New haircare line, Beauty & Pin-Ups, is breaking down barriers.
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Their pin-ups were plastered all over girls' and boys' bedroom walls.
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"They really brighten when we tell them these pin-ups are veterans," she says.
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Thomas depicts us posing like classical nudes and posting like 70s Blaxploitation pin-ups.
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The first pin-ups he fell for at 14 were tasteful drawings of nudes from Esquire.
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You could put pin-ups of women on your desk, and that was considered your property.
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Yet the Raj went along with a softer American propaganda ploy, the distribution of pin-ups of Hollywood starlets.
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Beauty comes from the inside out, as proven through this new beauty campaign for the haircare brand, Beauty & Pin-Ups.
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Charlotte Mei Pin Ups is a cover album and I'm doing a cover of it, so I thought that was pretty clever.
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Prices have increased dramatically for the vehicle produced 25 years ago as people are able to purchase their childhood poster pin ups.
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Related: Female Cyborg Illustrations Illuminate with Acid Colors The Cyborg Cabaret Invades Pittsburgh This Friday Sorayama's Sexy Cyborg Pin-Ups Do Vegas
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" She adds, "Me and my sister had been talking about Blake Bortles all weekend – he's one of the big pin-ups of NFL.
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There are severed mannequin parts, perforated movie star pin-ups, sun-scarred wedding albums, and strange assemblages of discarded consumer goods and debris.
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As part of Pin-Ups for Vets, 21 women from four branches of service have posed for a calendar that raises money for veterans' hospitals.
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A massive CRT TV, perhaps playing Mei Shin's singing competitions as she rises to her own version of stardom, just like mom. Pills. Pin-ups. Tulips.
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The pin-ups of Indian capitalism are no longer the pampered scions of its business dynasties, but the hungry founders of Flipkart, an e-commerce firm.
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Related: A Rare Work of Japanese Erotic Art Hits the Auction Block Sorayama's Sexy Cyborg Pin-Ups Do Vegas [NSFW] Jonathan Leder's New Polaroids of Powerful Women
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"I have seen first-hand how touched veterans are to receive the calendar during bedside visits from the pin-ups," says former Air Force intelligence officer Shannon Corbeil.
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The 32-year-old — and her gorgeous red hair — appear in the campaign ads and on the packaging for Beauty & Pin-Ups' newest Fearless Hair Rescue Mask product.
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When I started puberty, the pin-ups and the pop music laid out for me were all hair and guitars and lipstick and I was there for it.
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Today, the artist continues to create variations on his flesh-meets-metal pin-ups, a futuristic version of Japanese Shunga and Ukiyo-e, centuries-old erotic art traditions.
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It was kind of stunning to think that this very normal-looking human inhabited multitudes of women and men, street urchins and socialites, pin-ups and birthday clowns.
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And the results are astonishing: Compare it with this Bowie pic: English model Twiggy poses with David Bowie in Paris for the cover of his 'Pin Ups' album, 1973.
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Having met Pin-Ups for Vets founder Gina Elise personally, I found her warm and personable and think she truly believes she is serving the best interest of veterans.
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They wanted Mrs Clinton to pick such populist pin-ups as Senator Elizabeth Warren of Massachusetts, or the Labour Secretary Thomas Perez, who is much-liked by trade unions.
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Like his earlier drawings, these untitled works combine the sacred and the secular, only this time their source material is B movies, pin-ups, magazines, comics, motorcycle gangs, and porn.
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Recently, an organization called Pin-Ups for Vets posted a call on Facebook urging their supporters to complain that they had been denied access to the San Diego VA medical center.
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Pin-Ups for Vets volunteers make "personal bedside visits to deliver gifts," including their glamour girl pin-up calendar, to hospitalized, usually elderly, male veterans while dressed in fitted 1940s garb.
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Related: Cyberpunk Illustrations of a Dystopian Future Sorayama's Sexy Cyborg Pin-Ups Do Vegas "Cyborg Lolita" Julie Watai's Uncanny Valley of Kawaii Neil Harbisson Is A Cyborg Who Can Hear Colors
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In an announcement that pretty much broke the internet back in April, hair-care brand Beauty & Pin-Ups tapped Meade to become the face of its latest hair treatment, aptly titled Fearless.
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The presence of Pin-Ups for Vets volunteers and their merchandise could also be misaligned with VA's policy prohibiting gender harassment and seeking to uphold best practices for employee equity, diversity, and inclusion.
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" Jay Nordlinger, National Review: "A short while ago, men such as Robert Mueller, William Taylor, and Alexander Vindman would have been pin-ups for (us) American conservatives: decorated combat veterans; patriots; straight arrows.
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"The Beauty & Pin-Ups brand is a celebration of the empowerment of a woman and what it took to be a pin-up in 1935, and carrying that message in a modern sense," Kahn tells PeopleStyle.
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The statuesque pin-ups we wore to prom have been replaced by more modern styles, but the basic formula is still the same: a middle part, loose tendrils around the face, and volume at the crown.
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And model Katie Meade broke barriers in the beauty world too; the 32-year-old was the first woman with Down syndrome to be the face of a beauty product, Beauty & Pin-Ups' Fearless Hair Rescue Treatment.
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"It's pretty cool because I love being a part of the Beauty & Pin-ups family, and I love being apart of Best Buddies and interacting with people," Meade says to PeopleStyle about her partnership with the brand.
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The introduction of bottle feeding and formula, the hyper sexualization of women's breasts in World War II pin-ups, and numerous other cultural moments have contributed to how we might currently view these mid-19th century images today.
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These had adult fans, too: Black servicemen were known to use the Torchy paper doll as pin-ups and, in his own Guardian column, the poet Langston Hughes declared himself an admirer of Torchy's combination of sexiness, smarts, and sass.
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On top of being the ambassador for Beauty & Pin-Ups, and a global ambassador for Best Buddies (through which she became friends with Tom Brady), she works as an Office Generalist in her county's treasury office, and is a former Special Olympics athlete.
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They are the consequence of a lifetime of study of vernacular photography, starting with his experience in the Factory and his 1971 exhibition, All the Meat You Can Eat, a seemingly disorganized amalgam of photographs, ranging from pin-ups, postcards and snapshots, including some of Shore's own work, displayed in almost random fashion.
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And in every one he would respectfully answer my questions, sign his autograph a dozen times for us to superimpose over his color pin-ups for his droves of adoring fans, and then, politely, try to treat me like "one of the gang," by encouraging me to come to his house and try LSD.
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According to Jonathan Masci of Quantenstein, a machine-learning fund manager, years of work on rules-based approaches in computer vision—telling a computer how to recognise a nose, say—were swiftly eclipsed in 2012 by machine-learning processes that allowed computers to "learn" what a nose looked like from perusing millions of nasal pin-ups.
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"); the keys to Bowie's Berlin apartment ("They look old"); playfully altered stills from " The Man Who Fell to Earth " ("They changed the bathtub water to tiles"); a suit that she correctly identified as being from Mick Rock's "Pin Ups" photos; Bowie's diary entry about writing "Fame" with John Lennon; a Pierrot mannequin ("Isn't that the 'Ashes to Ashes' costume?
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") Those gleaming heroines are but few in a centuries-long line of sexy robotrix spanning countless Japanese animés, as well as Playboy Playmate Dorothy Stratten's Galaxina, the suburbandroid Stepford Wives, T-X (aka the Terminatrix), Hajime Sorayama's chromed pin-ups, the campy artillery-breasted fembot army of "Austin Powers: International Man of Mystery," ethereal Ava of "Ex Machina" and the glamorous claw-armed Imperator Furiosa from "Mad Max: Fury Road.
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In June 2008, PULP Magazine featured The Pin-Ups on the cover.
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In 1998 he joined The Pin-Ups with high school friend, Dejha Colantuono. in 2000 The Pin-Ups released an album called Backseat Memoirs. He is also a close personal friend of Paul and Storm, and regularly performs with them at W00tstock.
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The A1 Sketchbook was released in late 2004, containing four Miracleman-related pin-ups (although the pin-ups were not explicitly said to be Miracleman for possible legal reasons). A variant of the sketchbook was produced, featuring a Miracleman front cover and Kid Miracleman back cover by Leach.
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The A1 Sketchbook, released in late 2004 by Atomeka Press, included four Miracleman- related pin-ups (although the pin-ups were not labelled as Miracleman, likely to avoid further legal entanglements) by original Miracleman artist Garry Leach. A variant of the sketchbook was also produced, with a "Miracleman" front cover and "Kid Miracleman" back cover by Leach.
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Primarily a realist, Rust's preferred medium is oil on canvas and his subjects range from wildlife, scenics, still-life, fantasy, portraits, pin-ups and nudes.
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In 2018, Pin Ups records its first song in years for the film music compilation released in 2019 by the Brazilian label Midsummer Madness Records.
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By 1940, he had opened his own studio. During this period, he did a number of pin-ups for the Gerlach-Barklow calendar company. Buell also did work for several other calendar companies in the early 1940s. During World War II, Buell was rejected by the draft, so he spent the war painting a variety of popular and patriotic pin-ups for Brown & Bigelow.
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While not strictly pin-ups, these works were very reminiscent of the work of Gil Elvgren. Armitage's pretty girls were well received in both the United States and England.
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The B-side was "Where Have All the Good Times Gone", another cover from Pin Ups. In 1972, British rock group Stack Waddy covered the song on their album Bugger Off!.
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Studios, taking Squared, Spy, and Finn with him. In late 2004 the A1 Sketchbook was released in part by the artist responsible for re-creating Marvelman with Alan Moore, Garry Leach and Atomeka Press. It contained four Marvelman-related pin-ups (although the pin-ups were not directly said to be Marvelman for possible legal reasons). A variant of the sketchbook was also produced, and it featured a Marvelman front cover and Kid Marvelman back cover by Leach.
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Castro formed The Beautiful Letdown (band), name after Switchfoot's album, right after the dissolution of The Pin-Ups in January 2016 but it took him a year to find the right members.
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In 1945 Ballantyne began painting pin-ups for Brown & Bigelow, having been recommended by Gil Elvgren. While there, she designed direct mail pin-up brochures for the company, and was eventually given the honor of creating an Artist's Sketch Pad twelve page calendar. She often used herself as a model."Artist who created Coppertone Girl dies at 88"Seattle Post-Intelligencer 2006-05-17 retrieved 2006-05-18] In 1954, Ballantyne painted twelve pin-ups for a calendar published by Shaw- Barton.
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When The Pin-up Girls broke up in 2013, Neri was approached by the band's founder Mondo C. Castro to join The Pin-Ups. Neri sang and played the guitars for the short-lived indie band.
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I burned mine'. and later editions courted controversy from Women's Liberation groups, ceasing its pin-ups in 1975 following a protest.Your University, The Magazine for Alumni and Friends of the University of Sheffield, 2006/2007, p.
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Todd launched the imprint AAA, which published the first authorized collection of Bill Ward's pin-ups in W.O.W. (World of Ward). AAA also published a bilingual humor comic called Pepito with stories by writer George Gladir.
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In 2005, Sutton took The Pin-Ups with him on his own label, Sutton Records (later renamed Sutton Music Group), which released a Philippine-version of Taste Test in the form of Take on the Weakened Sky.
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Pin-ups For Vets is a non-profit charitable organization dedicated to helping injured and ill American Soldiers, Marines, Airmen, National Guard members, Coast Guard members and Sailors—and current active-duty personnel. The project is the work of Gina Elise who sells and distributes the Pin-ups For Vets Calendar, which hearkens back to 1940s and 1950-style vintage pretty-girl images. The calendars are considered very tasteful by today's standards; they contain no frontal nudity, or nudity of any kind. Elise appears in various types of period costume and lingerie.
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Babes of Broadway was a pin ups book featuring Fatale and other female Broadway characters. It was written by Jim Shooter with art work by J. G. Jones and many others. The only issue published was issue #1.
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Robert Lassalvy (1932-2001) was a french cartoonist and painter born in Cournonterral (Hérault). Known for his saucy humor and ultra sexy pin-ups, his caricatures are mainly related to human sexuality.Drawing from Erotic Cartoons, Arabcartoon.net, 01/05/2014.
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Both series were published by Image Comics and were a part of their second wave. Work began on a second miniseries with Chris Sprouse, including trading cards, pin-ups, and some interior artwork, but the project was abandoned by late 1995.
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He placed advertisements in magazines and shipped catalogs. Before long, mail order was the mainstay of Movie Star News. During World War Two, Movie Star News sold pin-ups of movie stars to the troops with a mailing list of 100,000 names.
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Fifteen years after her departure from the show, Goose was still being recognised as Tina, which she thought was "extraordinary". The Daily Mirror's Emma Chadwick included Goose in her 2016 feature about "the pin-ups" of Casualty. She also dubbed Tina a "sexy nurse".
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Pinups is an album by Human Drama. A tribute to various artists, including Joy Division, David Bowie, Lou Reed, Pink Floyd, Genesis, John Lennon and Leonard Cohen, it was released by Triple X in 1993. The cover photo imitates Pin Ups, Bowie's own covers album.
