BLAM".
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Fabien was born in L'Isle-Jourdain in the French département of Vienne. He is a self-taught figurative painter of the School of Paris who uses a modern form of pointillism. He paints in a realistic style and tries to capture colorful and often charming moments. Fabien has exhibited his work in most of the important Paris salon shows and has had one-man shows in many countries including France, United States, Japan, England, and Germany.
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The pictorial idea finds its artistic form in paintings showing a pixel-structure. The pixels, however, are different from digital pixels as they possess inner structures. This way Römer + Römer's art is related to Pointillism, and one may also see references to stipple engraving. The motifs are distributed over planes of colour and fragmented into thousands of painted dots, which, seen from a certain distance, merge in the eye of the beholder to form a focussed image.
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He then developed towards a cloisonne style of patterned images - birds, figures, land and seascapes - enclosed by a thick dark line. After 1906 he blended cloisonnism and pointillism as shown in some gouaches of oversized flowers in particular of orchids.Vivien Raynor, Art Nouveau: A Recurring Theme, in: the New York Times, 8 March 1981, p. 20 Poster for the First International Congress of Lawyers in Brussels in August 1897 Combaz further designed book covers and postcards.
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Between 1906 and 1922 Younger shared a studio on West George Street in Glasgow with Annie French and Bessie Young. She later settled in Edinburgh but also painted on Arran and in France. Younger often painted in watercolours and developed a colourful and bold technique, comparable to pointillism in effect. She exhibited with the Royal Scottish Academy, the Society of Women Artists, the Royal Glasgow Institute of the Fine Arts and the Royal Scottish Watercolour Society.
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In 2008, after moving to Miami, Milou was one of many artists to open his gallery doors for Art Basel. During this time he created The Pucker Up Project, a series of three 8x8ft paintings. Each canvas included 1,024 painted square sections that combined created the image on each canvas, an effect like pointillism Anticipating large crowds, he linked this interactive project to charity and charged $100 to kiss a square. Proceeds went to benefit the Sylvester Comprehensive Cancer Center.
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Théo van Rysselberghe abandoned realism and became an adept of pointillism. This brought him sometimes in heavy conflict with James Ensor. In 1887 van Rysselberghe already experimented with this style, as can be seen in his Madame Oscar Ghysbrecht (1887) and Madame Edmond Picard (1887). While staying in summer 1887 a few weeks with Eugène Boch (brother of Anna Boch) in Batignolles, near Paris, he met several painters from the Parisian scene such as Sisley, Signac, Degas and especially Henri de Toulouse-Lautrec.
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The technique relies on the ability of the eye and mind of the viewer to blend the color spots into a fuller range of tones. It is related to Divisionism, a more technical variant of the method. Divisionism is concerned with color theory, whereas pointillism is more focused on the specific style of brushwork used to apply the paint. It is a technique with few serious practitioners today and is notably seen in the works of Seurat, Signac and Cross.
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The Post- Impressionists were dissatisfied with what they felt was the triviality of subject matter and the loss of structure in Impressionist paintings, though they did not agree on the way forward. Georges Seurat and his followers concerned themselves with Pointillism, the systematic use of tiny dots of colour. Paul Cézanne set out to restore a sense of order and structure to painting, to "make of Impressionism something solid and durable, like the art of the museums".Huyghe, Rene: Impressionism. (1973).
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Vincent van Gogh was a post- Impressionist painter whose work, notable for its rough beauty, emotional honesty and bold color, had a far-reaching influence on 20th-century art. In the 20th century, the Netherlands produced many fine painters and artists including (but not limited to): Roelof Frankot, Salomon Garf, Pyke Koch and many more. Around 1905-1910 pointillism was flourishing. Between 1911 and 1914 all the latest art movements arrived in the Netherlands one after another including cubism, futurism and expressionism.
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Viorescu graduated at the Belle Arte Art School of Iași, being from the same generation as Ștefan Dimitrescu and Nicolae Tonitza, who was a very good friend of Viorescu. His main profession was that of a public clerk in the Romanian Ministry of Culture starting from 1920. The financial stability provided by his job was decisive for the start of his artistic career. Viorescu chose pointillism for the main form of artistic expression but with a reinterpretation it his own personal painting style.
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He was known for both figure and landscape paintings, and exemplified the elegant style which would become the standard for brush painting in China over the next 900 years. As with many artists in China, his profession was as an official where he studied the existing styles of Li Sixun and Wang Wei. However, he added to the number of techniques, including more sophisticated perspective, use of pointillism and crosshatching to build up vivid effect. Zhan Ziqian was a painter during the Sui dynasty.
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Before World War I the name was also applied to artists involved in the many collaborations and overlapping new art movements, between post-Impressionists and pointillism and Orphism, Fauvism and Cubism. In that period the artistic ferment took place in Montmartre and the well-established art scene there. But Picasso moved away, the war scattered almost everyone, by the 1920s Montparnasse had become a center of the avant-garde. After World War II the name was applied to another different group of abstract artists.
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He also made numerous friends in the Polish émigré community, including Marie Curie and Guillaume Apollinaire. His many artistic connections included Paul Signac, who introduced him to pointillism, Camille Pissarro, Pierre Bonnard and Édouard Vuillard. He also associated with the group of young artists known as "Les Nabis" and exhibited at Le Barc de Boutteville. After 1900, he found his stylistic home among the Post- impressionists and began painting en plein aire; notably in the area around Barbizon, where he made the acquaintance of Constantin Kousnetzoff.
