Another middle-aged rocker, mad at the kids with their plinky-plonky music.
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The result is a plinky melody that can be either creepy or cute — depending on context.
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"A Loop So Nice" tucks some loops among its layers — like the plinky keyboards — but it's far from static.
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If you held your ear against one wall, you could hear the plinky electronic music coming out of the gaming cabinets.
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On the flipside "You Belong to Me" offers a different, slightly more obsessional take on romance—over charmingly plinky piano chords, natch.
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The strummed acoustic guitar, plinky pianos, sighing, honey-coated backup singers, and sparingly deployed horns and glockenspiel equal a consistent band sound.
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Torn by competing sonic extremes, the plinky, bouncy, rattley synthesizers falter between abrasion and lilt, and often collapse into a squeaky dinkiness.
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"Famous" jitters over plinky electronic xylophones and synthesized flutes, as the bass creaks as if it's been turned up too loud on the speakers.
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But both the reggaeton beat of "Despacito" and the plinky, vaguely Caribbean beat of "Shape of You" are lean and crisp, ideal for earbuds.
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The spikiness of the record astounds anyway; from plinky synthesizer to buzzy synthesizer to crunchy synthesizer to scratchy drum machine to the choked strain of Dreijer's voice, everything's an irritant.
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"Pool" syncs up a series of plinky, descending, dissonant and/or slightly delayed marimba figures with a crunchy rhythm guitar, while a calming string progression intervenes, intermittently, to balance the nervous pace.
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The 106-second audio file is called "twentyfortyeight 2.0" and features an actually very pleasant plinky kid's keyboard backtrack from the Cera The Everyoung while Willow drifts off into another dimension entirely.
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Because the modeling is literally internal to the body you avoid a lot of the plinky sounds associated with acoustic-electrics and it means you can get some nice tones without much gear.
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"XO Tour Llif3," the album's lead single and Uzi's biggest hit so far, swerves to life over rattling snare drums, spiky, plinky electronic shimmer, and translucent keyboard stabs reverberating jauntily around the beat.
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The title track's confluence of ominous electronic ostinato, heavy guitar crunch, and plinky cowbellesque percussion produces quite the slinky stunner, while "Shotgun" lopes purposefully along, its interlocking rhythm guitar parts barking at each other.
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PARELES The analog synthesizer tones of Walter (later Wendy) Carlos's 1968 "Switched-on Bach" reappear with all their plinky, wavery, slidey, not-always-in-tune charm on Nigel Wilson's album "Have Yourself a Merry Little Synthmas," a 50-years-later homage.
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Yet because he has an ear for tangible textures, and because he enjoys humming a catchy tune, he also includes a startling range of harsh and/or dinky sound effects, heightening and manipulating the music's flow, including steel drums scraped together; plinky, dissonant xylophones harmonizing with the synthesizer; vocoded groans; and electronic creaks and scratches.
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Blueface has been the subject of some controversy among rap fans regarding his penchant for rapping offbeat: not just a few milliseconds off the exact rhythmic mark, but often faster than his circular, plinky piano loops to a substantial degree, like he's itching to outrun the beat entirely, except it keeps catching up with him.
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That universality is the hallmark of any Toy Story movie — all of which pull from the same playbook designed to employ zero-hour speeches, nuggets of wisdom about love and friendship, and a nostalgic, plinky Randy Newman soundtrack to force us to work out a few feelings, shed a few tears, and sniffle our way to the funny parts.
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The jaunty bounce of "Me and My Husband" first comes off as a joke about codependency ("It's always been just him and me"), as the percussive guitar strumming and plinky piano gleam with eager mock cheer, before revealing that the husband is actually the remedy for the narrator's own despair ("I'm the idiot with the painted face in the corner taking up space/ but when he walks in I am loved").
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I know, it really went downhill after Zoe Ball and Jamie Theakston left to go tango dancing and do bondage sex, respectively—which contains all of the following, in literally, very literally, no particular order: a plinky plonky piano, a few little finger clicks that appear at random over some honking, a whizzing gun sound, what I think is best described as "neeeh nooor," some hollow drums pounded at a frankly manic pace, an unexpected key change.
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His late mother is Carmen Gonzalez- Recto. His sister, Plinky Recto, is an actress and TV host.
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Shaw) – 4:03 #"Renegade" (T. Shaw) – 4:13 #"Snowblind" (J. Young, Dennis DeYoung) – 4:58 #"Heavy Metal Poisoning" (J. Young) – 4:54 #"Love Is the Ritual" (Glen Burtnik, Plinky) – 3:48 #"Little Suzie" (G.
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In The Independent, Phil Johnson dismissed the more frenetic moments on the record, saying "There's a bit of mad plinky- plonk, but otherwise Bourne uses space and consonance to create a series of meditations on mood and place".
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In 1936 Trout made his first (uncredited) film appearance in Under Your Spell. Later in 1941 he appeared in Scattergood Baines as Plinky Pickett. Trout reprised this role for the next two films in the Scattergood Baines chronology. He made several other film appearances throughout his life, though he was generally uncredited.
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"The day is reset dozens of times in the film and it would get very repetitive to approach that musically the same way every time", Beck recalled. He initially tried for "traditional heroic themes" that involved horns and trumpets, but he said Liman "preferred a non- traditional approach, driven by percussion and distorted orchestra". To that end, Beck used the pizzicato playing technique, "not in the traditional, plinky-plinky-isn't-this-funny way, but a little darker, and always accompanied by some higher concept synth colors". The distorted orchestral samples enhanced the comedic tone of the extended sequences where Cage recurrently dies in battle, as the director felt it was important for the audience to find humor in this sequence.
