To their branches my neighbor, a retired Statistician, has clothes-pegged Slips of paper, white pocket handkerchiefs Embroidered with the words: The apples are not ripe, please don't pick them .
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Central Library Manchester, M87/1/2/1-84 All these portraits were worked in oil. Occasionally he worked in watercolour, for example Thomas Milner Gibson in the National Portrait Gallery. He executed a series of water colour vignette portraits of the leading members of the Anti-Corn Law League, which were engraved and published, and reproduced on pocket handkerchiefs.
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The song is the last in Act I following on immediately after "I'd Do Anything" and is sung in Fagin's thieves' lair by Fagin, the Artful Dodger, Oliver Twist and the boys in Fagin's Gang. In the song Fagin sends the gang of young pickpockets out to 'work' - stealing wallets and pocket handkerchiefs. During the song Fagin sings that he will miss the boys but they are not to return empty-handed. Oliver joins the gang under the care of the Dodger on his first pickpocketing mission.
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Later, the cinema where Bean works is preparing to host a royal premiere attended by the Queen. The staff line up in the foyer, awaiting the arrival of the royal party. Bean arrives a little late but is excited to greet the Queen, wondering how to do so and eventually deciding upon a swift bow. As he stands in line between the cinema's manager (Robin Driscoll) and an usherette (Matilda Ziegler), he finds that the men all have pocket handkerchiefs within their smart evening suits.
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Caresse Crosby (born Mary Phelps Jacob) Invented Bra Mary wore a dress she had worn on her debut a few weeks previously, a sheer evening gown with a plunging neckline that displayed her ample cleavage. But the corset cover, a "boxlike armour of whalebone and pink cordage," poked out from under the gown, and this time she called Marie, her personal maid. She told her, "Bring me two of my pocket handkerchiefs and some pink ribbon ... And bring the needle and thread and some pins." She fashioned the handkerchiefs and ribbon into a simple bra.
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Mrs. Tiggy- winkle with Jenny Wren's wine-stained table cloth A little girl named Lucie lives on a farm called Little-town. She is a good little girl, but has lost three pocket handkerchiefs and a pinafore. She questions Tabby Kitten and Sally Henny-penny about them, but they know nothing (especially since Tabby Kitten licks her paw, and Sally Henny-penny flaps back into the barn clucking, "I go barefoot, barefoot, barefoot!" neither of which is very helpful). Lucie mounts a stile and spies some white cloths lying in the grass high on a hill behind the farm.
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Black literacy, however, is dangerous. He described the law as a "matter of self-defense against Northern anti-slavery agitators who clog the mail with anti-slavery pamphlets to be distributed among Southern Negroes to induce them to cut our throats," and who "scattered pocket handkerchiefs around with anti- slavery engravings to work upon the feelings and ignorance of our negroes, who otherwise would remain comfortable and happy". He also admonished her for speaking directly and honestly in her own defense instead of hiring an attorney, which would have allowed her case to have been presented in a 'far more favorable light'. Her 'bold and open opposition', he said, 'is a matter not to be slightly regarded' and 'something more substantial is required in this case'.
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The subject's of his most ambitious paintings of this later phase were taken from Shakespeare. He was also known for drawings and engravings of characters of Sir Walter Scott.The University of Edinburgh image collection Controversial Work In 1829, Parliament passed the Roman Catholic Relief Act 1829 which allowed members of the Catholic Church to sit in the parliament. Just two months before, Sartain engraved Richter's anti-catholic print, The Tempest , involving characters from William Shakespeare’s play. This satirical work reflects the Miranda and Caliban respectively representing “the Church and the Devil” and was hung briefly in the window of a printshop before angry passersby caused it to be removed for fear of trouble. His work became highly popular through reproductive engravings and, from 1828, through the illustrations he produced for annuals such as the Forget-me-Not and Fisher's Drawing Room Scrapbook for 1833; the painting, The School in an Uproar, was reproduced in several variations and even printed on pocket handkerchiefs. He reportedly produced as many as 150 works in the form of drawings, engravings and paintings. Some examples of his work are in the British Museum and in private collections.
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I may want both a pair of shoes and a dozen pocket-handkerchiefs, > but my desire for the shoes is first and strongest; and upon the terms on > which I can get the shoes may in large measure depend my ability to get the > handkerchiefs. So, in the aggregate demand for the different forms of > wealth, there is a similar relation. And as, under the division of labor > characteristic of the modern industrial system, nearly all production is > carried on with the view, not of consumption by the immediate producers, but > of exchange for other productions, certain commodities may be produced so > far in excess of their proper proportion to the production of other > commodities, that the whole quantity produced cannot be exchanged for enough > of those other commodities to give the usual returns to the capital and > labor engaged in bringing them to market. This disproportionate production > of some things, which is overproduction in relation to the production of > other things, is the only kind of overproduction that can take place on any > considerable scale, and the overproduction of which we hear so much is > evidently of this character.
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