Knowing any one of these "occasional" words or phrasings isn't essential.
|
|
Bach left few indications of tempos, phrasings and dynamics in his scores.
|
|
She mimicked not only the sound of their voices but also their phrasings, rhythms, breaths.
|
|
Non sequiturs spin off in various directions; phrasings of inspired concision telescope with prolix, prosier ones.
|
|
Working by touch, he used it to compose terse, aphoristic phrasings exactly like that oft-quoted pronouncement.
|
|
They also, in their milder phrasings, consider her arrogant, insensitive, and prone to lash out when opposed.
|
|
If any of Anna's phrasings seem odd it's because she's German and English is a second language.
|
|
The birds' phrasings are both melodic and mechanical, cyclical and spontaneous, like the wordless vocables of scat singers.
|
|
As a singer, Ms. Sorrels was influenced by Billie Holiday, and her jazz-inflected phrasings often perplexed her accompanists.
|
|
I'm not talking about MCs using various phrasings of "dropping shit" to denote how they're spitting some niceness into a microphone.
|
|
This is a variant on ballad measure, which is to say the stanza rhymes abcb and alternates tetrameter and trimeter phrasings.
|
|
And voters in the 18th District did not see her exaggerations or confusing phrasings as sufficient evidence that she couldn't be trusted.
|
|
Mr. Leonhardt's performances showed a certain gentleness, whereas Mr. Harnoncourt's were more assertive, with phrasings and accentuations that sometimes bordered on mannerism.
|
|
She also says that the tags "transition" and "transgender," while the most commonly accepted phrasings for gender confirmation, don't do her justice.
|
|
The pentatonic scale and subtle, lilting phrasings of kunqu give way to a world of pitch and melody in which almost anything goes.
|
|
I thought about the secret pop phrasings of Mary Halvorson's guitar playing and the seemingly hairline divide between Anthony Braxton's praxis and theory.
|
|
Over the course of the track it's interpolated into a dramatically evolving series of melodic phrasings, ranging from dopamine-deprived to blissfully sultry.
|
|
The name of the restaurant is "an ode to Chinatown," Mr. Tondreau said, and to the occasionally off-kilter English phrasings found on signs there.
|
|
Frequently echoing phrasings from memes and social media conventions more generally, de Vries's language is a cross between chat-room brevity and Minecraft-inspired Romanticism.
|
|
He initially heard the demo when a friend was trying out for Kid Dynamite and asked Shevchuk to help him with vocal phrasings for the audition.
|
|
Her take on Midge—the snappy phrasings, the forceful pertness, the almost desperate overdose of pluck—had the irresistible hamminess of a classic comedic stage performance.
|
|
I messaged a musician friend about the similarities between the two: He pointed out that both the rhythm and the vocal phrasings are damn near identical.
|
|
Clinton, known for more calibrated phrasings, loosely suggested that half of Mr. Trump's supporters fell into a "basket of deplorables" — bigots of one kind or another, essentially.
|
|
Working from Mr. Gari's stylistic cues, Mr. Millrose layered piano, bass and drums, and then toyed with horns, strings and other effects to punctuate Mr. Ciccone's phrasings.
|
|
Then the device would be able to respond using a library of past commands to match a specific user's content preferences, requests, and phrasings to make Siri more accurate.
|
|
"I made some errors in the way I credited sources, but that there was no attempt to pass off someone's ideas, opinions and phrasings as my own," she said.
|
|
" Other messages involved weird phrasings that seemed intended to evade detection, such as avoiding using the word "Amazon," and instead writing "a-m-a-z-o-n Australia" or "A.
|
|
The draft - with annotations and alternative phrasings for a number of issues - still needs to be rubber-stamped by other ministries and has not yet been approved by Environment Minister Barbara Hendricks.
|
|
Amme's language is riddled with odd spellings and phrasings, making it an especially challenging task for the translator of these exchanges, Shane Anderson, who strove to maintain the quality of her 'speech.
|
|
"I'm saying that I made some errors in the way I credited sources, but that there was no attempt to pass off someone's ideas, opinions, and phrasings as my own," Abramson said.
