"You're so good to me," he said pleadingly, his voice muffled in her neck.
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"Now don't go away and write anything bad about the company," the manager says pleadingly.
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"I am one of you," a Polish minister told protesters pleadingly, citing his pig-farming past.
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His proscribed role for the weekend is unlikable and he can't even do that quite right ("right-wing ogre, at your service," he says, pleadingly).
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" This is the point at which he begins to speak directly into the microphone, almost pleadingly: "Dan, I would love for you to write the script.
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When the audio stopped, Khan-Cullors grabbed a stack of protest signs laid against the wall and held them over her head, again marching across the room, staring pleadingly at audience members.
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She doesn't do much for courtroom suspense, and neither does the irresistible Mr. Brown, a world-class scene-stealer whose quavering voice and pleadingly earnest eyes make the strongest case by far.
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But still, as the bumper sticker says, "shit happens" and so—*hails a thousand Marys and looks pleadingly at the waning moon*—: it has become a known fact that "Ed Sheeran earns the UK's average salary in just eight hours".
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Having a Commander in Chief refer to himself as the "Daddy" of a 35-year-old woman, having him assert that she -- one of his most important advisors -- pleadingly called him that as she asked be taken along on a trip, is off-putting to say the least.
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Rajiv stands before her and gazes pleadingly into her eyes. Payal is convinced that Rajiv does love her and embraces him. Alisha comes there and finds Rajiv and Payal dancing on a slow tune. She apologizes to Payal for her behavior and wishes them good luck.
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Lyrically, the song is about optimism; according to Rolling Stone, it "celebrates rising above the world's negativity". Variety noted that the song's chorus contrastingly features Grande alternating between "lifting her voice, pleadingly, for positivity" with the lyrics "Oh, I just want you to come with me / We're on another mentality", and "rhythmically" chanting "I'm lovin', I’m livin', I'm pickin' it up" with a "nearly spoken-word" vocalization. "No Tears Left to Cry" is the only song from Sweetener to not feature an "explicit" tag on Spotify.
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Vikarna replies that even knowing that the Kauravas would not win a war against a side with Sri Krishna on it, he cannot forsake Duryodhana. Pleadingly, Bhima reminds him of the dice game, where Vikarna had criticized his brother. Vikarna replied: Bhima severely wounds Vikarna who was about to die and told him that he is sorry for fighting against the righteous Pandavas and fighting for the evil Duryodhana. He requests Bhima to perform his last rites and he smiles to which Bhima says yes.
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Eric's father (Chris Doubek) answers and when she asks for Eric, he tells her it is late and, assuming she is a classmate, advises that she speak to him at school the next day. Diana then sneaks up to Eric's bedroom window to try to get him to speak with her. Eric begrudgingly goes outside, where she pleadingly tells him that they can "work through this" and that, since he will be attending college at the University of Texas the following year, they can "stay together." Eric rebuffs her advances and his father comes outside to check on him, causing Diana to run back to her car and leave.
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"Oliver asking for more", an alt=A young boy with an empty bold, standing pleadingly in front of an older man, an authority figure In the English-speaking world, gruel is remembered as the food of the child workhouse inmates in Charles Dickens's Industrial Revolution novel, Oliver Twist (1838); the workhouse was supplied with "an unlimited supply of water" and "small quantities of oatmeal".Oliver Twist, chapter 2. When Oliver asks the master of the workhouse for some more, he is struck a blow on the head for doing so. The "small saucepan of gruel" waiting upon Ebenezer Scrooge's hob in Dickens's 1843 novel A Christmas Carol emphasizes how miserly Scrooge is.
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She starred in the world premiere production which played at London's Park Theatre, July 16 – August 10, 2019. The show received mixed reviews, though Martin received unanimously positive reviews for her performance, with The Stage writing "Meaghan Martin - best known for film work - makes a strong stage debut here, nailing her part as a stand-up comic desperate for approval, wincing anxiously every time her laugh track plays". Michael Billington of The Guardian called Martin's performance "Chilling", writing: "Meaghan Martin plays, with a marvellous mix of ingratiation and panic, a collapsing standup who pleadingly asks: 'Do you find me funny or disturbing?' On a lighter note, Martin also appears to great effect as a Hollywood hustler meeting a dithering dramatist".
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As Baháʼí texts etc. on this vast subject are many and deep and as they refer positively in various places to five tongues - Arabic, English, Esperanto, Persian and Spanish - one can easily accept why the very next sentence of that 1980 letter explains: "It is not possible now to see how this will come about..." What requires little intellectual discussion is how often and pleadingly ʻAbdu'l-Baha asked 'every one of us to study Esperanto' whether or not it becomes universal and how Shoghi Effendi interpreted all that as 'repeated and emphatic admonitions of ʻAbdu'l-Bahá.' The whole language question however is similar to what the essence of religion has ever been - a spiritual and mystical matter over and above any intellectual dimension.
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In the smoke, "Civilization" is depicted kneeling pleadingly at the feet of a menacing "God of War." Soldiers are seen retreating before deadly gas. Against these scenes, the film's title cards express the film's anti-war message, concluding with the following comments: > Today, the great sorrowful eyes of this same Son of God gaze down upon > blackened fields, where the mangled bodies of men are strewn as grains of > wheat, upon flaming shattered hamlets and stricken firesides. As He listens > to the screaming of the shells, the crashing of monstrous guns, all the > ghastly symphony of the reddest war mankind has ever known, His heart must > recognize the bitter truth in the statement of one of the world's foremost > educators— That in nineteen centuries Civilization has failed to accept > honestly the teachings of Jesus Christ.
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In one instance Esmeralda also sees Phoebus from the cathedral balcony and pleadingly convinces Quasimodo to go down and look for him, but Phoebus is repulsed by Quasimodo's ugliness and refuses to visit Notre Dame to see her. After an uneasy respite, a mob of Paris' Truands led by Clopin Trouillefou storms Notre Dame, and although Quasimodo tries to fend them off by throwing stones and bricks down onto the mob and even pours deadly molten lead, the mob continues attacking until Phoebus and his soldiers arrive to fight and drive off the assailants. Unbeknownst to Quasimodo, Frollo lures Esmeralda outside, where he has her arrested and hanged. When Quasimodo sees Frollo smiling cruelly at Esmeralda's execution, he turns on his master and throws him to his death from the balcony in rage.
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Verse 1 Far away on the hills of old New Hampshire, Many years ago we parted, Ruth and I; By the stream where we wandered in the gloaming, It was there I kissed my love a sad goodbye She clung to me and trembled when I told her, And pleadingly she begged of me to stay; We parted, and I left her broken hearted, In the old New Hampshire village far away. Refrain Now the sunshine lingers there, And the roses bloom as fair In the wildwood where together we would roam. In the village churchyard near Sleeps the one I loved so dear On the hills of my old New Hampshire home Verse 2 In my dreams by the stream last night I wandered, And I thought my love was standing by my side; Once again then I told her that I loved her, Once again she promised she would be my bride; And as I stooped to kiss her I awakened, I called her, but she was not there to hear; My heart lies buried with her 'neath the willow, In the old New Hampshire home I love so dear.
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