How to use phantomlike in a sentence? Find typical usage patterns (collocations)/phrases/context for "phantomlike" and check conjugation/comparative form for "phantomlike". Mastering all the usages of "phantomlike" from sentence examples published by news publications.
But even these "dark money" groups are less phantomlike than social media trolls.
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Lina Bo Bardi's swoon-inducing furniture; Heidi Bucher's phantomlike sculptures; and Josh Kline's chronicle of a 'calamity in progress.
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Jenny interrupts a sex scene with a monologue to the camera; Digna silently accompanies her, phantomlike, on a series of dates.
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Here, he wears a striking pair of slim rectangular shades while "TV Party" drummer Lenny Ferrari looms phantomlike in the background.
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Go: Our critics recommend what to see in New York galleries, including Lina Bo Bardi's swoon-inducing furniture and Heidi Bucher's phantomlike sculptures.
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But if they walk to a certain corner in their units, they can see each other, phantomlike across a pair of dirty windows.
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The piece takes shape as a suite of concurrent solos, each dancer roaming around on his or her own phantomlike terms: crawling backward through open doors, grazing bare walls, staggering out from hallways and stairwells we can't see.
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Liborio Azzolina tried to resuscitate her and also Compiuta Donzella, whom Borgognoni, with less supporters, also ascribed to later male poets' imaginations.L. Azzolina, La compiuta donzella di Firenze (Palermo: Lo Casto, 1902). More recently the Italian scholar Lino Pertile has called her fantomatica (phantomlike) and Paolo Cherchi dismissed her as "mythical", to be followed by Anne Klinck.L. Perile, "Il nodo di Bonagiunta, le penne di Dante e il Dolce Stil Novo", Lettere italiane, 46:1 (1994:Jan.
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The subjects of her prose, for example—a homosexual writer, a homeless gigolo who married a rich circus entertainer, Egyptian terrorists—are in essence symbols of phantomlike and fragile realities, observed through the eyes of a woman who is eternally unsure of her own identity and is trying to assert herself through each gesture or phrase. In Meklina's texts, a surrealistic phantasmagoria reminiscent of André Breton is tinged with utter skepticism and textual interplay, drawn from the novels of John Barth and Thomas Pynchon. Included in Srazhenie pod Peterburgom, the novel Izmena [Betrayal] is the heroine's lyric confession as she goes back and forth between her old lover Vakhid and younger husband Aldo, accentuating the question of how women perceive physiology (of sexual desire). In the traditional culture, the latter is either silenced or carefully studied through masculine reasoning; in Meklina's texts the emancipation of these very "physiological feelings" produce a more cultured outlook.
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