|
|
I remember having to force myself to not listen to Codeine and Red House Painters sometimes when I was writing, because I'd find myself falling too easily into their mannerisms and phrasings.
|
|
To build the choreography, Yahalomi assembled movement phrasings from tactical training methods taught to firefighters, EMS workers, riot police, and soldiers (the nation requires almost all of its citizens over 18 to serve).
|
|
I feel Rostam in the vocal phrasings on the chorus particularly, the electronic drum line that rides near the top of the track, and in the keyboard bit that travels up the scale to punctuate the chorus.
|
|
It wasn't clear what Trump meant by "his people" and "my people," phrasings that could be interpreted to mean all North Koreans and Americans but that could also mean those people reporting directly to the two leaders.
|
|
Each ship in the game is the product of a fictional but believable corporation with convincing promotional materials, and what I saw mimicked the vaguely aspirational phrasings about speed and virtue that line real-world car commercials.
|
|
As members El Far247i and Walaa Sbeit pound out beats with drum machines and live percussion, guitarist El Jehaz conjures up textured guitar riffs over micro-tonal phrasings played on analog synths by bandmate Z the People.
|
|
While the listener can hear some of the Chicago genre's rhythmic phrasings and drum machine patterns in the track's DNA, Patton creates a relentless, molten sound entirely her own, etching out abstract forms without sacrificing emotional impact.
|
|
Style is at once something tangible – built up out of individual words and phrasings, with the academic specialization of stylometry devoted to its study – and elusive, associated with a writer's "voice" or the unique "feel" of their prose.
|
|
Stretched themselves around a hiss-laden, barely-there keyboard melody, her approach to vocals here is very free, using jazz-esque phrasings to stretch tones and vowels across more beats than you're used to on a techno-backed track.
|
|
It's Nilsson's single greatest song, not just by virtue of its technical achievements—the godly vocal phrasings, the busy signal-inspired introductory notes—but also how well it combines the singer's pop smarts with a deep undercurrent of sadness in his music.
|
|
" In addition to her primary text document, she also created a searchable file for family trees and place names, and, Kirschenbaum writes, generated a "concordance that would allow a copyeditor to keep track of Yiddish, Russian, and other tricky words and phrasings.
|
|
Any translator will likely identify with Goto's torrent of notes: the repeated question marks next to words; the multiple phrasings to express the same thing ("to reach; to amount to; to befall; to happen to; to extend"); the flying lines across the page.
|
|
It's a compelling bit of detective work that anyone with access to the viral Times essay and Google can partake in: take seemingly uncommon phrasings from the op-ed, cross reference with what senior officials in the White House have written or said, and you'll start making interesting connections with red twine on your corkboard.
|
|
Some songs were transposed to a lower key and Michael sang alternate phrasings to prevent his voice from cracking.
|
|
Described as the linguistic approach to the treatment of expressive aphasia, treatment begins by emphasizing and educating patients on the thematic roles of words within sentences. Sentences that are usually problematic will be reworded into active-voiced, declarative phrasings of their non-canonical counterparts. The simpler sentence phrasings are then transformed into variations that are more difficult to interpret. For example, many individuals who have expressive aphasia struggle with Wh- sentences.
|
|
"Mama From the Train", also known as "Mama From the Train (A Kiss, A Kiss)", is a popular song written by Irving Gordon and published in 1956. The song is about memories of a now-deceased mother, whose Pennsylvania Dutch-influenced English leads to quaint phrasings.
|
|
The development of this protolexicon may in turn allow for the recognition of new types of patterns, e.g. the high frequency of word-initially stressed consonants in English, which would allow infants to further parse words by recognizing common prosodic phrasings as autonomous linguistic units, restarting the dynamic cycle of word and language learning.
|
|
This chord serves as the basis of Vanada's harmony. While written in the key of B Major/G Minor,Torke, p. 1. the piece is based around an eight-note chord with a non- key bass note of D natural. While the keyboards produce the chord all at once, the other instruments have it as a center for their phrasings.