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Piet Mondrian's Victory Boogie Woogie Around 1905 and 1910 pointillism as practiced by Jan Sluyters, Piet Mondrian and Leo Gestel was flourishing. Between 1911 and 1914 all the latest art movements arrived in the Netherlands one after another including cubism, futurism and expressionism. After World War I, De Stijl (the style) was led by Theo van Doesburg and Piet Mondrian and promoted a pure art, consisting only of vertical and horizontal lines, and the use of primary colours. The Design Academy was established in 1947.
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Typically, tapestries are translated from the original design via a process resembling paint-by-numbers: a cartoon is divided into regions, each of which is assigned a solid colour based on a standard palette. However, in Jacquard weaving, the repeating series of multicoloured warp and weft threads can be used to create colours that are optically blended – i.e., the human eye apprehends the threads’ combination of values as a single colour. This method can be likened to pointillism, which originated from discoveries made in the tapestry medium.
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Kinetic Pointillism is a technique used in painting, where an image is created with points of color applied in patterns of movement, with the intention of reinforcing the message of the artwork. An early developer of the technique is Rob Ottesen, who first showed works made from the technique in 2013, and who focused on teaching the technique to adolescent students. Mediums used include paint, ink, and other mediums. An aspect of the technique includes the use of cultural images and spelled-out words.
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John Roy (September 13, 1930 – June 13, 2001) was a noted professor in the Art Department at the University of Massachusetts, Amherst from 1964 until his retirement in 1994. He continued to paint until his death in 2001. His work included pointillism and photorealism and he created a remarkable and highly original body of work that represents an important contribution to the history of late twentieth-century American painting. Roy was a contemporary and colleague of Chuck Close, and the two influenced each other's work considerably.
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Pindell's 1989 painting Queens, Festival, in the lobby of the Joseph P. Addabbo Federal Building, Queens, New York. The work is acrylic, paper, and gouache on canvas. Following her graduation from the MFA program at Yale University in 1967, Pindell moved to New York, where she began to work with abstraction and collaging, finding inspiration in the work of fellow grad school student Nancy Murata. By the 1970s, she began developing a unique style, rooted in the use of dots and reminiscent of minimalism and pointillism.
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Damnjan deals with painting, drawing, graphics, photography, film, video and performance. During the sixties, early in his career, Damnjan the painter symbolic, abstract and minimal features. Since the seventies he used to the new media - video, photography and performance, while the painting closer to its analytical stream. At the turn of the ninth decade of the last century, the theme turns Damnjan 'still life' and '(self)portraits' which implements a floor or wall installations painted in the spirit of postmodern citation as 'new pointillism'.
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Eimert foresaw problems "because of the common term of "pointillism" [German Pointillismus] in French painting. It would wrongly be assumed that paintings by Seurat and his contemporaries were being transformed into music" . The confusion in French was immediate, as Stockhausen relates: > I still remember how, in Paris, I threw around the expression "punctual > music" as a term for my KREUZSPIEL, SPIEL for Orchestra, SCHLAGQUARTETT, and > so forth. Pierre Boulez corrected me, "Pointilliste, la musique > pointilliste!" and I said, "Non, ponctuelle." He replied: “What’s that, > then? That’s not French at all, the word is pointilliste.
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Karen Joubert Cordier (born 29 August 1954) is a French-American artist born in Neuilly-sur-Seine. Upon completion of her studies at the Academy Charpentier in Paris, she was counseled by a famous art dealer, Daniel Cordier. Her first show was a great success at the Gallery Beaubourg in Paris, and was followed by a permanent exhibition at the Georges Pompidou Museum. The art critic Bernard Lamarche-Vadel described Joubert Cordier's work as "pointillism, surrealism, all-over expressionism, all the principles of the great moments of the Twentieth Century pulled together".
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Georges-Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He is best known for devising the painting techniques known as chromoluminarism as well as pointillism. While less famous than his paintings, his conté crayon drawings have also garnered a great deal of critical appreciation. Seurat's artistic personality combined qualities that are usually supposed to be opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind.
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Open, to Love is a jazz album by Paul Bley. It features Bley performing seven solo piano pieces and is considered not only one of his best albums, but a defining album in the history of the ECM record label.Paul Bley, ECM Artist Description Three of the tracks were composed by ex-wife Carla Bley and another two by Bley's soon-to-be-ex-wife Annette Peacock. The album is one of the first showcases of the pointillism and silence that would inform much of his later work.
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The unusually creative artistic environment in both Kingston and nearby Woodstock, New York gradually turned him into a professional artist. As his interest in art continued growing, besides painting he has been also sculpting, making ceramics, wood carvings and wood burnings. When he discovered that impressionists have not fully exhausted all their artistic possibilities, his painting techniques gradually gravitated toward pointillism and neo-impressionism. Besides initial hounding faces and figurative scenes associated with Holocaust, Judaism and Jewish mystical teachings Kabbalah, he also added fishing scenes, musicians, horses, still- life and landscapes.
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From an artistic point of view, the Secession was very tolerant, even towards opposing positions: none of the representatives of the Secession, who were close to German impressionism, viewed Paul Baum's approach to pointillism in the style of French Post-Impressionism as negative. The success was accompanied by economic interests and the despotic behavior of the art dealer Paul Cassirer. Thus, it is narrated by Emil Nolde that Cassirer called the artists his slaves. In particular, artists who had no chance to exhibit at Cassirer, believe in the exhibition of the Secession to have disadvantages.
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He made his debut in 1893 at the Salon of Independent Artists, displaying several paintings depicting street scenes of the neighborhood surrounding his art studio. One of those paintings, titled Sur Le Boulevard (On The Boulevard, 1893) was noted by the art critic Félix Fénéon. During this early period in his career, Valtat used the spontaneous light touches of Impressionism (although with bordered objects) and the colorful dots found in Pointillism. Two examples representing Valtat's work during this period include Péniches (Barges, 1892) and the Pommiers (The Apple Trees, 1894).