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By his senior year at RISD, Rivera was already creating covers and pin-ups for writer Jim Krueger, whom he had previously met at MegaCon in Orlando, Florida while still in high school. Together they worked on a number of personal projects and pitches including Children of the Left Hand (the story of Mary-Shelly, which presented a younger take on Frankenstein’s Monster; 2 covers, 6 pages of interior art and 1 poster were completed) and various other covers and pin-ups none of which were ultimately released."Repped Artists: Paolo Rivera" Splash Page Comic Art. Thanks in part to Krueger, Rivera began to work for Marvel Comics in 2002.
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Pinups (also referred to as Pin Ups and Pin-Ups) is the seventh studio album by English singer-songwriter David Bowie, released in October 1973 by RCA Records. It is a covers album, featuring songs by bands such as the Pretty Things, the Who, the Yardbirds and Pink Floyd. Like his two previous albums, it was produced by Bowie and Ken Scott and features contributions from two members of Bowie's backing band the Spiders from Mars – Mick Ronson and Trevor Bolder; Mick Woodmansey was replaced by Aynsley Dunbar on drums. It was recorded in July and August 1973 at the Château d'Hérouville in Hérouville, France.
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By the time Bowie was recording his seventh studio album Pin Ups in the summer of 1973, he was unsure of where to take his career. Not wanting Ziggy Stardust to define him, he disbanded his backing band the Spiders from Mars and parted ways with producer Ken Scott. According to biographer David Buckley, the departure of Scott marked an end to Bowie's "classic 'pop' period" and brought him to more experimental territory and "arguably greater musical daring". During the Pin Ups sessions, he told reporters that he wanted to create a musical, using various titles such as Tragic Moments and Revenge, or The Best Haircut I Ever Had.
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However a recent estimate places it alongside recordings for Pin Ups later that year, as a preview of Bowie's next original work, leading author Nicholas Pegg to suggest that it "perhaps ought to be regarded more as a Diamond Dogs demo than an Aladdin Sane out-take".
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Sugarfree was a pop-alternative group that was formed in 1999. Their sound was heavily influenced by the likes of Popsicle, Eraserheads, Oasis, and Radiohead. The initial line up had The Pin-Ups' and Ciudad's Mitch Singson on drums. Singson left the band in August 2006 for personal reasons.
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Born in Clinton, Iowa, Moran was the daughter of Earl Moran, an artist who specialized in pin-ups for calendars and magazines. Her mother was a dancer before marriage, giving up her career for her family. She and her mother moved west after Moran's 1937 high school graduation.
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On 17 November 2011, The Pin-Ups frontman Castro was mauled after a basketball game by 15 male models led by actors Kerbie Zamora and Lemuel Pelayo. Castro sustained numerous injuries and was rushed to hospital after he lost consciousness. Castro filed frustrated murder charges against the alleged perpetrators.
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" They then took "a short break" during which time Bowie wrote a few more songs, and then they started the overdub process over again with that new material. Consisting mostly of original compositions, the album also includes two songs written by others, the Modern Lovers' "Pablo Picasso" and George Harrison's "Try Some, Buy Some". These two tracks were originally slated for Bowie's never-recorded Pin Ups 2 album, a planned follow-up to Pin Ups, his 1973 collection of cover versions. Talking to Rolling Stone shortly before the release of Reality, he said of his recording of "Try Some, Buy Some": "We were pretty true to the original arrangement, but the overall atmosphere is somewhat different.
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Kenneth Ilagan is a Filipino musician who was the guitarist for the rock band The Dawn. Before assuming guitar duties for The Dawn, Ilagan also played guitar for Violent Playground, True Faith and Xaga (who then became Rivermaya). Ilagan is a cousin of The Pin-Ups front man Mondo C. Castro.
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Retrieved 9 September 2009 What Katie Did,What Katie Did lingerie whatkatiedid.com. Retrieved 9 September 2009 Lily Lo Lo Mineral cosmetics, Vintage Lime,Missy Malone Models for Vintage Lime!!! Retrieved 6 April 2018 Olympus cameras, Xbox game "Battlestations Midway"Jessica’s Pin-ups jessicaspinups.com. Retrieved 9 September 2009 and "Battlestations Pacific".
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These sold so well that he stopped selling books and moved the store from the basement to the street-level storefront and renamed it Irving Klaw Pin Ups. Business thrived, and the self-named "Pin-Up King" moved to 212 East 14th Street and took on the name "Movie Star News".
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Radio Television of Serbia filmed and broadcast a rockumentary of the same title about the band in 2002. When Stijepovic disbanded Havana Whisper in 2003, he formed the rockabilly trio Atomic Sunset. Occasionally he still performs with this band. With Atomic Sunset he released one album titled Hot Rods & Pin-Ups.
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As well as the Charts, the magazine included interviews with pop stars of the day as well as centre pin-ups. Songwords to current pop songs were also featured. Other features were Single and album reviews, competitions and a letters page. Colomnists were used also throughout the magazine with their own pages.
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Several other women are involved in the project as models besides Elise. Some of these women have served in the U.S. Armed Forces themselves. To date, the organization has donated over $50,000 to veterans hospitals. Vintage hardware often features in Pin-ups For Vets photography, including old bikes, aircraft and military tanks.
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Issue 3 was published in 1999. Subsequent issues came out roughly every 6 months, and contained comic strips as well as the usual cartoons, pin-ups, articles and fanfic. Issue 12 contained a photo story featuring action figures of Johnny Alpha & Durham Red. Issue 14 (spring 2005) was the last one produced by Dr Bob.
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Madeline Castle (born December 1, 1933) was an American model. She was Playboy magazine's Playmate of the Month for the October 1954 issue. Her centerfold was photographed by Jack Drebert and Jean Drebert. According to The Playmate Book, Castle was a prominent model in pin- ups and in men's magazines during the 1950s and early 1960s.
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Port Sunlight was widely celebrated. In 1912, it became the subject of a hit West End musical comedy, The Sunshine Girl, at the Gaiety Theatre, London. It starred Phyllis Dare, one of the most popular pin-ups of the Edwardian era, and was written by Paul Alfred Rubens. The show introduced the tango dance to British audiences.
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The Collection is a 2005 compilation album by English singer-songwriter David Bowie. It contains one song from every studio album Bowie released from David Bowie (1969) to Scary Monsters (And Super Creeps) (1980) with the exclusion of the covers album Pin Ups (1973). This compilation omits the hits and focuses on lesser known album tracks.
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Chris Williams of Manchester, England's Baby Boom Records contacted Castro through The Pin-Ups’ Myspace page. Williams requested the band's track, "Jackson Pollock 9", for inclusion in the compilation album Baby Boom Sampler No. 4.. The CD was launched at the SXSW Festival in Texas, U.S. and is still available in Manchester and through the Baby Boom Records website.
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Anne Gwynne (born Marguerite Gwynne Trice; December 10, 1918 – March 31, 2003) was an American actress and model who was known as one of the first scream queens because of her numerous appearances in horror films. Gwynne was also one of the most popular pin-ups of World War II. She is the grandmother of actor Chris Pine.
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The band also released the single "Pin ups, Soap Operas and Natural Disasters" in this year. A remix LP called Outrageous, Outlawed, Outspoken was released by M&A; in 1998: during the same year, the band announced that they would be splitting up. They played their final gig at the Camden Underworld on 24 May 1998.
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In 1995 Trident Music International released the Rarestonebowie compilation CD in the United Kingdom on the Golden Years label (Catalog # GY 014). The pregap before track one, "All the Young Dudes", contains an RCA Records 1973 radio advertisement for the David Bowie album Pin Ups.discogs.com - Pin Ups Radio Publicity Spot Rarestonebowie was reissued in Japan with Bonus tracks;amazon.co.jp RarestOneBowieexcite.co.
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Geradts studied electronics at the Delft Technical University where he received his master's degree in 1977. He then became a professor on measurement and control systems as well as navigation and communication equipment from 1977–1987. He published hundreds of articles and several technical books. In the late 1980s, just before moving to the south of France, he began drawing pin ups.
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In 1990 this was released as a bonus track on the Rykodisc reissue of his Pin Ups album, and in 2004 it appeared on the bonus disc of the 30th anniversary edition of Diamond Dogs. The song has also been covered by Any Trouble, John Hammond, Jr., Portastatic and Alvin Stardust. Pearl Jam and The Bouncing Souls have also played it live.
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Pinup posters, "pinups", or "cheesecake" posters are images of attractive women designed to be displayed. They first became popular in the 1920s. The popularity of pin-up girl posters has been erratic in recent decades. Pin-ups such as Betty Grable and Jane Russell were highly popular with soldiers during World War II, but much less so during the Vietnam War.
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In 1960, Reith returned to the BBC for an interview with John Freeman in the television series Face to Face. When he visited the BBC to record the programme, work was being undertaken, and Reith noticed with dismay the "girlie" pin-ups of the workmen. However, one picture was of a Henry Moore sculpture. "A Third Programme carpenter, forsooth," he growled.
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Nude or semi-nude imagery is also widely used in entertainment, sometimes referred to as adult entertainment. This may be in the form of postcards, pin ups, and other formats. Covers of mainstream magazines sometimes include images of nude or semi-nude subjects. In the early 1990s, Demi Moore posed for two covers of Vanity Fair: Demi's Birthday Suit and More Demi Moore.
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David Bowie recorded a version of this song for his Pin Ups album in 1973. The Flaming Lips recorded a version of this song which appeared on a Mojo magazine CD of Who covers called Mojo: The Who Covered. A version of this song has also been recorded by Ocean Colour Scene for The Who tribute album Substitute – The Songs of The Who.
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Lopez's artwork served as inspiration for japanese manga artist Hirohiko Araki, most of Lopez's work is often referenced, and even at times directly taken, in the covers and pin-ups featured in issues of JoJo's Bizarre Adventure. The design of Giorno Giovanna, one of the series' protagonists, was based on a design done by Lopez for the cover of New York Times.
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In the tradition of George Petty and Alberto Vargas, whose pin-ups were the basis for much World War II aircraft Nose art, Wicked Wanda graced the nose of Boeing B-17 Flying Fortress, 44-83863, when it originally went on display at the United States Air Force Air Force Armament Museum, Eglin Air Force Base, Florida in 1975. The aircraft was later repainted in another scheme.
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The Armeerundschau was popular among soldiers, despite the relatively high price of one Mark. This popularity was primarily because of the clothed pin-ups of women in each issue. The magazine was renamed in 1990, after the fall of the Berlin Wall, with the subtitle "The International Military Magazine". The last issue appeared in July 1990, just three months before the reunification of Germany on 3 October.
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A variety of artists have recorded "I Wish You Would", including John Hammond (1966 I Can Tell), Black Widow (1971 single), Canned Heat (1969 Live at Topanga Corral released 1971), David Bowie (1973 Pin Ups), Hot Tuna (1976 Hoppkorv), Sweet (1982 Identity Crisis), the Red Devils (1992 King King), Dex Romweber Duo (2011 Is That You in the Blue?), and Tom Jones (2015 Long Lost Suitcase).
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Scott would retain the role of co-producer for Bowie's next three records: Ziggy Stardust, Aladdin Sane and Pin Ups. Bowie played demos for Scott and the two picked which ones would be recorded for the album. On 8 June, the band recorded "Song for Bob Dylan", although according to Pegg this version was scrapped and the released version was not recorded until 23 June.
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He is the book writer and lyricist of the new rock musical titled James Dean: Rebel, authorized by the James Dean Estate. Music by Gregory Nabours. Summer is also the worldwide theatrical stage rights holder of the property of Bettie Page. He is the book writer and lyricist of the new musical titled Bettie Page, Queen of Pin-Ups, authorized by the Bettie Page Estate.
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Portion of Purchase: Businesses donate a portion of their sales to a nonprofit or cause. Pin Ups: Primarily for in- house use. Customers will donate and fill our their name on paper icon, which will then be hung up in the store. Buy One Give One: Businesses will donate a product with comparable value to a designated product based on each sale of that product.
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Reading also performed in former Beautiful Creatures guitarist DJ Ashba's solo band as well as some session work for the group Black Chihua Hua, whose record was produced by Joey Santiago. In 2000, Reading contributed drums and backing vocals to The Pin-Ups, the group featuring former members of Green Apple Quick Step and The Presidents of the United States of America, debut album Backseat Memoirs.
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After the war was over, he began contributing to Esquire's Gallery of Glamour. Buell returned to Brown & Bigelow in the late 1950s. He continued to paint glamour and pin-ups until about 1965, when he retired from commercial art. He remained active until he was injured in an accident in 1993, after which he remained in a nursing home until his death in 1996.
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Jimmy Page played guitar on some of the tracks, including "I'll Come Running Over" and "Surprise, Surprise". "Here Comes the Night" was recorded in 1964 by Them and would later be covered by David Bowie on his 1973 album Pin Ups. The album was produced by Peter Sullivan and "directed" by Mike Leander and Reg Guest. The album was reissued on CD in 1989 by London Records.
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In May 2009 DMF Comics and Beach Creative Studios were reported to be working on a comic book series for Storm Hawks. At the March Toronto Anime Con 2009, 50 "ashcan" copies of a special issue #1 were distributed. It featured one story, a short story, and a few pin-ups by various artists. In July 2009 the book was made available to dealers for September release.
