528 Sentences With "percussion instrument"

Often they remind me that the piano is a percussion instrument.

My hands shook so hard that everything I held became a percussion instrument.

Malik danced to a cover of the theme performed on the tabla, a traditional South Asian percussion instrument.

Peter Evans plays the trumpet like a homing device, a percussion instrument, a didgeridoo, or distant bird call.

Heinrichs's labmate and musical lightsaber co-creator, Robbie Jack, has used bathroom tiles to create his own percussion instrument.

If there's a record that's happening and it's not there, we'll sneak it on as a percussion instrument somewhere.

With acoustic guitars and the odd light percussion instrument in hand, they got down to business with remarkable efficiency.

Daddy Yankee plays the hype man—"Everybody, move your body, everybody"—acting more as a percussion instrument than a guest vocalist.

The carillon can be considered a percussion instrument, given that the batons and pedals respond to how much pressure is applied.

His final project at ATV was the aFrame, described as an "electro-organic" percussion instrument and played like a hand drum.

For sound designer Pete Keppler, the design process involved a careful study of the acoustic qualities of each individual percussion instrument.

SETH COLTER WALLS MITSUKO UCHIDA It's easy to forget that the piano is a percussion instrument when it's played by Mitsuko Uchida.

Capoeria is an acrobatic mix of martial arts and dance, performed to the twangy music of a berimbau -- a single-string percussion instrument.

On top of that he adds a vocal style that's just as distinct, turning his mouth into a percussion instrument of its own.

There are few concrete elements—a piano line here, a malleted percussion instrument there—mostly it floats and oozes in this wonderfully cloudy way.

Article of the Day Before reading the article: Can you make the sound of a drum (or other percussion instrument) with just your voice?

I loved the wordplay in "Beef in a kosher deli?" for KVETCH and learned that HAMBONE is a rhythm technique that uses the body as a percussion instrument.

The musical language of "Névé" (2008) is built from her analysis of the sound properties of a giant oil drum, itself used as a percussion instrument in the piece.

But she had recently learned how to build and play the shekere, a West African and Afro-Latin percussion instrument consisting of a gourd, or calabash, wrapped in shells.

Mr. Attrey was on stage playing a tabla (an Indian percussion instrument), while Ms. Attrey was in the crowd cheering on the dancers, one of whom was a cousin.

The Brooklyn Raga Massive appears here in a not-quite-colossal iteration — just Roopa Mahadevan on vocals; Anjna Swaminathan on violin; and Abhinav Seetharaman on mridangam, a Carnatic percussion instrument.

Mr. Ghosh, who plays the tabla, a percussion instrument similar to the bongos, "explores the ancient world of Indian percussion" in a performance that will include drumming, vocals and sitar playing by a five-person ensemble.

Mr. Murray was establishing himself as the first drummer willing to match Mr. Taylor's free-flowing method — namely by abandoning a time-keeping role, and treating the drum set as a palette of textures more than a percussion instrument.

This was the shortest item on her program, which featured several traditional Kuchipudi specialties, as when the soloist takes up position on a brass plate: her vibrating feet turn the plate into a traveling percussion instrument while she remains otherwise balanced in serenity.

Midway through the album, on the graceful "Overcomer," a slapping drumbeat disappears early in the track and a pastel silence takes over; then a mist of harmonizing voices comes in, with a cajón, an Afro-South American percussion instrument, being pounded below.

Arts | New Jersey A couple of years ago, after graduating from Rutgers University, Mike Lukshis left his childhood home in East Brunswick to move in with a cluster of acquaintances in Edison and study the tabla, a traditional Indian percussion instrument, under their guru.

His mid-2000s run saw him dueling with his own powers of free-association and trying out his voice as a percussion instrument, while his late-2000s run found him floating off into realms of melody and sound to make the weirdest stuff he could.

The argument that a piano is a glorified percussion instrument — a big box of strings, to be struck by hammers — finds ample support in "Transparent Water," the engulfing new album by Mr. Sosa, a Cuban pianist, and Mr. Keita, a kora player from Senegal.

I dropped my phone back into my bag and wandered around the balcony filled with Victorian pianos, tiny violins, and something that I thought was a traditional Jewish grogger (a noisemaker used while celebrating the holiday Purim) but turned out to be an Italian percussion instrument.

Their roles blur, such that Mr. Iyer's piano works like a kind of dreamlike percussion instrument (you can think of its effect as distantly related to the West African mbira, or the Balinese gamelan), while Mr. Sorey's burly rhythms can have an effect usually reserved for harmonic instruments: logical, resonant, encompassing.

Claim to fame: Using text messages as his medium, Mr. Grebet is an Ivorian digital artist who has created more than 365 free emojis that portray contemporary African life, including a zebra-striped plastic teakettle sold in Senegalese markets, hair braids and a shekere, a West African percussion instrument made with a dried gourd.

They've spent 11 years together building an online following, mostly on the strength of their idiosyncratic, hyper-proficient pop covers—Lady Gaga's "Telephone" featuring eight-part harmonies, a xylophone, and a toy piano (9.5 million YouTube views); Beyoncé's "Single Ladies" arranged for upright piano, jazz bass, and an old Polaroid camera repurposed as a percussion instrument (11 million views).

The consistently buoyant tone and inventive formation of the work makes trying to pick favorites an exercise in futility, but some are particularly intriguing: a green biplane-like object (equipped with several extra pairs of wings) that, from a certain angle, morphs into a humanoid face; a butter-yellow abstraction with the dignity of a ceremonial gateway; a blue-and-silver tractor and/or baby carriage; an odd-looking configuration that, with five curling ribs, might be a rudimentary percussion instrument.

In addition, Emil Richards played a percussion instrument known as a crochet.

The ocean drum is a percussion instrument that can produce soothing ocean sounds.

Tsintsila () is an ancient Georgian percussion instrument that represents a couple of oval plates with handholds.

The skin of monitor lizards is used in making a carnatic music percussion instrument called a kanjira.

Ipu is a percussion instrument made from gourds that is often used to provide a beat for hula dancing.

An unusual percussion instrument is the udu, a kind of vessel drum. This instrument is very essential in most African countries.

Not all musical instruments make notes with a clear pitch. The unpitched percussion instrument (a class of percussion instrument) does not produce particular pitches. A sound or note of definite pitch is one where a listener can possibly (or relatively easily) discern the pitch. Sounds with definite pitch have harmonic frequency spectra or close to harmonic spectra.

Deepak received formal training to play the dhol, an Indian two sided percussion instrument, under his guru, Taufiq Qureshi back in 2003.

For example, the Balafon, a West-African percussion instrument, is a xylophone that has gourds attached to the bottom of each note for resonance.

Typewriter "The Typewriter" is a short composition of light music by American composer Leroy Anderson, which features an actual typewriter as a percussion instrument.

The major musical instruments used in the Bandari style include the nei anban (a bagpipe instrument made of goat's skin), the tombak (a percussion instrument made of animal skin and the wood of the walnut tree), the daf (a percussion instrument made of animal skin and a wooden frame like the head of a drum, with jingles on the rim, similar to the tambourine), and the darbuka (a percussion instrument made of fish skin and clay). Modern Persian Bandari bands use rhythmic instruments such as the frame drum, darbuka, djembe, talking drum, quinto, conga, and acoustic and electric drums specialized in 6/8 rhythms.

Maktoum or maktoom, also known as katem, is a traditional Arabic unpitched percussion instrument. A large round bass drum, it is played while held between knees.

Hang Massive is a world music and ambient music duo consisting of Danny Cudd and Markus Offbeat that play the Hang, a new-age percussion instrument.

Kansalem (Konkani: कांसाळें) is a Goan percussion instrument. It is a large copper, bronze or brass cymbal or gong.Borkar, Thali, Ghanekar. Rajhauns New Generation Konkani English Dictionary.

Drum "racks" are stands surrounding a drum kit onto which percussion instrument holders may be clamped. "Memory locks" are clamps used to make drum and telescoping positions permanent.

The maddale is a percussion instrument and, along with the chande, is the primary rhythmic accompaniment in the Yakshagana ensemble. It is played in a similar fashion as Mridangam.

The Elder Zhang Guo holding a fish drum The fish drum () is a Chinese percussion instrument. The name actually designates two rather different instruments, a membranophone and an idiophone.

So it is hard time the Dhakis learnt to use their inheritant music in other ways, to make a living and at the same time to keep the art of playing the Dhak alive and enchant the world with their magical rhythms at times other than the Durga Puja. People need to recognise the Dhak as a percussion instrument no different than any other percussion instrument that can be seen on stage.

Traditional Russian idiophone percussion instrument Treshchotka is a set of small boards on a string that get clapped together as a group Treshchotki is commonly used in Russian folk music.

Begleria come in many forms, consisting of semi-precious stone or metal beads. They can be similar in form to the percussion instrument kashaka, but are much smaller in size.

Key of Z Rubboards web page In 2010 Saint Blues Guitar Workshop launched an electric washboard percussion instrument called the Woogie Board.Woogie Board Electric Washboard Craziness Retrieved November 2, 2011.

Also, though the drums might eventually be mixed down to a couple of tracks, each individual drum and percussion instrument might be initially recorded to its own individual track. The drums and percussion combined can occupy a large number of tracks utilized in a recording. This is done so that each percussion instrument can be processed individually for maximum effect. Equalization (or EQ) is often used on individual drums, to bring out each one's characteristic sound.

This is a folk art of the Hubballi Dharwad region (particularly the village of Byahatti), which is performed on occasions such as Ugadi and Holi. The jagghalige is a percussion instrument made from a bullock cart wheel wrapped in buffalo hide. The villagers roll out the large instruments and march in procession. The performance is directed by a choreographer playing a much-smaller percussion instrument called the kanihaligi, made of clay and covered with calf hide.

In 2016, Kahnotation symbols were proposed as a percussion instrument notation to the W3C Music Notation Community Group. It was adopted in 2018 as part of the Standard Music Font Layout (SMuFL).

The percussion instrument used in the music of Prahallada Nataka is a mardala. The ensemble, which typically stands on one side of the mancha, includes Mardala, Mukhabina, Gini, Jhanja, and a Harmonium.

The silnyen is a Tibetan percussion instrument in the form of a cymbal with a small or no central boss. The silnyen is struck by horizontal movement and is used in Buddhist rites.

Antonio Buonomo conducting one of Europe's first percussion instrument ensembles (Naples Scarlatti Hall 1966) Antonio Buonomo (born in Naples in 1932) is an Italian composer, solo percussionist and music educator. Professor of percussion at the conservatories of "S.Pietro a Majella in Naples" of Naples and "S.Cecilia" of Rome, Antonio Buonomo's professional experience includes performing as timpani soloist in various orchestras (such as the "San Carlo" of Naples and "La Fenice" of Venice) and director of one of Europe’s first all-percussion instrument groups.

These caves also provide important proof regarding the history of the Tabla, or Pushkara then called; an Indian percussion instrument, since carvings from 200 BCE show a woman playing tabla and another performing a dance.

Vocal percussion is the art of creating sounds with one's mouth that approximate, imitate, or otherwise serve the same purpose as a percussion instrument, whether in a group of singers, an instrumental ensemble, or solo.

The musical instruments used include the dizi (transverse flute), sihu (four-stringed fiddle), and yangqin (hammered dulcimer). The wood block (梆子; bangzi) and sikuaiwa (四块瓦, a percussion instrument) are also sometimes used.

The bicycle is "played" first as a percussion instrument using playing cards in the spokes, then by blowing through the handlebars similar to a trumpet, and finally using pedal power to drive a rotary whistle.

It plays more like a Latin percussion instrument, rather than as a drum. The rhythms used are often similar to those played on Guiro. Actor Deryck Guyler was well known for his washboard-playing skills.

The English diarist Samuel Pepys mentions his "tryangle" several times. This was not the percussion instrument that we call triangle today; rather, it was a name for octave-pitched spinets, which were triangular in shape.

Sanj or Senj (Persian سنج) is a metallic percussion instrument, like a cymbal, but much larger in diameter, in the form of cup- or bell-shaped plates. Other names for Sanj, are Zang, Chalab, and Boshqābak.

In 2013, after a clash with management, Kakehashi left Roland and founded ATV Corporation, an audiovisual electronics company. His final project at ATV was the aFrame, an "electro-organic" percussion instrument played like a hand drum.

Away from football, during his spell with Norwich, he invented a percussion instrument called The Dube, a form of cajón. In 2011, he accompanied Ocean Colour Scene during a gig at the University of East Anglia.

Maracas is used throughout the song and mild guitar with percussion instrument were also used in the composition of the song. The tune of the song is layered with orchestra and the composition is kept simple.

Artis the Spoonman playing the spoons in 2007. thumb Spoons can be played as a makeshift percussion instrument, or more specifically, an idiophone related to the castanets. They are played by hitting one spoon against the other.

The best known of these is The Bad Plus, in which King also plays drums. The name Happy Apple comes from a Fisher-Price toy from the 1970s which King often uses as an auxiliary percussion instrument.

In the mid-seventies while in Germany, she received a commission from sculptor Helfried Hagenberg to compose music on a sculpture he had created from twenty-seven triangles. During the course of her commission, she developed the alemba, a keyboard percussion instrument. She is also the inventor of the Tosca Bells, a percussion instrument with hollow metal tubes that create a vibrating bell-like sound when hit. She also developed the 'noose' for stringed instruments that enables the composer to write 'natural' harmonics on virtually every note within the range of the string orchestra.

The nağara (also called koltuk davulu) is a Turkish folk drum or percussion instrument. It is placed under the arm and beaten with the hands. It is longer compared to the regular drums and its diameter is smaller.

Kolintang or kulintang is a bronze and wooden percussion instrument native to eastern Indonesia and also The Philippines. In Indonesia it is particularly associated with Minahasa people of North Sulawesi, however it also popular in Maluku and Timor.

Current examples include the Ewok percussion instrument made from Storm Trooper and other Imperial helmets (or heads) at the end of Return of the Jedi, and the brain surgery Doc Savage uses to turn criminals into productive citizens.

Where a traditional drum kit can is typically played with 2 hands and 2 feet, the Zendrum can be triggered with all ten fingers and the palms of both hands much like a conga or other hand percussion instrument.

Gbedu literally means "big drum" and is a percussion instrument traditionally used in ceremonial Yoruba music in Nigeria and Benin. More recently, the word has come to be used to describe forms of Nigerian Afrobeat and Hip Hop music.

Bo The bo () is a percussion instrument originating in China, a type of cymbals. It consists of two plates that are clashed together. It is a concussion idiophone. The Metropolitan Museum of Art has one from nineteenth century China.

Some instruments were more successful than others, such as the vibraphone or vibraharp. The vibraphone, a percussion instrument consisting of a series of bars with tubes below to help resonate the sound, was created in 1921 by the Leedy Manufacturing Company.

The Jal Tarang is a melodic percussion instrument which originates from the Indian subcontinent. It consists of a set of ceramic or metal bowls filled with water. The bowls are played by striking the edge with beaters, one in each hand.

Camp Drum and Drum Barracks get their name from Col. Richard Coulter Drum, then Assistant Adjutant General of the Army's Department of the Pacific, stationed in San Francisco, and not after a percussion instrument. There is no record that Col.

Performers of gummeta and tanpura in Andhra Pradesh This percussion instrument is also played to accompany folk songs in some areas of Karnataka. In Andhra Pradesh, this drum is known as gummeta, and it is played in the storytelling folk tradition.

The bamboo is not removable, which makes the instrument an idioglot. There is also a metal variety, more round or tree-leaf shaped. It may also have metal bells attached. The instrument is both a wind instrument and percussion instrument.

The cowbell is an idiophone hand percussion instrument used in various styles of music including salsa and infrequently in popular music. It is named after the similar bell historically used by herdsmen to keep track of the whereabouts of cows.

The middle and high school offers Band (i.e., learning a brass, woodwind, or percussion instrument), Orchestra (i.e., learning violin, viola, cello, or double bass), and Chorus (i.e., singing in a choir) while the elementary schools begin instruction in 5th grade.

The timbrel or tabret (also known as the tof of the ancient Hebrews, the deff of Islam, the adufe of the Moors of Spain) was the principal percussion instrument of the ancient Israelites. It resembled either a frame drum or a modern tambourine.

Simantra (or semantron or in Romanian Toacă) is an Eastern Orthodox percussion instrument used in liturgical serviceDalton, Ormonde Maddock (1903). A Guide to the Early Christian and Byzantine Antiquities in the Department of British and Mediæval Antiquities, p.96 & 104\. British Museum. Dept.

This percussion instrument is often played in pairs, where one naqqara will produce low pitch beats called nar and the other for the high pitch beats. The instruments are beaten with short wooden sticks bent outward at the upper ends called damka.

The tetzilacatl was an Aztec percussion instrument. This vibrator or resonator, was a tray of copper suspended by a cord, which was struck with sticks or with the hand. It appears to have been principally confined to the sacred music in the temples.

The spoons in Greece, as a percussion instrument are known as koutalakia (), which means also, spoon. The dancers hold the wooden koutalakia, to accompany with a variety of knocks their dance rhythms. The most of them, are very beautifully sculpted or painted.

The triangle is considered a tool to polish the melody with powerful but clear sound. Especially in contemporary work, the triangle's beauty has been further discovered and, as a percussion instrument, it has been more widely used from chamber music to orchestral level.

Originated in Galicia or Portugal, the pandeiro was brought to Brazil by the Portuguese settlers. It is a hand percussion instrument consisting of a single tension-headed drum with jingles in the frame. It is very typical of more traditional Brazilian music.

This is popular group folk music in north Karnataka, performed during occasions and in processions. The karadi or karade is the percussion instrument used by the group. It is a palm-sized cymbal producing metallic sounds, and the shehnai produces the melody.

A marching machine is a percussion instrument designed to produce the sound of marching feet when played on a wooden or metal surface. It is constructed from a number of short pieces of wooden dowel suspended by string netting within a wooden frame.

It is also a major percussion instrument used in sree-bali, sree-bhootha-bali and related temple rites. A Panchavadyam performance is begun with Timila Pattu and ends with the Timila Idachal thus making timila a very important component of the traditional Kerala percussion ensemble.

It is a common feature on steel-string acoustic guitars. Some performance styles that use the guitar as a percussion instrument (tapping the top or sides between notes, etc.), such as flamenco, require that a scratchplate or pickguard be fitted to nylon-string instruments.

A percussion instrument called Tharai thappattai in Tamil, without the jingles, is often used for Dappaankuthu or similar dance forms. Unlike normal tambourines, this requires a wooden stick to play. The urumee drum is also often used. A customised trumpet is also sometimes employed.

The boobam is a percussion instrument of the membranophone family consisting of an array of tubes with membranes stretched on one end, the other end open. The tuning depends partly on the tension on the membrane and partly on the length of the tube.