|
|
Hyas klootchman tyee means "queen", klootchman cosho, "sow"; and klootchman tenas or tenas klootchman means "girl" or "little girl". Generally klootchman in regional English simply means a native woman and has not acquired the derisive sense of siwash or squaw. The short form klootch—encountered only in English-Chinook hybrid phrasings—is always derisive, especially in forms such as blue-eyed klootch.
|
|
The Rough Guide (2005) lists Louis Armstrong's 1925 recording of "Heebie Jeebies" in its timeline of hip hop. In the 1970s, The Last Poets and Gil Scott-Heron placed spoken word and rhymed poetry over jazzy backing tracks. There are also parallels between jazz and the improvised phrasings of freestyle rap. Despite these disparate threads, jazz rap did not coalesce as a genre until the late 1980s.
|
|
Variant phrasings in use in the pre-Zionist and pre-state eras include "a country without a people for a people without a country", "a land without a nation for a nation without a land". According to Edward Said, the phrasing was "a land without people for a people without a land".Said, Edward, (New York: Times Books, 1979), The Question of Palestine, p. 9.
|
|
Thus, a strong accent similar to Central Ontarian is heard, yet many different phrasings exist. It is typical in the area to drop phonetic sounds to make shorter contractions, such as: prolly (probably), goin' (going), and "Wuts goin' on tonight? D'ya wanna do sumthin'?" It is particularly strong in the County of Bruce, so much that it is commonly referred to as being the Bruce Cownian (Bruce Countian) accent.
|
|
Shirley also dedicated his tragedy The Traitor to Newcastle upon its 1635 publication. The signs of Shirley's hand in The Country Captain are abundant and varied; they range from parallels of plot device and characterization to specific phrasings. For examples of the latter: The Country Captain employs the phrase "feather-footed Hours," which also occurs in two of Shirley's masques, The Triumph of Beauty and The Triumph of Peace.Forsythe, p. 401.
|
|
The overture was written after Mendelssohn had read a German translation of the play in 1826. The translation was by August Wilhelm Schlegel, with help from Ludwig Tieck. There was a family connection as well: Schlegel's brother Friedrich married Felix Mendelssohn's Aunt Dorothea. While a romantic piece in atmosphere, the overture incorporates many classical elements, being cast in sonata form and shaped by regular phrasings and harmonic transitions.
|
|
The Allmusic review by Lindsay Planer says "Combining divergent reworkings of pop music standards with his own undeniably unique originals, Kenton applies his trademark intricate and individual harmonic phrasings. The consistent results bear out his ability to augment his highly stylized arrangements within a framework of familiarity... While enthusiasts of the artist's work will undoubtedly be impressed, to modern ears the easy listening orchestration may seem heavy-handed, if not lackluster".
|
|
Ragtime encyclopedist David A. Jasen identifies a number of characteristic James Scott compositional devices in this early work. Jasen's appraisal of "Frog Legs Rag" is not unreserved: he also places "Frog Legs Rag" within the early period when James Scott compositions were "flag-waving" and lacking in the restraint the songwriter developed after 1906. Unlike Joplin, who lengthened traditional ragtime phrasing, Scott explored the genre's dynamic qualities with shortened phrasings.
|
|
Gargantuan is the debut studio album by English electronic duo Spooky, released by William Orbit's Guerilla Records in March 1993. Having established their place at the forefront of the progressive house scene, Spooky recorded the album in two London studios using analogue production. The record is largely instrumental and incorporates rigid percussion and rhythms with melodic house phrasings. The single "Schmoo" reached the UK Singles Chart, but Gargantuan under-performed commercially.
|
|
Totalitarian, dogmatic truth is replaced by playful indeterminacy. In one story of Thiệp ["Lửa vàng", "Fired Gold"], the reader is offered a choice of three endings. In an addendum to another ["Cún"], a scholar friend of the narrator refutes the story proper with a photograph, and hectors the narrator/author to stick to the "principles of realism". In many of Phạm Thi Hoài's stories, unusual phrasings and diction betrays language as mere artifice.