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Still life paintings by Vincent van Gogh (Paris) is the subject of many drawings, sketches and paintings by Vincent van Gogh in 1886 and 1887 after he moved to Montmartre in Paris from the Netherlands. While in Paris, Van Gogh transformed the subjects, color and techniques that he used in creating still life paintings. He saw the work and met the founders and key artists of Impressionism, Pointillism and other movements and began incorporating what he learned into his work. Japanese art, Ukiyo-e, and woodblock prints also influenced his approach to composition and painting.
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His departure from Prague resulted in a complete change of personality for Bukovac. He felt satisfaction and enthusiasm in Zagreb that he had not felt in a while, and began to dedicate all of his energy to his new students, one of which was noted Croatian painter Mirko Rački. It was in this time he introduced pointillism to the Prague Academy, and earned his historical reputation as an excellent pedagogue. In Zagreb, he is probably best known as the painter of the theatre curtain in the Croatian National Theatre, "Croatian National Revival".
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Having been introduced to Impressionism and Pointillism in Paris, van Gogh began experimenting with related techniques, first on a series of self-portraits before he moved on to larger, more complex compositions. Many of the Impressionist artists also shared his interest in Japanese wood block prints. The works of ukiyo-e artists, Hiroshige and Hokusai greatly influenced van Gogh, both for the beautiful subject matter and the style of flat patterns of colors, without shadow. Van Gogh arranged an exhibit in Paris of Japanese prints at Café du Tambourin.
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Girl Running on Balcony is a 1912 painting by Giacomo Balla, one of the forerunners of the Italian movement called Futurism. The piece indicates the artist's growing interests in creative nuances which would later formally be realized as part of the Futurist movement. The artist was influenced heavily by northern Italians' use of divisionism and the French's better known pointillism. Created with oil on canvas just on the brink of World War I, the Futurist movement is embodied by a dark optimism for a future of speed, turbulence, chaos, and new beginnings.
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The painting is in the "chromoluminarist" or divisionist style, which was very popular in early 20th century Italy. The style, similar to the earlier pointillism, uses the juxtaposition of individual points of colour to create new chromatic experiences, rather than mixing paints before they reach the canvas. One of the reasons why this method was popular was the idea that it leads to the most natural depiction of lights that was possible. Considered a symbol of the 20th Century from both an artistic and a social point of view, the painting depicts a workers' strike.
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The structure could also be interpreted as the roof of a house or a mountain and was likely inspired by the Egyptian pyramids, the Niesen that overlooks Lake Thun in the artist's home country, and the titular Mount Parnassus. Above the pyramid to the right is a bright orange circle that represents the sun. Ad Parnassum was painted during a turning point in Klee's artistic style and is now considered a masterpiece in pointillism. An exhibition celebrating the work was presented at the Zentrum Paul Klee from June 2007 to May 2008.
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Leslie indicates she had a dream involving American actress Gina Gershon. For her mural, Donna proposes a recreation of Leonardo da Vinci's painting The Last Supper with Indiana natives in place of the apostles. Actor Greg Kinnear was chosen to replace Jesus, with the Apostles replaced by John Mellencamp, Larry Bird, Michael Jackson, David Letterman and a NASCAR race car, among others. Jerry presents for his mural a work of pointillism, a style of painting in which small distinct dots of color create the impression of a wider image.
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Dalí had been extensively using optical illusions such as double images, anamorphosis, negative space, visual puns and trompe l'œil since his Surrealist period and this continued in his later work. At some point, Dalí had a glass floor installed in a room near his studio in Port Lligat. He made extensive use of it to study foreshortening, both from above and from below, incorporating dramatic perspectives of figures and objects into his paintings. He also experimented with the bulletist technique pointillism, enlarged half-tone dot grids and stereoscopic images.
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Additionally, Ivens was one of the inaugural voices of Dutch Film, establishing traditions in the form of content and formal effects that have continued to define films from the Netherlands. First among these is the painterly heritage of the Dutch. From the intimate realism of the Dutch Masters to Impressionism, Pointillism, and De Stijl, the Netherlands have a rich history of skilled and pioneering artists, including such household names as Rembrandt, Van Gogh and M. C. Escher. Ivens's attention to composition is demonstrative not only of his three-generation family history of photography, but of his national heritage as well.
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Masahiko was asked by Oyamada to create something similar to Isono's previous artwork in creating a representation of pointillism. The game's title was indicative of the title's nature as a new entry in the Mana series; other than a small card- battle mobile game in 2013, Circle of Mana, Rise was the first Mana title since Heroes of Mana in 2007. Rise of Mana was intended to reach a wide audience, gaining an attention only previously seen by Dawn of Mana in 2006. The concept of the main character switching between angelic and demonic form was suggested by Yagi.
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He painted still lifes, seascapes, and landscapes, which were new genres in Croatian art at the time. His palette became lighter and brighter as he worked outdoors: browns, greys and dull greens became purer, and were joined the purple of heather, the yellow of broom, and the rich array of blues of the sea. Abandoning his previously detailed style, his smaller studies from nature are more creative. With thick impasto and impulsive brush strokes, around 1907 a new style emerged in his work – pointillism in a light, bright colours, that he used for his landscapes of Pelješac.
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A review in The New York Times called the book "a tapestry of fabulous richness and complexity...Atkinson is a master of what might be called 'pointillism history,' assembling the small dots of pure color into a vivid, tumbling narrative... The Liberation Trilogy is a monument achievement." As a result of his time with Gen. Petraeus and the 101st Airborne, Atkinson also wrote In the Company of Soldiers: A Chronicle of Combat, which The New York Times Book Review called "intimate, vivid, and well-informed", and which Newsweek cited as one of the ten best books of 2004.