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Grosset & Dunlap Publishing produced the Bionic Six Super Picture Book, a collection of color and black & white pin-ups of the Bionic Six, Dr. Sharp, F.L.U.F.F.I., and Scarab's team. The books's art was supplied by Vince Perez and Lisa Santangelo. A Bionic Six comic book (illustration credited to "Espinoza & Hooper" [sic]) advertised mid-1988 for forthcoming release by independent publisher New Comics Group never materialized.
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In The Dirty Dozen (1967), pin-ups of Brosmer can be seen on the walls of the MP barracks. Posters of her are also seen hanging on gym walls in the documentary Pumping Iron (1977), and she makes a walk-on appearance as an audience member at a bodybuilding competition in Pumping Iron II: The Women (1985). She is portrayed by actress Julianne Hough in the Weider family biopic Bigger (2018).
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She was invited to be the presenter of the program Superbonita channel GNT, where she spoke about pin-ups. She also made a cameo as herself in the documentary Episódio Especial and as herself in the documentary Despertar das Amazonas. In 2010, Mariana Ximenes was cast to play Clara Medeiros in the telenovela Passione, her first villain role in her acting career. It is based on Bette Davis' characters.
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The centerpiece of the school, located at the intersection of old and new wings, contains the Farish Gallery, Jury Room, and Bridge. The Farish Gallery doubles as a Jury room and a space for all school lectures. The bridge serves as a space for informal reviews and pin-ups. The Brown Art and Architecture Library is housed on the third floor of Fondren Library, adjacent to Anderson Hall.
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The album was influenced by David Bowie's 1973 covers project, Pin Ups. Fish included a version of his favourite Bowie song, "Five Years". He also recorded versions of songs by The Moody Blues, Alex Harvey, Pink Floyd, The Kinks, Argent, Sandy Denny, Genesis and T Rex. The songs all date from a period between 1970 and 1976 and reflect Fish's taste in music when he was 12 to 18 years old.
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Elvgren joined the stable of artists at Stevens and Gross, Chicago's most prestigious advertising agency. He became a protégé of the artist Haddon Sundblom. Tribute to Gil Elvgren (Brown & Bigelow) Fresh Lobster. In 1937, Gil began painting calendar pin-ups for Louis F. Dow, one of America's leading publishing companies, during which time he created about 60 works on 28″ × 22″ canvas and distinguished them by a printed signature.
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Elise has so far raised over $50,000 for rehab programs that have gone to military and VA hospitals, and in 2007 won the Outstanding Young Californian award from the Junior Chamber of Commerce and California Jaycees. Eight flags have been flown in honor of the "Pin-ups For Vets" calendar project on various military bases worldwide. Gina hopes to eventually visit a VA hospital in each of the fifty States.
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He has scrutinised and emulated 16th century Northern European paintings. His inspirations come from Old Master portraits and pin-ups, nymphs, and ethereal feminine prototypes, as well as his muse and wife, Feinstein. His paintings hold conversation between the grotesque and the beautiful, and range inspiration from classical artists such as Fragonard and Bouchard to Rockwell and Crumb Currin's painting, Bea Arthur Naked, sold at Christie's on May 15, 2013 for .
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Since joining Aspen, Steigerwald has colored a great deal of comics, covers, and pin-ups for his co-worker, Michael Turner. His work with Aspen has also led him to do cover colors for many DC and Marvel comics. Since 2010, he has been the main colorist for Joe Benitez' Lady Mechanika steampunk series. Steigerwald has also worked on the Heroes graphic novels through his work at Aspen.
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He is part of the band Blow, where he is known as 'Capt. Mongrel'. In 2001, he was an executive producer for The Pin-Ups debut album, Hello Pain, that enabled the band to become the first Philippines-based band to be signed to a U.S. label. Ocampo started with ABS-CBN and being managed by Star Magic headed by Johnny Manahan. He auditioned for ABS-CBN's talent search in 1995.
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Ethen Beavers is an American comic book artist from Modesto, CA. He graduated from Grants Pass High School in 1989. Ethen's comic industry work includes titles as Justice League Unlimited, Teen Titans Go!, Legion of Super Heroes in the 31st Century, Six, Noble Causes: Distant Relatives #4, as well as pin ups in Savage Dragon #112 and Hellhounds #3. He has also done logo design as well as freelance illustration for various advertising agencies.
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She signed a long- term contract with Universal-International in 1951, but the studio later ended it. Garner's other films included One Sunday Afternoon (1948), Flame of Araby (1951), and Red Ball Express (1952). As a result of her modeling, Garner's picture appeared on magazines distributed nationally, including Pic, Hit, Yank, Esquire, Modern Romance, and Modern Screen. She also was featured in pictures accompanying a Popular Photography article, Pin-ups or Trip-ups, in 1945.
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The league also has four home teams who play each other in league play, the Cleveland Steamers, the Hard Knockers, the HellBombers, and the Rolling Pin-Ups. In early 2015, Burning River announced the change of the league name from Burning River Roller Girls to Burning River Roller Derby, to place less emphasis on gender and better reflect its members. In August 2015, Burning River hosted a WFTDA Division 2 playoff tournament.
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The July 9, 1945, Life shows women in Paris wearing similar items. Hollywood stars like Ava Gardner, Rita Hayworth and Lana Turner tried similar swimwear or beachwear.James Kitchling, "Short History of Bikinis and Swimsuits", Articles Central, 2008-08-02 Pin ups of Hayworth and Esther Williams in the costume were widely distributed. The most provocative swimsuit was the 1946 Moonlight Buoy, a bottom and a top of material that weighed only eight ounces.
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CK Deluxe (also known as Car Kulture Deluxe) is a magazine published by Geno DiPol and Koolhouse Publications, featuring Kustom Culture lifestyles, Pin- Ups, Hot Rods, Customs, and Artwork. This magazine has a huge cult following in the US and along with Ol' Skool Rodz (also published by Koolhouse) are considered by many as good references for the Modern Car Kulture Enthusiast. The magazine was established by Petersen Publishing, Inc. in 1999.
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Palgrave Macmillan, 2008 The British flag, the Union Jack, became a symbol, assisted by events such as England's home victory in the 1966 World Cup. The Jaguar E-Type sports car was a British icon of the 1960s. In late 1965, photographer David Bailey sought to define Swinging London in a series of large photographic prints. Compiled into a set titled Box of Pin-Ups, they were published on 21 November that year.
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The production enjoyed considerable international success, and has since played throughout the world in various productions. In the 1970s, David Bowie began singing Brel's "Amsterdam" at a BBC session with John Peel and Evilan Tom. This version was released as the B-side to "Sorrow" in 1973, and was released as a bonus track on the 1990 reissue of Pin Ups. Dave Van Ronk also recorded this song, earlier, on Van Ronk.
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In 1973, she appeared with David Bowie on the cover of his seventh album, Pin Ups. which entered the UK chart on 3 November 1973 and stayed there for 21 weeks, peaking at No. 1. In October 1975, she sang at the live performance of Roger Glover's The Butterfly Ball and the Grasshopper's Feast album at the Royal Albert Hall in London. The concert was filmed and produced by Tony Klinger and released to cinemas in 1976.
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Between May and June 2000, they did another tour of America dubbed, "The Pop Machine Tour – USA2000", playing in locations from New York to Chicago and to California. During their tours, they also had Noel Garcia of The Pin-Ups as an addition to their expanded line-up, who played guitars, keyboards and sometimes drums. After almost two years, the much-awaited studio album, Carbon Stereoxide, was released in March 2001, featuring the tracks, "Maskara", "Playground", "Hula" and "Palamig".
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Tenser's marketing campaign for the film billed it as "the greatest nudist film ever". The campaign made use of the fame that Marks and Green had acquired by this time, billing Green as the "Queen of the Pin-Ups" and Marks as the "King of the Camera". The film opened in November 1961 at the Cameo Moulin cinema in Windmill Street to poor reviews. It was, however, popular with audiences, creating queues for entry when it opened.
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16s covers attracted readers by featuring sensational and hyperbole-laden headlines such as "The Day He Almost DIED!", head shots of various male entertainers, and very whimsical artwork. Although the articles were printed on newsprint, 16 featured colorful, glossy pin-up poster art. Prior to the 1970s, most of the pin-ups of the celebrities were kept clean-cut, but 16 began to increasingly sexualize the posters they featured, in keeping with the more permissive times.
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There were regular special editions for previews of upcoming comics, and "swimsuit editions" in which various comics artists drew pin-ups of characters in bikinis and similar beach apparel. The Amazing Heroes Preview Special appeared twice a year (beginning with the Summer 1985 issue), presenting previews of all comics slated to appear over the next six months. These were extra-sized issues, and were often square-bound. Many issues of the AHPS also contained joke entries.
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122 (excerpt available at Google Books). He left Rogers to become a singer, and he eventually signed on at Your Hit Parade, where he maintained his popularity for several years and was promoted as the nation's "sweater boy" (a counterpart to the sweater girl pin- ups popular in the World War II era). Wood was identified with several popular wartime songs. In 1941 he introduced and recorded Irving Berlin's "Any Bonds Today?" and "Arms for the Love of America".
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"Queen: The Complete Works." Titan Books. (Due to management problems, however, the first album was not released until 13 July 1973, just weeks before they began recording Queen II.) Queen insisted that Trident Studios allow them to record at regular hours instead of studio down-time, as they had for the first album. The band approached David Bowie to produce, but he declined because he was then recording Pin Ups and working on songs for Diamond Dogs.
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Ben-Hur Baz (1906-2003) was a painter of pin-up art. Born in Mexico in 1906, Baz was a pin-up and glamour artist who became known in the late 1940s and 1950s for his association with Esquire magazine. He painted pin-ups for their Gallery of Glamour and contributed to their calendars and centerfolds as well. Most well known for his advertising illustrations for the cigarette industry including Lucky Strike and Pall Mall brands.
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During the 1980s, in addition to his Titans work, he drew stories, covers, and pin-ups featuring a wide variety of DC characters: Superman, Batman, Legion of Super-Heroes, Green Arrow, The Flash, and in licensed comics published by DC such as Star Trek. In 1989 he illustrated the prestige format graphic novel Lex Luthor: The Unauthorized Biography, written by James D. Hudnall, in which Superman is practically absent, instead featuring Clark Kent in his investigative journalist role.
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The remaining volumes (5, 6, 7 8, and 9) were released in February 1985, July 1985, December 1985, June 1986, and September 1986. The manga series was reissued 1993 by Shogakukan through the publishing branch Flower Comics Wide Magazine. This new version was released in four large volumes of at least approximately 350 pages. This new version included new covers, colored pages in each volume as well was pin-ups at the end of the volumes.
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After graduating from CalArts in 2007, Drucker decided to stay in Los Angeles. Photographs from her graduate thesis show, "5 East 73rd Street", feature photographs of mentor Flawless Sabrina. That same year, her work was included in a group exhibition called Girly Show: Pin-ups, Zines & the So-Called Third Wave at the Wignall Museum of Contemporary Art at Chaffey College in Rancho Cucamonga. Drucker did not have role models growing up, but her parents were progressive and supported her gender nonconformity.
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He later requests a large poster of Rita Hayworth, that he hangs on the wall above his bed. Over the ensuing years, Andy regularly requests updated posters from Red, of the latest pin-ups, including Marilyn Monroe and Raquel Welch. When asked, Andy tells Red that he likes to imagine he can step through the pictures and be with the actresses. For his first three years in Shawshank, Andy is repeatedly the target of a gang of prison rapists called "The Sisters".
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Since 2005, Five Below has contributed over $19 million for organizations around the country who focus on the well-being of children. They have partnered with and supported Alex's Lemonade Stand Foundation with the sale of lemonade bracelets, gift cards and pin-ups. Since 2008, Five Below has participated in the annual Halloween Promotion benefiting St. Jude Children's Research Hospital. After Hurricane Sandy, Five Below partnered with the American Red Cross and collected over $50,000 through a $1 donation at the register program.
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Ol' Skool Rodz is a bimonthly magazine published by Geno DiPol and Koolhouse Publications, featuring Kustom Culture lifestyles, Pin-Ups, Rat Rods, Kustom Cars, and Artwork. The magazine is based in New Jersey. It has a huge cult following and is considered (along with CK Deluxe) an informative view of the Modern Kustom Culture lifestyle. Many of its articles are often written in a humorous style, often sending up the high-end car enthusiasts, legislators and even Kustom Kulture itself.
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Kiss You In The Rain - Max Lorentz Sings David Bowie is the fifth album from Swedish artist Max Lorentz. The record was released on CD on 8 June 2011 on PB8 Records. It contains one track each from all of David Bowie's LP's 1967 - 1980 (apart from compilations, live albums and Pin Ups). The music is mainly acoustic and in the vein of Tom Waits and burlesque and is performed by Max Lorentz with some help from the leading names in Swedish jazz.
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The band indicated that they had 'plans to release a golden oldie for [a] follow-up' to their first single. Another studio session, in 1980, produced 'Here Comes the Night', partnered by 'Both Sides' as the B-side. Edwards suggested that the Rivals cover the song after hearing it on David Bowie's Pin Ups. 'Being stupid enough not to realise it wasn’t even Bowie’s song', that it was a Them song, the band produced a blistering, punked-up version of the bluesy hit.
