How to use phantasmagorically in a sentence? Find typical usage patterns (collocations)/phrases/context for "phantasmagorically" and check conjugation/comparative form for "phantasmagorically". Mastering all the usages of "phantasmagorically" from sentence examples published by news publications.
Yet "Sistine Chapel" (1993), the riotous last work in the exhibition, bears its thick wiring and hefty, whirring projectors boldly as it spills Paik's aesthetic tropes and images of his collaborators phantasmagorically over the gallery walls: here we see Merce Cunningham dancing, there Moorman, elsewhere Beuys, all set to a deafening soundtrack.
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This is also a real cute one for me because I just suggested to my husband, a Golden Banana and Real Bad Baby who is so nice it seems like he's kidding, and with whom I am both phantasmagorically and domestically in love, that he spend more time with his friends, and also talk to me less.
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All the judges utters some complimentary lines when they are pleased to see a unique act. Shilpa Shetty Kundra : Superrr se bhi bahut bahut bahut uperrr. Geeta Kapoor : Stupendo fantabulously phantasmagorically magical, Khatarnakam vishesham sarvsreshtham atiuttam atiuttam atiuttam . Anurag Basu : Gaganchumbi, Blockbuster.
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Over the course of his career Helidon has worked in a variety of mediums, from painting, to media installation, and to architecture. However diverse those mediums, Helidon's work has consistently interrogated the porosity and fragility of the borders between the media, the self, and the parameters of individual agency. In particular, his first exhibited works both thematized the narcissism of our engagement with the media, by phantasmagorically situating televisions and their viewers alike within mirror environments, and provocatively staged the potentially redemptive quality of the same, by inviting the viewer to make pulsating action paintings via the playful tele-command of programming shimmering through a veil of canvas. Since those first works, Helidon has continued to explore the sensory constitution of the self in installations conceived not only for major public exhibitions but also for public spaces. For the Venice Biennale 52 (2007), he created a burial site for the media that at once recalled the earth art of a prior generation and replaced its objects of natural decay with the flat screens of our present day media landscape. A small retrospective of his video art was featured at the National Gallery of Art of Albania in 2014.
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