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Along with Bendre, several of the first generation of his students at Baroda were members of the Group, which held regular shows in Bombay, Ahmedabad and Baroda, providing wide exposure to work being produced at the new art school. After he resigned from Baroda in 1966, Bendre experimented with his version of pointillism and held shows in Bombay every alternate year. He was awarded the Padma Shri in 1969. He was elected to chair the International Jury at the Second Triennale in New Delhi in 1971 and as fellow of the Lalit Kala Academi in 1974.
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Asnières, now named Asnières-sur-Seine, is the subject and location of paintings that Vincent van Gogh made in 1887. The works, which include parks, restaurants, riverside settings and factories, mark a breakthrough in van Gogh's artistic development. In the Netherlands his work was shaped by great Dutch masters as well as Anton Mauve a Dutch realist painter who was a leading member of the Hague School and a significant early influence on his cousin-in- law van Gogh. In Paris van Gogh was exposed to and influenced by Impressionism, Symbolism, Pointillism, and Japanese woodblock print genres.
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He is also considered to be a member of the "Dendermondse School" and the "Genkse School", because he was active in those areas. In 1869, he married and settled in Brussels, where he was a c0-founder of the Société Libre des Beaux-Arts and several artists' associations. In 1881, he became an officer in the Order of Leopold and was named a Knight in the French Legion of Honor. Sometime in the 1890s, he returned to Kalmthout and his style slowly evolved into a form of realism with occasional touches of pointillism to accentuate the colors.
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Current projects include Chiri with the Australian drummer Simon Barker, Korean Pansori singer Bae Il Dong. In 2011, at the invitation of the Australian Department of Foreign Affairs, Chiri toured Korea, Egypt, Lebanon, Israel, Turkey, Cyprus and Jordan, North Korea, followed by a performance at the Smithsonian Institution in Washington, D.C. and two tours of Korea in 2012. North of North with voilinist Erkki Veltheim and pianist Anthony Pateras. This ensemble tours Europe regularly and has released two albums drawing from Xenakian architextures, Carterian set theory, Carnatic music, sharp-edged pointillism and orchestrational symbiosis in chamber-oriented improvisations.
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His pictorial language incorporates traces of Italian Futurism (Giacomo Balla, Carlo Carrà), of painters such as Lucio Fontana, Mario Nigro, Gustav Klimt, Sonia and Robert Delaunay, Pablo Picasso and Wassily Kandinsky. Added to which, it can also be traced back to Pre-Columbian Mayan art. Experience of post-Impressionism (Pointillism) combines with computer graphics techniques (raster graphics), which in turn have links to the visual effects of his current high-tech constructions (microwave towers). He moved to Cologne in 1986, deliberately setting his sights on one of the most active centres in contemporary art at that time.
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Arsène Alexandre (16 August 1859, Paris – 1 October 1937, Brain sur Allonnes) was a French art critic. He was a contributor to L'Événement, Le Paris and L'Éclair and in 1894 was one of the founders of the satirical journal Le Rire, becoming its artistic director. He was later art critic for Le Figaro. Alexandre and Félix Fénéon were the first to use the term 'pointillism', in 1886, and Alexandre alone coined the term 'the Rouen School', in 1902 in a catalogue to an exhibition of the work of Joseph Delattre at the galerie Durand-Ruel à Paris.
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Yet, these smaller pieces then are woven into the fabric of the larger ideas of each individual chapter. The chapters, too, are then stitched together to suggest some of the themes of the book as a whole. The pointillism of George Seurat might help illustrate this idea. Seurat painted on a huge canvas which he imbued with small, distinctive dots of pure color applied in certain patterns to form a larger image. So, if a man examines one of Seurat’s paintings up close, he will see nothing but an odd collection of colorful blobs on the canvas.
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In 1904, he and his wife settled in Gorssel, lived briefly in Hengelo, then moved to Putten, near the Veluwe in 1912, where he spent much of his time painting in the woods; sometimes accompanied by his friend, the still-life painter Jan Carbaat (1866–1924). A deeply religious man, this would often produce a state akin to meditation and the degree of his concentration is clearly visible in his attention to small details. The influence of Impressionism is obvious, but his technique was more closely related to Pointillism. Between 1916 and 1922, he exhibited regularly at the "Kunsthandel Gerbrands" in Utrecht.
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At the end of the 19th century the Berlin art scene split into two camps due to the dissatisfaction of innovative artists with officially sanctioned exhibits in the city's museums. Under the leadership of impressionist Walter Leistikow, "The XI" art group was established in 1892, and Baluschek was invited to participate in XI exhibits. In 1898 many members of XI, also led by Leistikow, formed the Berlin Secession — among them Baluschek, who became the group's secretary. The Secession also enlisted German artists Käthe Kollwitz, Otto Nagel and Heinrich Zille, and championed French impressionism, pointillism and symbolism.
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In terms of technique, Buchholz's paintings cite the traditions of photorealism and pointillism, while his topics and themes are also inspired by magical realism. His art, in which he creates a distinctly dreamy atmosphere that has inspired imitations by other artists such as Jungho Lee (winner of the World Illustration Award of 2016), has been called distinctly postmodern. The depicted elements, which can be read as elaborate and subtle symbolism, often tell stories with surprising messages revealing themselves only upon close scrutiny. Nevertheless, a number of critics have mentioned the fact that the pictures remain open for a variety of individual interpretations.