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Aslan (born Alain Gourdon), (23 May 1930; Bordeaux, France – 11 February 2014; Sainte-Adèle, Quebec, Canada) was a French painter, sculptor and pin-up artist. He is mostly famous in France for his pin ups. He contributed to Lui from the creation of the magazine in 1964 to the early eighties, providing a monthly pin up. He is the sculptor of the Dalida's funerary statue on her tomb from 1987, and her bronze bust that was erected on Place Dalida in 1997.
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The Hotrats (originally the Diamond Hoo Ha Men) were a cover band formed by Gaz Coombes and Danny Goffey as a side-project from their main band Supergrass. The band were named after Frank Zappa's album Hot Rats. The duo recorded a set of covers with producer Nigel Godrich for an album entitled Turn Ons in the vein of David Bowie's Pin Ups which was released in early 2010. They performed a short UK tour which included the Reading and Leeds Festivals.
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According to biographer Chris O'Leary, Diamond Dogs is the combination of numerous projects Bowie had yet to envision at the time. One of these was an adaptation of George Orwell's 1949 novel Nineteen Eighty- Four, one of Bowie's favourites. Bowie had wanted to make a theatrical production of the novel and began writing material after completing sessions for Pin Ups, but the author's widow, Sonia Orwell, denied the rights. Bowie was annoyed with the rejection, lambasting her to Circus a few years later.
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Vaughan Alden Bass was an American painter of pin-up art. Bass was a Chicago artist who started his career working for the Louis F. Dow Company in St. Paul during the mid-1930s. Bass created his own pin-ups for Brown & Bigelow, but he worked for Dow as a "paint over" artist, redoing work that other artists (notably Gil Elvgren) had done for the company. Bass' style was often compared with that of Elvgren, Al Buell, and Joyce Ballantyne.
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After he discovered teenagers were frequently tearing out photos from his movie magazines, he switched to selling movie star stills and lobby photo cards which sold so well he stopped selling books and moved the store from the basement to the street- level storefront. Business thrived, and the self-named "Pin-Up King" moved to 212 E. 14th St., eventually taking the name Movie Star News. Klaw also had a brisk international mail-order business selling cheesecake photos and Hollywood glamour pin-ups.
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Doe's work made another evolution in the visual content of his work. This new theme focused on female pirates in sensual poses, typically mimicking pin-ups. Doe created a work based on Moby Dick, but in his version of the epic he portrayed Ishmael as a pinup girl building a ship in a bottle much like he builds his own coffin. These oil paintings and watercolors portray pirate women, typically nude or scantly dressed, along with images of ships, either within bottles or upon the sea.
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Katy Keene is a character created by Bill Woggon that has appeared in several comic book series published by Archie Comics since 1945. She is a model/actress/singer marketed by the publisher as "America's Queen of Pin-Ups and Fashions". Readers were encouraged to submit original drawings of outfits and accessories for her and her friends to wear, as well as designs for automobiles, homes, interiors, rocket ships, trailers and boats. These designs were used in the comics with credit given to published submissions.
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Many of his pin-ups were reproduced as nose art on military aircraft during World War II. Around 1944, Gil was approached by Brown and Bigelow, a firm that still dominates the field in producing calendars and advertising specialties. He was associated with Brown & Bigelow from 1945 to 1972.Elvgren (The Pin-Up Files) At Brown & Bigelow Elvgren began working with 30″ × 24″ canvases, a format that he would use for the next 30 years, and signed his work in cursive. Elvgren was a commercial success.
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The make-up designer for the shoot was artist Pierre Laroche, who remained Bowie's make-up artist for the remainder of the 1973 tour and the Pin Ups cover shoot. Cann writes that Duffy and Laroche copied the lightning bolt from a National Panasonic rice-cooker in the studio. The make-up was completed with a "deathly purple wash", which Cann believes, together with Bowie's closed eyes, evoke a "death mask". The final photo was selected from a group featuring Bowie looking directly at the camera.
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The album was originally to be released along with Scott's autobiography until he decided to release it separately, stating, "[it] actually turned out so well that we're going to release a single and put it out on its own, 'cause I think it's ... it's sort of my Pin Ups, I guess you'd say." On October 4, 2011, Weiland released The Most Wonderful Time of the Year, an album consisting entirely of Christmas music. Weiland supported the album with a club tour in the United States.
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Look-in had interviews, crosswords and competitions, and it had pictures and pin-ups of TV stars and pop idols of the time. Its main feature however was the many comic strips of the favourite children's television programmes, all of which were being shown on the ITV network at the time. When the magazine began publication, it was edited by Alan Fennell and the strips were written by Angus Allan. Fennell left in 1975, and the art editor, Colin Shelborn, took over as editor.
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Movie Star News was a NYC landmark and is a collection of vintage pin-up, bondage, and Hollywood publicity photos amassed over the course of 73 years by Irving Klaw, his sister Paula Klaw and nephew Ira Kramer– nearly 3 million images and 250,000 negatives, including 1,500 prints of Bettie Page, known as the queen of pin-ups. The bulk of the film collection covers the years 1938 to 1979 with many photos dating back to 1915; 11,500 movies and 5,000 actors are represented.
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Gottehrer came to prominence as a songwriter in the 1960s; his more notable songs are "My Boyfriend's Back" and "I Want Candy." As Feldman- Goldstein-Gottehrer (FGG Productions), he wrote various songs, including "Sorrow" - also by The McCoys and then covered by David Bowie on his Pin Ups album - with Jerry Goldstein and Bob Feldman. The three were known as The Strangeloves. By the 1970s, he had progressed to record production, and was responsible for the debut albums by Blondie and The Go-Go's.
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With issue #23 (Oct. 1969), the series changed its title and reduced its page-count to 52, exchanging its Hulk stories for shorter "Tales of the Watcher" vignettes. They and such incidentals as pin-ups were replaced by Captain America stories from Tales of Suspense in #25-28. Afterward, the comic reprinted two Fantastic Four stories each issue, usually with a Human Torch and Thing feature from Strange Tales, before becoming a standard 36-page comic with #35 (June 1972), reprinting Fantastic Four stories, at the then-regular price of 20 cents.
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She is the colorist for husband Jim Balent's Tarot: Witch of the Black Rose as well as the model for Tarot herself. She has frequently been shown on the photo covers dressed as Tarot and as Catress from the 3 Little Kittens comics and is the model for the official Tarot photo calendar. She has expanded into pin-ups/modeling with Balent doing the photography and has her own pin-up calendar. She designed and maintains both of their official websites, and designs many of the T-shirts and apparel that the site offers.
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Trevor "never looked comfortable as a glam-rock mannequin, tottering behind Ziggy Stardust in platform boots and a rainbow-hued outfit of latex and glitter"."Trevor Bolder", The Times (Obituaries), 23 May 2013, p. 67. Bolder's bass (and occasional trumpet) work appeared on the studio albums Hunky Dory (1971), The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), Aladdin Sane (1973), and Pin Ups (1973), the Spiders' swan song with their leader. He went on to play on Ronson's 1974 album Slaughter on 10th Avenue which made the British Top Ten.
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Series VIII also featured a skutter named Bob along with his "wife" Madge. The skutters are fans of John Wayne, having their broom cupboard filled with Western props and pin-ups of Wayne, and are members of the John Wayne Fan Club. Two skutters appeared in the US pilot playing poker until one of them gives Rimmer what looks like "the finger". These skutters were given a revamp in design: a wider, rounded body with a complex neck and a narrow head with concealed eyes that pop up.
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He also became very well known on the website DeviantArt through his character "Nobody the Idiot". In 2008, CatsCurious Press published the children's book Three Things About Animals... and Only One of Them's True written by Jason Shannon with artwork by Hartter. Hartter also produced the artwork for the follow-up book, "Three Things About Bugs... and Only One of Them's True" which was cancelled soon after. In 2009, he had artwork in numerous issues of the UK's Cereal:Geek Magazine as well as pin-ups for multiple comic books.
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Chugworth Academy was an adult webcomic by Dave Cheung (art and writing) and Jamal Joseph Jr. (writing) on June 19, 2000. It was relaunched as Chugworth Academy 2 on May 21, 2003, having previously been a series of pin-ups and erotic animations Dave created under pen-name "Scribblekid". After some server website issues which forced the site to shut down in mid-2007, Chugworth Academy returned, but updates were sporadic at best. Cheung posted in January 2009 that his writer, Jamal (Jay) Joseph, had been too busy to work on scripts for Chugworth.
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The title of the record, Through the Looking Glass, referred to Lewis Carroll's book of the same name. The band had already been inspired by Carroll's work when naming their label, Wonderland, which was derived from Alice's Adventures in Wonderland. The record was also an ode to David Bowie's Pin Ups, a covers album recorded in the early 1970s. After spending more than a year working on 1986's Tinderbox, the Banshees wanted spontaneity, and quickly returned to the studio after the tour, to record their own covers album.
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He combines cartoony techniques with those of classic pin-up artists, often working on a range of body types and pulp themes. He illustrated the children's alphabet board book The Adventures of WonderBaby, and wrote a book, How To Draw And Paint Pin-Ups. He has also had his works compiled in "Works of Art: Joe Chiodo" and "Sketches, Drawings, and Paintings by Joe Chiodo", both of which were published by American publisher Hermes Press. Chiodo currently works out of his home which he shares with his wife and two children.
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His work mostly consists of women; Mary Pickford, Bebe Daniels, and Greta Garbo are just a few of the numerous he painted. Armstrong's work for the Pictorial Review was largely responsible for that magazine achieving a circulation of more than two million by 1926. A year later, he was the best-selling calendar artist at Brown & Bigelow. In 1930, RCA hired him to paint pin-ups to advertise their products, and in 1933 the Thomas D. Murphy Calendar Company signed him to produce a series of paintings for their line.
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Let's Dance was nominated for the Album of the Year Grammy Award in 1984 but lost to Michael Jackson's Thriller. It has sold 10.7 million copies worldwide, making it Bowie's best-selling album. It was Bowie's eighteenth official album release since his debut in 1967, including two live albums, one covers album (Pin Ups, 1973), and a collaboration with the Philadelphia Orchestra (1978). At one point Bowie described the album as "a rediscovery of white-English-ex- art-school-student-meets-black-American-funk, a refocusing of Young Americans".
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As of its 2019 season, 'T' Space has exhibited architects José Oubrerie, Tatiana Bilbao, and Neil Denari, as well as artists such as Ai Weiwei, Pat Steir, and Brice Marden. In 2017, 'T' Space began offering a summertime residency program for young architects and artists. Program participants design purpose-built architecture for rural communities, with curriculum emphasizing the ecological outcomes of design. During project development, the residents participate in pin-ups, field trips, and a public lecture series, from architects including Christian Wassmann, Christoph Kumpusch, Tamas Nagy, and Holl himself.
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Bowie chronologist Kevin Cann states that Bowie recorded "Zion" at Trident Studios in January 1973 during the Aladdin Sane sessions.Kevin Cann (2010). Any Day Now - David Bowie: The London Years: 1947-1974: p.283 One piece of evidence that the piece may have been recorded (or at least undergone overdubbing) during the July 1973 Pin Ups sessions at the Château d'Hérouville is an interview by journalist Martin Hayman at the end of the July sessions, which noted that Bowie played the "Zion" recording for Hayman as a work in progress.
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Early in his career, Carlos Pacheco did some work for Planeta-DeAgostini Comics, an imprint of pan-European publisher Planeta De Agostini. He primarily drew covers, posters and pin-ups for Spanish translated editions of Marvel Comics, published at the time by Planeta under the imprint called Cómics Forum. His first published superhero comic was an eight-page story titled American Soldier with writer and translator Antonio Moreno, and published as a back-up in Marvel Héroes #41 (May 1991). He later teamed up with writer Rafael Marín to create the characters Iberia Inc.
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The works have been described with irony by James Lileks and Frahm's art works are available on the Internet.Ladies in Distress series with commentary by James Lileks The falling-panties paintings were imitated by other pin-up artists, such as Jay Scott Pike and Al Brulé. In addition to pin-ups, Frahm created a series of humorous hobo-themed calendar illustrations. Another set of paintings celebrated traffic safety, complete with smiling, chubby crossing guards and schoolchildren (one such painting appears as a calendar print in the background of a bar scene in the movie Hud).
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During 1969 Record Mirror was acquired by Record Retailer and incorporated into Record Retailer offices in Carnaby Street. The acquisition saw the magazine change printers, drop full colour pin-ups and increase its size to a larger tabloid format. Jones continued as editor, supported by Valerie Mabbs, Lon Goddard, Rob Partridge, Bill McAllister (the first music journalist to herald Elton John and Rod Stewart), and broadcast-specialist Rodney Collins, who had moved from Record Retailer. Collins's links with pirate radio gave Record Mirror a continental circulation and a Dutch supplement was frequently included.