Owing to the skills required of the player, the keyboard glockenspiel is placed in the keyboard section of the orchestra rather than the percussion section, and is similarly not regarded as a keyboard percussion instrument. It is however regarded as pitched percussion in organology.

A Russian monk playing a semantron The semantron or semandron (), or semanterion (σημαντήριον), also called a xylon (ξύλον) (; , bilo; Bulgarian, Macedonian, Serbian: , klepalo; , nāqūs) is a percussion instrument used in monasteries to summon the monastics to prayer or at the start of a procession.

The team brought back "The Instrument", a specially- designed percussion instrument created for the 2013 reboot's soundtrack by Matt McConnell. "The Instrument" was used to help convey the primal aspects of Lara's character, in addition to referencing her adventure on Yamatai in the 2013 game.

The redoba is a percussion instrument. It consists of a wood block fixed to a belt and struck with sticks. A pair of blocks can be used to obtain two different musical notes. It is possible to dance and play at the same time.

This instrument has four necks on one side and three on the other, and is mounted on a stand and played with drumsticks as a percussion instrument. , the most necks placed on a single guitar is 12, apparently first achieved in 2002 by Japanese artist Yoshihiko Satoh.

The trigono () is a kind of a Greek auxiliary percussion instrument with three angles. Trigono means triangle in Greek (τρίγωνο < τρία [three] + γωνία [angle]). It is made from steel. The trigono in Greek tradition is also used by the kids in Greece that are singing the carols.

The Chochilia (), are a kind of a Greek traditional auxiliary percussion instrument. They are shells from the sea, which become auxiliary musical instruments with the appropriate processing. Each chochilia, has its own musical tone. Those small shells called also, ostraka () and they are plenty in Greek islands.

Sam Gopal (also called Sam Gopal's Dream) were an underground British psychedelic rock band. The band was named after its founder, Sam Gopal, born in Malaysia. From the age of seven, he played tabla, a northern Indian percussion instrument, which replaced drums in the band.Eder, Bruce.

There is an image of a lion in her pedestal indicating that she is the form of Parvati. There is a four-pillar hall in the temple, each of which gives out sounds of Veena (a string instrument), Mrudanga (a percussion instrument), flute and Jalatharanga (porcelain instrument).

The group predominantly makes modern instrumental music. They are known for the use of the hang, a modern percussion instrument. Their main influences are jazz, ambient and electronic music. The band’s first two albums are largely acoustic recordings, reflecting their origins as a live busking band.

The esterilla is a traditional percussion instrument from Colombia. The esterilla consists of long, narrow pieces of wood woven together in a similar fashion as a placemat. The instrument is played by either bending it or rubbing it against itself. This instrument dates back to the 1960s.

Ratha is thought to have invented the dhumpa, a bamboo percussion instrument, that accompanies the Odia folk art form of dhumpa sangita. The dhumpa accompanies recitations of his poetic satires called dhumpa geeta. Many of his poetic pieces, especially the champu are set to dance in Odissi.

In Hyderabad certain musicians were patronized by the ruler. Jagannath chose many teachers to learn his trade. The custom was not to pay for tuition but rather to serve one's teacher. He learned the Tabla, an Indian percussion instrument from Ustad Thirkawa, eventually becoming a Master.

The "paila" also refers to a Latin percussion instrument, also called paila criolla, "timbal" or "timbaleta". It is composed of two metal cylindrical drums, with a patch on the upper parts. It is usually accompanied by bells and woodblocks. It is frequently used by salsa bands.

A caxixi () is a percussion instrument consisting of a closed basket with a flat bottom filled with seeds or other small particles. The round bottom is traditionally cut from a dried gourd. The caxixi is an indirectly struck idiophone. Like the maraca, it is sounded by shaking.

This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion. The term pitched percussion is now preferred to the traditional term tuned percussion: Each list is alphabetical.

This use was quickly overwhelmed in the 1930s by its development as a jazz instrument. As of 2020, it retains its use as a jazz instrument and is established as a major keyboard percussion instrument, often used for solos, in chamber ensembles, and in modern orchestral compositions.

This is accompanied with music coming from the guitar and sometimes from the , a wooden percussion instrument unique to Marinduque. The province is also a place of delicacies, the most abundant of which are "" (delicacies made from rice). Marinduque is known for its arrowroot cookies and .

Pairs of metal discs are set into the frame to produce the jingle when struck by the hand. The sounds of this percussion instrument set the rhythm of much Arab music, particularly in the performances of classical pieces.Badley, Bill and Zein al Jundi. "Europe Meets Asia". 2000.

David Alan Samuels (October 9, 1948 – April 22, 2019) was an American vibraphone and marimba player who spent many years with the contemporary jazz group Spyro Gyra. His recordings and live performances during that period also reflect his prowess on the steelpan, a tuned percussion instrument of Trinidadian origin.

In the musical traditions of Trinidad and Tobago, a twin island republic in the Lesser Antilles, a scratcher is a percussion instrument. It is a descendant of the guiro, and is played in a similar fashion. It is most commonly found in the rhythm section of a steelband.

Diplipito Diplipito is a widespread percussion instrument all over Georgia. It comprises two small cone-shaped clay pots (jars) of the same height, but different width, which are covered with leather. One of the clay pots is smaller than the other. A cord ties the two jars together.

The Kaco was a percussion instrument similar to the tambourine, used for accompanying yukar or shamanistic rituals. It was made by stretching animal skin over a cylindrical ring commonly made out of willow or larch, and its drumbeater was done by wrapping dogskin over a branch.Tokita 2008, p. 341.

Dublin is also an amateur percussionist, and invented a percussion instrument called "The Dube". In 2011, he accompanied Ocean Colour Scene in a gig at the University of East Anglia, Norwich. In 2015, he joined the presenting team on the BBC One daytime show Homes Under the Hammer.

The singing accompanied by a musical instrument such as the guzheng (bridged zither), yehu (coconut-shell bowed lute), or yangqin (hammered dulcimer), together with the percussion instrument ban (wooden clappers). The instrument or instruments were played either by the singer himself/herself or in duo with a fellow musician.

Lavani () is a genre of music popular in Maharashtra, India. Lavani is a combination of traditional song and dance, which particularly performed to the beats of Dholki, a percussion instrument. Lavani is noted for its powerful rhythm. Lavani has contributed substantially to the development of Marathi folk theatre.

The Petrie Museum of Egyptian Archaeology, London Ludwig. A clapper is a basic form of percussion instrument. It consists of two long solid pieces that are struck together producing sound. A straightforward instrument to produce and play, they exist in many forms in many different cultures around the world.

A zydeco musician wearing a vest frottoir. A vest frottoir or rubboard is a percussion instrument used in zydeco music. It is usually made from pressed, corrugated stainless steel and is worn over the shoulders. It is played as a rhythm instrument by stroking either bottle openers or spoons down it.

Characteristic rock hi-hat pattern. A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (such as crotales).

Percussion instrument invented by Harry Partch with just pitch ratios marked. The West Coast School are composers and compositional style(s) associated with the West Coast of the United States, specifically California. Henry Cowell is considered, "the father of West Coast experimentalism,"(1993). Gramophone, Volume 71, Issues 845-847, p.26.

Tbilat The tbilat is a percussion instrument from Morocco which resembles bongos and tabla. It consists in a pair of decorated pottery drums, each with different size. The skinheads are stretched by plaited gut cords. This membranophone is placed on the ground between the legs, and played with both hands.

A percussionist is a musician who plays a percussion instrument. Although drummers and vibraphonists are considered percussionists, this list only includes percussionists known for playing a variety of percussion instruments. There is a separate list of drummers. If a percussionist specializes in a particular instrument, it is listed in parentheses.

The dolls are used for fun and to ward off evil spirits, depicting characters from Indian mythology and folklore. The dance is performed to the tamate and dholu (a percussion instrument). Each doll weighs , and stand tall. During the procession, some performers wear character masks and interact with the dolls.

But in music mainly composed by percussion instrument like Korean traditional folk music, it is called 'hitting the steel' or 'hitting the Pungmul(풍물)' which is a Korean traditional folk music. Jangdan can be categorized into two groups: Jeong-Ak (Formal music) Jangdan and Min- Sok-Ak (traditional folk music) Jangdan.

"Mojo, August 1997, p52 The song features prominent use of the cowbell percussion instrument, overdubbed on the original recording. Bassist Joe Bouchard remembered the producer requesting his brother, drummer Albert Bouchard, play the cowbell: "Albert thought he was crazy. But he put all this tape around a cowbell and played it.

Guruvayur Dorai (left) accompanying Ravikiran (center) playing the navachitravina, a variant of the chitravina. Also shown are Ravi Balasubramanian, ghatam and Akkarai S. Subhalakshmi, violin. Guruvayur Dorai (born 2 July 1935) is an Indian percussionist. He is one of the most senior exponents of the South Indian classical percussion instrument, the mridangam.

A "Chenda Melam" means percussion using Chenda. The Chenda is used as a percussion instrument for almost all Kerala art forms like Kathakali, Kodiyattam, Theyyam etc. Chenda melam is the most popular form in Kerala, for more than 300 years. A Chenda melam is an integral part of all festivals in Kerala.

Verses from the Nalayira Divya Prabandham are recited by a group of temple priests and music made with nagaswaram (pipe instrument) and tavil (percussion instrument) is played. Vaikunta Ekadashi during December–January, Navarathri during September–October and butter pot breaking ceremony (locally called uri adi) are the other festivals celebrated in the temple.

In the third stage the performers dance with spears and tridents pierced into their ankles, hands and tongue. This is called ‘Narasam’. The dancers are dressed in colorful knee-length dhotis secured by waist-sashes smeared with vibhuti all over their body. The main percussion instrument is the ‘Veeranam’ or ‘war-drum’.

Tanjavur R. Ramamoorthy (தஞ்சாவூர் ர.ராமமூர்த்தி) (15 June 1929 - 22 June 2019) was a vidwan in Indian classical music, playing Carnatic music on the mridangam, an ancient Indian percussion instrument. The mridangam is the primary rhythmic accompaniment in a Carnatic music ensemble, and in the Dhrupad genre, where it is known as a pakhawaj.

Nagada (Indian Drum) is a percussion instrument used for its rhythmic sounds.. Nakara is a festival instrument mostly used in South Indian Hindu temples. The size may vary and this instrument may be kept near the entrance of the South Indian Hindu temples.Anthony C. Baines. The Oxford Companion to Musical Instruments. ed.

The Chinese name for the bird means "five-colored bird" (), referring to the five colors on its plumage. Because of its colorful plumage and that its call resembles that of a percussion instrument known as a wooden fish, the species is also referred to as the "spotted monk of the forest" in Taiwan.

The huiringua, kuiringua, kiringua, quiringua, cuiringua is a percussion instrument of the group of slit drums. It consists of a hollow log with closed ends with a slit along the instrument. The shell becomes the resonating chamber for the sound vibrations created when the slit is struck with a pair of wood mallets.

A binzasara 200px is a traditional Japanese percussion instrument used in folk songs, and rural dances. It originally use washing brush. The instrument uses many pieces of wooden plates strung together with a cotton cord. With handles at both ends, the stack of wooden plates are played by moving them like a wave.

The singer-songwrtier took a long time to write "Too Good to Say Goodbye". It was not complete until Babyface heard the chorus, encouraging the former to complete the song. They composed the song together on a piano. Mars used a flexatone, a percussion instrument, on the album, giving to him by DJ Quik.

Anything lower than this can cause sudden cracking of the final products. Sheesham is among the finest cabinet and veneer timbers. It is the wood from which 'mridanga', the Rajasthani percussion instrument, is often made. In addition to musical instruments, it is used for plywood, agricultural tools, flooring, and as a bentwood, and for turning.

Paanivadathilakan P. K. Narayanan Nambiar is an Indian musician, known for his virtuosity in Mizhavu, a traditional percussion instrument and his scholarship in the art of Koodiyattom. He is considered to be one of the masters of Koodiyattom. In 2008, he was awarded Padmashri by Government of India for his services to the art.

The huēhuētl is a percussion instrument from Mexico, used by the Aztecs and other cultures. It is an upright tubular drum made from a wooden body opened at the bottom that stands on three legs cut from its base, with skin stretched over the top. It can be beaten by hand or wood mallet.

The raganella (Italian for "tree frog") is a percussion instrument common in the folk music of Calabria in southern Italy. Technically, the raganella is a "cog rattle," producing a sound that is enough of a "croak" to have derived the folk name of the instrument from the Italian name of the common tree-frog.

A Kujawy folk band typically had one or two violins, a bass, and sometimes a clarinet and a small drum (a bebenek). Bagpipes called the dudy were also used. The violin would perform the main melody. It was accompanied by a basy, a low-pitched bowed instrument with two strings, as a percussion instrument.

A ganzá . The ganzá () is a Brazilian rattle used as a percussion instrument, especially in samba music. The ganzá is cylindrically shaped, and can be either a hand-woven basket or a metal canister which is filled with beads, metal balls, pebbles, or other similar items. Those made from metal produce a particularly loud sound.

Kolam are made on areca palm sheaths by painting with natural dyes. Trained dancers wear them as masks along with breast plates of the same material and perform to the tune of songs meant for them with accompaniment from the thappu percussion instrument. Kumbha Bharani, Meena Bharani, Shivaratri, Navaratri, Thrikkarthika etc. are all celebrated.

The dance draws some of its charm by virtue of the music that accompanies it. Flutes and drums accompanying the dance set its rhythm. The dhol, baajhi, khenggarang and dhuduk accompany the dance. Of these, the khenggarang and dhuduk are crafted from bamboo while the dhol is a percussion instrument and the baajhi a flute.

The palace, maintained by the Kerala State Department of Archaeology, also hosts a Folklore Museum and a Numismatics Museum inside the palace. The exhibits in the museum contains rare instruments like 'Chandravalam', a small percussion instrument used in Ramakathappattu and 'Nanthuni', a small musical instrument made of wood and string used in Onappattu etc.

Different kinds of Basler drums The Basler drum is a two-headed rope-tension drum. It takes its name from its origin in Basel. This percussion instrument is best known from the Carnival of Basel, where it is played by more than 2000 drummers. They are called Tambouren in Swiss German or Tambourins in French.

The Chenda is a cylindrical percussion instrument used widely in the state of Kerala, and Tulu Nadu of Karnataka State in India. In Tulu Nadu it is known as chande. It has a length of two feet and a diameter of one foot. Both ends are covered (usually with animal's skin) with the "Chenda Vattam".

Richard Dunbar was a player of the French horn, playing in the free jazz scene. He was born in Brooklyn, New York, on May 22, 1944. He began studying the French horn in high school and never put it down. He also was known to play the bass guitar and shakeray, an African percussion instrument.

Veteran Odissi musician Shyamamani Devi, disciple of Adiguru Singhari Shyamasundar Kar and Sangita Sudhakara Balakrushna Das. The percussion instrument played with Odissi music is the Mardala. Temple sculptures in Odisha abound in statues of ‘Mardala’ players. At one time the Kalinga Empire extended all the way up to the river Kaveri and incorporated major parts of Karnataka.

Each Dadeumitdol has a different tone. Because there is a favorite sound in each area, it is carved to make a unique sound like a percussion instrument. There are also colorful paintings and colored Dadeumitdol, and there are also Dadeumitdol with details of the dead. It was a reflection of the preference and culture of the time.

He is closely related to the family of renowned Nadaswaram performers Ambalapuzha Brothers. His talents were identified early by Sri.Ramunni ( lead actor of Aravindan's Kumatty ) the younger brother of Ambalapuzha brothers. Sri.Ramunni took the initiative and he was made the disciple of Ghattom exponent Alleppey Prabhu, under him he started the early lessons of the percussion instrument Mridangam.

The only dance using a type of percussion instrument is the tirere (pronounced seerere). The tirere is usually performed by a group of ten to twenty paired dancers. Each dancer has a foot long stick which are struck in time with the accompanying song to create a rhythm. The tirere is rarely performed in contemporary Kiribati.

This ancient percussion instrument originated from Meseroamerica and was often used by the Aztecs and Tarascan. The huehuetl were used during festivals such as warrior gatherings. The drum itself is made from hollowed tree trunks and thus, came in different sizes. Carvings of animals, faces or warriors were also often carved into the base of the drum.

Skrabalai The skrabalai is a Lithuanian folk tuned percussion instrument consisting of wooden bells. Trapezoid-shaped wooden troughs of various sizes in several vertical rows with one or two wooden or metal small clappers hanging inside them. It is played with two wooden sticks. When the skrabalai is moved a clapper knocks at the wall of the trough.

The mridangam is a percussion instrument of ancient origin. It is the primary rhythmic accompaniment in a Carnatic music ensemble, and in Dhrupad, where the same instrument is referred to as pakhawaj. A related instrument is the Kendang, played in Maritime Southeast Asia. During a percussion ensemble, the mridangam is often accompanied by the ghatam, kanjira, and morsing.

Thattai The thattai is an Indian percussion instrument, belonging to the idiophone instruments family. The thattai consists of a cane tube, in which the end has three reeds (two of them free) that produce a percussive sound when the shaft is shaken with one hand. The thattai is used as a toy or as rhythmic accompaniment instrument.

Dasakathia performances mainly tell mythological stories, primarily about Lord Shiva, but also other gods as well. One important aspect of the performance is satire and social message The performers play the Kathia, a percussion instrument made up of a pair of wooden pieces while singing and vocalizing. Recently government has used Dasakathia artists for many public service messages.

The cajón is an important percussion instrument developed by African slaves. People imply the cowbell may also be of African origin. While the rhythms played on them are often African-influenced, some percussive instruments are of non-African origin. For example, of European origin is the bombo, and of Andean origin are the wankara and tinya respectively.

Percussion is traditionally divided into pitched percussion, which produces a sensation of pitch, and unpitched percussion, which does not. Some instruments, such as bells, are commonly used in both roles. The traditional terms tuned percussion and untuned percussion have fallen from favour, replaced loosely by the terms pitched and unpitched, see Unpitched percussion instrument#Untuned percussion.

The Zhu is mentioned, along with another percussion instrument called Yu (敔), in pre-Qin Dynasty annals, and appears in the Classic of History. The Korean Chuk (hangul: 축; hanja: 柷), a musical instrument that is essentially identical to the Zhu, from which it was derived, continues to be used in Korean Confucian court ritual music.

Turkish crescent in a German museum. A Turkish crescent, (a smaller version is called a çevgen or çağana"Chaghana" (transliterated in Latin alphabet), Dolmetsch Music Dictionary (Tr.), Turkish jingle, Jingling Johnny, ''''' (Ger.), ''''' or pavillon chinois (Fr.)), is a percussion instrument traditionally used by military bands. In some contexts it also serves as a battle trophy or object of veneration.

The khmuoh (Khmer: នឹងឃ្មោះ) is a Cambodian flat-faced gong, a percussion instrument beaten with a wooden mallet called "Onlung Kbal Sva". The gong may also be beaten with fists. It is used in the Bassac theater for sound affects or to accompany. It is also used for wedding processions, when the bridegroom goes to the bride's house.