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It was then that he first became interested in impressionism and pointillism. From 1902 to 1904, he was a student at the University of Helsinki, graduating with a degree in drawing. He briefly returned to his hometown, making sketches and paintings around the family farm, but eventually settled in Jyväskylä, where he set up a studio and gave drawing lessons to the young Alvar Aalto, who was studying at Heiska's old alma mater, the Lyceum.The life of Alvar Aalto @ Lapin: Kulttuuri Kuvina In 1918, he designed the first flag for the Republic of Karelia, but it was replaced in 1920 with one designed by Akseli Gallen-Kallela.
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La Récolte des Foins, Eragny, 1887 In 1885 he met Georges Seurat and Paul Signac,Cogniat, Raymond, Pissarro, Crown (1975), p. 92. both of whom relied on a more "scientific" theory of painting by using very small patches of pure colours to create the illusion of blended colours and shading when viewed from a distance. Pissarro then spent the years from 1885 to 1888 practising this more time-consuming and laborious technique, referred to as pointillism. The paintings that resulted were distinctly different from his Impressionist works, and were on display in the 1886 Impressionist Exhibition, but under a separate section, along with works by Seurat, Signac, and his son Lucien.
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Salon des Artistes Rouennais, Musée des Beaux-Arts de Rouen, c.1930 The Rouen School (L'École de Rouen) is a term used for artists or artisans born or working in Rouen, or for all artistic products from Rouen, such as Rouen faience of the 16th to 18th centuries. The term was first used in 1902 by Arsène Alexandre in his catalogue to an exhibition by Joseph Delattre in the galerie Durand-Ruel in Paris. Alexandre used it to refer to Joseph Delattre, Léon-Jules Lemaître, Charles Angrand and Charles Frechon, four Post- Impressionist artists interested in Neo-Impressionism (and particularly Seurat's pointillism) towards the end of the 1880s.
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Pointillism, surrealism, all-over expressionism, all the principles of the great movements of the century are convoked, collected, in order to draw out the image of a digital labyrinth. Because, here, vision seems to me to be but an inductive threshold, "aperitif" if I may say so, of a sensorial space very rarely utilized in the history of painting, that of the Touch. This so rare sensation is discernable in the complementarity of the formal characteristic of the works and of the Story of these same works. This great proliferating vegetation screened framed in a series of sites, and details therefore of an infinite process, is first of all the product of a proliferation of marks, touches, streaks.
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The Young Shepherd, engraving using stipple technique by Giulio Campagnola, around 1510 In a drawing or painting, the dots are made of pigment of a single colour, applied with a pen or brush; the denser the dots, the darker the apparent shade—or lighter, if the pigment is lighter than the surface. This is similar to—but distinct from—pointillism, which uses dots of different colours to simulate blended colours. In printmaking, dots may be carved out of a surface to which ink will be applied, to produce either a greater or lesser density of ink depending on the printing technique. In engraving, the technique was invented by Giulio Campagnola in about 1510.
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It was the last painting in which Vermeer featured this device. This painting and Officer and Laughing Girl represent the earliest known examples of the pointillé (not to be confused with pointillism) for which Vermeer became known. John Michael Montias in Vermeer and His Milieu (1991) points out the "tiny white globules" that can be seen in the brighter parts of both paintings, including the still life elements of both and the blond hair specifically in this work. This use of light may support speculation among art historians that Vermeer used a mechanical optical device, such as a double concave lens mounted in a camera obscura, to help him achieve realistic light patterns in his paintings.
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Through these works the audience can see a transition in his work from one of dark colors and serious themes to more joyous use of color and light and choice of themes. In the Netherlands van Gogh was influenced by great Dutch masters as well as cousin-in-law Anton Mauve a Dutch realist painter who was a leading member of the Hague School. In Paris van Gogh was exposed to and influenced by Impressionism, Symbolism, Pointillism, and Japanese woodblock print genres which were overtime integrated into his works. The spring of 1887 seemed to trigger an awakening within van Gogh where he experimented with the genres to develop his personal style.
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The Seine with the Pont de la Grande Jatte (F304) is a painting made by van Gogh of a favored area on the Seine near Asnières. It was made during a period where he explored the use of "dots" of paint set alongside contrasting colors, influenced by Georges Seurat. In 1885 Seurat made A Sunday Afternoon on the Island of La Grande Jatte with a technique of placing colored dots on a work which led a movement called "Neo-Impressionism", "Divisionism" and "Pointillism". Van Gogh was one of the artists later called "Post- Impressionists" who was influenced by Seurat's style that rejected realism and idealism to create a new genre based upon abstraction and simplicity.
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The exceedingly long title of the painting may be intended as a joke at Henry's scientific pretentions. All three were still in their youth: in 1890, Signac celebrated his 27th birthday, Fénéon turned 29, and Henry 31. By this time, the free brushstrokes of Impressionism were being succeeded by the more deliberate and scientific approach of Divisionism or Pointillism, championed by Seurat and Signac, painting with small contrasting coloured dots based on an understanding of colour theory with the intention that the pure colours would be combined in the viewer's eye and mind to create a more vivid work. Unlike many art critics, Fénéon was a supporter of Seurat and Signac, naming their artistic approach Neo-impressionism.
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In the late 1960s Chou get touched with abstract expressionism. The progressive theories on art and ink painting of her colleague Lui Shou-Kwan of the Lingnan School inspired her to experiment with different techniques and various types of paint, including oil, acrylic and watercolor. Kathy Zhang mentioned that artists working in this vein followed Lui’s precepts and combined Western and Chinese art. Chou explored the “splash ink” technique, the layered “piled ink” technique, and pointillism in her works in the 1970s. However, her signature mark became the “one-stroke” technique she applied to her abstract paintings, which was reminiscent of the New Ink style that was becoming popular in Hong Kong in the 1980s.