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In 1961 the name of the club changed to The Academy of Visual Arts. On 22 May 1958 the BBC Third Programme broadcast a discussion on Pin-ups and Figure Studies with Jean Straker and fellow photographers Jack Eston and Walter Bird.On the Air - Pamela Green The passing of the 1959 Obscene Publications Act in 1959 resulted in a continuous cycle of prosecutions and appeals as Straker refused to compromise his artistic integrity. He became instrumental in changes to the censorship laws of the United Kingdom in the 1960s.
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Born in Sydney in 1933, Maxwell Ritchie was the youngest of eight children of strict parents.Jan Crosley, "How little Max became a star", Sydney Morning Herald, 25 March 1973, p 54. As a Sydney newspaper reported four decades later, "as a boy of ten, little Max from Manly was one of those star-struck kids who used to paper their bedroom walls with movie star pin-ups". Reportedly attending the local cinema at Balgowlah three times a week, Ritchie became obsessed with "leading ladies of any calibre", including Ginger Rogers, Margaret Rutherford, Dorothy Lamour and Ruby Keeler.
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Kataxenna Kova's style consists of pin-ups in a modern/vintage style, Playboy style glamour, and Dark Vixen fetish. She had natural breasts until 2006, when an operation took her from a natural large C cup to a DD. She has modelled for companies such as House of Harlot, Lady Lucie Latex, FairyGothMother, Torture Garden, Liberation, Libidex, Loaded Magazine, Deisoulle, Playboy Europe, Metal Hammer, and Classic Rock. She has also modelled for US company Action Girls, which helped to popularise notable models such as Veronika Zemanova. She was the centrefold in Metal Hammer UK's "Maidens of Metal" 2010 calendar.
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The song has been covered many times, initially by Tages, who released the song for their November 1966 album Extra Extra. The Shadows did an instrumental version of the song on their 1967 album Jigsaw. Les Hou-Lops made a French cover "Vendredi m'obsède" in 1967, also recorded in the same year by Erick Saint Laurent. The song was also performed by Romanian band Phoenix on their first EP, Vremuri ("Old times") in 1968. David Bowie recorded a version on his 1973 RCA covers album Pin Ups; for Harry Vanda, it was "the only cover I ever liked".Debbie Kruger (2005).
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Following this, he was art assistant to Boody Rogers on Sparky Watts or Babe, supplying background art and plot ideas. Though his personal preference was for drawing lady wrestling and fighting women comics, he was commissioned to create bondage fantasy chapter serials by Irving Klaw, who also sold pin- ups and movie stills from his shop on 212 E. 14th Street. This marked the beginning of his fetish art career. Stanton then attended the Cartoonists and Illustrators School in the early 1950s, studying under comics artist Jerry Robinson and others.Pérez Seves, Eric Stanton & the History of the Bizarre Underground, pp. 37-42.
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Doing so brought back memories and for next few years he painted as much as he could. The idea of creating comic books came back to him, consequently he self-published his graphic novel, Ars Memoria. He admitted, in interview from 2010, that up to this date, it was the hardest and most rewarding thing he have done artistically. He had a pin up in Proof #25 (image comics), and Zombies vs Robots Aventure (IDW publishing) a four issue miniseries of which he has 'the first nine to eight pages of, plus a great deal of independent covers and pin ups'.
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By 1973, Bowie was at his commercial peak. At the end of July, five of his six albums were in the Top 40 and three were in the Top 15, according to biographer David Buckley, an "unprecedented feat" for a solo artist. Although he had intended his next project to be an adaptation of George Orwell's 1949 novel Nineteen Eighty-Four, he needed to appease his record label, so Pin Ups was devised as a "stopgap" album. On the final day of the Ziggy Stardust Tour, 4 July 1973, Bowie unexpectedly announced that "this is the last show we'll ever do".
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Lovehoney has over 400 own brand products, including the Lovehoney Sqweel Oral Sex Simulator (the first winner of Lovehoney's Design A Sex Toy competition). Sub-brands owned by Lovehoney include BASIC Sex Toys, Bondage Boutique, Death By Orgasm, Pin Ups, Shag Factory, Swoon, VibraExciter and a range of sex toys developed with Tracey Cox. Lovehoney Ltd holds the official license to design, manufacture and sell adult pleasure products based on the Fifty Shades of Grey trilogy by E. L. James. This includes the Fifty Shades of Grey Official Pleasure Collection and Fifty Shades of Grey Sensual Care Collection.
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Five Years (1969–1973) is a box set by English singer-songwriter David Bowie, released in September 2015. The period of Bowie's career from 1969 to 1973 is summarised over twelve discs and thirteen LPs. Exclusive to the box sets is Re:Call 1, a new compilation of non-album singles, single versions and B-sides. It includes the albums David Bowie (more commonly known as Space Oddity), The Man Who Sold the World, Hunky Dory, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, Aladdin Sane and the last Spiders album with Bowie Pin Ups.
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While the deluxe contains the same Rocketeer comics reprints as the trade edition, it adds more than 130 pages of previously uncollected Rocketeer material: sketches, preliminaries, character designs, script pages, photographs, and original art pages, with commentaries by Dave Stevens and several peers who occasionally assisted him on The Rocketeer. The deluxe edition sold out almost immediately upon publication, but IDW announced a second printing. In May 2011 IDW debuted the first issue of Rocketeer Adventures. Issue #1 featured work from John Cassaday, Mike Allred, Kurt Busiek, and Michael Kaluta, plus pin-ups by Mike Mignola, Dave Stewart, and Jim Silke.
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Besides the revised version of "Volume 1", the two Galactic Girl Guides stories first printed by Comico would now be reprinted along with several other unpublished GGG stories from that era, inked by Charles Vess and lettered by John Workman. Additionally, there were new pin-ups, and revised entries in the Glossary. Fan artists were given a spotlight in a few issues: CG diagrams of the ship, The Harpy, were provided by Walt Carter;Starstruck #11, IDW Publishing, July 2010. and Kristina Carroll did a painting of art assassin Kettle Black in a scene alluded to in text but never previously shown before.
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This is a common theme running through both The Pin-Up Girls and The Pin-Ups; Castro is seen as a benevolent dictator when it comes to band dynamics as he had a hand in "kicking out" past members Garcia and Manuel. Furthermore, it is known that Castro became a born-again Christian which in turn signaled a minor change in their songwriting process. Neri, Silvestre, and Bonifacio are also born-again Christians while Nachura is of the Catholic faith. The Pin-Up Girls has written songs that allude to religion, however the newer songs have been written with overt biblical references.
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And he knew that in order to have made it in the field of pin-up art, he had to be at Robert Bane Editions,Robert Bane Editions who already represented both Sorayama and Olivia. The first time that Posada asked Robert Bane Editions to represent him, they told him to improve his work; he then went back to his studio to focus on pin-ups, sacrificing his comfortable living with comic books. Two years later, when he re-submitted his work to Robert Bane, it was greeted enthusiastically and welcomed to the gallery. Posada died from pancreatitis in early January 2007.
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Born Robert Edward McGinnis in Cincinnati, Ohio, he was raised in Wyoming, Ohio. McGinnis became an apprentice at Walt Disney Studios, then studied fine art at Ohio State University. After wartime service in the Merchant Marine he entered advertising and a chance meeting with Mitchell Hooks in 1958 led him to be introduced to Dell Publishing began a career drawing a variety of paperback covers for books written by such authors as Donald Westlake (writing as Richard Stark), Edward S. Aarons, Erle Stanley Gardner, Richard S. Prather, and the Michael Shayne and Carter Brown series.Virtual Pin-ups Art Gallery: artist Robert McGinnis/9.
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Hollywood stars like Ava Gardner, Rita Hayworth and Lana Turner tried similar swimwear or beachwear.James Kitchling, "Short History of Bikinis and Swimsuits", Articles Central, 2008-08-02 Pin ups of Hayworth and Esther Williams in the costume were widely distributed. The most provocative swimsuit was the 1946 Moonlight Buoy, a bottom and a top of material that weighed only eight ounces. What made the Moonlight Buoy distinctive was a large cork buckle attached to the bottoms, which made it possible to tie the top to the cork buckle and splash around au naturel while keeping both parts of the suit afloat.
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Newman began his comedy career as an impressionist in the late 1980s before gaining fame when he appeared alongside fellow Cambridge alumni David Baddiel, Hugh Dennis and Steve Punt in the BBC radio and TV programme The Mary Whitehouse Experience (1989–92). The title referred to the main campaigner for "moral decency" on television, Mary Whitehouse. With The Mary Whitehouse Experience Newman and Baddiel had become "unlikely pin-ups as, in the early 1990s, comedy was being fêted as 'the new rock and roll'," leading to their own series, Newman and Baddiel in Pieces (1993). The partnership with Baddiel was widely reported as being fraught with tension.
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Only Karlson, James and Stavely are listed as writers of the b-side, "Give Your Lovin' To Me". An EP titled The Mojos, with "Everything's Alright" as the opening track, was released later in the year, backed with versions of American rhythm and blues tracks "I Got My Mojo Working" (a hit for Muddy Waters), "The One Who Really Loves You" (Mary Wells) and "Nobody But Me" (the Isley Brothers). David Bowie recorded a version of "Everything's Alright" for his Pin Ups album in 1973, which featured Aynsley Dunbar on drums, who was a member of the Mojos, but only after the "Everything's Alright" single.
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The album cover was painted by artist Alberto Vargas, who was known for his paintings of pin-up girls that appeared in Esquire and Playboy magazines in the 1940s through the 1960s. The idea to hire Vargas came from drummer David Robinson, the band's artistic director and a collector of pin-ups. The 83-year-old Vargas had retired several years earlier but was persuaded to take the assignment by his niece, who was a fan of the Cars. The painting, depicting a woman sprawled across the hood of a Ferrari 365 GTC/4, was based on a photo shoot directed by Robinson at a Ferrari dealership.
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His subjects included actors Michael Caine and Terence Stamp; John Lennon, Paul McCartney, Mick Jagger and five other pop stars; Brian Epstein, as one of four individuals representing music management; hairdresser Vidal Sassoon, ballet dancer Rudolf Nureyev, Ad Lib club manager Brian Morris, and the Kray twins; as well as leading figures in interior decoration, Pop Art, photography, fashion modelling, photographic design and creative advertising. Bailey's photographs reflected the rise of working-class artists, entertainers and entrepreneurs that characterised London during this period. Writing in his 1967 book The Young Meteors, journalist Jonathan Aitken described Box of Pin-Ups as "a Debrett of the new aristocracy".
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Still image from the 1980 Floor Show, segment featuring Marianne Faithfull and David Bowie The lineup included songs from the albums Aladdin Sane and Pin Ups, as well as a medley of "1984" with the then- unreleased song "Dodo". The title of the show was a play-on-words, referring to the song "1984" and "floor shows", capturing a transitional moment between the glamorous science fiction of the previous year's The Rise and Fall of Ziggy Stardust and the Spiders from Mars album and the dark dystopia of the Diamond Dogs album, released six months later. The live audience was made up of 200 fan club members.
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The story is all about how Rosie (Guillory) found love in London. After exchanging e-mails with a mysterious beau in an online chatroom for weeks, she is excited to hear that he wants to meet her in person one evening. She has been told by him that he lives in a big house, is interested in the arts and fashion, and has had his friends tell him that he bears a strong resemblance to actor Brad Pitt. The truth is that Wally—her online lover—is a drunkard and overweight, watches adult movies and has pin-ups plastered all over his apartment, and dresses in loud shirts and ties.
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Davidson's portrayal of Paul has made him one of daytime television's most popular actors in the U.S. He has had a high Q Score, making him a desirable daytime-drama performer. The score is based on "talent, familiarity and likability". Michael Logan of TV Guide has called Davidson "one of daytime's best yet most underrated actors" for his 30-year portrayal of Paul. The Toronto Star has called him "one of soapdom's favorite pin-ups", with Lilana Novakovich calling the actor "one of daytime television's most popular stars". The authors of The Soap Opera Book: Who's Who in Daytime Drama (1992) have called Williams "one of daytime's leading stars".
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William Ellis Kinsley (born 28 November 1946, Anfield, Liverpool) is an English musician with The Merseybeats until 1966 (although he temporarily left the band both to form the Kinsleys) The group disbanded in January 1966 to resurface as a duo called The Merseys. They recorded The McCoys' song "Sorrow" (also covered by David Bowie on his 1973 cover album, Pin Ups) with the band before embarking on a solo career, where he recorded "Bye Bye Baby". This song is not to be confused with a Four Seasons track of a similar title, but rather a typical Merseybeat tune. Followed by the singles: "Annabella", and "You Make My Day".
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Barclay's paintings and caricatures are unique in that they often were painted on the movie lots themselves when he was working with the other actors. Barclay eventually became such a successful artist caricature painter of celebrities on his movie sets that he eventually was making more money as an artist than as an actor and he left acting to become a full-time artist. He was prolific, turning out hundreds of caricatures of celebrities for saloons all over the nation as well as for servicemen in barracks.AN ORIGINAL ‘BARCLAY’ FOR YOUR FAVORITE BAR – CARTOONIST TURNS ‘EM OUT IN LOTS; OVERSEAS TO DRAW PIN-UPS FOR BOYS,.