In pre-Hispanic times, musical expressions varied widely in each region; the quena and the tinya were two common instruments. Spaniards introduced new instruments, such as the guitar and the harp, which led to the development of crossbred instruments like the charango. African contributions to Peruvian music include its rhythms and the cajón, a percussion instrument.

Biguine vidé is an up tempo version of the biguine rhythm, combining other carnival elements. It is participatory music, with the bandleader singing a verse and the audience responding. It allows one to grab an improvised percussion instrument and join in. Traditionally, Carnival includes dances of African origin, including laghia, haut-taille, grage, calinda and bel-air.

Tamboritas calentanas The tamborita or tamborita calentana is a percussion instrument from Mexico. It is used in conjuntos de música calentana, in the states of Guerrero, Michoacán y Estado de México. It is a double-headed skin drum, traditionally built with Parota root wood. Rims are made of aisinchete schrub and are tightened as in military drums.

The Vaikasi Brahmotsavam, celebrated during the Tamil month of Vaikasi (May–June), and Vaikunta Ekadashi celebrated during the Tamil month of Margazhi (December–January) are the two major festivals celebrated in the temple. Verses from Nalayira Divya Prabandham are recited by a group of temple priests amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument).

Symphony No. 5 (subtitled "Amen") by Russian composer Galina Ustvolskaya was composed between 1989 and 1990. Its premiere was given on 19 January 1991 in New York by Ensemble Continuum directed by Joel Sachs. The symphony is scored for: oboe, trumpet, tuba, wooden cube, violin and reciter. The wooden cube is a percussion instrument designed by Ustvolskaya.

Yoruba drummers: One holds omele ako and batá, the other two hold dunduns. Orchestral percussion section with timpani, unpitched auxiliary percussion and pitched tubular bells Djembé and balafon played by Susu people of Guinea Concussion idiophones (claves), and struck drums (conga drum) Modern Japanese taiko percussion ensemble Very large drum kit played by Terry Bozzio A percussion instrument named mridangam played by T. S. Nandakumar Evelyn Glennie is a percussion soloist A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.The Oxford Companion to Music, 10th edition, p.

Shankar Bapu Apegaonkar, born Shankar Shinde, was an Indian classical musician and an exponent of the Indian percussion instrument by name pakhawaj. Born in 1911 in a Marathi family, he followed the Varkari tradition of music. The Government of India awarded him the fourth highest Indian civilian honour of Padma Shri in 1986. Apegaonkar's son, Udhav Shinde, is also a known percussionist.

This form of art is devoted to 'Perumal' (Maha Vishnu). In this dance the performers forming a group, with one of them acting the buffoon, dance to the music of percussion instrument like 'urumi'. The classical songs and the measured steps with graceful movements are the special features of Sevai Attam. In Sangam works this had been known as 'Pinther Kuruvai'.

A bell plate is a percussion instrument consisting of a flat and fairly thick sheet of metal, producing a sound similar to a bell. They are most often used in orchestral and theater music.Blades, James, Percussion Instruments and their History, (Westport, CT: Bold Strummer, 1992), 393, 401.Baines, Anthony, The Oxford Companion to Musical Instruments, (New York: Oxford University Press, 1992), 34-35.

The ghaṭam ( ghata, ghaṭah, ghatam, ghatam, , ghatam) is a percussion instrument used in various repertoires across India. A variant played in Punjab and known as gharha as is a part of Punjabi folk traditions. Its analogue in Rajasthan is known as the madga and pani mataqa ("water jug"). The ghatam is one of the most ancient percussion instruments of India.

It is also sometimes used while playing Rabindrasangeet in Bengal and in Assamese folk songs. In South India, it features in Carnatic concerts and percussion ensembles. It is said to be the percursor to subsequent instruments such as the harmonica and the harmonium. In Rajasthan it is called morchang and is used as a percussion instrument in lok geet (folk music).

A Rakatak made of beech wood The Rakatak is a percussion instrument that originates from Ghana. The rakatak is made of several calabash gourd shells attached to a long, narrow wooden shaft joined to the longer main wooden handle at a 90-degree angle. Rakataks are often used in traditional African or neo-pagan music.Warner Dietz, Betty and Olatunji, Michael Babatunde. (1965).

In May 2020, Pakistani film and television actress Hania Amir covered the song. The staff of The Express Tribune mentioned Amir played a golden cup for the song and used it "effortlessly" as a percussion instrument. They also noted how similar the cover sounded to the original and concluded by calling it a "calm" and a "decent version" of the song.

Murthy also convinces the doctor to not reveal about him to Kasturi as he wanted his close friend Prakash to lead a happy life marrying Kasturi. On the day of the wedding, a poor boy comes to the marriage hall looking for food. He plays Murthy's tune with the percussion instrument which shocks Kasturi. She rushes to the boy and enquires about Govind.

The other two were devotional song collections namely "Amme Narayana" and "Aravana Madhuram". Apart from the books RK wrote two dramas, Poorapparambu and Kannakiyude Mula. He has also learned Chenda, Kerala’s traditional percussion instrument, from Babu Kanjilasseri of Kozhikode. RK had been selected as a member of Kerala Sangeetha Nataka Academy during 2001 to 2004 which is run by the Government of Kerala.

Maram The maram is a membranophone percussion instrument from South India. It consists in a wood cylinder with two skin heads on each side, which are tensioned with skin laces, resembling a rustic mridangam. It is played with hands with the drum in a horizontal position and used in folk and temple music. Maram signifies 'trees' in South Indian languages.

The pooja(worship) ceremonies are held amidst music with nadaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas by priests and prostration by worshippers in front of the temple mast. The temple street plans form a giant mandala (holy circle pattern) whose sacred properties are believed to be activated during the mass clockwise circumambulations of the central temple.

A hand-repique The hand-repique is a percussion instrument originated in Brazil. It’s a small drum of cylindrical form, that can be made of wood, aluminum or acrylic. It’s played with the hands, both on the skin and its body. The hand-repique has a sharp sound and is used mainly to play Samba and its variants, such as Pagode.

A chap or chhap (, ) is a percussion instrument. It is made from bronze, as is a ching, but is thinner. The chap consists of two thin, round disks or plates with a bulge in the center. The plates are held against the hands like cymbals, using handles made of string, passing through a hole in the center of each plate.

The BassBox is an acoustic instrument. The sound of this instrument is created by the overblowing of two flutes that obtain their air from a large fast-moving bass speaker. The sound does not resemble the sound of a flute but that of a wooden percussion instrument with many overtones. The instrument can be heard in the composition "The Day".

A tongatong is a percussion instrument made of various lengths of bamboo, which is found in the Kalinga province of the Philippines. It is played by hitting it against the earth. Traditionally, tongatongs are used by the people of Kalinga to communicate with spirits, particularly as part of healing rituals. In modern times, they are also played recreationally as part of an ensemble.

Korean traditional rhythm also called as Jangdan(장단) is a rhythm which the rhythmic form is repeated with percussion instrument such as Janggu or hourglass drum. There is a basic format but there are many variations while playing the songs. Korean traditional music is usually singing within the Jangdan played by Janggu or eastern drum. This accompaniment is called 'hitting the Jangdan'.

The kopak-kopak is a bamboo clapper on a stick. The Kwintangan Kayu is percussion instrument consisting of wooden beams laid after the planting season, to enhance plant growth. The wooden tuntungan is a percussion plank with jar resonators, also played during the harvest season for thanksgiving. The gabbang is a bamboo split into five, and arranged like a xylophone.

"Islands" is a cover of the original song of the same name by English indie pop band The xx. Shakira adds a few house music elements to the original art pop song. The "Latino" and tropical side of the album is prominently influenced by merengue music. The genre is characterized by the use of the accordion and the percussion instrument tambora.

Yu (), a collection of Taiwan Confucian Temple The yu (; pinyin: yǔ) was a wooden percussion instrument carved in the shape of a tiger with a serrated back comprising 27 "teeth", used since ancient times in China for Confucian court ritual music. It was played by striking its head three times with a bamboo whisk made from approximately 15 stalks of bamboo, and then scraping it across the serrated back once to mark the end of a piece of music or Confucian service. The yu is mentioned along with another percussion instrument called zhu (柷) in pre-Qin Dynasty annals; it also appears in the Classic of History. As used in Korean ceremonial music, this instrument is called eo (hangul: 어; hanja: 敔), and as formerly used in Vietnamese ceremonial music, it was called ngữ (Hán tự: 敔).

Bamileke drummers in Cameroon's West Province. A slit drum is a hollow percussion instrument. In spite of the name, it is not a true drum but an idiophone, usually carved or constructed from bamboo or wood into a box with one or more slits in the top. Most slit drums have one slit, though two and three slits (cut into the shape of an "H") occur.

Corder Drum Company was a percussion instrument manufacturing company based in Huntsville, Alabama. The company was created in 1979 by Jim Corder, following his purchase of the dies, moulds and tooling apparatus of the Fibes Drums Company from its then-owner, the C. F. Martin & Company.Nicholls, Geoff; Slingsby, Miki; and Bacon, Tony (1997). The Drum Book: A History of the Rock Drum Kit, Backbeat Books.

DENON RECORDS/Nippon- Columbia Co., Ltd. Yoshimatsu, in the preface to these works, encourages free interpretation of these pieces "including tempo, dynamics and frequency of repetition," and suggests that "It may also be enjoyable to play along with the rhythm by a small percussion instrument like the triangle or the tambourine."Yoshimatsu, Takashi. Pleiades Dances III IV V. Tokyo, Japan: ONGAKU NO TOMO SHA CORP.

The painting features two male musicians, one of whom is playing a stringed instrument that resembles a Yoruba molo;. the body of this instrument seems to be a hollow gourd.Shames, p. 11 The molo is a precursor to the banjo, and this is the earliest known American painting to picture a banjo-like instrument.. The second musician is playing a percussion instrument that resembles a Yoruba gudugudu.

The conocchie (Italian plural of conocchia-- a distaff) is a percussion instrument used in the folk music of much of southern Italy. Technically, the instrument is a rattle and was originally crafted from a shepherd's staff or a distaff used in the craft of spinning. The staff has a permanently attached compartment on the top containing seed rattles. The instrument had ritual fertility significance.

Rendition of iconic dhumpa lyric of poet Gadadhara Singhasamanta 'dhumpa sangitare bali' by artists of Gadadhara Dhumpa Parisada, Khandapada, Nayagarh Dhumpa sangita is a folk musical art form from the Ganjam and Nayagarh districts of Odisha in India. It derives its name from the dhumpa, a bamboo percussion instrument that accompanies the performance. The tradition is currently on the decline and faces the threat of extinction.

Chenda Melam (ചെണ്ട മേളം) Pandi Melam Chenda (ചെണ്ട) Chenda and Koal (stick) (ചെണ്ടയും കോലും) The Chanda (, ) is a cylindrical percussion instrument used widely in the state of Kerala, Tulu Nadu of Karnataka and Tamil Nadu in India. In Tulu Nadu (Coastal Karnataka), it is known as chende. It is greatly identified as a cultural element in Kerala. This instrument is famous for its loud and rigid sound.

The daf, also known as the rikk, is a popular instrument corresponding to the tambourine. It consists of a round frame, covered on one side with goat or fish skin. Pairs of metal discs are set into the frame to produce the jingle when struck by the hand. The sounds of this percussion instrument sets the rhythm of a lot of Arab music, particularly in classical performances.

The zatula (), also known as the rubal, rubel, kuchelka, kachanka, kachalka, and the rebra, is a Ukrainian folk musical instrument. It is primarily a household item used for washing and drying clothes, but it is occasionally used as a percussion instrument. The zatula consists of a piece of wood with grooves carved into it. A wooden rod is run over these grooves to soften clothes after washing.

Udaka Vadya is an Indian musical instrument. It is assumed either this musical instruments had been Jal tarang or similar to it. This percussion instrument has been categorized in medieval musical treatise under Ghan Vadya (diophonic instruments where the sound is produced by striking a surface). This instrument has been mentioned in Vatsyayana's Kamasutra, also Sangeeta Parijata of the 17th century mentioned about this instrument.

Murthy has a percussion instrument and plays his favourite tune always. Murthy meets Kasturi (Devayani) a blind flower seller and falls in love with her. Kasturi also likes Murthy's character after he saved her from a few thugs who tried to molest her. Kasturi's father (Delhi Ganesh) is a drunkard and dies in an accident which leaves Kasturi alone with an eye injury which made her blind.

Duffmuttu (also: Dubhmuttu) is an art form prevalent in the Malabar region of the state of Kerala in south India. It derives its name from the duff, a percussion instrument made of wood and ox skin. The word duff is of Arabic origin and is also called a thappitta. Duffmuttu is performed as social entertainment and to commemorate festivals, uroos (festivals connected with mosques) and weddings.

The chengila is a percussion instrument that maintains a steady beat and provides musical background. The thick bell metal disc, which hangs by a strap looped around one wrist, is struck by a short wand held in the other hand. A ringing sound is produced when the chengila is struck when hanging freely; a flat tone is produced when it is struck while held against the forearm.

This is a group dance that is named after the Dollu -- the percussion instrument used in the dance. It is performed by the menfolk of the Kuruba community of the North Karnataka area. The group consists of 16 dancers who wear the drum and beat it to rhythms while dancing. The beat is controlled and directed by a leader with cymbals who is positioned in the center.

Once, a musician from North India played the jal tarang (a tuned percussion instrument made of porcelain cups tuned with varying amounts of water) in the court and the Maharaja was very much impressed by it. Sheshanna requested the artist to leave the instrument with him overnight and the next evening gave a concert of Carnatic music on that instrument in the Maharaja’s presence.

Lingaraja, Bhubaneswar, Odisha Khanjani is a percussion musical percussion instrument, a variety of Daf, found in West Bengal & Odisha. After the hard work in the field all farmers and villagers gather in a small club (which is called "tungi" ) at evening and sing songs and use this musical instrument which is call Khanjani. This is usually created from the sell of the Snake, Cow and Crocodiles.

Cantaro The cantaro is a percussion instrument. It is a clay pot that is struck in its outer surface or mouth with a hand, creating different effects. Water can be used to pitch the instrument to a desired sound. In Mexico, particularly in the states of Guerrero and Oaxaca, it is used to accompany chilenas, sones, parabienes, gustos, minuetes, jarabes oaxaqueños, and indigenous dances.

Lord Ganesh was being taught a dance by his father, Lord Shiva. It was a religious dance called Tandava Nritya. In the process of learning the dance, Lord Shiva kicked the stage he was on, and made a sound that sounded like the word "Dan". Then a piece of brass material broke off the chain Lord Shiva wore around his ankle and fell on a percussion instrument known as Mardala.

The history of the Tubophon started in 2004 when engineer Stefan Schubert discovered by accident the sound characteristics of district heating steel tubes covered with plastic caps. The unique archaic sound inspired Schubert to construct a percussion instrument comprising different tube lengths and thicknesses. Together with Prof. Peter Sadlo he built a prototype for the musical highlight during the inauguration of the geothermal energy project in Pullach/ Germany.

The shekere (from Yoruba Ṣẹ̀kẹ̀rẹ̀) is a West African percussion instrument consisting of a dried gourd with beads or cowries woven into a net covering the gourd. The instrument is common in West African and Latin American folkloric traditions as well as some of the popular music styles. In performance it is shaken and/or hit against the hands. The shekere is made from vine gourds that grow on the ground.

"Hangman Jury" begins with special sound effects, including a creaking rocking chair and the sounds of a summer night, including chirping crickets. The song begins with acoustic guitars, a percussion instrument, and then a harmonica part. Tyler then begins the first verse and the refrain, while the acoustic guitars continue to play. After the first few lines, the song kicks into a hard rock song, with electric guitars, drums, and bass.

Grigory Leps was born Grigory Lepsveridze in the city of Sochi, Russian SFSR, Soviet Union in an ethnically Georgian family. He finished music school in the class of Percussion instrument. After the army he started to play and sing in a few rock bands, and worked as a singer in restaurants. He suffered from alcoholism and drug addiction, and to get far from that life he went to Moscow.

A Pignose amplifier (on the right), teamed with a Takamine guitar and a Meinl cajon percussion instrument Pignose-Gorilla, commonly known as Pignose, is a manufacturer of portable, battery-powered guitar amplifiers, as well as AC- powered practice amps and guitars. The company was founded in 1969 by Richard EdlundPignose Story and Wayne Kimbell. In 1985, Pignose Industries was acquired by Howard Chatt and is now called Pignose-Gorilla.

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Devapiran and Karunthadankanni. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple.

Tamboo Bamboo is a Caribbean percussion instrument (idiophone) created in the Caribbean, and is a notable precursor to the creation of steelpan.Jeffrey Ross Thomas, Forty Years of Steel: An Annotated Discography of Steel Band and Pan Recordings, 1951--1991 (Westport: Greenwood Group, 1992), xiv. Its name derives from the French word for drum (tambour) and the material from which the instrument is predominantly made from.Encyclopedia of Percussion, ed.

A Portuguese percussion instrument, it was traditionally used in the Beira and Trás-os-Montes regions. It was also used in many other regions across the Iberian Peninsula, and similar instruments are also found in Northern Africa. Normally used for Christian religious processions it was also used as a musical company for the local festivals or even for the works in the fields. Traditionally, it was only played by women.

Russell ran a series of music-based events he developed to raise consciousness in a group setting. These were originally called "Drum-Offs" as they relied on each audience member bringing a percussion instrument. Russell taught baby massage with obstetrician Yehudi Gordon for five years during this time. Additionally he released two albums of relaxation music with Polygram International in 1986 and 1987, called First Orbit and Sundancer respectively.

This piece and Bartók's compositions of 1926 are marked by the treatment of the piano as a percussion instrument. Bartók wrote in early 1927: > It seems to me that the inherent nature [of the piano tone] becomes really > expressive only by means of the present tendency to use the piano as a > percussion instrument.Bartók 1927/1976: 288. Bartók's answer to a > questionnaire prepared by the Musikblätter des Anbruch.

Rhythm Tech headless tambourine The sound of a headless tambourine. The headless tambourine is a percussion instrument of the family of idiophones, consisting of a frame, often of wood or plastic, with pairs of small metal jingles. It creates sound primarily by way of the instrument vibrating itself, without the use of strings or membranes. Headless tambourines come in different shapes with the most common being circular (called jingle ring).

The echo is noticeably different in the mono and stereo mixes. The mono version also starts fading out slightly earlier than in the stereo version. The musical arrangement also features sweeping orchestrated strings and the distinctive vibraslap percussion instrument. While the Lemon Pipers played on the record, producer and joint author- composer Leka hired a string section to accompany the band, to add extra depth to the already psychedelic arrangement.