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Portrait of Igor Grabar by Boris Kustodiev, 1916 Igor Emmanuilovich Grabar (, 25 March 1871 in Budapest - 16 May 1960 in Moscow) was a Russian post- impressionist painter, publisher, restorer and historian of art. Grabar, descendant of a wealthy Rusyn family, was trained as a painter by Ilya Repin in Saint Petersburg and by Anton Ažbe in Munich. He reached his peak in painting in 1903–1907 and was notable for a peculiar divisionist painting technique bordering on pointillism and his rendition of snow. By the end of 1890s Grabar had established himself as an art critic. In 1902 he joined Mir Iskusstva, although his relations with its leaders Sergei Diaghilev and Mstislav Dobuzhinsky were far from friendly.
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Metzinger is a mosaicist like M. Signac but he brings more precision to the cutting of his cubes of color which appear to have been made mechanically [...]".Louis Chassevent, Les Artistes Indépendants, 1906, Quelques Petits Salons. Paris, 1908. Chassevent discussed Delaunay and Metzinger in terms of Signac's influence, referring to Metzinger's "precision in the cut of his cubes..."Robert Herbert, Neo- Impressionism, The Solomon R. Guggenheim Foundation, New York, 1968 The critical use of the word "cube" goes back at least to May 1901 when Jean Béral, reviewing the work of Henri-Edmond Cross at the Indépendants in Art et Littérature, commented that he "uses a large and square pointillism, giving the impression of mosaic.
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Inspired by optical effects and perception inherent in the color theories of Michel Eugène Chevreul, Ogden Rood and others, Seurat adapted this scientific research to his painting.Robert Herbert, Neo-Impressionism, Solomon R. Guggenheim Foundation, New York, 1968, Library of Congress Card Catalogue Number: 68-16803 Seurat contrasted miniature dots or small brushstrokes of colors that when unified optically in the human eye were perceived as a single shade or hue. He believed that this form of painting, called Divisionism at the time (a term he preferred) but now known as Pointillism, would make the colors more brilliant and powerful than standard brushstrokes. The use of dots of almost uniform size came in the second year of his work on the painting, 1885–86.
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Carroll Cloar (January 18, 1913 – April 10, 1993) was a nationally known 20th century painter born in Earle, Arkansas, who focused his work on surreal views of Southern U.S. themes and on poetically portraying childhood memories of natural scenery, buildings, and people, often working from old photographs found in his family albums. Guy Northrop, in his introduction on page 24 to Hostile Butterflies and Other Paintings by Carroll Cloar, (1977), quoted Cloar describing his images as "American faces, timeless dress and timeless customs ... the last of old America that isn't long for this earth." His Panther Bourne work depicted a surreal, Southern-mythic nature scene. Cloar employed pointillism in his painting "Waiting up for Lettie," creating over 800 works in his lifetime.
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Depending on how long he lets the paint dry, it becomes more or less malleable, responding to his hand like pigmented, sculptural putty. What results is a mash-up of pointillism. “The part I took from Minimalism is that you want to do your own stuff in your own image,” Binion says in the release for this show, and this is what he always did, as one can see in the exhaustive yet delicate marks of Icecicle: Juice from 1976, which emanate an uncanny shimmer. Small works like MAB: 1971: VIII, 2015, almost naively ram a puzzle of Binion's portrait ID photos (the kind we all know and don't necessarily love) directly up against the artist's overlaid lines of oil bar, but the outcome is phenomenal.
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At the Art Students League, she studied with teachers such as Kenyon Cox, Harry Siddons Mowbray, and Carol Beckwith, who had studied French academic painting in Paris. By graduation, she had mastered painting realistic, traditional, academic portraiture and nudes in both of the primary European styles. Returning to Europe, in addition to visiting museum collections, Stettheimer also visited contemporary salon exhibitions and artists' studios and saw the work of the Cubists, Cézanne, Manet, van Gogh, Morisot, and Matisse years before the Armory Show, the first large exhibition of modern art in America. With varying success, she tried her hand at a variety of media and styles from Symbolism and Fauvism to Pointillism, resulting in a series of works that are reminiscent of Matisse's Luxe, Calme et Volupté.
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In the end they set out on the journey in 1893 without Ciolina, who would travel to France only in 1896, with Fornara. Peretti was finally able to see for himself the solutions engendered by the research of the masters Cavalli had constantly invoked during the ten years he taught in Santa Maria Maggiore. In Lyon, Peretti explored the painting of Eugène Delacroix; in Paris he discovered the Pointillism of Georges Seurat and Paul Signac, whose painting of light led him to Divisionism without the mediation of Giovanni Segantini, Plinio Nomellini or Angelo Morbelli. A second journey, in 1894, led Peretti to deepen his study of the work of Adolphe Monticelli, already cited at the time by Vincent van Gogh and Paul Cézanne.
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"Artist Spotlight: Howardena Pindell", National Museum of Women in the Arts, Retrieved online 24 October 2018. From working with dots, Pindell began making use of the scrap circles of oaktag paper that resulted from the production of her pointillist works. David Bourdon writes, "By 1974, Pindell developed a more three-dimensional and more personal form of pointillism, wielding a paper punch to cut out multitudes of confetti-like disks, which she dispersed with varying degrees of premeditation and randomness over the surfaces of her pictures."One example of this is a 17 x 90 inch, untitled drawing-collage from 1973; Pindell used over 20 thousand hand-numbered paper dots to form vertical and horizontal rows with rhythmic peacefulness, uniting order and chaos .
