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14 Sentences With "planting bed"

How to use planting bed in a sentence? Find typical usage patterns (collocations)/phrases/context for "planting bed" and check conjugation/comparative form for "planting bed". Mastering all the usages of "planting bed" from sentence examples published by news publications.

The redesign also includes a raised, circular planting bed, fourteen feet in diameter, to be installed near the southwest corner of the plaza.
So we cut it into three roughly equal sections, paving one-third with brick, for our two cars; and paving another third with brick that has a planting bed of creeping thyme in the center, so two more cars can be parked, if need be, without hurting the thyme.
Buried drip irrigation involves burying drip tape in the subsurface near the planting bed, thereby limiting weeds access to water while also allowing crops to obtain moisture. It is most effective during dry periods.
Upper level windows are twelve pane double hung. At the lower level are French doors with transom lights. Other elements of Newnham Hall precinct include the Riverfront Forecourt; Planting Bed; Wisteria Hedge; Magnolia Tree; Peach Tree; Driveway; Courtyard Planting; Former Kitchen Wing Archaeological Site; Outbuilding Archaeological Site. Newnham Hall is generally in sound structural condition.
Between 1995 and 1997, Straus Park was renovated and expanded to the west, by the addition of 15 feet of West End Avenue. An endowment established by the Straus family funded the transformation of a neglected reflecting pool in front of the sculpture into a planting bed. The Friends of Straus Park fund maintenance and the planting of seasonal flowers.
The use of plastic mulch requires a unique application process to ensure proper placement of the plastic film. This application process begins with preparing the field the same way one would for a flat seed bed. The bed must be free of large soil clods and organic residue. A machine called a plastic layer or a bed shaper is pulled over the field creating a row of plastic mulch covering a planting bed.
The landscape architects Bruce Kelly and David Varnell designed the monument, and Penelope Jencks sculpted the statue, boulder, and foot stone. The architect Michael Dwyer designed inscriptions in the surrounding granite pavement, including a quotation from Roosevelt's 1958 speech at the United Nations advocating universal human rights, and a bronze tablet, located in the planting bed, summarizing her achievements.Jean Parker Phifer, Public Art New York (New York, NY: W.W. Norton & Co., 2009).
The New York Times. nytimes.com. Retrieved 2019-03-13. The statue, the boulder on which it leans, and the foot stone on which it rests, all sculpted by Jencks, form the centerpiece of a heavily planted circular memorial designed by the landscape architects Bruce Kelly and David Varnell. The architect Michael Dwyer designed inscriptions in the surrounding granite pavement, including a quotation from Roosevelt's 1958 speech at the United Nations advocating universal human rights, and a bronze tablet, located in the planting bed, summarizing her achievements.
The Eleanor Roosevelt Monument is located at 72nd Street and was dedicated in 1996. The landscape architects Bruce Kelly and David Varnell designed the planted, circular monument. The artist Penelope Jencks sculpted the larger-than-life statue of Eleanor Roosevelt, the boulder on which it leans, and the foot-stone on which it rests. The architect Michael Dwyer designed inscriptions in the surrounding granite pavement, including a quotation from Roosevelt's 1958 speech at the United Nations advocating universal human rights, and a bronze tablet, located in the planting bed, summarizing her achievements.
The modern complex Kennedy Hall and the ″new″ Roberts Hall are one large complex, joined together with access between each through the ground floor and the fourth floor. On the first floor of Kennedy Hall is the David L. Call Alumni Auditorium, also known as 116 Kennedy Hall. The Call Auditorium jets out from Kennedy Hall to the east. Outside, to the north of the auditorium, is a small plaza, complete with seating and an area of shrubs and trees in a large planting bed directly abutting the building.
It is joined by a narrower one, similarly treated, that comes in from the east, connecting to the unpaved parking lot the church shares with the commercial building next door. Surrounding the church is a planting bed, also lined with white stone. The church's sign stands in its lawn to the south; a stone marker protesting legalized abortion is in the western quadrant. Two mature black spruce grow to the height of the pavilion roof on its north side;See accompanying photo another one grows at the end of the row of shrubs along the utilidor at the east corner of the lot.
Sprigging is the planting of sprigs, plant sections cut from rhizomes or stolons that includes crowns and roots, at spaced intervals in furrows or holes. Depending on the environment, this may be done by hand or with mechanical row planters. Sprigging uses no soil with the plant, and is an alternative to seeding (planting seeds directly), plugging (transplanting plugs with intact soil and roots), and sodding (installing harvested sheets of sod). Stolonizing is essentially broadcast sprigging, using cut stolons and rhizomes spread uniformly over an area mechanically or by hand, then covered with soil or pressed into the planting bed by various means.
The National Christmas Tree is a living evergreen tree planted in the Ellipse in the President's Park, close to the Zero Milestone but just east of the central north–south axis. In early 1974, a low stone wall was constructed around the National Christmas Tree to provide partial protection for its roots, and currently serves as the limit of the planting bed below the tree.Park Cultural Landscapes Program, p. 125. In 2001, a cast iron fence was built around the tree about from the low stone wall to protect the soil from compaction by the thousands of people who visit the tree annually.
The images would depict disabled veterans from the American Civil War to the present, although the quotations extended back to the American Revolutionary War. The number of rectangular bronze panels now numbered five, and they were to be placed behind some of the glass walls. These artworks passed light through to the glass walls as well as helped create a stronger visual element than glass alone. Trees in the grove would have their limbs removed up to a height of about to provide visibility, and a planting bed about deep behind the glass panels would discourage anyone from approaching them from behind.

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