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Vaishnava Nambi and Thirukurungaivalli. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple.

The ghumot (East Indians: घुमट or ಘುಮೋಟ), gumot or ghumat is a membranophone instrument from Goa, India. Ghumat is a percussion instrument of earthen vessel having both sides open; on the bigger opening a leather (drum membrane) of monitor lizard is mounted. Generally ghumat is accompanied by 'shamel', another traditional instrument with wooden drum and goat leather mount. This instrument is still very popular amongst by the East Indian people.

"I Care" is an R&B; power ballad. According to Cameron Adams of the Herald Sun, the song contains elements of futuristic soul music and rock music. It is built on a hand-clapped rhythm, various melodies, pulsating as well as palpitating beats and a lone synth note underneath. "I Care" is instrumentally complete with screeching guitars, synthesizers, a thrashing drum machine, dense percussion instrument, and a piano.

Rapa Nui traditional music consists of choral singing and chanting accompanied by instruments including conch shell trumpets, percussive dancers, accordions, and kauaha, a percussion instrument created from the jaw bone of a horse. Modern Rapanui music has had Latin American influences creating new genres such as the Rapa Nui style of tango. Matato'a, one of the most famous musical groups on the island, promotes traditional styles of dance and music.

Modern half moon tambourine Hand percussion is a percussion instrument that is held in the hand. They can be made from wood, metal or plastic, bottles stops and are usually shaken, scraped or tapped with fingers or a stick. It is a useful category in terms of a large percussion orchestra in that it identifies all instruments that are not drums or pitched percussion such as marimba and xylophone.

Song bells are a musical instrument in the keyboard percussion family. They are a mallet percussion instrument that is essentially a cross between the vibraphone, glockenspiel, and celesta. They sound one octave down from the glockenspiel, or one octave above written pitch. Song bells have been made by various makers at different times but were first introduced by the J.C. Deagan Company in 1918 and were manufactured until 1924.

The songs for the album were developed by the band while busking outside the National Theatre on London’s South Bank. The songs are notable for their use of the hang, a modern percussion instrument. The album was originally released in 2007 on the Vortex imprint of Babel Label. In 2011 the album was re-mixed by John Leckie for Real World Records and re-released as a deluxe edition.

A whip being used in a marching band 200px In music, a whip or slapstick is a clapper (percussion instrument) consisting of two wooden boards joined by a hinge at one end. When the boards are brought together rapidly, the sound produces a sound reminiscent of the crack of a whip. It is often used in modern orchestras, bands, and percussion ensembles. There are two types of whips.

The guayo or ralladera is a metal scraper used as a percussion instrument in traditional styles of Cuban music such as changüí, predecessor of son cubano. Largely replaced by the güiro (gourd scraper) during the 20th century, the guayo is now rare. In the Dominican Republic, the güira, a similar metal scraper used in merengue, is sometimes called guayo. In contrast to Cuba, güiras replaced güiros in the early 20th century.

The instrument is both a wind instrument and percussion instrument. As a wind instrument, it is placed against the mouth, which acts as a resonator and tool to alter the sound. Although mainly a folk instrument, better-made examples exist. While the instrument was thought to be the invention of children herding cattle, it is sometimes used in public performance, to accompany the Mahori music in public dancing.

Percussion signing is a type of sign language performance that involves signing along to a specific beat, somewhat like a song in spoken language. Drums are a commonly known percussion instrument. The name percussion signing comes from the fact that this type of signing resembles beats like those of a drum in a song. Percussion signed songs are often performed like chants or cheers, and are common in group settings.

Raga-based renditions known as sopanam accompany kathakali performances. Melam; including the paandi and panchari variants, is a more percussive style of music: it is performed at Kshetram-centered festivals using the chenda. Panchavadyam is a form of percussion ensemble, in which artists use five types of percussion instrument. Kerala's visual arts range from traditional murals to the works of Raja Ravi Varma, the state's most renowned painter.

The thali is a percussion instrument of the family of idiophones used in Indian folk music. It is a round, flat metal platter used in cuisine that is beaten with a stick if it is held with the other hand, or beaten with two sticks if it is placed on the floor or on a stand. The thali frequently accompanies the dhol or maddal drum in various dances.

Mallet percussion (also known as keyboard or tuned percussion) is the general name given to the pitched percussion family. The name is a slight misnomer, in that almost every percussion instrument is played with some type of mallet or stick. With the exception of the marimba, almost every other keyboard instrument has been used widely in an orchestral setting. There are many extremely common and well-known excerpts for most of the mallet instruments.

The quijada, charrasca, or jawbone (in English), is an idiophone percussion instrument made from the jawbone of a donkey, horse or mule cattle, producing a powerful buzzing sound. The jawbone is cleaned of tissue and dried to make the teeth loose and act as a rattle. It is used in music in most of Latin America, including Mexico, Peru, El Salvador, Ecuador, and Cuba. It was also historically used in the early American Minstrel show.

Geger The geger is a percussion instrument used in the traditional music of Jammu and Kashmir. It consists in a brass or metal vessel similar to the clay nout. The geger is usually placed on the lap of the performer, or on the floor, with the mouth facing up. The performer uses the fingers, thumbs, palms, or a ring on the fingers or thumbs, to strike its outer surface, to produce different sounds.

Claves (; ) are a percussion instrument consisting of a pair of short, wooden sticks about 20-25 centimeters (8-10 inches) long and about 2.5 centimeters (1 inch) in diameter. Although traditionally made out of wood (typically rosewood, ebony or grenadilla) many modern manufacturers, such as Latin Percussion, offer claves made out of fiberglass or plastic. When struck, claves produce a bright, penetrating clicking noise. This makes them useful when playing in large dance bands.

This became 72 études karnatiques, finished in 1984, 27 years later, wherein the influence of Messiaen is demonstrated. In these pieces the piano is treated as a percussion instrument, with the staggering of resonances and sounds recalling the instruments of India. Charpentier also often wrote in the neo-classical style, shown in such works as Symphonie brève (1957), Sinfonia sacra pour le jour de Pâques (1965), and Prélude pour la Genèse (1967).

The ayoyotes, ayoyotl, aztec jingles or huesos de fraile, are an idiophone percussion instrument of the Aztecs. It consists of a set of hard shells from the ayoyote or chachayote (chachayotl) tree of Thevetia genus, fixed to skin or cloth pieces in order to be tied to the ankles or wrists of the dancer or musician. Its sound is similar to that of the rain. This idiophone is used in concheros dance.

Nagercoil S Ganesa Iyer (NSG) was born in Nagercoil in 1905 to Harikatha exponent Srimaan Sthanu Bagavathar, also a Sanskrit professor in Annamalai University and his wife Narayani in travancore music family. He was a genius in the early 1930s for the Indian percussion instrument Mridangam. Those who have listened to him can still revoke their sweet memories of this percussionist. Popularly called as NSG in music circle (Reference: Sangeetha priya album).

Both men and women participate in the Lebang Boomani dance. The men use bamboo clappers called tokkas to set a beat while the women join them waving colorful scarves to catch the lebang. The rhythmic play of the clappers is thought to attract the lebang out of their hiding places allowing the women to catch them. The dance is accompanied by musical instruments like the flute, khamb, the percussion instrument pung and the sarinda.

Other materials started to be pressed into service. The txalaparta today is a musical instrument used in Basque music. It is classified as an idiophone (a percussion instrument). In its traditional construction (known as the txalaparta zaharra), the txalaparta is made of a pair of long wooden boards held up horizontally on two ends and then beaten vertically with special, thick sticks based on the press handle, the makilak , held upright in the hands.

Valayapatti A. R. Subramaniam is an Indian classical musician and percussionist, considered by many as one of prominent exponents of Thavil, a traditional percussion instrument from the Indian state of Tamil Nadu. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 2009. He is a recipient of the Sangeet Natak Akademi Award. The Government of India awarded him the fourth highest civilian honour of the Padma Shri, in 2007, for his contributions to Music.

When classifying instruments by function it is useful to note if a percussion instrument makes a definite pitch or indefinite pitch. For example, some percussion instruments such as the marimba and timpani produce an obvious fundamental pitch and can therefore play melody and serve harmonic functions in music. Other instruments such as crash cymbals and snare drums produce sounds with such complex overtones and a wide range of prominent frequencies that no pitch is discernible.

A thongophone is a musical instrument classified as a percussion instrument. Playing the thongophone is somewhat rare in Western music for solo performance, but was brought to prominence by the music of Yanni and Blue Man Group, among others. Thongophones are found in rural Papua New Guinea. The thongophone produces sound by striking a rubber clapper, usually a thong, hence its namesake, against the opening of one of many PVC pipes of varying length.

Atlas Orthogonal Technique is an upper cervical chiropractic treatment technique created by Frederick M. Vogel and Roy W. Sweat in 1979. It is a technique which uses a percussion instrument in attempts to adjust what is measured from specific X-rays and found to be a vertebral subluxation. It is based on the teachings of B. J. Palmer, who advocated the Hole-In-One version of spinal adjustment. It is primarily used by straight chiropractors.

Additional user memory is provided for making copies of up to 128 patches, allowing the user to edit patch parameters and save them in memory. There are 8 preset percussion instrument combinations (called "rhythm sets") and 2 user configurable rhythm sets. The XP-80 includes 64 preset combinations of up to 15 existing patches and 1 rhythm set. These patch and rhythm set combinations are referred to as "performances" in Roland parlance.

A thavil (Tamil:தவில்) or tavil is a barrel-shaped percussion instrument from Tamil Nadu. It is used in temple, folk and Carnatic music, often accompanying the nadaswaram. The thavil and the nadaswaram are essential components of traditional festivals and ceremonies in South India. Velliyambakkam VM Palanivel playing thavil - note that thavil sides are reversed, as the player is left handed In folk music contexts, a pair of wider, slimmer sticks are sometimes used.

It is played primarily with spoon handles or bottle openers in a combination of strumming, scratching, tapping and rolling. The frottoir or vest frottoir is played as a stroked percussion instrument, often in a band with a drummer, while the washboard generally is a replacement for drums. In Zydeco bands, the frottoir is usually played with bottle openers, to make a louder sound. It tends to play counter-rhythms to the drummer.

"Lujon" (also known as "Slow Hot Wind") is a musical piece by Henry Mancini. It appeared on his 1961 album Mr. Lucky Goes Latin, but was an original piece of music that had nothing to do with the Mr. Lucky television program. It was included in the soundtracks for the films The Big Lebowski, Sexy Beast, W.E., and Two Lovers. Its name comes from the lujon percussion instrument heard on the recording.

In ancient times, in the Yellow River valley, the male in every tribe wrapped sheepskins around the trunk of a tree and carried it at his waist, to drive beasts away from the tribes. The first percussion instrument originated four thousand years ago in China in the neolithic Shang Dynasty. Percussion instruments were widely used in celebration of the dynasty and the conflicts. Drums symbolized spirit and power and represented the universe.

Mizhavu kept in Mizhavana (wooden box made especially to keep the mizhavu). A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the cast barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka.

Composers Eliseo and Emilio Grenet also established a bridge between the literature and the music of the afrocubanismo movement. Using onomatopoeia, the goal of rhythmic literature is to get the reader to experience the reading like a dance without using actual instruments. Afro-Cuban music genres such as the rumba, afro and son were particularly important during the afrocubanismo movement. The claves, a percussion instrument, was the main inspiration for incorporating rhythm within Cuban literature.

Drums of many kinds are the most common type of percussion instrument in Nigeria. They are traditionally made from a single piece of wood or spherical calabashes, but have more recently been made from oil drums. The hourglass drum is the most common shape, although there are also double-headed barrel drums, single-headed drums and conical drums. Frame drums are also found in Nigeria, but may be an importation from Brazil.

The Kulintangan or kwintangan consists of several bronze gongs arranged according to size, and used during celebrations such as weddings and graduations. Any individual played it in the home and after work, for self- expression and relaxation. The agong is a percussion instrument used to announce marriage or for tolling the dead. The jabujabu (djabu-djabu) is a type of drum that summons the people to prayer (Nicolas 1977: 100–108; Sherfan 1976:195–199).

The DCMB is the oldest marching band in the Ivy League; it was formed during the 1890s as "The Dartmouth Band". The DCMB's instrumentation is chiefly traditional, but also features a keg section (hit with a stick as a percussion instrument) and kazoos. During the fall, the band performs at all home football games, as well as a few away games. The DCMB also has a winter band that performs at hockey, basketball, and other events.

Although it is an accepted and commonly used name for this type of instrument, the 'Zob Stick' as a term has a definitive and recent origin. In the late 1960s Trouble built a percussion instrument that he used in his blues band Brett Marvin and the Thunderbolts. He invented a name for it, Zob Stick, with its use being termed 'zobbing'. It was largely based on the traditional folk music instruments monkey stick, ugly stick and lagerphone (Australian).

Timila Timila, thimila or paani, (Malayalam:തിമില) is an hour-glass shaped percussion instrument used in Kerala, South India. It is made of polished jackwood, and the drumheads made of calfskin (preferably taken from 1-2 year old calf) are held together by leather braces which are also twined round the waist of the drum. This mechanism helps in adjusting the tension and controlling the sound, mainly two: 'tha' and 'thom'. It is one of the constituting instruments in Panchavadyam.

The catá or guagua is a Cuban percussion instrument which originated in the eastern region of the island. It is classified as a directly struck idiophone, traditionally made out of a hollowed tree trunk, which the player hits with wooden sticks or mallets. The resulting sound is dry and penetrating, similar to that of the claves, although with a different pitch. Of Congolese origin, it is an essential instrument in tumba francesa, yuka and some rumba ensembles.

Yakshagana Maddale. The Maddale () also called Mrudanga(ಮೃದಂಗ) in North Canara region is a percussion instrument from Karnataka, India. It is the primary rhythmic accompaniment in a Yakshagana ensemble along with Chande. Maddale also represents a remarkable progress in percussive instruments as it produces the perfectly hormonic tonic (shruti swara) when played anywhere on the surface compared to Mrudangam, Pakawaj or Tabla that can not produce the tonic (shruti) on all parts of the drum surface.

This traditional instrument is used during the construction and dismantling of human towers or castells and other traditional festivities. Usually it is played with the timbal, a percussion instrument similar to a drum. The traditional gralla melody used in castells, called the toc de castells, serves to advise the castellers within the tower what stage of the construction their colleagues have reached, as they are unable to see this. The gralla regains its popularity in the end of 1970s.

The takuapu (IPA: /takwa'pu /) is a musical percussion instrument used by the indigenous Guaraní people of South America, made from a hollow bamboo tube. The player grasps the takuapu in the middle, holds it vertically, and drops it so that it strikes the ground, producing a deep sound. The name takuapu is a compound of the Guaraní words takua (‘bamboo’) and pu (‘sound’). A takuapu is up to two meters long and 20 to 30 centimeters in diameter.

The Mendoza, Mendozer, Monkey Stick, Murrumbidgee River Rattler, Lagerphone or Zob Stick The Bushwackers Australian Song Book, new edition 1981, published by Anne O'Donovan Pty Ltd, : Lagerphone or Murrumbidgee River Rattler. An upright pole with two crosspieces upon which are screwed beer bottle tops. The noise is made by hitting the instrument on the floor, at the same time striking the middle section with a solid piece of wood. is a traditional English percussion instrument, used in folk music.

Udus Several instruments, traditional and modern, are derived from the udu. These include the utar, in which the udu is elongated, flatter, and disc-like; the kim-kim which has two chambers and two holes; and the zarbang-udu which adds a skin membrane along with the open holes, developed by Persian percussionist Benham Samani. The membrane and the holes can be played with one or two hands at the same time. This is a hand percussion instrument.

An example of a Cabaca The cabasa, similar to the shekere, is a percussion instrument that is constructed with loops of steel ball chain wrapped around a wide cylinder. The cylinder is fixed to a long, narrow wooden or plastic handle. The cabasa of gourd was originally of African origin. The African original version of the cabasa is called, agbe, and is constructed from dried oval- or pear-shaped gourds with beads strung on the outer surface.

The Ahoko is a traditional percussion instrument originating from the central part of Ivory Coast (Côte d'Ivoire) in West Africa. The ahoko is a wooden rod with nutshells, each containing loose seeds, tied to strings which are then tightly wound around the end of the rod. The percussive sound can range from quiet to very loud. In the Hornbostel–Sachs system it is categorised as 112.13 as a vessel rattle, a type of indirectly struck idiophone.

During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. During the Tamil month of Chittirai, the festival deity is taken in procession around the Mada street of the temple. Similar processions are followed during the Tamil month of Aadi (July–August).

The work is scored for 3 flutes (2nd and 3rd doubling piccolo), 3 oboes (3rd doubling english horn), 3 clarinets in B-flat (2nd doubling clarinet in E-flat and 3rd doubling bass clarinet), 3 bassoons (3rd doubling contrabassoon), 4 horns in F, 3 trumpets in B-flat and C (2nd doubling pututu in E-flat & A-flat and 3rd doubling piccolo trumpet in A), 3 trombones, tuba, timpani, 3 percussion instrument players, piano (on stage), harp, and strings.

A wooden fish -- also known as a Chinese temple block or wooden bell \-- is a wooden percussion instrument that originated from East Asia. It is used by monks and lay people in the Mahayana Buddhist tradition. It is often used during rituals usually involving the recitation of sutras, mantras, or other Buddhist texts. The wooden fish is mainly used by Buddhist disciples in China, Japan, Korea, and other East Asian countries use it in religious ceremonies.

A txistu The txistu () is a kind of fipple flute that became a symbol for the Basque folk revival. The name may stem from the general Basque word ziztu "to whistle" with palatalisation of the z (cf zalaparta > txalaparta). This three- hole pipe can be played with one hand, leaving the other one free to play a percussion instrument. Parade of a txistu ensemble in Leioa (Biscay) Evidence of the txistu first mentioned as such goes back to 1864.

Magle composed a symphonic suite Cantabile, based on poems by Prince Henrik of Denmark (the Prince Consort) of which the first movement "Souffle le vent" was first performed in 2004, and the remaining two movements "Cortège & Danse Macabre" and "Carillon", in June 2009 in the Koncerthuset (Copenhagen), on both occasions by the Danish National Symphony Orchestra conducted by Thomas Dausgaard. The score specifies a real giraffe thigh bone as a percussion instrument in the "Cortège & Danse Macabre" movement.

The glockenspiel is the mallet percussion instrument most often used as a part of the battery. The tradition of marching the glockenspiel as part of the battery is common in many countries, such as in the Filipino drum and lyre corps. In the early 1970s, mallet percussion was first allowed into drum corps in competitive circuits, such as Drum Corps International. At first, only glockenspiels and xylophones were allowed, but starting in 1976 marimbas and vibraphones were also allowed.