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This usually comprised interview articles and pull-out pin-ups of the top acts of the day, from ABBA and the Bay City Rollers in the 1970s to Adam and the Ants and Bros in the 1980s. Picture strips on pop groups at first featured life stories on ABBA and The Beatles (among others) and went on to become original adventures stories for groups such as Madness and Bucks Fizz. In September 1981 Look-in changed its look, adopting a new logo and with photo covers replacing the cover paintings. By the late 1980s, the comic was struggling to compete with glossier teen magazines and sales were dropping.
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After founding member Jennifer Tan and ex- Sugarfree, Ciudad drummer Mitch Singson left the band around 2011 (Tan left for the U.S., Singson focused on his business), Your Imaginary Friends' Tanya Singh was tapped to play bass and fill-in drummer and Ex-Manibela Raffy Bonifacio officially joined the band. After a year, Singh was let go amicably, paving the way for an overhaul in terms of music and line-up. Instead of disbanding, Castro "reformed" the band under the name that the fans and friends have given the band: The Pin-Ups. At this point, long time fill-in musician Japo Anareta stepped in for bass duties.
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Before issue number 3 was released in early 2001, Finch was replaced with artist Clarence Lansang (the issue features artwork by both artists), yet only two more issues would be published during Lansang's tenure (number 1/2, a place-holder issue recapping previous story events and containing ten pages of "pin-ups" by various artists, and number 4 which continued the story but did not finish it). Aphrodite IX still appears on the Top Cow website as a "current" publication, although Wohl has since moved on to other projects. A trade paperback, Aphrodite IX: Time Out of Mind, collecting all extant issues, was released in 2003.
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Sculpture installations include in 1994, at the Australian National Gallery, in Canberra, installing high performance miniature speakers, that played out across the entry forecourt a continuous repeat of 5 David Bowie albums, Diamond Dogs, Pin Ups, Aladin Sain, Hunky Dory, Ziggy Stardust, creating the feeling of a daytime disco for those approaching. Another sculpture, at Roslyn Oxley9 Gallery, 1996, consisted of the gallery strewn with filled ash trays and all the detritus of a wild party, as if it had been held the night before. From 1981 - 1994 Frank created surreal large-scale drawings. Composed of intense tightly held lines they were up to 320 x 720 cm in size.
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The following year, the story was reprinted in Geof Darrow Comics and Stories along with a new one, also starring Bourbon Thret, and several pin-ups colored by Mœbius, Tanino Liberatore and François Boucq. The volume was also released as a limited edition accompanied by Darrow Magazine, which mostly consisted of illustrated private jokes from various French comic artists. Mistaking the Magazine for an actual periodical publication, a number of artists contacted Darrow and sent him their portfolios in hopes of doing artwork for the magazine. During one of their stays in Los Angeles, Mœbius introduced Darrow to Frank Miller, which led to a friendship and a number of comics collaborations.
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A unique feature of the depictions on the linga is that it has 999 more lingas carved all around its surface. Its religious significance is that going round the linga would amount to taking of circumambulation a 1,000 times around it. The architecture copies the old style as it was built at the end of the Chandela period, and hence the sculptures are stated to be "wooden" and "stereotyped" compared with other earlier temples in the complex. However, the elegance and grace of the figurines of women are more like "pin-ups" and there are also few figurines in the erotic poses of couples engrossed in love (mithuna).
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230 Roy Carr and Charles Shaar Murray - writing in 1981 - concur: 'The B-side is a far more serious affair, and probably the most moving and pertinent work that Bowie produced prior to "Space Oddity". Sung in the second person to a young provincial would be Mod trying to keep up with the ace faces in the Big Smoke, the "London Boys" is a slow agonising portrayal of the inevitable comedown from the amphetamine exhilaration of "My Generation"' by the Who.Carr and Murray, p. 21 Bowie considered re-recording the song for Pin Ups in 1973, 'interspacing verses between covers of old Mod anthems'.
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The two continued to see each other as they took classes through 1941, and were married on May 27, 1942. Soon after the marriage, John was drafted into the Army, compelling the couple to relocate to Washington, D.C. There, John taught at the U.S. Army Corps of Engineers School at Fort Belvoir, and was editor of the military magazine The Specialist, to which he contributed pin-ups and other illustrations. In 1943 John was sent overseas for the remainder of the war, working on the construction of an oil pipeline in the China Burma India Theater. The Rosenbergers' first son John was born while he was away.
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Howard Greenfield got the inspiration for the song title from an old movie listing in TV Guide. Record producer Joe Viglione, writing for AllMusic, describes the song as a G-rated calendar of pin-ups such as Betty Grable and Marilyn Monroe, using verbal rather than visual imagery. Each month gives a different reason for the singer's affection for the titular character, and September—"I light the candles at your sweet sixteen"—was a lyrical motif that Howard Greenfield frequently used at the time, including "Happy Birthday Sweet Sixteen," released later the same year. Other months in the song reference Valentine's Day in February, the Easter Bunny in April, a junior prom in May and June.
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Polly Jane Rae was born in Preston, Lancashire, England. Polly's burlesque career began in 2006, after seeing a poster for a burlesque course run by Jo King and the London Academy of Burlesque at Danceworks studios. She attended the course and completely inspired by Jo and her teachings she decided to form her seven girl troupe Hurly Burly (including herself). Taking creative inspiration from 1940s and 1950s pin-ups such as Bettie Page, Tempest Storm and Marilyn Monroe to modern artists like Madonna and revue shows such as Le Crazy Horse in Paris, their first show was held at the Soho Revue Bar (formerly the Raymond Revue Bar) in Soho in 2006.
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After returning from Sydney, Australia where Archie had spent much of World War II, he purchased a house in Acacia Gardens in West Wickham, Kent and worked in a purpose built studio in the grounds. Archie spent much of the early post war years drawing pin-ups but in the 1960s and 1970s turned his artistic talents to greeting cards which could be seen in the greeting card shops across the UK at the time - having adopted the signature 'Gluckli' as the increasingly well- known identifying mark to Dickens' obvious Archie style. In March 2002 Tony Blair, the then British Prime Minister, wore a Paul Smith designer shirt that displayed one of Dickens' paintings on the cuff.
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Virginia Woolf submitted her first article to the paper in 1890, at the age of eight, but it was turned down.Amy Licence, Living in Squares, Loving in Triangles: The Lives and Loves of Virginia Woolf and the Bloomsbury Groupg (Amberley Publishing, 2015), p. 20 The first humorous article by P. G. Wodehouse, "Men Who Missed Their Own Weddings", appeared in Tit-Bits in November 1900.From the chronology maintained by the Russian Wodehouse Society During the First World War Ivor Novello won a Titbits competition to write a song soldiers could sing at the front: he penned Keep the Home Fires Burning. Pin-ups appeared on the magazine's covers from 1939 and by 1955 circulation peaked at 1,150,000.
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Geoff Reading (born February 23, 1968, in Rochester, New York) is an American musician. In his career, Reading has been a member of a number of groups, including Loaded (the group formed and fronted by Duff McKagan of Velvet Revolver, formerly of Guns N' Roses), Green Apple Quick Step, New American Shame, The Disciples (which featured Christian Martucci, Todd Youth and Howie Pyro and later changed their name to The Chelsea Smiles) and Top Heavy Crush while he also recorded with The Pin-Ups (founded by former members of Green Apple Quick Step and The Presidents of the United States of America). Currently, Reading performs, on occasion, with Green Apple Quick Step, and is a columnist for WeeklyVolcano.com.
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David Bowie's remake of "Sorrow", recorded in July 1973 at Château d'Hérouville, Hérouville, France, was the only single released in the UK from his Pin Ups covers album, reaching No. 3 on the UK Singles Chart, and staying in the charts for 15 weeks.David Bowie, "Sorrow" chart position Retrieved 20 June 2015 It was also Bowie's first number one hit single in Australia, where it topped the charts for two weeks in February 1974. The B-side, “Amsterdam”, was a cover of a Jacques Brel song, that had been performed live by Bowie since 1968. The song may have been recorded by Bowie in the summer 1973 sessions for Pin UpsKevin Cann (2010).
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Play Don't Worry is the second album by English guitarist and singer Mick Ronson, recorded in 1974 and released in January 1975 after his several projects in the early seventies together with David Bowie, Lou Reed and the band the Spiders from Mars. It contains mainly covers arranged by Ronson for his own sound, covering everyone from Pure Prairie League, The Velvet Underground and Little Richard. The backing track to "White Light/White Heat" was salvaged from Bowie's Pin Ups sessions. The title track was co-written by Bob Sargeant, later producer to The Beat amongst others, who released an album First Starring Role in April 1974 which included Ronson on recorder and producing four tracks.
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Bowie described being "in awe" of Harwood due to his previous credits with the Stones. With the departure of the Spiders from Mars, lead guitar duties were handled by Bowie himself, who recalled in 1997 that he practiced every day as "[he] knew that the guitar playing had to be more than okay". In a move that surprised NME critics Roy Carr and Charles Shaar Murray, producing what they described as a "scratchy, raucous, semi-amateurish sound that gave the album much of its characteristic flavour". Pianist Mike Garson and drummer Aynsley Dunbar returned from the Pin Ups sessions, Tony Newman also performed drums while Herbie Flowers, who previously played on Space Oddity (1969), was rerecruited to play bass.
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According to the record-collector publication Goldmine price guides, these albums have been among the most expensive record collectibles of all time, as high as thousands of US dollars for a single copy. Other changes to the artwork included the substitution of the freak show badge 'Alive' with the word 'Bowie'; Bowie was credited simply as 'Bowie', continuing the convention established by Pin Ups. Peelaert's original uncensored artwork was restored for the Rykodisc/EMI rerelease of the album in 1990, and subsequent reissues have included a rejected inner gatefold image featuring Bowie in a sombrero cordobés holding onto a ravenous dog with a copy of Walter Ross's novel The Immortal at his feet.
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In November 2009, the application of Stern (a mainstream German weekly magazine with a print circulation of about 900,000) was deleted for several weeks without warning. In January 2010, Europe's largest newspaper, German tabloid Bild, removed content from the iPhone version of its print edition at the request of Apple, and later it had to modify one of its applications - like in the Stern case because of nudity.Mercedes Bunz: German publisher in row with Apple over pin- ups in iPhone app The Guardian, March 9, 2010 The Association of German Magazine Publishers (VDZ) warned that with such interventions Apple might be moving towards censorship. November 26, 2010, an informational magazine about Google's OS from the Danish publisher Mediaprovider wasn't allowed in the app store.
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Many artists have acknowledged Barrett's influence on their work. Paul McCartney, Pete Townshend, Blur, Kevin Ayers, Gong, Marc Bolan, Tangerine Dream, Genesis P-Orridge, Julian Cope, Pere Ubu, Jeff Mangum, The Olivia Tremor Control, The Flaming Lips, Animal Collective, John Maus, Paul Weller, Roger Miller, East Bay Ray, Cedric Bixler-Zavala,Weller, Miller and Ray have all called Barrett one of their favourite guitarists, whilst Bixler-Zavala calls him an influence on his music with The Mars Volta. See: and David Bowie were inspired by Barrett; Jimmy Page, Brian Eno, Sex Pistols, and The Damned all expressed interest in working with him at some point during the 1970s. Bowie recorded a cover of "See Emily Play" on his 1973 album Pin Ups.
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After a few rounds of Mayric’s garage sales to raise money, The Pin-Ups wrapped up recording their debut album Hello Pain under their own label, Broken Records. The album was executively produced by ABS-CBN news anchor Liesl Castro and actor Diether Ocampo (he loaned Castro money for CD manufacturing), produced by Marasigan and engineered by Shinji Tanaka at Sound Creation studios. The album includes "Witching Hour" that hit number one on NU107's Midnight Countdown for seven weeks; "Broken", "A Cold & Better Place", and "Ride Rocket Wild". The album’s artwork was created by Filipino graphic artist Leinil Francis Yu. The music video for "Down", directed by Quark Henares, won "Rock Video of the Year" at the 2002 NU 107 Rock Awards.
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Near the nose of each aircraft is a pin-up girl, the "Scarlet Lady", carrying a Union flag, which was designed by British artist Ken White, who modelled the motif on the World War II pin-ups of Alberto Vargas – hence the naming one of the fleet Varga Girl (in this case, an A340-600 registered G-VGAS). Each aircraft has a name, usually feminine, such as Ladybird, Island Lady, and Ruby Tuesday, but some are linked to registrations (e.g. G-VFIZ became Bubbles). A couple are commemorative names (e.g. G-VEIL—Queen of the Skies—which was named by Queen Elizabeth II on 7 April 2004, marking the centenary of the Entente Cordiale; this frame exited the fleet in April 2016).
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Keyboardist Ian Gibbons was recruited for the subsequent tour, and became a permanent member of the group. Despite the personnel changes, the popularity of the band's records and live shows continued to grow. Beginning in the late 1970s, bands such as the Jam ("David Watts"), the Pretenders ("Stop Your Sobbing", "I Go to Sleep") and the Knack ("The Hard Way") recorded covers of Kinks songs, which helped bring attention to the group's new releases. In 1978, Van Halen covered "You Really Got Me" for their debut single, a Top 40 US hit, helping boost the band's commercial resurgence (Van Halen later covered "Where Have All the Good Times Gone", another early Kinks song which had been covered by David Bowie on his 1973 album Pin Ups).