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Details include the ampulla (not painted, but engraved in gold) held by Mary Magdalene in her fingers' tips: later, influenced by Masaccio's realism, Gentile would paint the same subject as firmly hold in Mary's hands in the Quaratesi Polyptych. The smaller panels in the upper cusps depict Saint John the Baptist Praying in the Desert, the Martyrdom of Saint Peter of Verona, a Franciscan Saint Reading and Saint Francis Receiving the Stigmata. The scenes include further examples of Gentile's attention to details, such as the quasi-pointillism technique used to render the wool of the figure in Peter's scene, or the fine hair of Saint John's cloth. It is likely that the central cusp originally housed a panel with the Crucifizion, housed in the Pinacoteca's same room.
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Mac typefaces designed by Susan Kare In 1982, Kare was welding a life-sized razorback hog sculpture commissioned by an Arkansas museum when she received a phone call from high school friend Andy Hertzfeld. In exchange for an Apple II computer, he solicited her to hand-draw a few icons and font elements to inspire the upcoming Macintosh computer. However, she had no experience in computer graphics and "didn't know the first thing about designing a typeface" or pixel art so she drew heavily upon her fine art experience in mosaics, needlepoint, and pointillism. He suggested that she get a grid notebook of the smallest graph paper she could find at the University Art store in Palo Alto and mock up several representations of his software commands and applications.
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The style merges his self- invented technique of spraying ink onto wrinkled paper collages, the boneless strokes of bird and flower painting, innovative texture strokes inspired by old Chinese masters, and sometimes his own form of Pointillism inspired by Impressionism. Liu’s bird and flower paintings not only present the subjects with scientific accuracy, but the artist even seems to paint his own soul into the subjects. Liu hopes that viewers can “live, play, and listen” in his paintings because every work has a story, just like in literature. Liu’s painting and writing are very much interconnected, and critics often praise his art for embodying the essence of poetry. Liu has become one of the few living Chinese painters to be included in Sotheby’s and Christie’s auctions in Hong Kong, Beijing, and New York.
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His acrylic painting being abstract, pointillism and naïve shown at a local bank. He chose to sell and donate his proceeds to an association for aiding the poor in Africa. Little by little, Nelson became popular, mainly with the success and sold more and more of his paintings, with more and more enthusiasm on his works, displayed at popular places, at public view, in free visits, he made videos of his paintings at a public beach with visitors, made interviews and in short makes himself known... During the local elections of 2007-08, Nelson was invited by the leader of a political party and painted a mural in the city of Assomada, an advertising incentive for his party. He replied present to his, lend himself to his challenge, he succeeded.
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Villa described his use of commas after every word as similar to "Seurat's architectonic and measured pointillism—where the points of color are themselves the medium as well as the technique of statement". This unusual style forces the reader to pause after every word, slowing the pace of the poem and resulting in what Villa calls "a lineal pace of dignity and movement". An example of Villa's "comma poems" can be found in an excerpt of his work #114: Villa also created verses out of already-published proses and forming what he liked to call "Collages". This excerpt from his poem #205 was adapted from Letters of Rainer Maria Rilke, volume 1: While Villa agreed with William Carlos Williams that "prose can be a laboratory for metrics", he tried to make the adapted words his own.
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Portrait of Félix Fénéon, by Paul Signac in 1890, oil on canvas, 73.5 × 92.5 cm (28.9 × 36.4 in), Museum of Modern Art, New York Portrait of Paul Signac by Georges Seurat in 1890, conté crayon, private collection In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colors and he became Seurat's faithful supporter, friend, and heir with his description of Neo-Impressionism and Divisionism method.Ruhberg Kark, Art of the 20th Century Benedikt Taschen Verlag GMBH 1998 Under Seurat's influence he abandoned the short brushstrokes of Impressionism to experiment with scientifically-juxtaposed small dots of pure color, intended to combine and blend not on the canvas, but in the viewer's eye, the defining feature of Pointillism. Many of Signac's paintings are of the French coast.
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Starting around 1887, Dubois-Pillet explored the science of color perception as it related to Pointillism by investigating the work of English polymath Thomas Young (1773–1829), who concluded that the eye has three color receptors, each sensitive to one of the primary colors of light (green, red, and violet). Dubois-Pillet applied Young's findings into a triad color theory which he referred to as passage, whereby a touch of pigment corresponding to each of the primary light colors is included in the passage from one hue to the next. Colors are scientifically decomposed by the artist, then they are recomposed in the viewer's eye, but with a greater luminosity than would have been possible if the colors had simply been mixed on the palette. How to apply his theory in practice wasn't entirely clear, and his fellow Neo-impressionists were not convinced.
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Olivier Messiaen's unordered series for pitch, duration, dynamics, and articulation from the pre-serial Mode de valeurs et d'intensités, upper division only—which Pierre Boulez adapted as an ordered row for his Structures I Punctualism (commonly also called "pointillism" or "point music") is a style of musical composition prevalent in Europe between 1949 and 1955 "whose structures are predominantly effected from tone to tone, without superordinate formal conceptions coming to bear" . In simpler terms: "music that consists of separately formed particles—however complexly these may be composed—[is called] punctual music, as opposed to linear, or group-formed, or mass-formed music" (, bolding in the source). This was accomplished by assigning to each note in a composition values drawn from scales of pitch, duration, dynamics, and attack characteristics, resulting in a "stronger individualizing of separate tones" . Another important factor was maintaining discrete values in all parameters of the music.