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Elizabeth Topperwein He was born on October 16, 1869, in Boerne, Texas, to Johanna Bergman and Ferdinand Toepperwein. In 1903 he married Elizabeth Servaty (known as "Plinky") of New Haven, Connecticut. In 1951 he stopped touring and opened a shooting camp in Leon Springs, Texas. He died in San Antonio, Texas, on March 4, 1962.
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Mayhem on the High Seas is an EP by the punk rock band Tsunami Bomb. Mayhem on the High Seas was the second album released on the Checkmate Records label, founded by AFI bassist Hunter Burgan. The album was the first complete record released by the band, after their split-EP B-Movie Queens with Plinky.
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The Guardian's Elisabeth Mahoney reviewed the programme positively: 'From the first moments of its plinky plonky theme tune, The Unbelievable Truth is a delight'. The Guardian's Zoe Williams, however, was critical of the programme, writing: 'The Unbelievable Truth, for instance, should never have been recommissioned. It's only funny when Clive Anderson is speaking. They could more profitably devise a show that was just Clive Anderson, speaking.
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The song has an "addictive chorus". "blend of plinky synths" and "rumbling electro beats" Some critics, however, questioned "30 Days" being on Living for the Weekend as they said the song would have been a good fit for the band's previous album, On Your Radar. It was revealed that the band had begun working with Darkchild on songs which are "kind of R&B-pop;". Una Healy said: We've got a good mix.
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The comedy was also known for its contrastingly sombre musical soundtrack, which was released commercially. He notes in the booklet of the soundtrack CD for Series 2 "Also Johnny Vaughan ask me why all the music is so sad and not plinky-plonk, happy- clappy cartoon type stuff, 'cos I don't want to be the Big Breakfast, 'nuff said." A series of 8 short episodes became available on All 4 on 26 September 2016, as well as a Christmas special which aired on Channel 4 on 24 December 2016.
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Giving it a B+, Jon Freeman of Country Weekly wrote that "Kip's predominantly electric guitar- driven sound…is still intact, but this time the snare drum cracks like a pistol and there's a banjo plinky-plinking for possibly the first time ever in one of his songs. If there's a downside to this one, it's that the 2:16 run time cuts the tune short right as it's really hitting its stride." In 2017, Billboard contributor Chuck Dauphin put "I'm to Blame" at number six on his top 10 list of Moore's best songs.
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The album's lead single, "30 Days" is produced by Steve Mac. Mac who is a regular collaborator has previously produced hit singles for the band including "Ego.". "30 Days" was said to "fill the dance floor with its echoing beats" Robert Copsey of Digital Spy rated the single 4 out of 5 stars, writing a positive review about its "blend of plinky synths", "rumbling electro beats" and "addictive chorus" which is "cooler than a blast of Listerine." The song had the effect of making you want "throw your arms up".
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This hobo-meets-Johnny Ball style approach to science-education proved appealing, and after two series, the show was sold to the national BBC2 network in 1994. The move saw two changes: the scope of the show was expanded nationwide, with a different region visited each episode; and the theme tune was changed from No More Heroes by The Stranglers to a twee and plinky number, more in keeping with the programme genre. Eventually this was replaced by a more upbeat theme, by Wallace and Gromit composer Julian Nott, played by a Czech orchestra. Since then, the series has covered over 200 'heroes', and has seen several special episodes.
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In November 2014, Rihanna released a snippet of a song via her official Instagram account, the song featured lyrics such as "Ain't none of this shit promised, ain't none of this promised" and "Ain't none of this shit certain, ain't none of it certain", whilst the rest of the snippet featured "plinky synths and booming bass providing the only instrumentation." Following the release many assumed that it was a song for Rihanna's then-upcoming eighth studio album Anti (2016). In July 2015, Mike Will Made It posted a 15-second video clip featuring a snippet of Rihanna singing; in June of the following year he released their collaboration as the lead single from his album.
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The work on Snakes in the Playground began after the band arrived their home of Kentucky from the tour that followed Kinetic Faith, with the line up of Dale Thompson, Troy Thompson, Rick Foley and Jerry McBroom. Bride spent a great deal of time in pre-production fine tuning its material and eventually came up with two demo tapes of nine songs each. On this album the band tried to capture their live performance energy on the album, and ended up creating a rawer and more straightforward hard rock album compared to Kinetic Faith. The band has said that they did not want to work with the producer Steve Griffith, and ended up working with the New Jersey native, Plinky, who had previously produced for a band called Novella.
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Burtnik appeared in the Broadway production of Beatlemania as Paul McCartney, alongside Marshall Crenshaw, who played John Lennon. He continues his love of The Beatles to this day, with the tribute band Liverpool. This band are regular performers at The Fest For Beatles Fans, annually held in the Metropolitan New York City area and Chicago with occasional stops elsewhere. He has written chart-topping hits such as "Sometimes Love Just Ain't Enough" for Patty Smyth and Don Henley, "Spirit of a Boy, Wisdom of a Man", and "Delicious Surprise (I Believe It)", hosted the School of Rock radio show on The Hawk 105.7 FM, and recorded/toured/collaborated with well-known artists. As a member of Styx, he was heavily featured on the hit album Edge of the Century, on which he wrote (along with long-time associate, Plinky Giglio) the top ten Mainstream rock hit, "Love Is the Ritual", and co-wrote (with lead singer Dennis DeYoung) the last Billboard Top 40 hit for the band, "Love at First Sight" (#25, 1991).
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