How to use play pizzicato in a sentence? Find typical usage patterns (collocations)/phrases/context for "play pizzicato" and check conjugation/comparative form for "play pizzicato". Mastering all the usages of "play pizzicato" from sentence examples published by news publications.
The second movement is introduced by the melancholy melody of the oboe. The music's impassioned climax is a reminder of the grieving phrases that dominated the opening movement.Steinberg, 629. Strings play pizzicato throughout the third movement.
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If a string player has to play pizzicato for a long period of time, the performer may put down the bow. Violinists and violists may also hold the instrument in the "banjo position" (resting horizontally on the lap), and pluck the strings with the thumb of the right hand. This technique is rarely used, and usually only in movements which are pizzicato throughout. A technique similar to this, where the strings are actually strummed like a guitar, is called for in the 4th movement of Rimsky- Korsakov's Capriccio Espagnol (Scena e canto gitano), where the violins, violas and cellos are instructed to play pizzicato "quasi guitara", the music here consists of three- and four-note chords, which are fingered and strummed much like the instrument being imitated.
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The guitar is now most commonly played with a style referred to as flatpicking, unlike the style of early bluegrass guitarists such as Lester Flatt, who used a thumb pick and finger pick. Bassists almost always play pizzicato, occasionally adopting the "slap-style" to accentuate the beat. A bluegrass bass line is generally a rhythmic alternation between the root and fifth of each chord, with occasional walking bass excursions. Instrumentation has been a continuing topic of debate.
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Classical bass players do play pizzicato parts in orchestra, but these parts generally require simple notes (quarter notes, half notes, whole notes), rather than rapid passages. Double bass is a standard instrument in bluegrass groups. Classical players perform both bowed and pizz notes using vibrato, an effect created by rocking or quivering the left hand finger that is contacting the string, which then transfers an undulation in pitch to the tone. Vibrato is used to add expression to string playing.
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The viola and violin play pizzicato octaves on E before the strings cascade down the C harmonic minor scale that ushers in the first theme, stated forte. After a brief development of this theme, an ascending gesture based on sixteenth-notes alternating between the notes of a minor second serves as the transition to the second theme in the relative major of C minor, E major. This second theme is an uplifting eight-measure theme stated initially in the piano alone.
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These pieces display a firm grasp of the techniques of 18th-century dramatic composition from the eleven-year old Mozart. The moving C major duet between Oebalus and Melia is an extraordinary composition featuring a through-composed style with enticing orchestral effects – such as muted violins, under which the rest of the strings play pizzicato. The scene that opens the second chorus is when Hyacinth dies in the presence of his father. This piece is a brilliant example of music's dramatic function and is also the first example of accompanied recitative in all of Mozart's music.
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Some of the students who lodged there included John Cavill (from September 1949 until June 1950). Cavill played piano, but as the house had none he bought a guitar; admitting he knew almost nothing about chords: "My father had a violin and I had learned to play pizzicato on it, so when I got the guitar I played tunes on the strings, and John [Lennon] did the same". Michael Fishwick also lodged there (from October 1951 until December 1958), as did Keith Capron (September 1956 to July 1959). Both Capron and Cavill were studying veterinary science at the University of Liverpool, with Fishwick studying biochemistry.
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