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In the late 1970s, Jackson was among a small group of artists and artisans producing and exhibiting hand-made furniture in New York. Jackson and his peers were part of the "American Art Furniture Movement," a group sometimes called the "Art et Industrie Movement," named after the leading art furniture gallery of the era, Art et Industrie, founded by Rick Kaufmann in 1976. In a 1984 Town & Country article titled "Art You Can Sit On," Kaufmann said he created the gallery to "serve as a locus to the public for artists and designers creating new decorative arts." The works on display were "radical objects" that drew from a number of fine art traditions, including "Pop, Surrealism, Pointillism and Dada [which were] "thrown together with the severe lines of the Bauhaus and the Russian avant- garde, mixed with Mondrian's color and filtered through a video sensibility—all to create a new statement.
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An erudite researcher of the laws of sight and a master of drawing, F. Vagnetti painted principally oil and pastel pictures. After an early period when he flanked the chromatic researches of Emile Claus and Georges Seurat, he experienced a personal pointillism in which the stroke's refinement and chromatic science join to an astonishing depictive capability. Some of his principal works are monumental landscapes ("Tra le querce" 1915, "Tramonto al Palatino"1924), portraits of a deep psychological sharpness ("Giovanni Giolitti" 1928, only existing portrait of this statesman; "Anima mite" 1923; "L’ingegnere Dino Chiaraviglio" 1938, "La mia Mamma cieca" 1938), large compositions of familiar or social characters ("Moti proletari" 1904, "Dolore antico" 1921, "Sosta dolorosa" 1948). In 1922 he painted three monumental portraits of the Italian Sovereigns for the Governmental Palace of Zara; in 1923 he carried out a "Trittico francescano" in the Church of S. Polo near La Verna (in Tuscany).
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Metzinger is a mosaicist like M. Signac but he brings more precision to the cutting of his cubes of color which appear to have been made mechanically [...]".Louis Chassevent: Les Artistes indépendantes, 1906Louis Chassevent, 22e Salon des Indépendants, 1906, Quelques petits salons, Paris, 1908, p. 32Daniel Robbins, 1964, Albert Gleizes 1881 – 1953, A Retrospective Exhibition, Published by The Solomon R. Guggenheim Foundation, New York, in collaboration with Musée National d'Art Moderne, Paris, Museum am Ostwall, Dortmund Georges Braque, 1908, Le Viaduc de L'Estaque (Viaduct at L'Estaque), oil on canvas, 73 x 60 cm, Tel Aviv Museum of Art The history of the word "cube" goes back at least to May 1901 when Jean Béral, reviewing Cross's Neo- Impressionist work at the Indépendants in Art et Littérature commented that he "uses a large and square pointillism, giving the impression of mosaic. One even wonders why the artist has not used cubes of solid matter diversely colored: they would make pretty revetments.
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Most of his work from this period is naturalistic or Impressionistic, consisting largely of landscapes. These pastoral images of his native country depict windmills, fields, and rivers, initially in the Dutch Impressionist manner of the Hague School and then in a variety of styles and techniques that attest to his search for a personal style. These paintings are representational, and they illustrate the influence that various artistic movements had on Mondrian, including pointillism and the vivid colors of Fauvism. Willow Grove: Impression of Light and Shadow, c. 1905, oil on canvas, 35 × 45 cm, Dallas Museum of Art Piet Mondrian, Evening; Red Tree (Avond; De rode boom), 1908–1910, oil on canvas, 70 × 99 cm, Gemeentemuseum Den Haag Spring Sun (Lentezon): Castle Ruin: Brederode, c. late 1909 – early 1910, oil on masonite, 62 × 72 cm, Dallas Museum of Art On display in the Gemeentemuseum Den Haag are a number of paintings from this period, including such Post-Impressionist works as The Red Mill and Trees in Moonrise.
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Critics largely reviewed The First Moderns favorably, appreciating Everdell's interdisciplinary approach, in publications including the New York Review of Books, the New York Times, the Los Angeles Times, and the Washington Post.Jim Holt, "Infinitesimally Yours", review of William R. Everdell, The First Moderns: Profiles in the Origins of Twentieth Century Thought, New York Review of Books, May 20, 1999. "Drawing together such disparate manifestations as Seurat's pointillism, Muybridge's stop-motion photography, the poetry of Whitman, Rimbaud, and Laforgue, the tone rows of Schoenberg, and the novels of Joyce, the author [Everdell] makes an engrossing and persuasive case for his claim that 'the heart of Modernism is the postulate of ontological discontinuity'"Hugh Kenner, "A Change of Mind, review of William R. Everdell, The First Moderns: Profiles in the Origins of Twentieth Century Thought, The New York Times, June 29, 1997. "The change started to happen in the 1870s, and not, as William R. Everdell arrestingly demonstrates in The First Moderns, in painting or in literature but in number theory.
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Caso Paul in monograph Eliane de Meuse edited by Prefilm, Brussels, p. 9, 1991. wrote that he considered the art of Eliane de Meuse as aimed towards a pure, clear artistic ideal, without any selfish motives. He felt that the artist did not belong to the Impressionism of Emile Claus, so close to French Pointillism, but that she was the spiritual daughter of James Ensor. In an article published on 22 October 1936 in the Nation belge, he commented on Meuse's first exhibition in these words: A discovery... an artist that reinvents James Ensor and Rik Wouter's impressionism, that enriches impressionism with new elements, in terms of richness and interpretation indicating the presence of a personality... This exhibition took place in the Palais des Beaux-Arts (Centre for Fine Arts, Brussels), where a collection of paintings representing the outcome of fourteen years of dedication in the pursuit of personal expression was presented.Caso Paul in monograph Eliane de Meuse edited by Prefilm, Brussels, p. 9, 1991. The same year, in Le Courrier d’Anvers, Sander Pierron,Sander Pierron in Le Courrier d’Anvers, 1936 another influential critic, wrote that he believed this young artist was called to a great destiny.
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