Its common role inside these genres is to increase the percussion section, filling up the spaces and playing the off- beats. It was invented by musician Ubirany, founder and percussionist with the band "Fundo de Quintal". The hand-repique is derived from another percussion instrument, the "Repinique". Ubirany started to use the repinique in its band but felt it was too uncomfortable to play, since this instrument is made to be originally played with a drumstick.

The washboard as a percussion instrument ultimately derives from the practice of hamboning as practiced in West Africa and brought to the new world by African slaves. This led to the development of Jug bands which used jugs, spoons, and washboards to provide the rhythm.Herman Bennett: History of washboard playing Jug bands became popular in the 1920s. The frottoir, also called a Zydeco rub-board, is a mid-20th century invention designed specifically for Zydeco music.

It is usually played horizontally in a seated position, with both heads played simultaneously. Madal is a national instrument of Nepal. This typical Nepalese percussion instrument is the backbone of most Nepali folk music. The well- known Nepali musician Ranjit Gazmer introduced this instrument to Bollywood music, when he started working under Rahul Dev Burman, and has used it in numerous Bollywood songs such as "Hum dono do premi duniya chhod chale" and "Kanchi re kanchi re".

Rabin Ghosh hailed from a family with a strong musical background. His father was an Engineer and played Flute and Esraj (an Indian string instrument). From a very early age, Rabin Ghosh was influenced by the musical atmosphere, which drove him into playing Esraj, Flute, and Tabla (an Indian percussion instrument). He finally focused on Violin, under the guidance of Mr. Mani Majumder, one of the renowned violinists of the contemporary time of Western Classical Music.

Dholki ( ) is a ceremony that takes its name from the percussion instrument Dholki and is featured heavily during wedding celebrations in Punjab. Traditionally, many days or even weeks before the actual wedding day, women will gather in the house of the bride at night to sing and dance while accompanied by other percussion instruments. Today, this ceremony has also been reduced to a single night of singing and is often combined with the Rasm-e-Heena ceremony.

One of the pillars in the temple has one of the earliest representations of Nataraja (the dancing form of Shiva) in Ananda Thandava posture. There are two attendants of Shiva ganas of Nataraja, with one of them playing Miruthangam (a percussion instrument) and other in praying posture. The pillared hall has images of yalis, the mythical creatures representative of Vijayanagar Art. The images of other attendant deities of Shiva are housed in smaller shrines around the sanctum.

Such dolls may occasionally appear at live traditional music sessions in English pubs (in the past, step dancing by members of the audience would have been a common feature of such a pub session). In Québec and French-speaking Canada, jig dolls can feature as a percussion instrument for a folk dance band, even to the extent of the plank on which a doll 'dances' being fitted with a small microphone connected to the PA system.

However, during formal performances of the standing dance (Te Kaimatoa) or the hip dance (Te Buki) a wooden box is used as a percussion instrument. This box is constructed so as to give a hollow and reverberating tone when struck simultaneously by a chorus of men sitting around it. Traditional songs are often love-themed, but there are also competitive, religious, children's, patriotic, war and wedding songs. There are also stick dances (which accompany legends and semi-historical stories.

Guacharaca Guacharaca is a percussion instrument usually made out of the cane- like trunk of a small palm tree. The guacharaca itself consists of a tube with ridges carved into its outer surface with part of its interior hollowed out, giving it the appearance of a tiny, notched canoe. It is played with a fork composed of hard wire fixed into a wooden handle. The guacharaquero (guacharaca player) scrapes the fork along the instrument's surface to create its characteristic scratching sound.

This symbolizes her mythical conquests and her presence in the secular life of the people. The temple has a six time pooja calendar everyday, each comprising four rituals namely abhisheka (sacred bath), alangaram (decoration), neivethanam (food offerings) and deepa aradanai (lamp ceremony) for both Meenakshi and Sundareswarar. The rituals and festivals are accompanied with music with nadhaswaram (pipe instrument) and tavil (percussion instrument), recitation of the Vedas. The Hindus generally circumambulate the shrines clockwise first before entering the shrine for a darshana.

The Classical Marimba League is dedicated to the marimba, a keyboard percussion instrument. The Classical Marimba League (CML) is an international organization dedicated to the advancement of the marimba. The musical repertoire for the marimba in the classical concert venue is quite young and sparse. Compared to the hundreds of years worth of repertoire written for standard orchestral instruments, the CML's efforts are focused on expanding the classical repertoire for the marimba as well as helping to advance the careers of talented composers.

The EastEnders theme tune was composed by Simon May. Leslie Osborne has a contractual composer credit, but did not contribute to the composition or recording. The theme, which is written in the key of E-flat major, is largely based upon percussion instrument, strings and the piano. It is widely known for its dramatic use of sound, particularly the drums that begin at the end of an episode – which adds a sense of importance, suspense and drama to the cliff-hanger.

Performers using Damphu A damphu, or damfoo (Nepali: डम्फु), is a percussion instrument similar to a large tambourine. This instrument is used by the Tamang people to play the melodious Tamang Selo. According to folklore Damphu was invented by Peng Dorje a Tamang King and named it after Nepal's national bird the Daphne bird. The Damphu and Tungna are the main instrument of the Tamang people and these two instruments are said to be the 'nail and flesh' on a finger.

Verses from the 'Nalayira Divya Prabandham' are recited by a group of temple priests amidst music with Nagaswaram (pipe instrument) and Tavil (percussion instrument). The processional idols of Uppiliappan and Bhumidevi are brought to the temple car early in the morning amidst Vedic chantings. Subsequently, the festive idols are taken to the 'ther thatti mandapam' (chariot launching hall). The 'ratharohanam', the rituals associated with taking the idols to the temple car is performed in an auspicious time before starting the procession.

The carvings prove that tabla – a percussion instrument – was used in India for at least 2300 years,Pradipkumar S. Meshram, 1981, [The tabla in the Bhaja cave sculptures: A note], Indica, Volume 18, p.57.Mark Hijleh, 2019, Towards a Global Music History: Intercultural Convergence, Fusion, and Transformation in the Human Musical Story, Routledge, NY, USA. disproving the centuries-held belief that the tabla was introduced to India by outsiders or from Turko-Arab.1999, Parsiana, volume 22, p.49.

"Start Over" is a midtempo R&B; ballad, which contains elements of pop, soul and "angst-ridden" pop rock and is built on hollow electric beats. The song's instrumentation consists of gleaming synthesizers, a piano, loud and echoing drums, and minimal percussion instrument. According to Amanda Hensel of Pop Crush, the arrangement of the synthesizers is reminiscent of the Destiny's Child era. Jenna Hally Rubenstein of MTV Buzzworthy compared the song with Knowles' own "1+1" (2011) from the same album.

Kiribati folk music is generally based on chanting or other forms of vocalising, accompanied by body percussion. Public performances in modern Kiribati are generally performed by a seated chorus, accompanied by a guitar. However, during formal performances of the standing dance (Te Kaimatoa) or the hip dance (Te Buki), a wooden box is used as a percussion instrument. This box is constructed to give a hollow and reverberating tone when struck simultaneously by a chorus of men sitting around it.

Reynolds described the Cabaret Voltaire members' individual contributions as "[Chris] Watson's smears of synth slime; [Stephen] Mallinder's dankly pulsing bass; and [Richard H.] Kirk's spikes of shattered- glass guitar." Watson custom-built a fuzzbox for Kirk's guitar, producing a unique timbre. Carter built speakers, effects units, and synthesizer modules, as well as modifying more conventional rock instrumentation, for Throbbing Gristle. Tutti played guitar with a slide in order to produce glissandi, or pounded the strings as if it were a percussion instrument.

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Kalamega Perumal and Mohanavalli. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. The major festival is the ten-day Vaikasi Brammotsavam celebrated during May–June.

The most notable musical instruments of Varanasi are the sitar and the shehnai. Not only tabla (a set of two small drums which is the percussion instrument of India) but also sitar are good to buy in Varanasi. In case of sitar, the wood they are made from is important to verify and consult a local artist. Instruments made of mango tree wood is inferior in quality compared to the ones made with teak or from the a herbal tree known as vijyasar.

Coros de clave were popular choral groups that emerged at the end of the 19th century in Havana and other Cuban cities. Their style was influenced by the orfeones which grew popular in northern Spain in the mid-19th century, and their popularization in the island was linked to the emancipation of African slaves in 1886. The common instrumentation of the coros featured a viola (a string-less banjo used as a percussion instrument), claves, guitar, harp and jug bass.

According to musician and author Ned Sublette, "In the context of the time, and especially those maracas [heard on the record], 'Bo Diddley' has to be understood as a Latin-tinged record. A rejected cut recorded at the same session was titled only 'Rhumba' on the track sheets." Bo Diddley employed maracas, a percussion instrument used in Caribbean and Latin music, as a basic component of the sound. When asked how he began to use this rhythm, Bo Diddley gave many different accounts.

Imaginary Landscape No. 4 (March No. 2) is a composition for 24 performers on 12 radios and conductor by American composer John Cage and the fourth in the series of Imaginary Landscapes. It is the first installment not to include any percussion instrument at all and Cage's first composition to be based fully on chance operations. It is also the second march in the set of Imaginary Landscapes, after Imaginary Landscape No. 2 (March No. 1). It was composed in 1951.

Article in Spanish translated from Basque Evidence gathered in this cider making context reveals that sound emitting ox horns were sometimes blown alongside txalaparta. Actually, cider and cider houses are the only traditional context for the txalaparta we have got to know first-hand. The same background applies to a related Basque percussion instrument, the kirikoketa, a recreation of the pounding used to grind down the apples. Another instrument classified in the same family and geographical area is the toberak.

The performance which is accompanied by Bortaal can be rendered in both morning and dusk. Both the Manjira-prasanga and Tal-kobowa prasanga are played with . On occasions like Krishna Janmashtami, Doul, Bihu, death anniversaries (tithi) of religious preceptors including Sankardeva and Madhavdeva and during the whole month of Bhadra the performance of Borgeet is preceded by an orchestral recital of Khol, Taal, Negera (Percussion instrument) etc., which is variously referred to as Yora-prasanga, Khol- prasanga or Yogan-gowa.

Then, > people came running out of the control booth and, in quite an uncontrollable > manner, grabbed the nearest percussion instrument and began to play. My > brother Howard was shaking some sort of cylindrical drum with BBs in it; > John Lee, a drummer friend of Joe Morello, played on Joe's tom-tom; and Teo > Macero, our producer, was master of the claves until he dropped them at the > end of the piece (which I consider a final stroke of upstage chicanery).

During an event, band members play an instrument of their choice including traditional marching band instruments such as brass and woodwind instruments. As well, the group also includes non-traditional marching band instruments such as electric guitar (with portable amplifier), electric keyboard, melodica, and kazoo. Members are also allowed to perform on any other non-musical instruments such as a stop sign, wet floor sign, kettle, frying pan, and picket sign. These primarily hit with sticks, much like a percussion instrument.

The bass drum became the central piece around which every other percussion instrument would later revolve. William F. Ludwig, Sr., and his brother, Theobald Ludwig, founded the Ludwig & Ludwig Co. in 1909 and patented the first commercially successful bass drum pedal system, paving the way for the modern drum kit. Wire brushes for use with drums and cymbals were introduced in 1912. The need for brushes arose due to the problem of the drum sound overshadowing the other instruments on stage.

A set of nine chime bars, tuned diatonically A chime bar or resonator bell is a percussion instrument consisting of a tuned metal bar similar to a glockenspiel bar, with each bar mounted on its own wooden resonator.Studio 49 Individual Chime Bar C52-A73: Amazon.co.uk: Musical InstrumentsPaytons - Chime Bars Chime bars are played with mallets again similar to a glockenspiel. The sound is similar to a glockenspiel, but with much more sustain, similar in this respect to a vibraphone but without the vibrato.

The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred text) read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' and ', fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi. During Friday worship, the statue of the goddess Karpagambal is decorated with a kaasu maala, a garland made of gold coins.

When the Puerto Ricans immigrated to Hawaii they took along with them their music and their musical instruments. Among the musical instruments introduced to Hawaii was the Puerto Rican cuatro. The Cuatro was a four stringed guitar developed in Puerto Rico in 1875; however, it eventually evolved into a ten stringed guitar. Other musical instruments introduced were the Maracas, a rattle containing dried seeds and the Guiro (percussion instrument made out of a gourd and played with a scraping stick).

Bongos (Spanish: bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed drums of different sizes. In Spanish the larger drum is called the hembra (female) and the smaller the macho (male). Together with the conga or tumbadora, and to a lesser extent the batá drum, bongos are the most widespread Cuban hand drums, being commonly played in genres such as son cubano, salsa and Afro-Cuban jazz. A bongo drummer is known as a bongosero.

Park has been noted for both the rough-hewn simplicity of his works and for his melding of ancient and modern sculpture techniques. Many of his works have a comic or joyful theme, derived from his Buddhist beliefs. Unusually, he uses a moktak (Buddhist wooden percussion instrument) rather than a hammer or mallet to drive his chisel. Thematically, his carvings tend to be of Buddha or Buddhist subjects, but he is also noted for creating traditional shamanic sculptures such as jangseung totems.

Merengue dance Merengues are fast arrangements with a beat. The traditional instrumentation for a conjunto típico (traditional band), the usual performing group of folk merengue, is a diatonic accordion, a two–sided drum, called a tambora, held on the lap, and a güira. A güira is a percussion instrument that sounds like a maraca. It is a sheet of metal with small bumps on it (created with hammer and nail), shaped into a cylinder, and played with a stiff brush.

Padhant in Hindustani classical music or Indian classical dance refers to the recitation of rhythmic syllables, known as bol, during a performance. The term is derived from the Hindi word padhna, meaning "to read, study or recite". Padhant is closely associated with the percussion instrument tabla and the classical dance Kathak, and the recitation of rhythmic patterns before playing them is considered an art in itself. The dancer in Kathak would pause at intervals to recite the rhythms before executing them through dance.

The dance is accompanied by music played by monks using traditional Tibetan musical instruments. The dances often offer moral instruction relating to karuṇā (compassion) for sentient beings and are held to bring merit to all who perceive them. Chams are considered a form of meditation and an offering to the gods. The leader of the cham is typically a musician, keeping time using some percussion instrument like cymbals, the one exception being Dramyin Cham, where time is kept using dramyin.

A jam block is a percussion instrument which is a modern, hard plastic version of the wood block. It is sometimes referred to as a "clave block", "gok block", "tempo block" or in marching band terms, "gock block". Jam blocks are popularly used for their sturdiness and durability compared to the traditional wood block, as well as in cowbell-like roles. Jam blocks are usually attached to timbales and drum kits, but can also be used as standalone orchestral instruments.

"He had a totally different approach to what music is and had to build his own instruments so he could compose on a microtonal scale. That microtonal thinking pervades this album." "The Werewolf" centers around a werewolf, also an angel of death, who is looking for victims. The song's origins came from Simon and his band experimenting with slowing down the tempo of a recording they made of the Peruvian percussion instrument Cajón, the Indian instrument gopichand, and hand claps.

The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred texts) read by priests and prostration by worshipers in front of the temple mast. There are weekly rituals like ' (Monday) and ' (Friday), fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi. Mahashivaratri during February - March, Vinayagar Chathurthi during September and Karthikai Deepam during December are the major festivals celebrated in the temple.

The belair percussionist is typically the leader of the chouval bwa orchestra. Chouval bwa features a drummer on the tanbour drum and the ti bwa, a percussion instrument made out of a piece of bamboo laid horizontally and beaten with sticks; the most traditional ensembles also use accordions, chacha (a rattle) and the bel-air, a bass version of the tanbour,Ledesma and Scaramuzzo, pgs. 289–303 bamboo flute and comb and paper-type kazoo. Call-and-response singing completes the ensemble.

Specific forms of the grip are French grip, German grip, and American grip. The matched grip is performed by gripping the drum sticks with one's index finger and middle finger curling around the bottom of the stick and the thumb on the top. This allows the stick to move freely and bounce after striking a percussion instrument. Any of the major grips below can be played with an index finger fulcrum, a middle finger fulcrum, or a combination of both.

In the South End Zone of Ross–Ade Stadium on September 28, 1996, as Purdue defeated North Carolina State 42–21. The Purdue Big Bass Drum is a percussion instrument played by the All-American Marching Band of Purdue University. At a height of over ten feet (three meters) when the carriage is included, it is branded by Purdue as the "World's Largest Drum." Since its inception, it has become a lasting symbol of the marching band as well as the university.

Kiribati folk music is generally based around chanting or other forms of vocalizing, accompanied by body percussion. Public performances in modern Kiribati are generally performed by a seated chorus, accompanied by a guitar. However, during formal performances of the standing dance (Te Kaimatoa) or the hip dance (Te Buki) a wooden box is used as a percussion instrument. This box is constructed so as to give a hollow and reverberating tone when struck simultaneously by a chorus of men sitting around it.

The tombak (), also tombak, tompak, donbak, dombak or zarb (), in Afghanistan zer baghali (), is a goblet drum from Persia. It is considered the principal percussion instrument of Persian music. The tombak is normally positioned diagonally across the torso while the player uses one or more fingers and/or the palm(s) of the hand(s) on the drumhead, often (for a ringing timbre) near the drumhead's edge. Sometimes tombak players wear metal finger rings for an extra-percussive "click" on the drum's shell.

Mardala, the traditional percussion instrument of Odissi music The Mardala is a percussive instrument native to the state of Odisha. It is traditionally used as the primary percussive instrument with Odissi music. The Mardala is different from other instruments that might have similar names in the Indian subcontinent due to its unique construction, acoustic features and traditional playing technique. Raghunatha Ratha, an ancient musicologist of Odisha extols the Mardala in his treatise, the Natyamanorama as : The Jagannatha temple of Puri has for centuries had a Mardala servitor.

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Saranatha Perumal and Saranayagi. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. The major festival, the twelve-day Brahmotsavam is celebrated during the Tamil month of Thai (January - February).

Who Discography by Ed Hanel, included in booklet to box set Thirty Years of Maximum R&B; The song was included on their 1968 album Magic Bus: The Who on Tour. The arrangement for "Magic Bus" uses a Latin percussion instrument known as claves, which are pairs of small wooden sticks that make a distinctive high pitched clicking noise when struck together. The Who previously used this same instrument on the song "Disguises", which was recorded in 1966. The song makes use of the Bo Diddley beat.

A tremolo in percussion indicates a roll on any percussion instrument, whether tuned or untuned. A tremolo is notated using strokes, or slashes, through the stem of a note. In the case of whole notes, the strokes or slashes are drawn above or below the note, where the stem would be if there were one. For the case of a snare drum and some other percussion instruments, rolls may be indicated by individual notes or with the use of tremolos, depending on the sheet music's notation.

Stone 'qing' (percussion instrument) from the Erlitou culture. Unearthed at Dongxialeng, Xiaxian, Shanxi Province, 1974. The time gap between the supposed time of the Xia and the first written references to it have meant that the historicity of the Xia dynasty itself and the traditional narrative of its history are at best uncertain. The Skeptical School of early Chinese history, started by Gu Jiegang in the 1920s, was the first group of scholars within China to systematically question the traditional story of its early history.

