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21 Sentences With "place of action"

How to use place of action in a sentence? Find typical usage patterns (collocations)/phrases/context for "place of action" and check conjugation/comparative form for "place of action". Mastering all the usages of "place of action" from sentence examples published by news publications.

It pushed my idea forward to a place of action.
And, one where men are brave enough to move beyond guilt, denial, or apathy to a place of action.
But that said, I'm increasingly distanced from Westworld's diffuse storytelling, its plodding momentum, its teasing conversations in place of action, and its repetition, especially over the process of AI awakening.
We're looking at internal development, but when you think about our-, the whole pharmaceutical industry, digital is definitely a place that everybody is looking, and it could be a place of action.
President Donald Trump's decision to withdraw the United States from the multinational Joint Comprehensive Place of Action, which lifted international sanctions against Iran in exchange for curbs on its nuclear program, has left the 2015 accord hanging dangerously in the balance.
The show is characterised by fast cuts and soft tracking shots. The single settings are as different as the place of action. The car rides are realised with chroma key with backgrounds such as highways, strange landscapes and famous emblems. Further also animated backgrounds are shown.
Initially under the administration of the Municipality, since February 2008 it has been a foundation created by the Municipalities of the Province of Prato, the ANED (National Association of Former Political Deportees in Nazi Camps), the Associazione Nazionale Partigiani d'Italia (National Association of Italian Partisans) and the Jewish Community of Florence. Since 2008, the museum has also been the place of action for the Austrian Memorial Service.
Initially, the scenario did not specify that the events occur exactly in Irkutsk and Lake Baikal. It was noted only that a place of action is a certain provincial city. However, winter photographs of Lake Baikal impressed the director Oleg Trofim and he decided to shoot there. In total, the film crew spent about a week in Irkutsk, it was in the middle of March 2016.
All editions of the book feature the Interior with Painting of Tintin jacket illustration created by Lichtenstein. Like Mao and Tallien, Tuten's next novel, Van Gogh's Bad Café (1997),; Reprinted as offers an imagined glimpse into the psyche of a historical character, Dutch artist Vincent van Gogh. The book is also similar to Mao in that the time and place of action and the narrator are inconsistent throughout and change without warning. Van Gogh's Bad Café explores the themes of love and addiction.
Beginning in his early forties, Broch had devoted himself to writing, and The Sleepwalkers, composed between 1928 and 1932, was his literary début. Before that he had published only essays. In creating the plot of the book, Broch was inspired by his associates and friends for several characters and events, for example his mistress and confidante the Viennese journalist Ea von Allesch, who gave him the idea of the vaudeville artiste Ilona. Each part differs in style, time and place of action, characters and atmosphere.
On 1 October 1944, about 2.500 prisoners from Bor had to take rest nearby floodplains on the route between Sefkerin and Opovo. Members of paramilitary Deutsche Mannschaft killed there 22 of them by hitting because they tried to get river water for drinking despite the command to walk on. An interviewed eyewitness indirectly named this event only. He did not mention the real place of action, moved the event to Hungary, gave a later date, but described this event with the word watermelons in his synopsis.
The number of militiamen killed in action at the skirmish is difficult to confirm. The earliest and best source, Lieutenant Colonel Stephen Balliet, reported that ten men were buried. Samuel Rea, the County Lieutenant of Northampton County, indicated that Balliet's numbers were probably the most accurate: "Col. Baliort [Balliet] informs me that he had Given Council a relation of the killed and wounded he had found Burned near Neskipeki as he was at the place of action his Accts must be as near the truth as any I could procure..."Pennsylvania Archives Ser.
Departing from traditional stage decor, which only indicated the place of action, Korovin produced a mood decor conveying the general emotions of the performance. Korovin designed sets for Konstantin Stanislavsky's dramatic productions, as well as Mariinsky's operas and ballets. He did the stage design for such Mariinsky productions as Faust (1899), The Little Humpbacked Horse (1901), and Sadko (1906) that became famous for their expressiveness. In 1905 Korovin became an Academician of Painting and in 1909–1913 a professor at the Moscow School of Painting, Sculpture and Architecture.
Awakenings is the collective name of techno parties that have been organized since 1997 by events agency Monumental Productions BV. The parties sometimes have a theme that has to do with techno music, such as minimal, Detroit, schranz, Drumcode or Kne'deep. The place of action is normally the gashouder in Amsterdam, main venue, and the Spaarnwoude recreational area between Amsterdam and Haarlem for the festival. The name Awakenings has to do with the resurrection of Jesus. The first party was around Easter and organizer Rocco Veenboer realized that he did not know what the Easter party meant.