|
|
He ignites the fury of Hwang Jong-gu (Park Hee-soon), a gangster-turned-financier bidding for entry into the top percentile of the rich and powerful. A fresh mobster persona, Hwang feigns elegance in his initialized Italian shoes, only to resort to kicking people for dramatic effect. He also begins every sentence with an `"OK" even though he cannot tolerate the full English phrasings of his Korean-American partner. Hwang, however, doesn't dwell on past indiscretions.
|
|
Language provides continuous opportunity for creativity, evident in the generation of novel sentences, phrasings, puns, neologisms, rhymes, allusions, sarcasm, irony, similes, metaphors, analogies, witticisms, and jokes. Native speakers of morphologically rich languages frequently create new word-forms that are easily understood, and some have found their way to the dictionary. The area of natural language generation has been well studied, but these creative aspects of everyday language have yet to be incorporated with any robustness or scale.
|
|
After a period as a correspondent in the Netherlands, Kartodikromo continued his journalism and critique of the government; he also wrote several pieces of fiction. Involved with the Communist Party of Indonesia, after a 1926 communist-led revolt Kartodikromo was exiled to Boven-Digoel prison camp in Papua. He died in the camp of malaria in 1932. Kartodikromo, who preferred writing in Malay, experimented with new phrasings at a time when the state-owned publisher Balai Pustaka was attempting to standardise the language.
|
|
Laurence Clements, a fellow Waindell faculty member, and his wife Joan, are looking for a new lodger after their daughter Isabel has married and moved out. Pnin is the new tenant, informed of the vacancy by Waindell's librarian, Mrs. Thayer. The Clementses grow to enjoy Pnin's eccentricities and his idiosyncratic phrasings. There follows the history of Pnin's relationship with his ex-wife Dr. Liza Wind, who manipulated him into bringing her to America so that she could leave him for fellow psychologist Eric Wind.
|
|
" Steve Jones of USA Today said, "Although he often wears his Wonder-Hathaway influences on his sleeve, his ever-improving songwriting and vocal phrasings set him apart. Love themes predominate, but his songs often paint detailed scenarios and are anything but simple." In a mixed review for the New York Times, Jon Pareles praised Musiq's lyricism for being reminiscent of '70s Stevie Wonder but was off-put by Ivan Barias' production causing said lyrics in the tracks to "ramble until they begin to sound like recitatives.
|
|
Bloomfield had a difficult time in Rochester, managing to alienate many of the musicians, staff, and other members of the musical community during his time there. In December 1961 he conducted for the first Dimitri Mitropoulos Music Competition in New York, serving as a last minute substitute for Josef Krips. New York Times critic Harold C. Schonberg praised him for handling “his young soloists flawlessly, working closely with them and seeing to it that their tempos and phrasings were accurately followed. It was a noble job”.
|
|
It is clear that, among the early schools, at a minimum the Sarvāstivāda, Kāśyapīya, Mahāsāṃghika, and Dharmaguptaka had recensions of four of the five Prakrit/Sanskrit āgamas that differed. The āgamas have been compared to the Pali Canon's nikāyas by contemporary scholars in an attempt to identify possible changes and root phrasings. The āgamas' existence and similarity to the Sutta Pitaka are sometimes used by scholars to assess to what degree these teachings are a historically authentic representation of the Canon of Early Buddhism.See, e.g.
|
|
This Ballet was lavish and featured a scene where a set piece of a house was burned down, included witches, werewolves, gypsies, shepherds, thieves, and the goddesses Venus and Diana. The ballet's main theme was not darkness and night terrors though, but its focus was on Louis who appeared at the end as the Sun, putting an end to the night. Lully's main contribution to ballet were his nuanced compositions. His understanding of movement and dance allowed him to compose specifically for ballet, with musical phrasings that complemented physical movements.Lee (2002).
|
|
According to contemporary accounts, Hulak-Artemovsky based the libretto on a story by the historian Mykola Kostomarov. The composer wrote nearly all of libretto, although some poetic phrasings are attributed to his good friend, the journalist V. Sykevych. The story depicts the events following the destruction of the island fortress of Zaporizhian Sich, the historic stronghold of the Ukrainian Cossacks on the Dnieper River. Although historically this destruction was ordered by the Russian Empress Catherine II in 1775, for unknown reasons the composer chose to set the action in 1772.