The company was founded in 1966 by Bob Grauso, a drummer, and John Morena, a drummer and composite materials professional. Fibes was a percussion instrument manufacturer notable for its pioneering use of fiberglass composites and transparent acrylic materials in the construction of drum shells. Fibes offered chrome plating on their fiberglass shells as well as a variety of other surface finishes. Chrome plated Fibes snare drums have an appearance that closely matches that of conventional chrome plated metal snare drums made by other manufacturers.

Trīdeksnis (also known as trīdēkslis, trīdēksnis, strīdēkslis etc.) is a Latvian percussion instrument. It consists of a short wooden handle running through three increasing width tiers of flat horizontal discs, with small triangular metal rattles hanging off the edges of the disks. The trīdeksnis is used by shaking it like a rattle or hitting the handle against the palm, causing metal discs to jingle. In NBC series Community, the trīdeksnis is played during a Latvian independence day parade in episode "Conspiracy Theories and Interior Design".

From there it moves to Govindamangalam Junction, Ooruttambalam Junction, Neeranamkuzhy Junction and comes back to temple. The procession was also accompanied by many cultural programmes like Panchavadyam (orchestra of five instruments), Chnda Melam (orchestra of cylindrical percussion instrument, Nadaswaram (It is a wind instrument used to produce classical music and is considered as world's loudest non-brass acoustic instrument), Nettipattam Kettiya Gajaveen (elephant wearing the golden elephant caparison). The elephants carry Thidambu. It is taken out of the temple as Ezhunnallathu by the temple priest.

According to Leschetizky, playing the piano was similar to playing a percussion instrument. During this time Sieveking seemed to have a hard time staying out of trouble. He was arrested at Ischl in September 1898 for refusing to take off his hat while a Catholic priest, who was carrying a cross, was passing. Sieveking stated that he was a Protestant, and, as a foreigner, had no idea that his neglecting to remove his hat would be regarded by the local Catholics as an insult to their religion.

Pogo cello on left with folk band The pogo cello is a percussion instrument in the idiophone family. This instrument can be heard in the skiffle bands of England, jug bands from the United States, as well as some blues, bluegrass, folk and rock bands. Notable musical groups or persons using the pogo cello in their music are Jim Kweskin's Jug Band, Mojo Nixon, Rend Collective, and Redd Foxx, the famous comedian/singer who starred as Fred Sanford in the television show Sanford and Son.

Valdis Pelšs (born 5 June 1967 in Riga) is a TEFI-awarded Soviet and Russian television presenter, television director, television producer and musician of Latvian descent and Zolotoi Grammofon-awarded musical artist. Valdis Pelšs currently works as a screen actor and manages child programs subdivision on Channel One. He hosted several popular game shows, such as Ugadai Melodiu, Russian Roulette and Rozygrysh. Pelšs is a former vocalist and percussion instrument player in Neschastny Sluchai band, which was founded by him and Alexei Kortnev in 1983.

Zendrum LT played by Jonathan Coulton A Zendrum is a hand-crafted MIDI controller that is used as a percussion instrument. The Zendrum was influenced by the "Drumitar," invented by Future Man. There are several Zendrum models that are well-suited for live performances: the Z1, ZX, EXP, ZAP series, LT and the Mallet Pro series and Melodic Finger. The Zendrum ZX and Z1 can be worn like a guitar and consists of a triangular hardwood body with 24 touch- sensitive round MIDI triggers.

The work was premiered on 1 February 1933 by Harriet Cohen, with the BBC Symphony Orchestra directed by Sir Adrian Boult. The Finale was edited shortly thereafter and the work was published in 1936. The concerto was not well received at first, being considered unrewarding to the soloist. Though the piece provides ample opportunity for virtuosity in all movements, Vaughan Williams treated the piano as a percussion instrument, as did Béla Bartók and Paul Hindemith during this period, with the texture at times impenetrably thick.

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Srinivasa and Nachiyar. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the sacred texts Vedas are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. The prime festival or Brahmmotsavam is a 10-day festival celebrated during the Tamil month of Margazhi (December–January).

In Hawaii the word "calabash" refers to a large serving bowl, usually made from hardwood rather than from the calabash gourd, which is used on a buffet table or in the middle of the dining table. The use of the calabash in Hawaii has led to terms like "calabash family" or "calabash cousins", indicating an extended family grown up around shared meals and close friendships. This gourd is often dried when ripe and used as a percussion instrument called an ipu heke in contemporary and ancient hula.

Eo, a percussion traditional Korean court and ritual instrument Eo (hangul: ; hanja: ) is a wooden percussion instrument carved in the shape of a tiger with a serrated back, played by running a bamboo whisk across it to mark the ends of sections. Its name is derived from the Chinese yǔ. On the back of the tiger is a Jeo-eo (저어, ) that looks like 27 saws. When the music stops, the performer knocks and scratches this Jeo-eo through the Jin () and gives a signal.

When he was eight, he took up drums, which would influence his use of the piano as a percussion instrument. Corea developed his piano skills by exploring music on his own. A notable influence was concert pianist Salvatore Sullo, from whom Corea started taking lessons at age eight and who introduced him to classical music, helping spark his interest in musical composition. He also spent several years as a performer and soloist for the St. Rose Scarlet Lancers, a drum and bugle corps based in Chelsea.

The pyeongyeong being played for Jongmyo jerye The bianqing is an ancient Chinese percussion instrument consisting of a set of L-shaped flat stone chimes known as qing, played melodically. The chimes were hung in a wooden frame and struck with a mallet. Along with the bronze bells called bianzhong, they were an important instrument in China's ritual and court music going back to ancient times. The instrument was imported to Vietnam (where it is called biên khánh), and Korea (where it is called pyeongyeong).

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Pundarikakshan and Pankajavalli. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. The Chariot festival is the most prominent festival of the temple, and for the surrounding villages.

The glockenspiel ( or , Glocken: bells and Spiel: set) is a percussion instrument composed of a set of tuned keys arranged in the fashion of the keyboard of a piano. In this way, it is similar to the xylophone, although the xylophone's bars are made of wood, while the glockenspiel's are metal plates or tubes, thus making it a metallophone. The glockenspiel, additionally, is usually smaller and, because of both its material and smaller size, higher in pitch.George Grove (ed.), A Dictionary of Music and Musicians, 4 vols.

A student playing the poeng mang khok The poeng mang, (), known as poeng mang khok () when used as a set, is a traditional Thai drum of Mon-Khmer origin and in Myanmar called Pat waing, played by Mon people . It is a percussion instrument, used to furnish the rhythms of music. They are set of leather faced drums which plays an important role in the piphat Mon ensemble. They are played to teasingly interrupt the rhythms with the Taphon Mon adding a joyful mood to the music.

The bands draw their membership from a variety of sources throughout the community. Although the band has a core membership from Backworth, Shiremoor and nearby towns such as Whitley Bay and North Shields, the bands also attract members from further afield such as Jarrow, Durham and Northumberland. Membership is open to any player with the desire and ability to play a brass or percussion instrument. The band supplies most instruments on a loan basis and the band also provides tuition to any member requiring such assistance.

The guitarra de canya (or guitarra d’ossos, escaleta literally "guitar of bones" in Catalan) is a Spanish percussion instrument made from several reeds or bones, suspended by cords in a row and hung from the neck. It resembles a miniature xylophone that is hung from the neck. To play, the reeds are struck or rubbed with two sticks, with the tone produced depending on the size of the reed struck. It is a rhythmic instrument, mainly played in the Catalonia and Mallorca regions of Spain.

Iara was born in the University city of Viçosa - Minas Gerais State, and has lived there until she finished her bachelor's degree in Management and International trade. She has lived and worked in Vitória (Espírito Santo) and Belo Horizonte (Minas Gerais) before she moved to Finland. In Vitória (Brazil), Iara took part (2010-2011) of a popular local samba band Regional da Nair, playing a percussion instrument. After moving to Belo Horizonte (Brazil), she made a few guest appearances in the local samba circuit.

Community drum circles are informal gatherings of people who meet for the purpose of playing drums together. They often take place in public settings such as parks or at the beach, but may also be organized via a community center or similar body. Instrumentation centers around drums and percussion, but may include other instruments, such as flutes, didgeridoos, and other non-percussion instruments. Practically anything that can be banged on to make noise can be used as a percussion instrument such as cans, buckets, pipes, etc.

Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), naivethanam (food offering) and deepa aradanai (waving of lamps) for both Kumbeswarar and Mangalambikai. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred texts) read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' (Monday) and ' (Friday), fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi.

Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), naivethanam (food offering) and deepa aradanai (waving of lamps) for Swaminathaswamy. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred texts) read by priests and prostration by worshippers in front of the temple mast. There are monthly rituals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi. The major festival of the temple, Vaikasi Visagam, is celebrated during the Tamil month of Vaikasi (May -June).

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Govindarajan and Pundarikavalli. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. The 10-day Vaikunta Ekadasi festival celebrated during the Tamil month of Margazhi (December - January) is the most prominent festival celebrated in the temple.

The fou (缶 or 缻; pinyin: fǒu) is an ancient Chinese percussion instrument consisting of a pottery or bronzeware crock, jar, pot, or similar vessel, which was struck with a stick. Its origin dates back to the Xia or Shang dynasties, where it was used in ritual music. It later became a standard instrument in Confucian ritual ensembles. It was first confirmed in 2004 that the is an instrument, with the discovery of nearly 500 musical instruments in the Tombs for Nobles of the Yue State, Wuxi City, Jiangsu Province.

The chariot festival is the most prominent festival of the temple and the surrounding villages. It is celebrated during the Tamil month of Panguni (March–April); devotees pull a chariot round the streets of Mannargudi. Verses from the Nalayira Divya Prabandham are recited by a group of temple priests and music made with nagaswaram (pipe instrument) and tavil (percussion instrument) is played. Vaikunta Ekadashi during December–January, Navarathri during September–October and butter pot breaking ceremony (locally called uri adi) are the other festivals celebrated in the temple.

Mizhavu Narayanan Nambiar is credited with evolving a scheme for imparting systematic training on the mizhavu during his time at kalamandalam where he served until his retirement in 1988. He developed a unique form of jugalbandi involving mizhavu and edakka, another percussion instrument called Mizhavu Thayambaka. He is also admired for his efforts and contributions in reviving Nangiar Koothu, the female aspect of Koodiyattam, which is a female solo performance. Nambiar authored several Attaprakarams (Stage Manuals) for Koodiiyattom such as the staging of Kaliyaankam, the performance manual of which was composed over 400 years ago.

The festival is celebrated amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument) and religious instructions in the Vedas (sacred text) and Tevaram read by priests. Kandasashti festival is celebrated for six during October or November every year when Murugan, the son of Shiva, symbolically kills the demon Surapadma. The scene is enacted in the South street of the temple during the festival. As per local legend, Rahu got relieved of his pains praying to Naganathar during a Shivaratri day and the day is celebrated in the temple.

More recently, drummer Steve Smith has also incorporated Konnakol in his performances with Vital Information and his clinics. Konnakol should not be confused with the practice in Hindustani music (the classical music of northern India) of speaking tabla "bols", which indicate the finger placement to be used by a percussionist. By contrast, konnakol syllables are aimed at optimising vocal performance, and vastly outnumber any commonly used finger placements on mridangam or any other hand percussion instrument. Further, all the differences between Carnatic and north Indian rhythms apply equally to konnakol and tabla bols.

Reconstitution of a scabellum A scabellum, latin word from ancient Greek krupalon or krupezon, is a percussion instrument, a kind of Clapper used in ancient Rome and Greece. It is worn like a sandal by the right foot, used in antiquity by the conductor or by the aulos player to mark the rhythm. A scabellum is composed of two wooden or metallic plates, forming two thick soles connected by a hinge at the back. Two small cymbals were often fixed; it may be considered as an ancestor of the Hi-hat.

In 2003, he met Tanvi Shah, who also shared similar musical interests with Siva. Together, they formed 'Zahrra', a band that performed popular music from all around the world. Soon, the band became famous in the Chennai music scene for performing South American, Cuban, African and Arabic music in the local stages. It also gave a huge recognition for Siva as a drummer and a percussionist and also gave him the tag 'Darbuka' because he was one of the few who played the Egyptian percussion instrument back then in the Chennai music scene.

Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Thayumanaswami and Mattuvar Kuzhal Amman. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' and ', fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi. The temple celebrates dozens of festivals throughout the year.

Kamalesh Maitra (28 April 1928 – 22 April 2005), often referred to by the title Pandit, was an Indian classical musician, composer and teacher. He is recognised as the last master of the tabla tarang – a melodic percussion instrument consisting of numerous individually tuned hand drums, set in a semicircle. Maitra grew up in Calcutta and played the tabla until joining Uday Shankar's ballet company in 1950 and taking up the tabla tarang. He became the company's musical director and toured internationally with the troupe through to the mid 1970s.

Ceoltóirí Chualann (pronounced ) was an Irish traditional band, led by Seán Ó Riada, which included many of the founding members of The Chieftains. Ceoltóirí is the Irish word for musicians, and Cualann is the name of an area just outside Dublin where Ó Riada lived. Ó Riada's work with Ceoltóirí Chualann is credited with revitalizing the use of the bodhrán as a percussion instrument in Celtic music. In 1960 Ó Riada was looking for musicians to perform music for the play "The Song of the Anvil" by Bryan MacMahon.

Tamborí and keyed flabiol The tambori ( ) is a percussion instrument of about 10 centimetres diameter, a small shallow cylinder formed of metal or wood with a drumhead of skin. Its usual function is to accompany the playing of the flabiol in a cobla band, beating the rhythm of the sardana, the traditional dance of Catalonia. It is attached to the elbow of the left arm and struck with a little drumstick called a broqueta held by the right hand, while the flabiol can be played at the same time with the left hand.

Audio samples of Are You Being Served? (media help) The theme song, written by the show's co-writer David Croft and composer Ronnie Hazlehurst, consists of a lift girl (whose voice was provided by Stephanie Gathercole) announcing each floor over the musique concrète sounds of a cash register (which effectively serves as the only percussion instrument) and a simple musical accompaniment. The 1977 Are You Being Served? film has a different version of the theme song which is longer, in a different key and without the floor announcements.

A glock-guitar () is a percussion instrument in the idiophone instrument family. The glock-guitar is composed of a large, flat wooden board with a smaller handle known as the akkordboard. The akkordboard usually has four round peg holes for attaching three-chime chord block sets, often making a four-note partial scale of A-minor, E, D-minor, and D. The glock-guitar can be played with several different-sized mallets or with the hand like a guitar, while the instrument is related to the glockenspiel, thus its name in both Swedish and English.

Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Uma Maheswarar and Mattuvar Kuzhal Amman. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' and ', fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi.Abhishekam is done to Lord Nataraja 6 times in a year.

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Ranganatha Perumal and Ranganayagi. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. The image of the presiding deity is made of stucco and hence sacred ablutions are not performed for it.

Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for Suryanar, Ushadevi and Chayadevi. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' and ', fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi. The temples are a part of the popular Navagraha pilgrimage in Tamil Nadu.

In many chams, the place of the dramyin is taken by a percussion instrument, usually the cymbals. The Dranyen is generally regarded as a secular instrument, and the performance of a Dranyen Cham or Dranyen Choeshay are one of the few instances when Dranyen is allowed to be played inside a monastery or a Dzong. However, dranyens are often depicted on thongdrels (Tibetan: thankas) and given as offerings to deities. The guardian king of the Eastern direction - Sharchop Gyalpo (identified with Dhritarashtra of Hindu mythology) is associated with a dranyen in religious iconography.

Built on a hand-clapped rhythm and pulsating beats, the song's instrumentation consists of screeching guitars, low-profile synthesizers, pounding drums, heavy percussion instrument and a piano. In "I Care", Beyoncé admits her vulnerability to her indifferent love interest with both honesty and power. She sings with heartfelt emotion over cooing background vocals and scats alongside a multi-octave guitar solo towards the end of the song. "I Care" was sent to contemporary hit radio in Italy on March 23, 2012 as the seventh overall single from 4.

Rara is a form of festival music that originated in Haiti, that is used for street processions, typically during Easter Week. The music centers on a set of cylindrical bamboo trumpets called vaccine, but also features drums, maracas, güiras or güiros (a percussion instrument), and metal bells, as well as alsos which are made from recycled metal, often coffee cans. The vaccine perform repeating patterns in hocket and often strike their instruments rhythmically with a stick while blowing into them. In the modern day, standard trumpets and saxophones may also be used.

Learning to catch the Kashaka can be difficult at first but this enables a much larger variety of rhythms to be created. Also, as players' hands come in different sizes, it is important to play a Kashaka of the right size, as it makes learning how to play and master different rhythms much easier. When a Kashaka is played in each hand by an experienced player, polymeters can be produced by playing two different rhythms with different time signatures. Kashakas are considered a toy by some, and a percussion instrument by most.

Castanets seller in Granada, Spain Renoir's 1909 painting Dancing girl with castanets Castanets, also known as clackers or palillos, are a percussion instrument (idiophone), used in Spanish, Kalo, Moorish, Ottoman, Italian, Sephardic, Swiss, and Portuguese music. In ancient Greece and ancient Rome there was a similar instrument called crotalum. The instrument consists of a pair of concave shells joined on one edge by a string. They are held in the hand and used to produce clicks for rhythmic accents or a ripping or rattling sound consisting of a rapid series of clicks.

The güiro () is a Latin American percussion instrument consisting of an open- ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines along the notches to produce a ratchet sound. The güiro is commonly used in Puerto Rican, Cuban and other forms of Latin American music, and plays a key role in the typical rhythm section of important genres like son, trova and salsa. Playing the güiro usually requires both long and short sounds, made by scraping up and down in long or short strokes.

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Govindarajan and Pundarikavalli. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshipers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. The 10-day Vaikunta Ekadasi festival celebrated during the Tamil month of Margazhi (December - January) is the most prominent festival celebrated in the temple.

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Azhagiya Manavalan and Kamalavalli. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. Serthi Sevai, the annual home coming festival is celebrated in the temple annually during the Ayilyam star in the Tamil month of Panguni.

It is celebrated during the Tamil month of Chittirai (March–April) when devotees pull the chariot around the streets of Tirvellarai. Verses from Nalayira Divya Prabandham are recited by a group of temple priests amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument). The chariot festival is unique in the state as a community feast is offered by several individuals and committees, a custom many centuries old. The processional idols of Pundarikakshan and Pankajavalli are brought to the temple car early in the morning amidst religious chanting.

With the pedal down, the bars sustain for several seconds, or until muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role and was a defining element of the sound of mid-20th-century "Tiki lounge" exotica, as popularized by Arthur Lyman. It is the second most popular solo keyboard percussion instrument in classical music, after the marimba, and is part of the standard college-level percussion performance education. It is a standard instrument in the modern percussion section for orchestras and concert bands.