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Anna Fur Laxis at Leeds Light Night in 2008 Anna Fur Laxis is an English pin- up model and burlesque dancer, particularly noteworthy for her extensive tattoos and her introduction of axe-throwing and other unusual skills into her work. Her performances include residencies at Jeepers Peepers Burlesque (York, UK) and Wet Spot (Leeds, UK), and have been acclaimed around the world. She also makes frequent appearances in print both as a model and as a celebrity, having appeared many times in 21st Century Pin-Ups magazine, Skin Deep magazine and Bizarre magazine. She studied radiography at university, and in 2005 chose the name Anna Fur Laxis, a pun on anaphylaxis, for modelling, continuing to use it for burlesque dancing.
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O'Neill initially provided art for pin-ups and covers, including the centre image of Tharg on the cover of the first issue of 2000AD, bodging and introducing creator credits.Millsverse: An Act of Rebellion After a period of being nurtured by Mills, he eventually started branching out drawing short Tharg the Mighty strips, Future Shocks and various humorous short stories. However it was not until he started work on Ro-Busters (with Pat Mills as writer) in 2000AD issue 88 that O'Neill started work on his first major ongoing strip for the title. O'Neill's quirky and unusual work on Ro-Busters proved popular and helped establish him as a major 2000AD creator, as well as establishing what would become a long series of collaborations with writer Pat Mills.
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The film depicts the consumerist culture of Godard's Paris; a shiny new world of cinemas, coffee bars, neon-lit pool halls, pop records, photographs, wall posters, pin-ups, pinball machines, juke boxes, foreign cars, the latest hairstyles, typewriters, advertising, gangsters and Americana. It also features allusions to popular culture; for example, the scene where a melancholy young man walks into a café, puts on a juke box disc, and then sits down to listen. The unnamed actor is in fact the well known singer-songwriter Jean Ferrat, who is performing his own hit tune "Ma Môme" on the track that he has just selected. Nana's bobbed haircut replicates that made famous by Louise Brooks in the 1928 film Pandora's Box, where the doomed heroine also falls into a life of prostitution and violent death.
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After moving back to Chicago in 1931 and opening a small studio where he specialized in photography and illustration, he sent some paintings of bikini-clad girls to two calendar companies; when both Brown and Bigelow and Thomas D. Murphy Company bought the work, his career was officially launched. Moran signed an exclusive contract with Brown and Bigelow in 1932 and by 1937, his pinups had sold millions of calendars for the company. In 1940, Life ran a feature article entitled "Speaking of Pictures" which mostly focused on Moran's work and made him a national celebrity. In 1941, Moran helped the magazine publisher, Robert Harrison, to launch a new men's magazine called Beauty Parade, and he later contributed pin-ups to other Harrison magazines such as Flirt, Wink and Giggles.
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The same day as the Bo Diddley sessions, Billy Boy recorded the self-penned "You Got to Love Me" which was not released until the box set Chess Blues 1947–1967 in 1992. Arnold signed a solo recording contract with Vee-Jay Records, recording the originals of "I Wish You Would" and "I Ain’t Got You". Both were later covered by the Yardbirds. "I Wish You Would" was also recorded by David Bowie on his 1973 album Pin Ups and by Sweet on their 1982 album, Identity Crisis. In the late 1950s Arnold continued to play in Chicago clubs and in 1963 he recorded an LP, More Blues From The South Side, for the Prestige label, but as playing opportunities dried up he pursued a parallel career as a bus driver and, later parole officer.
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Explicit sexism in society is on the decline, but still exists in a variety of subtle and non-subtle expressions. Women encounter microaggressions in which they are made to feel inferior, sexually objectified, and bound to restrictive gender roles, both in the workplace and in academia, as well as in athletics. Microaggressions based on gender are applied to female athletes when: their abilities are compared only to men, they are judged on "attractiveness", and individuals are restricted to or requested to wear "feminine" or sexually attractive attire during competition. Other examples of sexist microaggressions are "[addressing someone by using] a sexist name, a man refusing to wash dishes because it is 'women's work,' displaying nude pin-ups of women at places of employment, someone making unwanted sexual advances toward another person".
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Accessed April 28, 2020. Kim McCarty,Hunter Drohojowska-Philp, "Sadie Benning and Kim McCarty", KCRW Art Talk, January 15, 2015. Accessed April 28, 2020. Robert Motherwell, Joel Otterson,Leah Ollman, "Joel Otterson", Art in America, October 30, 2015. Accessed April 28, 2020. Ed Ruscha,Catherine Wagley, "Five Artsy Things to Do This Week", LA Weekly, June 6, 2014. Accessed April 28, 2020. Malick SidibéCarolina A. Miranda, "Datebook: J.M.W. Turner’s late work, African portraiture, lowbrow pin-ups," Los Angeles Times, " February 26, 2015. Accessed April 28, 2020. and Andy Warhol.Suzanne Muchnic, "Santa Monica", Los Angeles Times, " May 27, 1988. Accessed April 28, 2020. The two galleries and their exhibitions were written about in many publications, including the Los Angeles Times,William Wilson, "Santa Monica", Los Angeles Times, February 12, 1988. Accessed April 28, 2020.
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" In an essay, Larry Lytle wrote, "Due to his approach—both technically and philosophically in opposition to straight or purist adherents — he is amongst the most problematic figures in photography in the twentieth-century... historians and critics have described his images as "...anecdotal, highly sentimental, mildly erotic hand-colored prints...", "...bowdlerized versions of garage calendar pin-ups and sadomasochist entertainments...", "...contrived set-ups and sappy facial expressions...", and Ansel Adams variously referred to Mortensen as the "Devil", and "the anti-Christ." In addition, the more realistic photojournalism emerging from World War II correspondents, and carried in national newsmagazines, caused Mortensen's more posed and contrived photos to fade from the public mind. He was largely forgotten by the time of his death in 1965. Recent years have brought praise for Mortensen's development of manipulation techniques and a renewed interest in his work.
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Swentzell's work, Pinup, addressed what Swentzell believes to be the unrealistic physical expectations placed by popular culture on young women and the resulting struggle by women with self-image and identity. In Pinup, the Native American woman's unemotional face is painted white. The figure covers her nude form behind a headless poster of a thin, bikini-wearing model (similar to the graphic posters of Playboy pin-ups from the late 1970s by Patrick Nagel). The figure struggles to fit into society's preconceived image for her, hiding behind the mask of an unobtainable picture, both in color and shape. The burden of the “perfect” body and face weighs heavily on the figure so that the figure is reduced to a slouched, defeated posture; the figure's fingers and toes are unadorned by make-up and the poster, showing the figure's genuine beautiful nature.
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Bomb Rack was a 9.5×13-inch-size free magazine-newspaper produced by the 20th Air Force for United States Army Air Forces airmen serving at AAF bases on Guam, Tinian, and Saipan in the months following World War II. Although serious articles occasionally appeared within, Bomb Rack's tone was often light-hearted and humorous with numerous photos and pin-ups, as well as a full page of locally drawn cartoons. Sports were covered extensively, as were topics important to airmen at the time such as education and returning to the United States as quickly as possible. The exact number of issues published is unknown, but copies were distributed at least between October 7, 1945, and January 21, 1946, and ran through number 16. Bomb Rack's length was eight pages, but sometimes also included a one-page bulletin containing official information.
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Despite RCA Records estimating Bowie's album and single sales in the UK at over two million copies combined, Defries stated that sales did not earn Bowie enough income to afford the house. Nevertheless, it was here the Bowies spent time with Rod Stewart and Ronnie Wood of the Faces, Mick Jagger and his then-wife Bianca, as well as the 18-year-old American Ava Cherry, whom Bowie allegedly had an affair with during this time. Along with recording Pin Ups, Bowie participated in other musical ventures in 1973. He co-produced and played on Lulu's recording of "The Man Who Sold the World", which was released as a single in January 1974, contributed to Steeleye Span's Now We Are Six, as well as formed a trio called the Astronettes, comprising Ava Cherry, Jason Guess and Geoff MacCormack.
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The album was preceded by the single "5:15" in the UK, which benefited from a live appearance on Top of the Pops on 4 October 1973 and was released the next day. It reached No. 20 in the charts. Quadrophenia was originally released in the UK on 26 October, but fans found it difficult to find a copy due to a shortage of vinyl caused by the OPEC oil embargo. In the UK, Quadrophenia reached No. 2, being held off the top spot by David Bowie's Pin Ups. In the US, the album reached No. 2 on the US Billboard album chart, kept from #1 by Elton John's Goodbye Yellow Brick Road album, the highest position of any Who album in the US. In the US, "Love Reign O'er Me" was chosen as the lead single, released on 27 October.
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By this time Scott wanted to move into production, and Bowie said he was about to start a new album and didn't feel comfortable about solely producing himself, so it was agreed that they would co-produce what became Hunky Dory. After the album was completed, but before it was even released, work began on his next album – The Rise and Fall of Ziggy Stardust and the Spiders from Mars – again with Scott as co-producer. Scott went on to co- produce Bowie's Aladdin Sane and Pin Ups albums, as well as the little-seen Midnight Special television program episode "The 1980 Floor Show". During his time at Trident Studios, Scott also teamed up with Supertramp for Crime of the Century in what amounted to a breakthrough album nearly everywhere in the world except the United States.
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The sessions were affected by Lennon, Nilsson, Moon and Starr's excessive lifestyles and drug abuse, ultimately prompting Lennon to relocate the sessions to New York City to separate himself and Nilsson from the Los Angeles party scene. At the time of Moon's arrival, Lennon had made initial recordings for Rock 'n' Roll with Phil Spector, and David Bowie and Bryan Ferry had also released cover albums; Bowie's Pin Ups notably included two songs by The Who, "I Can't Explain" and "Anyway, Anyhow, Anywhere". Encountering The Beatles' former road manager Mal Evans on the Sunset Strip, Moon suggested that Evans produce a solo album for him. The first song, a cover of The Beach Boys' "Don't Worry Baby", was recorded in late March at the Record Plant Studios, with musicians that included John Sebastian, Howard Kaylan and Mark Volman, Jesse Ed Davis, and Miguel Ferrer playing drums.
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In 1973 David Bowie covered "Friday on My Mind" on his Pin Ups album, and in 1977 the punk band London introduced the song to a new generation on a four-track EP for MCA Records; the London version, produced by Simon Napier-Bell, was recorded in the same studio (IBC Studios in Portland Place) in which The Easybeats had cut the original. A cover version of "Good Times" by INXS and Jimmy Barnes was a No. 2 in Australia in 1986, and became the biggest selling single on Mushroom Records. In 1987 it became a No. 47 hit in the US after being featured on the soundtrack of the film The Lost Boys. In 1998 Australia Post issued a special edition set of twelve stamps celebrating the early years of Australian Rock 'n' Roll, featuring Australian hit songs of the late '50s, the '60s and the early '70s.
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The set list included tracks spanning Bowie's 30 plus years in the music business, from The Man Who Sold the World (1970) all the way to Reality (2003), along with collaborations such as "Sister Midnight" (originally from The Idiot (1977) by Iggy Pop) and "Under Pressure" (released as a single (1981) by Bowie and Queen later found on Hot Space released the following year), and snippets and teasers of Bowie classics such as "Space Oddity" and "Golden Years". There is a bit more focus, however, on tracks from the albums released since the Earthling World Tour in 1997: Heathen (2002), and Reality. The only exception from his latest albums is Hours (1999). Other albums with no appearance included David Bowie (1969), the cover album Pin Ups (1973), Never Let Me Down (1987), the albums produced with the band Tin Machine (Tin Machine (1989) and Tin Machine II (1991)) and Black Tie White Noise (1993).
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It had featured throughout the Ziggy Stardust Tour (including a performance with Lou Reed on July 8, 1972), been recorded by Bowie for two BBC sessions, and been slated for inclusion on Pin Ups (the backing track from this session was later recorded as a solo version by Mick Ronson in 1975). Despite this, the Ziggy Stardust – The Motion Picture project would be the first time the song had been issued on a Bowie record, and as such it was released as a single. With Bowie at the peak of his global stardom thanks to Let's Dance, "White Light/White Heat" was considered an unusual turn for the pop audience he had attracted, and reached only #46 in the UK. Bowie performed the song during his 1987 Glass Spider Tour, a live version of which was released in 1988 (re- released in 2007) on Glass Spider. The song continued to feature in Bowie's live repertoire throughout his career.
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The album's opening track, "Sister Midnight", was written by Bowie, Pop and guitarist Carlos Alomar, and performed live on the Station to Station tour in early 1976. In July that year, following the end of the tour, Bowie and Pop holed up in Château d'Hérouville, the same locale where Bowie recorded Pin Ups (1973) and would soon record much of Low, and began putting together the rest of the songs that later became The Idiot. At the Château they were augmented by Laurent Thibault on bass and Michel Santangeli on drums, who were required, with minimal guidance, to add to rough music tracks already taped by Bowie, their first takes often becoming part of the final mix. Recording continued in August at Musicland in Munich, Germany with guitarist Phil Palmer, who found the creative collaboration with Pop and Bowie stimulating but disquieting, never seeing them around during the day ("Vampiric would be the perfect word", he said later).