|
|
In multi-agent system research, distributed knowledge is all the knowledge that a community of agents possesses and might apply in solving a problem. Distributed knowledge is approximately what "a wise man knows" or what someone who has complete knowledge of what each member of the community knows knows. Distributed knowledge might also be called the aggregate knowledge of a community, as it represents all the knowledge that a community might bring to bear to solve a problem. Other related phrasings include cumulative knowledge, collective knowledge, pooled knowledge, or the wisdom of the crowd.
|
|
Eliezer Shkolnik (Shlomo Bar Aba) is a philologist who researches the different versions and phrasings of the Jerusalem Talmud. He and his son Uriel (Lior Ashkenazi) are both professors at the Talmudic Research department of the Hebrew University of Jerusalem. Uriel, a charismatic academic, is extremely popular with the department's students and the general public, and is also recognized by the establishment when he is elected member of the Israel Academy of Sciences and Humanities. The father, on the other hand, is a stubborn old-school purist in his research methods.
|
|
Allmusic's Thom Jurek gave the album four out of five stars and felt that, despite Sony's remastering, it "succeeds mightily on the level" of a "remarkable" band's "fine performance". He recommended it strictly to jazz listeners as a "curiosity piece" because of its "dodgy" and "dubious sound quality." In its four-star review of the album, Down Beat magazine found the music "engaging" and stated, "The intrigue from the redefined hard-bop here has everything to do with Davis' elliptical phrasings and seeming impatience with the latter-day offspring of bebop".
|
|
One criticism has been that Cook should have provided more interpretation of the verbatim quotations; "While [the use of exact quotes] is exemplary and well intentioned, it was, for me, one of the few 'turnoffs' in the book. Sometimes we need Mr. Cook to provide his view and interpretation of what those he interviewed meant, as the exact phrasings uttered often beg for such historical analysis," wrote Tom Militello.Militello, T. (c. 2003): EJMAS Reviews: Shotokan Karate, A Precise History, by Harry Cook Electronic Journals of Martial Arts and Sciences.
|
|
In a review for All About Jazz, Derek Taylor states "Each man bends to the other’s vernacular with Parker doling out some of his most linear and lyrical jazz phrasings in years and McPhee mimicking the creased multiphonics and split tones that are his partner’s regular sonic nomenclature."Taylor, Derek. Chicago Tenor Duets review at All About Jazz In a multiple review for JazzTimes John Litweller says "If the disc has meandering passages, there are also plenty of successes in which lyricism and complexity twine (and for all their stylistic extremes, there are lyrical strains in both players)."Litweller, John.
|
|
The poem appears to have been the inspiration for a eulogy to Verona, known variously as the Versus de Verona, Laudes Veronensis or Veronae Rythmica Descriptio, dated to around 796–800, which follows a very similar plan and contains numerous borrowed phrasings. The Milanese encomium is written in polished Latin and has a more consistent, more regular prosody than the Veronese poem.Peter Godman (1985), Latin Poetry of the Carolingian Renaissance (Norman: University of Oklahoma Press), 29-31. It emphasises the characteristics of the city's inhabitants, and omits details of defunct Roman edifices such as the theatre and circus.
|
|
In an interview with Pitchfork Media in August 2009, Adam Drucker described the process of collaborating with Alan Moore, Mitch Jenkins and Andrew Broder: > We get to score Unearthing, so it's now become this big, organic sort of > collaboration between the four of us. We basically did two hours of reading > when we first got it, and it's extremely dense. I remember the first time I > read it... I didn't know what to do with myself. But as we listened to it, > it's full of recurring themes, and all this recurring writing breaks and > reconstructs its phrasings over and over again throughout.