The marimba () is a percussion instrument consisting of a set of wooden bars struck with yarn or rubber mallets to produce musical tones. Resonators or pipes are suspended underneath the bars to amplify their sound. The bars of a chromatic marimba are arranged like the keys of a piano, with the groups of two and three accidentals raised vertically, overlapping the natural bars to aid the performer both visually and physically. This instrument is a type of idiophone, but with a more resonant and lower-pitched tessitura than the xylophone.

The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like somavaram and shukravaram, fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai or on krittika nakshatram, pournami (full moon day) and chaturthi. The temple celebrates many festivals throughout the year. The most important of these is the Chittirai Brahmotsavam that lasts ten days during the Tamil month of Chittirai, between April and May.

Mbira (pronounced m-BEER-ra , ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument.

A zydeco musician wearing a vest frottoir. The first zydeco vest frottoir (rubboard) was designed by Clifton Chenier, the "King of Zydeco," in 1946 while he and his brother, Cleveland, were working at an oil refinery in Port Arthur, Texas. The first zydeco rubboard made to Chenier's design was made at Chenier's request by their fellow Louisianan, Willie Landry, a master welder-fabricator, who was also working at the refinery. The zydeco rubboard, designed specifically for the genre solely as a percussion instrument, is in the permanent collection of the Smithsonian Institution.

Various European folk traditions include the tambourine. The Romani people used the tambourine as a percussion instrument, and it was often passed around the audience to collect money after a performance. In the late 1700s, the tambourine had a surge in popularity in England, with some composers of salon music writing parts for tambourine, indicating as many as 30 different playing strokes or moves. The tambourines of this era often had a circular hole in the frame for the thumb, as one of the moves was to spin the tambourine on the upright thumb.

Because of the fears of a nuclear war, a girlfriend told Feynman that he should also consider moving to South America. He had a sabbatical coming for 1951–52, and elected to spend it in Brazil, where he gave courses at the Centro Brasileiro de Pesquisas Físicas. In Brazil, Feynman was impressed with samba music, and learned to play the frigideira, a metal percussion instrument based on a frying pan (".") He was an enthusiastic amateur player of bongo and conga drums and often played them in the pit orchestra in musicals.

Each ritual comprises four steps: abhishekam (sacred bath), alankaram (decoration), naivedyam (food offering) and deepa aradhanai (waving of lamps) for both Arunachaleshvara and Unnamulai Amman. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' and ', fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kruttika, purnima (full moon day) and chaturthi. The temple celebrates dozens of festivals throughout the year.

Wolfe utilized a number of unconventional sounds in Fire in my mouth. The composer toured New York City's Garment District and other locations in search of a specific-sounding pair of scissors, which would later be used in performance by the women's choir as a prop and percussion instrument, before setting on a pair of 12-inch shears made by Wiss. The women's choir The Crossing rehearsed in Philadelphia during the weeks leading up to the premiere. The orchestra used other extended techniques to imitate the sounds of sewing machines and fire.

Steelpans (also known as steel pans, steel drums or pans, and sometimes, collectively with other musicians, as a steel band or orchestra) is a musical instrument originating from Trinidad and Tobago. Steelpan musicians are called pannists. The modern pan is a chromatically pitched percussion instrument made from 55 gallon industrial drums. Drum refers to the steel drum containers from which the pans are made; the steel drum is more correctly called a steel pan or pan as it falls into the idiophone family of instruments, and so is not a drum (which is a membranophone).

The Dhol Foundation is both a dhol drum institute in London and a musical group playing bhangra music. The dhol school was founded in 1989 by former Alaap member Johnny Kalsi when several musicians asked him to be their teacher, and a first album was released by Kalsi and his students in 2001 . Dhol drums are a traditional percussion instrument from the Punjab province in the north of India, from which Kalsi originates. In London he experimented with dance beats and electronic music, which he mixes with the traditional bhangra style in his albums.

The pakhavaj is a barrel-shaped, two-headed drum, originating from the Indian subcontinent, a variant and descendant of the older mridang. The kendang of Maritime Southeast Asia is a distant relation of the pakhawaj and other South Asian double-headed drums. It is the percussion instrument most commonly used in the dhrupad style of Indian classical music and is used as a rhythm accompaniment for various sub-forms of music and dance performances. Unlike mridang, it is made of wood and has a low, mellow tone that is quite rich in harmonics.

"Work This Body" was written by all four members of Walk the Moon with John Ryan and recorded at Rancho Pagzilla in North Hollywood, California. The band's drummer Sean Waugaman utilized fifteen different percussion instruments in the song. Frontman Nicholas Petricca recounted how the live room after the song's recording was "completely trashed with every percussion instrument that [he could] think of", which included timbales and shakers, explaining its worldbeat element. Additionally, Petricca cited the guitar solo featured in Jimmy Eat World's "The Middle" as the inspiration for the one found in "Work This Body".

The people of the North are known for complex percussion instrument music, the one-stringed goje, and a strong praise song vocal tradition. Under Muslim influence since the 14th century, Hausa music uses free-rhythmic improvisation and the Pentatonic scale, similar to other Muslim Sahelian tribes throughout West Africa, such as the Bambara, Kanuri, Fulani and Songhai. Traditional Hausa music is used to celebrate births, marriages, circumcisions, and other important life events. Hausa ceremonial music is well known in the area and is dominated by families of praise singers.

The mbira is an integral part of Zimbabwean music. Classified by musicologists as a lamellaphone, part of the plucked idiophone family, it is created from things found in nature such as a wooden board (often fitted with a resonator) and tines. It is frequently played in a deze (calabash resonator) which amplifies the sound and augments using shells or bottle caps placed around the edges. Often accompanied by the hosho, a percussion instrument, the mbira is often an important instrument that people play at religious ceremonies, weddings, and other social gatherings.

During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. The fourteen day annual Brahmotsavam during the Tamil month of Vaikasi (May - June) is the most prominent festival of the temple. The festive images of the temple are brought in chariot round the streets of the temple in various mounts during all the fourteen days.

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Govindarajan and Pundarikavalli. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. The 10-day Chittirai festival celebrated during the Tamil month of Chittirai (March - April) and Gajendra Moksha festival are the prominent festivals celebrated in the temple.

Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), naivedyam (food offering) and dīpa ārādhanai or dīpārādhanā ( in Hindi ) (waving of lamps) for both Panchavarnaswamy and Amman. The worship is held amidst music with nadasvaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred texts) read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' (Monday) and ' (Friday), fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi.

Nikhil Jyoti Ghosh (1918–1995) was an Indian musician, teacher and writer, known his proficiency on the percussion instrument of tabla. He founded Sangit Mahabharati, an institution of music in 1956, and performed on various stages in India and abroad. A recipient of the Ustad Hafiz Ali Khan Award, his style was known to have been aligned with the Delhi, Ajrada, Farukhabad, Lucknow and Punjab gharanas of music. The Government of India awarded him the third highest civilian honour of the Padma Bhushan, in 1990, for his contributions to Music.

Each ritual has three steps: alangaram (decoration), naivedyam (food offering) and dipa aradhanai (waving of lamps) for both Sundararajan and Sundaravalli. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. The Tirthavari festival celebrated in the Tamil month of Maasi (February–March) and Vaikunta Ekadasi celebrated during the Tamil month of Margazhi (December–January) are the major festivals celebrated in the temple.

Combining an All1 or Odd1 wave form with multiple Res1 (or Res2) wave forms (and adjusting their amplitudes) can model the harmonic spectrum of an instrument or sound. Combining sets of 8 FM operators with multi-spectral wave forms began in 1999 by Yamaha in the FS1R. The FS1R had 16 operators, 8 standard FM operators and 8 additional operators that used a noise source rather than an oscillator as its sound source. By adding in tuneable noise sources the FS1R could model the sounds produced in the human voice and in a wind instrument, along with making percussion instrument sounds.

When playing in a group, he was able to accompany singers with quiet mastery, or let loose and play street samba in sloppy "party" style as if the guitar was another percussion instrument. Like Monk, he was fond of the minor second interval as a way to "bend" the tonality. However, because of his jazz background, he would rarely physically bend the string, preferring instead to play the minor second using an adjacent open string. Students of his style should note this preference for chord voicings that feature extensions on the open strings as a way of punctuating passages.

Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Mahalingeswarar and Pirguchuntaragujambigai. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' and ', fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi. The most prominent festival of the temple, Thaipoosam, is celebrated for ten days during the Tamil month of Thai.

A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials; this depends on the function.

Several composers have begun to make resonance the subject of compositions. Alvin Lucier has used acoustic instruments and sine wave generators to explore the resonance of objects large and small in many of his compositions. The complex inharmonic partials of a swell shaped crescendo and decrescendo on a tamtam or other percussion instrument interact with room resonances in James Tenney's Koan: Having Never Written A Note For Percussion. Pauline Oliveros and Stuart Dempster regularly perform in large reverberant spaces such as the cistern at Fort Worden, WA, which has a reverb with a 45-second decay.

Latin Percussion vibraslap showing metal teeth Enter the Haggis guitarist Trevor Lewington plays the vibraslap in "Congress." The vibraslap is a percussion instrument consisting of a piece of stiff wire (bent into a U-shape) connecting a wood ball to a hollow box of wood with metal “teeth” inside. The percussionist holds the metal wire in one hand and strikes the ball (usually against the palm of their other hand). The box acts as a resonating body for a metal mechanism placed inside with a number of loosely fastened pins or rivets that vibrate and rattle against the box.

Although the word timpani has been widely adopted in the English language, some English speakers choose to use the word kettledrums. The German word for timpani is Pauken; the Swedish word is pukor in plural (from the word puka), the French and Spanish is timbales, not to be confused with the latin percussion instrument, which would actually supersede the timpani in the traditional Cuban ensemble known as Charanga. The Ashanti pair of talking drums are known as atumpan. The tympanum is mentioned, along with a faux name origin, in the Etymologiae of St. Isidore of Seville: > 'Isidore of Seville, Etymologiae 3.22.

The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred texts) read by priests and prostration by worshipers in front of the temple mast. There are weekly rituals like ' (Monday) and ' (Friday), fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi. Mahashivaratri during February - March is the major festivals celebrated in the temple. The major festival of the temple is the Brahmotsavam temple during Tamil month of Panguni when the Sun's rays fall directly on the image in the sanctum.

Music and musical instruments find mention in the earliest texts like the Nilmatapurana and Rajatarangini by Kalhana. The very fact that it was a Kashmiri, Abhinavagupta (the great philosopher), who wrote a commentary called Abhinavabharati on Bharata's Natyashatra shows how much importance was given to music in the ancient times. A favorite traditional instrument is the santoor (Shat-tantri-veena), a hundred string percussion instrument which is played by the goddess Sharada (the goddess of learning and art in ancient Kashmir). Notable santoor players from Jammu and Kashmir include Shivkumar Sharma, from Jammu, and Bhajan Sopori from the Kashmir Valley.

Kumu Kula Abiva played Ipu Heke while his dancers danced Ipu is a percussion instrument made from gourds that is often used to provide a beat for hula dancing. There are two types of ipu, the ipu heke (), which is a double gourd made by taking two gourds of different sizes, cutting them and joining them at their necks with the smaller one on top, and the ipu heke ole (), which is made from a single gourd cut across the top. Both are made from gourds that have been dried, hollowed and usually polished smooth with sand or sandpaper.

Zehnder sings normally, sings overtone, and yodels. He also plays the wippkordeon, a bandoneon (concertina), a bandurria (a small guitar- like instrument similar a mandolin), an organ pipe and a hang (percussion instrument), among others. Streiff sings and plays horn like instruments, including the alphorn, double alphorn, alpofon (a system developed by his own instrument), büchel, cornet, baroque trumpet, cornetto and tuba. In addition, the duo worked with guest musicians, such as the overtone singing group Huun- Huur-Tu from Tuva or Tomek Kolczynski (kold electronics) on their album Igloo and on a production of Faust.

Chancay 1000-1450 AD Lombards Museum The tinya (Quechua)Diccionario Quechua - Español - Quechua, Academía Mayor de la Lengua Quechua, Gobierno Regional Cusco, Cusco 2005 (Quechua-Spanish dictionary) or kirki (Quechua) is a percussion instrument, a small handmade drum of leather which is used in the traditional music of the Andean region, particularly Peru. The drum dates to the pre-Columbian era,Dale Olsen, Music of El Dorado, pp. 17-22. and is used in traditional Peruvian dances, notably in Los Danzantes de Levanto where it is played by one person simultaneously with the antara, a type of panflute.

During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. The Vaikasi Vasanthothsavam, Pillai Lokacharyar festival and Kurathazhwar festival, each celebrated for ten days are the most prominent festivals of the temple, and for the surrounding villages. Vaikasi Vasanthothsavam is celebrated during the Tamil month of Vaikasi (May–June) when devotees pull the chariot round the streets of Thiruthangal.

Verses from Nalayira Divya Prabandham are recited by a group of temple priests amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument). The other major festivals celebrated are Srijayanthi Uriyadi, Pavitrostavam, Garudotsavam, Navarathri, Karthigai, Thirumangai Azhwar day, Vaikunta Ekadasi and Kalyana Utsavam. During Chitra Pournami, the festival image has a holy dip in Arujan river, decorated and mounted on a horse mount and taken around ten villages around Thiruthangal. On the fifth day of Adi Pooram, the festival image of the image is brought in Garuda mount and taken to Srivilliputhur Divya Desam along with four other temples.

When it came time for Clapton to record on the Diane Warren song, Allen Sides, owner of Ocean Way Studios worked on the release as the leading recording engineer. The recording was produced by Rob Cavallo. Greg Curtis and Blumpy were in charge of the recording's music programming and Chris Lord-Alge mixed "Blue Eyes Blue". The recording featured Eric Clapton singing and playing the guitar, Greg Curtis on keyboards and background vocals, Tim Pierce and Darryl Crooks on rhythm guitar, Nathan East as the bassist, Steve Ferrone on drums, Jamie Muhoberac on keyboards, Luis Conte and Mike Fasano on the percussion instrument.

The tablah is a small hand-drum, also known as the durbakke. Most tablahs are beautifully decorated, some with wood, tile or bone inlay, etched metal, or paintings in designs typical of the Near East. One of the most commonly played percussion instrument, the tablah is a membranophone of goat or fish skin stretched over a vase-shaped drum with a wide neck. Usually made of earthenware or metal, it is placed either under the left arm or between the legs and struck in the middle for the strong beats and on the edge for the sharp in-between beats.

A demo of Tabla playing The tabla is a pair of twin hand drums from the Indian subcontinent. Since 18th century, tabla has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instrument and vocals, and as a part of larger ensembles. Tabla is also frequently played in popular and folk music performances in India, Bangladesh, Pakistan, Nepal, Afghanistan and Sri Lanka.Tabla Encyclopædia Britannica The tabla is also an important instrument in the bhakti devotional traditions of Hinduism and Sikhism, such as during bhajan and kirtan singing.

In the 1950s, Bey performed in an international tour of Porgy and Bess starring Leontyne Price and Cab Calloway. He also began a busy recording career, performing on Herbie Mann's At the Village Gate (1961), Art Blakey's The African Beat (1962), Ahmed Abdul-Malik's Sounds of Africa (New Jazz, 1961), as well as albums by Harry Belafonte, Miriam Makeba and Pharoah Sanders, among others. He took his stage name after joining the Moorish Science Temple of America, a Muslim sect. Then he taught the shekere, a West African percussion instrument, at the Griot Institute at Intermediate School 246 in Brooklyn.

According to the sheet music published by EMI Music Publishing, it is composed in the key of A minor but changes to E major in the bridge and changes to A minor, and set in common time at a moderately slow tempo of 85 beats per minute. The instrumentation of "Ring the Alarm" includes drums, clattering percussion instrument, treble synthesizers, and bass instrument. It also makes use of a slapping backbeat, an air horn, titanic handclaps, plonks, and breathing noises. A blaring siren is used as the song's introductory sound, setting an aggressive tone, which is augmented by Knowles' throaty mezzo-soprano growl.

Portico Quartet are an instrumental band from London, UK. They are known for their use of the Hang, a modern percussion instrument. Their debut album, Knee-Deep in the North Sea, was nominated for the 2008 Mercury Prize and was Time Out’s Jazz, Folk and World album of the year 2007. The group consists of Duncan Bellamy (drums and electronics), Jack Wyllie (saxophones and keyboards), Milo Fitzpatrick (electric and double-bass) and Keir Vine (keyboards). Their name comes from when one of their early gigs was rained out and they ended up playing under a portico.

Viola, médio and gunga The berimbau () is a single-string percussion instrument, a musical bow, from Brazil. Originally from Africa where it receives different names, the berimbau was eventually incorporated into the practice of the Afro-Brazilian martial art capoeira, the berimbau leads the capoeiristas movement in the roda—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de- caboclo tradition.

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Jakath Rakshaka and Pushpavalli. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. The Brahmotsavam festival celebrated in the Tamil month of Vaikasi (May–June) and Vaikunta Ekadasi celebrated during the Tamil month of Margazhi (December–January) are the major festivals celebrated in the temple.

The chordophones used often include the khalam, xalamkat or ngoni (lute with one to five strings), kora (harp lute) and riti (one-stringed bow handled lute). Percussion instruments include dried, hollow gourds, the tamal (armpit drum) as well as the balafon (percussion instrument akin to the xylophone). Senegalese griot playing a tamal Griot playing a Xalamkat One of the most frequently retold oral epics in the geographical region of Senegambia is the mythic story of the Bundu Kingdom’s establishment in the 1690s. The story has varying interpretations and many alternative narratives, however the story follows a common thematic sequence.

Unlike his previous rhythm-based albums, in which he would gain inspiration for his guitar parts from pre- recorded backing tracks, Simon took a more traditional approach to building the songs on So Beautiful or So What. He wrote songs at home before developing them further in the studio with the help of a natural click track, such as "a percussion instrument, or even just tapping out a rhythm on his guitar." He overdubbed additional elements afterwards, including additional guitar parts and percussion. Simon began envisioning the album's sequencing when he only had a few songs written, letting it inform his songwriting.

Pandit Suresh Talwalkar (born 1948) is an Indian musician who plays the percussion instrument tabla. Talwalkar was born 1948 in Chembur, Mumbai, and initially learned playing the tabla from his father Dattatrey Talwalkar. He trained under tabla players Pandharinath Nageshkar and Vinayakrao Ghangrekar, and studied the rhythm theory of Carnatic music and Hindustani classical singing. His style draws from several gharanas (stylistic schools) and he accompanied classical musicians and dancers; Talwalkar frequently performed with sarangi player Ram Narayan since the late 1960s, accompanied classical singer Ulhas Kashalkar, and has toured in the United States, Europe, and Africa.