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Leapaway Girl is probably the most well- known of these works, which former curator at Te Papa William McAloon has described as being "produced at a time when the histories of New Zealand painting were being written and the identification of an authentic local tradition – one rooted in the landscape, the harsh New Zealand light and its clearly delineated forms – was paramount." However, McAloon also acknowledges the international influences Scott was fusing with New Zealand art, writing: "Not that all the references are local: elsewhere in the series Scott drew on images of contemporary American abstraction, and even here the bold colours of the leaping frock suggest a color field painting gone airborne. More obvious touchstones for the series are American pop artists Mel Ramos, in his paintings of pin-ups, and Tom Wesselmann in his Great American Nude series." Leapaway Girl was one of 166 paintings included by the Museum of New Zealand in their 2012 launch of their online collection.
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The set list includes tracks spanning Bowie's 30 plus years in the music business, from The Man Who Sold the World (1970) all the way to Reality (2003), along with collaborations such as "Sister Midnight" (with Iggy Pop; originally from The Idiot (1977)) and "Under Pressure" (with Queen; released as a single in 1981 and later found on Hot Space the following year). There is a bit more focus, however, on tracks from the albums released since the Earthling World Tour in 1997, Heathen (2002), and Reality, whose tracks constitute 10 of the 30 songs performed. Albums with no appearance included the cover album Pin Ups (1973), Never Let Me Down (1987), the albums produced with the band Tin Machine (Tin Machine (1989) and Tin Machine II (1991)), and Black Tie White Noise (1993). Aladdin Sane (1973) also made no concert appearance in the video, although songs from the album appeared on the tour.
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As already mentioned, Starstruck: The Luckless, the Abandoned and Forsaked came out as a Marvel original graphic novel. A hardcover collection of the recent expanded and remastered series called Starstruck Deluxe Edition', a hardcover of the expanded and remastered series, was released from IDW on March 29, 2011. This larger-format (8.5" x 12") omnibus contained the remastered IDW issues; the Galactic Girl Guides back-up stories; an introduction by writer Mike Carey; a history of Starstruck's evolution from Tym Stevens; a fumetti story using Sean Smith's stage photos; a gallery of pin-ups and covers; and the expanded Glossary. The Starstruck Deluxe Edition essentially reprints Volume 1 of the Dark Horse era Starstruck: The Expanding Universe: specifically, the original serials that were collected as the Marvel Graphic Novel, plus the first issue of Epic Comics, and the 100 pages of new story and art that Lee and Kaluta laced through them in 1990.
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Michael Sutton, a writer for the All-Music Guide, discovered them by accident on a random NU107 air check mailed from the Philippines by music fan Denis Batungbacal. Sutton signed The Pin-Ups to Tacoma, Washington’s Know-It-All Records in 2002, making them the first Philippine-based band to be signed to a U.S. label. Aquino left for the U.S. and was replaced by Jaja Manuel (Girl In Park, who eventually signed with Know-It-All Records and released an album internationally) and Garcia was eventually replaced by Mitch Singson (Ciudad (band), ex-Sugarfree) as the Pin-Up Girls released their 6-track U.S. debut, Taste Test, in 2003. "Caress", written and produced by Castro, hit the top ten on NU-107 number one on Flashback Alternatives in New Jersey. The EP’s artwork was also designed by Leinil Francis Yu. In 2006, The Pin-Up's drummer Noel Garcia died from a heart attack.
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" He also opined that "though analog synthesizer remains definitional of the M83's sound, they open the arrangements to include more naturalistic instrumentation as well. The approach allows this band named for a galaxy to seem more grounded, and yet more universal, than ever before." Brian Howe of Pitchfork noted that Saturdays=Youths songs "disperse in all directions: Producers Ewan Pearson and Ken Thomas spread the melodies and beats into a sound world of uncommon vibrancy and pristine clarity, mounted on a massive yet now more proportionate scale", adding that the album "meaningfully diversifies M83's catalog while retaining Gonzalez's indelible fingerprint." Drowned in Sounds Alex Denney commented that "Gonzales has taken a dive head-first into the lexicon of '80s pop culture and emerged with a clutch of winning tracks that borrow openly from any number of pin-ups of the era and glaze them in his breathy, expansive shoegaze sound his to generally winning effect.
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Transformer was produced by David Bowie and Mick Ronson, both of whom had been strongly influenced by Reed's work with the Velvet Underground. Bowie had obliquely referenced the Velvet Underground in the cover notes for his album Hunky Dory and regularly performed both "White Light/White Heat" and "I'm Waiting for the Man" in concerts and on the BBC during 1971–1973. He even began recording "White Light/White Heat" for inclusion on Pin Ups, but it was never completed; Ronson ended up using the backing track for his solo album Play Don't Worry in 1974. Mick Ronson (who was at the time the lead guitarist with Bowie's band, the Spiders from Mars) played a major role in the recording of the album at Trident Studios, serving as the co-producer and primary session musician (contributing guitar, piano, recorder and backing vocals), as well as arranger, notably contributing the string arrangement for "Perfect Day".
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After Hard Boiled, Darrow wanted to do a superhero story, specifically, an Iron Man story, although Marvel wasn't interested. Miller and Darrow started developing the concept into their next project, The Big Guy and Rusty the Boy Robot. This time, they worked in the so-called "Marvel style": Miller wrote a few paragraphs describing the general plot, from which Darrow drew the eighty-page story, which Miller then wrote the dialogue over. Between 1993 and the series' first issue, released in 1995, the characters of Big Guy and Rusty appeared in a number of Darrow-illustrated posters and pin-ups, occasionally crossing over with other creator-owned characters such as Spawn and Ash. In 1994, Dark Horse started a new imprint titled Legend, spear-headed by Frank Miller and John Byrne and encompassing works by various creators including Art Adams, Mike Mignola and Darrow. The Big Guy and Rusty the Boy Robot was published in two issues in 1995 and 1996 under the Legend imprint.
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Dieselpunk Dieselpunk is a genre and art style based on the aesthetics popular between World War I and the end of World War II. The style combines the artistic and genre influences of the period (including pulp magazines, serial films, film noir, art deco, and wartime pin-ups) with retro-futuristic technology and postmodern sensibilities. First coined in 2001 as a marketing term by game designer Lewis Pollak to describe his role-playing game Children of the Sun, dieselpunk has grown to describe a distinct style of visual art, music, motion pictures, fiction, and engineering. Examples include the movies Iron Sky, Captain America: The First Avenger, The Rocketeer, K-20: Legend of the Mask, Sky Captain and the World of Tomorrow and Dark City, and video games such as Crimson Skies, Greed Corp, Gatling Gears, BioShock and its sequel BioShock 2, The Legend of Korra, Skullgirls, Wolfenstein, Iron Harvest, and Final Fantasy VII.
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Associated with the Swinging London scene of the 1960s – during which time he was in high-profile relationships with actress Julie Christie and supermodel Jean Shrimpton – Stamp was among the subjects photographed by David Bailey for a set titled Box of Pin-Ups. Stamp played butterfly collector Freddie Clegg in The Collector (1965), and in 1967 appeared in Far from the Madding Crowd, starring opposite Christie. His other major roles include playing archvillain General Zod in Superman and Superman II, tough guy Wilson in The Limey, Supreme Chancellor Valorum in Star Wars: Episode I – The Phantom Menace, transgender woman Bernadette Bassinger in The Adventures of Priscilla, Queen of the Desert, ghost antagonist Ramsley in The Haunted Mansion, Stick in Elektra, Pekwarsky in Wanted, Siegfried in Get Smart, Terrence Bundley in Yes Man, the Prophet of Truth in Halo 3, Mankar Camoran in The Elder Scrolls IV: Oblivion, and General Ludwig Beck in Valkyrie. He has appeared in two Tim Burton films, Big Eyes (2014) and Miss Peregrine's Home for Peculiar Children (2016).
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Part of the vocal melody was played on a Minimoog by Rick Wright at the very end of "Shine On You Crazy Diamond (Parts VI-IX)" at the end of 1975's Wish You Were Here, as a tribute to Barrett. "See Emily Play" has been covered by Canadian group Three to One (aka Okee Pokey Band) on the 1967 Yorkville album CTV After Four; David Bowie, for his Pin Ups album in 1973; Japanese group Salon Music, for their 1984 album La Paloma Show; The Grapes of Wrath, as a B-side on the 1991 CD single "I Am Here"; on the 1996 Games for May EP by perfect children; Arjen Anthony Lucassen, on his 1997 album Strange Hobby; The Changelings, on their 2002 album Astronomica; Judy Dyble, for her album Spindle; David West, on the 2001 bluegrass tribute album Pickin' on Pink Floyd: A Bluegrass Tribute;Pickin on Pink Floyd: Bluegrass Tribute Martha Wainwright, on her 2008 album I Know You're Married But I've Got Feelings Too; and by 3, on the 2008 re-release of their album The End Is Begun. John Frusciante has played it live. All About Eve played the song live c.
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Malone has featured in Bizarre magazine,Bookies for Rookies, Bizarre Magazine, November 2008 Practical Photography,Under Command, Photographer Julian Knight, Practical Photography, July 2008 Borne Magazine,Americano. Ruth Paxton and Jannica Honey, Borne Magazine, issue 4, pages 13–22 Alternative Magazine,Alternative Pin-ups, Alternative Magazine, issue number 9, October 2007 ScotsGay, Custom Car Magazine,Doncaster Custom Car Show, Custom Car Magazine, December 2008 Kustom Magazine,1 Burlesque Festival, Connie Douglas, Kustom, April 2008 I-ON Edinburgh Magazine, Shimmy Magazine, The List magazine, Pinstriping and Kustom Graphics Magazine,Missy malone... Burlesque Performer, Pinstriping and Kustom Graphics, issue 12, February 2008 OneBurlesque is more, Paul F. Cocldium, One Magazine, May 2008 and Milkcow Magazine. She has also been on the cover of The List, Burlesque Magazine, Leither,Leither 47, November 2008 Fools in printEditor Lucy Keany, Fools in Print, Issue 2, July 2008 and Civvy Street.Stricken Pose, Civvy Street, June/July 2008 Newspaper features include: The Sun, Metro,Deliciously decadent, Lawrence Winram, Metro, 14 February 2007 The Scotsman, The Herald, The Evening News,"Dressed to impress at Vegas", Tom Maxwell, The Evening News, 13 July 2007 The Evening Times,"Night Moves", Kenny Hodgart, Glasgow Evening Times, 24 May 2007 and The Courier.
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Following his psychedelic pop-influenced self- titled debut album in 1967, he released his first successful single "Space Oddity", which introduced the fictional astronaut Major Tom. He then released his folk rock-inspired second self-titled album in 1969, the hard rock The Man Who Sold the World (1970) and the art pop Hunky Dory (1971), which represented an artistic breakthrough for Bowie, containing songs such as "Changes" and "Life on Mars?". Between 1972 and 1974, Bowie was a pioneer of the glam rock genre, as showcased on The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), which launched Bowie to stardom, Aladdin Sane and the covers album Pin Ups (both 1973), and Diamond Dogs (1974). His songs from this era include "Suffragette City", "The Jean Genie", "Rebel Rebel" and "All the Young Dudes" (made famous by Mott the Hoople), the last two of which are regarded as glam anthems. Young Americans (1975) showcased Bowie's interest in soul and R&B; music, as well as funk ("Fame"). Station to Station (1976) was the vehicle for his persona the Thin White Duke, and is commonly known as the musical transition between Young Americans and his experimental Berlin Trilogy, consisting of Low (1977), "Heroes" (1977) and Lodger (1979).
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After the events of Cavewoman: Rain the town of Marshville was destroyed, and Meriem and the inhabitants migrated to the shores of the Pangaean Sea. This was the last lengthy Cavewoman series to date, and by far the longest. The first comic Cavewoman: Pangaean Sea Prologue was first published in 1999, and the series lasted eleven issues from 2000 to 2009. Since 2001 Meriem has starred in the semi-regular mature series Prehistoric Pin-ups, which lasted for five-issues until 2010; and Cavewoman: Meriem's Gallery, a four-part series until 2009. She has also been in the semi-annual series Cavewoman: Cover Gallery (2002–2013), and the successful five-part Cavewoman: Reloaded (2005–2009), which was a reprint of Cavewoman #1–6 with new content. Cavewoman celebrated its 10th anniversary in 2003. Meriem has also appeared in eight two-shot comics spanning the years between 2000 and 2012, the best known are Cavewoman: Raptor (2002), and Cavewoman: Jungle Jam (2006). She was also in thirteen single-issue comics such as Klyde & Meriem (2001), Tanlines Pinup Book (2002), Cavewoman: The Movie (2003), Cavewoman: Beauties & Beasts (2005), Budd's Sketchbook of Sketchbook Sketches (2010), and Cavewoman: A Night Out (2010). In 2013–2014 Cavewoman celebrated its 20th anniversary with the two-part issues Cavewoman: Oasis (2013), and Cavewoman: Journey (2014).
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