|
|
Hladík's electric style is uniquely recognizable, and relies primarily on fast ascending and descending scales alternating with his signature bending, particularly at the ends of phrases, and frequent use of hammer-on and pull- off techniques. In the late 1960s, he was strongly influenced by the British Invasion and Jimi Hendrix, and became one of the pioneers of the electric blues-rock sound in Czechoslovakia, particularly the use of various effects. From the early 1970s his playing incorporated jazz phrasings, although Hladík's sound remained mostly rock-oriented, especially in his later years. The majority of Hladík's recordings and live performances feature his favourite Gibson Les Paul Custom 1959.
|
|
In Carnatic music, the Sanskrit term gamaka (which means "to move") is used to denote ornamentation. One of the most unusual forms of ornamentation in world music is the Carnatic kampitam which is about oscillating a note in diverse ways by varying amplitude, speed or number of times the note is oscillated. This is a highly subtle, yet scientific ornamentation as the same note can be oscillated in different ways based on the raga or context within a raga. For instance, the fourth note (Ma) in Shankarabharanam or Begada allows at least three to five types of oscillation based on the phrasings within the raga.
|
|
The traditional classical rāgas in which the lyrics were rendered were also difficult to understand. The ghazal has undergone some simplification in recent years, in terms of words and phrasings, which helps it to reach a larger audience around the world. Modern shayars (poets) are also moving towards a less strict adherence to form and rules, using simpler language and words (sometimes even incorporating words from other languages, such as English - see Parveen Shakir), and moving away from a strictly male narrator. Most of the ghazals are now sung in styles that are not limited to khayāl, thumri, rāga, tāla and other classical and light classical genres.
|
|
In the view of music writer Dave Thompson, the success of Springsteen's "Trapped" help improve Cliff's visibility, along with the Jamaican's direct involvement in the same year's Artists United Against Apartheid. Cliff re-recorded "Trapped" for release on his 1989 album Images (which in the United Kingdom was called Save Our Planet Earth) on the label Cliff Sounds and Films. Here it was longer, with a running time of 4:33, and had vocal phrasings and emphases that more closely resembled Springsteen's, albeit still with a reggae beat. It was released as a 7-inch and 12-inch single, the latter of which also contained various remixes for radio and club use.
|
|
His recordings and performances would include a mix of upbeat jazz numbers interspersed with opulent, passionate selections, slow in nature. His organist influences were Buddy Cole, Eddie Dunstedter, Billy Nale, Brian Rodwell, and George Wright, but he was also impacted by the vocal phrasings of Mel Tormé and Ella Fitzgerald. His first recording was criticized for over- reliance on bells, but upon his death the American Theatre Organ Society's publication stated "in every way he was a consummate presenter of the theatre pipe organ music at its best," noting his command of rhythm, harmony, sense of melody, and mastery of registration. Bellomy wrote scripts for and directed several local television shows, and most notably served as music director for KNBC's show The Sunday Show.
|
|
Although she hailed Subotnick as a "very talented" composer and felt the album to be among the prettiest electronic works, she nonetheless felt it was a "bore" and complained that the album was too long "for a single electronic composition of this style and type." She also derided what she felt were inexpressive phrasings and articulations, feeling that "they either sound inflexible and mechanical, or aleatoric and unimportant." Although Silver Apples of the Moon pre-dated recordings containing the Moog by about a year, it was soon overshadowed by the popularity of Carlos' own album Switched-On Bach (1968), which featured classical compositions played on the Moog and became one of the biggest-selling classical albums ever. Subotnick was unimpressed with Carlos' album.
|
|
He is a brilliant composer – using his education in music to introduce more sophisticated music styles to church audiences more familiar with southern or folk gospel. Using a tantalizing mix of Southern gospel song formulas, emotionally expressive musical phrasings more common in black churches, and classical, popular, or even "jazzy" music arrangements, he played an integral part in elevating the type and styles of music performed in worship services in the United Pentecostal Church and among many other Christian congregations. Wolfe's original music was performed and released by his trio, the Lanny Wolfe Trio, originally composed of himself, his then-wife, Marietta Wolfe, and Dave Petersen. During the 1980s, the group added others as Dave Petersen departed, followed by his wife who left to raise their children.