The area was previously a village known as Battle Bridge or Battlebridge which was an ancient crossing of the River Fleet. The original name of the bridge was Broad Ford Bridge. The corruption "Battle Bridge" led to a tradition that this was the site of a major battle in AD 60 or 61 between the Romans and the Iceni tribe led by Boudica (also known as Boudicea). The tradition claims support from the writing of Publius Cornelius Tacitus, an ancient Roman historian, who described the place of action between the Romans and Boadicea (Annals 14.31), but without specifying where it was; Thornbury addresses the pros and cons of the identification.
There is no proof that Stoker knew of Poenari Castle and the castle is situated roughly 200 km to the south of the novel's place of action, which was in the north-east corner of Transylvania. In Fallout 3 video game, a vampire- related side quest starts in a fictional, postapocalyptic settlement, constructed on a preserved fragment of a highway in the Washington D.C. area, bearing some visual resemblance to Poenari Castle (e.g. linear structure) and named Arefu (as a hidden reference to the real-life location 6km from Poenari), although the toponym is disguised to look incidental (the roadsign says CAREFUL with C and L faded away).
In fact, Dobrobabin commanded only one squad of the rifle platoon and there was a man with higher rank, staff sergeant Gavriil Mitin, among the "28 Guardsmen". In an article dated January 22, Krivitsky for the first time indicated the exact time and place of action - November 16, at Dubosekovo station, on the left flank of the 1075th Regiment. Now Soviet historians were forced to look for traces of the feat there, while documents drew the opposite picture - the rapid advance of the Germans. In fact, the fighting in the following days became much harder for the 2nd Panzer Division, and on November 18 they remained 25 kilometers from the target set for that day.
An example of a page from the Orkneyinga saga, as it appears in the 14th century Flateyjarbók. The Orkneyinga saga (also called the History of the Earls of Orkney and Jarls' Saga) is a historical narrative of the history of the Orkney and Shetland islands and their relationship with other local polities, particularly Norway and Scotland. The saga has "no parallel in the social and literary record of Scotland" and is "the only medieval chronicle to have Orkney as the central place of action". The main focus of the work is the line of jarls who ruled the Earldom of Orkney, which constituted the Norðreyjar or Northern Isles of both Orkney and Shetland and there are frequent references to both archipelagoes throughout.
Julien Duvivier was 55 when he filmed Le petit monde de Don Camillo in the Italian town of Brescello.Documentary A Film and Its Era: The Little World of Don Camillo, by JulienDuvivier The film was produced by Francinex (Paris) and Rizzoli Amato (Rome). It belongs to a long series of Franco-Italian (or Italo-French) coproductions which provided hundreds of movies to the cinema during 30 years after World War II. In Le Petit Monde de Don Camillo (released in Italy as simply Don Camillo) one of the characteristics is a certain balance between the two countries, since the original author, the place of action, and one of the two stars are Italian, while the director, the screenwriters, and the first star are French. The crew and the rest of the cast are also equally divided between both nations.
This memoir tells of a precocious boy who loved the sights and sounds of his childhood but felt reticent about full participation in life. The note is sounded from the first chapters, as James recounts the limitations—and rewards—of the child he was: "For there was the very pattern and measure of all he was to demand: just to be somewhere—almost anywhere would do—and somehow receive an impression or an accession, feel a relation or a vibration. He was to go without many things, ever so many—as all people do in whom contemplation takes so much the place of action; but everywhere...he was to enjoy more than anything the so far from showy practice of wondering and dawdling and gaping: he was really, I think, much to profit by it." James clearly suffered from a sense of his inferiority in the "showy", active parts of life.
In October 1977, Byrd stated his refusal to authorize the Senate dropping consideration of the natural gas legislation under any circumstances, predicting the matter would be settled in the coming days as a result of conversations with colleagues he had the night before and a growing disillusion with filibusters in place of action on legislation. Byrd added that the deregulation bill would not become law due to it being identical to the Carter administration's proposal and President Carter's prior statement that he would veto deregulation bills. In May 1978, Byrd announced that he would not move to end a filibuster against the Carter administration's labor law revision bill until after the Memorial Day recess. The decision was seen as allowing wavering senators to not be cornered on their votes as lobbying efforts for both business and labor commenced and various opponents of the bill viewed Byrd's call as a sign of weakness toward the Carter administration.

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