|
|
During the PKK's unilateral cease-fire, Dora appreciated what in 2003 he called an "atmosphere of peace" that had played a significant role in encouraging Arameans to consider a return to their Southern Anatolian homeland. In 2011, Dora still said: "Europe has the impression that Turkey is moving towards Islam and that it is a country that is becoming less secular. But as far as I am concerned, there isn't much of a difference between the past and the present, the situation is more or less the same and one of the things that has changed for the better is in fact the situation for Christians." In the issue of history school books denigrating Armenians and Syriac Christians, Dora however acknowledged that hostile phrasings appeared there only relatively recently.
|
|
Atticism (meaning "favouring Attica", the region of Athens in Greece) was a rhetorical movement that began in the first quarter of the 1st century BC; it may also refer to the wordings and phrasings typical of this movement, in contrast with various contemporary forms of Koine Greek (both literary and vulgar), which continued to evolve in directions guided by the common usages of Hellenistic Greek. Atticism was portrayed as a return to Classical methods after what was perceived as the pretentious style of the Hellenistic, Sophist rhetoric and called for a return to the approaches of the Attic orators. Although the plainer language of Atticism eventually became as belabored and ornate as the perorations it sought to replace, its original simplicity meant that it remained universally comprehensible throughout the Greek world. This helped maintain vital cultural links across the Mediterranean and beyond.
|
|
Thirty-nine seconds of Magee's original composition, "Freedom for My People" were ultimately included in the Rattle and Hum documentary and album. Gussow left New York several times over the next year to play harmonica with a touring production of Big River, but always returned to Harlem. As Magee refined and developed his one-man band sound with the addition of a second hi-hat cymbal and wooden sounding board, Gussow was forced to evolve an equally innovative sound, one in which traditional amplified Chicago harp was cross-fertilized with funk-guitar licks and jazz sax phrasings. Magee and Gussow made the streets their only venue until 1990, when they recorded a demo at Giant Sound in New York, opened for Buddy Guy at a Summerstage concert in Central Park, and began to play club gigs at a restaurant called Chelsea Commons (24th St. and 10th Ave).
|
|
" Matt Melis of Consequence of Sound gave the album a C-, saying "Production issues aside, this record proves that Soundgarden still have their muscle but also hints that they are in the process of figuring out how to flex it again. For every realized track like "Worse Dreams", with its circular vocal phrasings and slippery riffing, there's a jam like "Eyelid's Mouth" that completely loses its identity — in this case, via an almost painful chorus that asks, "Who let the river run dry?" Still, there's more than enough merit found in King Animal to ensure that any future tweets by Chris Cornell about new Soundgarden music will confidently be filed under #reallygoodnews." Michael Christopher of The Phoenix gave the album three out of four stars, saying "On the whole, King Animal is a welcome return, and though it doesn't reinvent the wheel, it reminds us why these guys were considered the architects of the Seattle scene." Richard Trapunski of Now gave the album four out of five stars, saying "King Animal doesn’t sound like a nostalgia-fed cash grab, nor is it poisoned by the desperate commercialism of Cornell's post-Soundgarden projects.
|
|
However, David Norton observes that the Rheims-Douay version extends the principle much further. In the preface to the Rheims New Testament the translators criticise the Geneva Bible for their policy of striving always for clear and unambiguous readings; the Rheims translators proposed rather a rendering of the English biblical text that is faithful to the Latin text, whether or not such a word-for-word translation results in hard to understand English, or transmits ambiguity from the Latin phrasings: This adds to More and Gardiner the opposite argument, that previous versions in standard English had improperly imputed clear meanings for obscure passages in the Greek source text where the Latin Vulgate had often tended to rather render the Greek literally, even to the extent of generating improper Latin constructions. In effect, the Rheims translators argue that, where the source text is ambiguous or obscure, then a faithful English translation should also be ambiguous or obscure, with the options for understanding the text discussed in a marginal note: The translation was prepared with a definite polemical purpose in opposition to Protestant translations (which also had polemical motives). Prior to the Douay-Rheims, the only printed English language Bibles available had been Protestant translations.
|
|