Dramyin Cham (Dzongkha: Dramnyen Cham) is a form of Cham dance, a masked and costumed dance performed in Tibetan Buddhism ceremonies in Bhutan, Sikkim, Himalayan West Bengal and Tibet (where they have been outlawed). They are a focal point of the Bhutanese festivals of Tsechu. The Dramyin Cham is notable among Cham dances as the lead dancer keeps time with a dramyin - a Himalayan folk music lute, and not a traditional percussion instrument like the cymbals. This is among the few instances of monastic music in the Himalayas where the use of a stringed instrument has been observed.

Jingle bells as a musical instrument Sleigh bells Tuned chromatic sleigh bells, range F4-F6 A jingle bell or sleigh bell is a type of bell which produces a distinctive 'jingle' sound, especially in large numbers. They find use in many areas as a percussion instrument, including the classic sleigh bell sound and morris dancing. They are typically used as a cheaper alternative to small 'classic' bells. The simplest jingle bells are produced from a single piece of sheet metal bent into a roughly spherical shape to contain a small ball bearing or short piece of metal rod.

Most djembes from Mali, Guinea, Burkina Faso, and Senegal are still hand carved from traditional species of wood, using traditional tools and methods. In the 1990s, djembes started being produced elsewhere, such as in Ghana, Nigeria, South Africa, and Indonesia, often using modern machinery and substitute species of wood, such as tweneboa (Cordia platythyrsa) or mahogany (Swietenia mahagoni or Toona sureni). However, these woods, being softer and less dense, are not as suitable as the traditional woods. A number of western percussion instrument manufacturers also produce djembe-like instruments, often with fibreglass bodies, synthetic skins, and a key tuning system.

Reco-reco made of metal. The reco-reco (also called the raspador, caracaxá or querequexé) is a scraper of African origin used as a percussion instrument in Brazilian music,ROCCA, Edgar Nunes "Bituca", Escola Brasileira de Música: Uma visão Brasileira no ensino da música e seus instrumentos de percussão 1. Rio de Janeiro: Europa, EBM, 1986 but also in many Latin American countries, where it is known as güiro, güira, guayo and guacharaca. Traditionally, the reco- reco was made from a sawtooth notched cylindrical body made of bamboo or wood, and played with a wooden stick.

The Zhu () was a percussion instrument used in the Confucian court ritual music of ancient China. It consisted of a wooden box (which was often painted red or otherwise decorated) that tapered from the top to the bottom, and was played by grasping a vertical wooden stick and striking it on the bottom face. The instrument was used to mark the beginning of music in the ancient ritual music of China, called yayue. The instrument is rarely used today, with specimens appearing mainly in Chinese museums, although in Taiwan it is still used in Confucian ritual music by the Taiwan Confucian Temple.

The Kepyak is a percussion instrument played by the dalang (puppeteer) of a wayang performance in Java, Indonesia. It is a struck idiophone consisting of several bronze or iron plates attached by strings (in Surakarta) or a single plate (in Yogyakarta), which the dalang plays with a small mallet held between the toes of his right foot. It is placed on the side of the keprak, a wooden box which can also be played directly. The kepyak can also be played with a mallet (cempala), either in the hand in dance performance, or in the foot in wayang.

Kashaka The kashaka is a simple percussion instrument consisting of two small gourds filled with beans (essentially, two small maracas connected by a string.) One gourd is held in the hand and the other is quickly swung from side to side around the hand, creating a "clack" sound upon impact. It originated in West Africa, but has been reproduced in various countries under different names: Patica (Japan), Kosika (USA). Other names include Asalato, Kes Kes, Tchangot Tche, Koshkah, and many others. Kashakas create both shaking sounds and percussive clicks by swinging the balls around the hand, making them hit each other.

Instruments, such as the Saraswati veena and/or venu flute, can be occasionally found as a accompaniment, but usually, a vocalist is supported by a violin player (who sits on his/her left). The rhythm accompanist is usually a mridangam player (who sits on the other side, facing the violin player). However, other percussion instruments such as the ghatam, kanjira and morsing frequently also accompany the main percussion instrument and play in an almost contrapuntal fashion along with the beats. The objective of the accompanying instruments is far more than following the melody and keeping the beats.

Washboard player accompanying piano The washboard and frottoir (from Cajun French "frotter", to rub) are used as a percussion instrument, employing the ribbed metal surface of the cleaning device as a rhythm instrument. As traditionally used in jazz, zydeco, skiffle, jug band, and old-time music, the washboard remained in its wooden frame and is played primarily by tapping, but also scraping the washboard with thimbles. Often the washboard has additional traps, such as a wood block, a cowbell, and even small cymbals. Conversely, the frottoir (zydeco rubboard) dispenses with the frame and consists simply of the metal ribbing hung around the neck.

The Tinariwen sound is primarily guitar-driven in the style known as assouf among the Tuareg people. The Tinariwen guitar style has its roots in West African music, specifically that from the "great bend" region along the Niger River, between Timbuktu and Gao. The core elements of Tinariwen's music are traditional Tuareg melodies and rhythms including those played on the shepherd's flute, which is primarily a man's instrument; and those played on a one-string fiddle known as an imzad which is played by women. The primary percussion instrument is the tende drum which is played by women at festive occasions.

Each ritual comprises four steps: abhishekam (sacred bath), alankaram (decoration), naivedyam (food offering) and deepa aradhanai (waving of lamps) for the pedestal of Ekambareswarar. Since it is a Lingam made of sand mound, all the ablution is done only to the pedestal. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' and ', fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai or on krittika nakshatram, pournami (full moon day) and chaturthi.

The ring-repique is a percussion instrument originated in Brazil. It's a small drum commonly made of aluminum, and unlike the Hand-repique, has two drumheads (top and bottom, commonly made out of animal skin), and a different, much deeper timbre. In Brazil this instrument is used mainly to play Samba and its variants, such as Pagode. The ring-repique has this name because traditionally, the musician wears one or more rings to play it, striking the body of the instrument with his fingers and using his thumb to play on the bottom or top skins.

Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for Surya, Usha and Chhaya. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' and ', fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi. Mahasivarathri, Margazhi Thiruvadirai, Panguni Uthiram and Thirukartigai are the major festivals celebrated in the temple.

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Kolavalvil Ramar and Maragathavalli Thayar. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests. There are other weekly, monthly and fortnightly rituals performed in the temple as in other Vishnu temples in South India. Vishnupathi Punniya Kalam, an auspicious time during the first days of Tamil months of Vaikasi, Avani, Karthigai and Masi is celebrated in the temple seeking divine auspices from Garuda.

A coconut-oil lamp (Javanese blencong or Balinese damar) – which in modern times is usually replaced with electric light – casts shadows onto the screen. A banana trunk (Javanese gedebog, Balinese gedebong) lies on the ground between the screen and the dalang, where the figures are stuck to hold them in place. To the right of the dalang sits the puppet chest, which the dalang uses as a drum during the performance, hitting it with a wooden mallet. In a Javanese wayang kulit performance, the dalang may use a cymbal-like percussion instrument at his feet to cue the musicians.

Another way of playing the cajón is to use an ordinary bass drum pedal, thus turning the cajón into an indirect percussion instrument which can be played with the feet. This enables the player to beat it just like a pedal-bass drum, thus leaving the hands (and one other foot) free to play other instruments. On the other hand, it also restricts the player's standard cajón-playing position, as when the cajón is placed on the ground, in the bass drum location, it is hard for the performer to slap it with her or his hands.

Dónal Lunny has some claim to popularising the bouzouki in the Irish music sphere after being gifted an instrument by Andy Irvine, who had himself been introduced to it by Johnny Moynihan in the early days of Sweeney's Men. Lunny ordered a custom-built bouzouki from English luthier Peter Abnett, with a flat back instead of a traditional Greek rounded back. He also invented an acoustic drum kit designed to solve the problem of a bass/percussion instrument in Irish traditional music. The process of building and developing the instrument was featured on his 2010–2011 RTÉ series Lorg Lunny.

The "ethereal" quality of instruments such as the glass harmonica exemplified the Empfindsamkeit and for a while, "the instrument was extraordinarily popular...[but] About 1830 the instrument fell into oblivion." The glasschord (or glasscord) resembles the celesta (a struck plaque idiophone operated by a keyboard) but uses keyboard-driven hammers to strike glass bars instead of metal bars. The glass marimba is similar to the marimba (a stick percussion instrument with a keyboard layout), but has bars of glass instead of wood. The bars, which the performer strikes with padded sticks, are perched on a glass box to provide the necessary resonance.

A Batá drum is a double-headed drum shaped like an hourglass with one end larger than the other. The percussion instrument is used primarily for the use of religious or semi-religious purposes for and originates from the native culture land of the Yoruba and the Igbo, located in Nigeria, as well as, but not of origin, by worshippers of Santería in Cuba, Puerto Rico, and in the United States. The Batá drum's popular functions are entertainment and to convey messages. Its early function was as a drum of different gods, drum of royalty, drum of ancestors and drum of politicians.

Instruments, such as the Saraswati veena and/or venu flute, can be occasionally found as a rhythmic accompaniment, but usually, a vocalist is supported by a violin player (who sits on his/her left). The rhythm accompanist is usually a mridangam player (who sits on the other side, facing the violin player). However, other percussion instruments such as the ghatam, kanjira and morsing frequently also accompany the main percussion instrument and play in an almost contrapuntal fashion along with the beats. The objective of the accompanying instruments is far more than following the melody and keeping the beats.

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Ulagalantha Perumal and Amuthavalli. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. There are two major festivals celebrated in the temple - Brahmotsavam during the Tamil month of Thai (January - February) and Vamana Jayanthi during the Tamil month of Avani (August - September) on Sravanam star.

The music video for "Hold Me Now" was directed by Rupert James, produced by Tim Bevan, and edited by Brian Grant and Nick Morris. The video features the Thompson Twins in a set with a blue background. Each member is standing on a platform, singing or playing a different instrument, a guitar or a piano for Bailey, a marimba or another percussion instrument for Currie, and a bass guitar or congas for Leeway. The video is heavily edited, with frames sliding from the sides, doubling or tripling, split-screen edits, and close-ups of the band while singing or dancing.

Impressed with it, Krish signed him as the film's music director. Bhatt found Kanche to be "an intense and emotional story" and ensured that the music was not generic and in sync with the film's scale. Krish also provided a few references to the works of Ilaiyaraaja and M. M. Keeravani to Bhatt during the composing sessions. Bhatt used tabla tarang (an Indian melodic percussion instrument consisting of more than ten drums) and sarod (an Indian lute-like stringed instrument) predominantly in the instrumentation as he felt that the songs had to: "depict a lot of mood and emotions".

Top Ten Archaeological Discoveries of 2004 - China's Top-Ten archaeological discoveries of 2004 were announced in Beijing on April 17, 2005. China.org.cn, July 7, 2005 Also found there were nine other varieties of instruments, including the (a type of bell) and (chime stone) from the Central Plain, (a metal percussion instrument), (a bell with a handle), duo (big bell) and (little bell). Fou used on 2008 Summer Olympics Opening Ceremony, exhibited at Musical Instrument Museum (Phoenix) It made its modern appearance during the 2008 Summer Olympics Opening Ceremony in Beijing. Towards the beginning of the ceremony, 2,008 dancer/percussionists staged a synchronized presentation, striking large square with glowing red sticks.

Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Amritaghateswar and Abhirami Amman. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' and ', fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi. Based on the legend of Markandeya, it is believed that worshipping at this temple will give longevity to couples who have reached age sixty or eighty-one.

Each ritual comprises four steps: abhisheka (sacred bath), alankaram (decoration), naivedyam (food offering) and deepa aradhanai (waving of lamps) for both Kalyanasundareshwar and Girisundari. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred texts) read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' (Monday) and ' (Friday), fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kritika, pournami (full moon day) and chaturthi. Shivrathri in February–March and Margazhi Tiruvadhirai in December–January are the major yearly festivals celebrated in the temple.

Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Mathuraiyappar and Azhagammai. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' and ', fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi. Annabishekam during the Tamil month of Aipassi (October–November), Karthikai Deepan during November–December and Adi Sankaracharya Jayanti in Vaikasi (May–June) are the festivals celebrated in the temple.

In 2004 Masuko became a member of Boredoms, in which he assumes live tuning and maintenance duties of the seven neck guitar instruments Sevena, which he built to Yamantaka Eye's specifications. Shinji has built two versions of this instrument, the first being made of seven Fender Telecaster guitars connected together, and the second being made of seven custom steel guitars. The instrument is played as a percussion instrument by Eye, who either strikes the individual necks of the instrument with drum sticks or strikes many of them at once with a staff. The instruments are connected to a mixing console and are played through a Marshall guitar amp.

In some popular music groups, such as a rock band, a backup singer may be expected to be able to play an instrument while singing, such as strumming a simple rhythm guitar part or playing a percussion instrument (e.g., tambourine or congas). While an ability to sing in multiple languages with the appropriate diction and pronunciation is more associated with Classical music than popular music, there are some popular styles where multiple languages are expected, including Latin jazz styles such as Bossa Nova (Portuguese songs may be requested); Tango (Spanish songs may be requested); folk music (French songs may be requested); and Celtic music (Irish songs may be requested).

Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), naivethanam (food offering) and deepa aradanai (waving of lamps) for both Erumbeeswarar and Narunguzhal Nayagi Amman. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred texts) read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' (Monday) and ' (Friday), fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi. The major festival of the temple, the Brahmotsavam, is celebrated during the Tamil month of Vaikasi (May -June).

The epic, performed since the 14th century, has been sung in verses by master poets who provide their own musical accompaniment on a percussion instrument. It is a unique literary and musical form that reflects in it Arab folk history, customs, beliefs, symbolism and traditions. Proverbs and puzzles derived from the epic are often a part of everyday conversation in many areas of the Middle East. Some of the prominent characters of the epic include Abu zed al-Hilaliy, El Zenaty Kalepha and Zayab Ibn Ganem and there are several places in the Middle East that have been named for heroes mentioned in the epic.

The rise may be no higher than the highest pitch of the original section, but will contain a much larger number of higher pitches. In California the non-rise is usually one reiterate phrase, the rise being the phrase transposed an octave higher, the Yumans use a non-rise of long repeated sections each consisting of several phrases, the rise being three to five phrases performed only once, and in southern California the previous two and progressive forms are found.Nettl, 1956, pp.109–110 A distinctively Californian instrument is the clapper stick, a percussion instrument made by splitting an elderberry branch used to accompany singers and dancers.

The coros de clave share their name with the percussion instrument used as accompaniment, the Cuban claves, which execute the main rhythmic pattern, the vertical hemiola (also characteristic of the contradanza). The vertical hemiola constitutes the most essential element of the sesquiáltera rhythm, and consists in the practice of superimposing a binary rhythmic pulse over a ternary one, as follows: Vertical Hemiola. The accompaniment of the choirs frequently included a guitar and the percussion was executed over the sound box of an American banjo from which the strings were removed, due to the fact that African drums performance was strictly forbidden in Cuban cities.Sublette, Ned: Cuba and its music.

Yella Venkateswara Rao is an Indian classical musician and percussionist, considered by many as one of the leading exponents of Mridangam, an ancient Indian percussion instrument. He is featured in the Guinness Book of World Records for playing mridangam continuously for 36 hours. He has performed as an accompanist to such renowned musicians as M. S. Subbulakshmi, Ravi Shankar, Chembai, Semmangudi Srinivasa Iyer, M. Balamuralikrishna, L. Subramaniam, K. J. Yesudas, Amjad Ali Khan, Hariprasad Chaurasia and Bhimsen Joshi and is credited with over 15,000 performances in India and abroad. The Government of India awarded him the fourth highest civilian honour of the Padma Shri, in 2008, for his contributions to music.

The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with raaga which forms the fabric of a melodic structure, the taala forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. Taala is an ancient music concept traceable to Vedic era texts of Hinduism, such as the Samaveda and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the raaga and taala systems, were not considered as distinct till about the 16th century.

Basic electronic drum set made by Pintech. An electronic drum is a modern electronic musical instrument, primarily designed to serve as an alternative to an acoustic drum kit or other percussion instruments. An electronic drum consists of an electronic or digital sound module which produces the synthesized or sampled percussion sounds and one or more electric sensors or sensor-equipped pads to trigger the sounds. Like regular drums, the sensors or pads are struck by drum sticks or by the hands (depending on the type of drum pad) and they are played in a similar manner to an acoustic drum kit (or percussion instrument).

A gong collection in a gamelan ensemble of instruments – Indonesian Embassy Canberra An agung, a type of Philippine hanging gong used as part of the Kulintang ensemble A gongFrom Indonesian and ; ; ; or ; ; ; ; is an East and Southeast Asian musical percussion instrument that takes the form of a flat, circular metal disc which is hit with a mallet. The origin of gongs is probably China's Western Regions in the sixth century. The term gong originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Indonesia (Java) and Annam were the four main gong manufacturing centres of the ancient world.

Sean-nós song is a sean-nós activity, which also includes sean-nós dance. These forms of Irish dance and song have been documented by scholars of ethnomusicology, musicology, linguistics and other fields, such as Hugh Shields, Tom Munnelly, Fintan Vallely, and Lillis Ó Laoire. The practice of sean-nós dance, sean-nós song, lilting (also known as "mouth music"), and "the bones" (a simple percussion instrument convenient to carry in a pocket) has existed for centuries. It might be interpreted as a minimalist means that helped preserve a musical and dance heritage at a time when musical instruments were too expensive for most peasants.

The musical accompaniment for Manipuri dance comes from a percussion instrument called the Pung (a barrel drum), a singer, small kartals (cymbals), sembong, harmonium, a stringed instrument called the pena and wind instrument such as a flute. The drummers are male artistes and, after learning to play the pung, students train to dance with it while drumming. This dance is celebrated, states Massey, with the dancer wearing white turbans, white dhotis, a folded shawl over the left shoulder, and the drum strap worn over the right shoulder. It is known as Pung cholom, and the dancer plays the drum and performs the dance jumps and other movements.

Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), naivethanam (food offering) and deepa aradanai (waving of lamps) for both Kuzhagar and Thdangani Amman. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred texts) read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' (Monday) and ' (Friday), fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi. The ten-day Vaikasi visagam during the Tamil month of Vaikasi (May–June) and six-day Sashti are the major festivals celebrated in the temple.

Tubular wood block Sound of block A wood block (also spelled as a single word, woodblock) is a small slit drum made from a single piece of wood and used as a percussion instrument. The term generally signifies the Western orchestral instrument, though it is related to the ban time-beaters used by the Han Chinese, which is why the Western instrument is sometimes referred to as Chinese woodblock. Alternative names sometimes used in ragtime and jazz are clog box and tap box. In orchestral music scores, wood blocks may be indicated by the French bloc de bois or tambour de bois, German Holzblock or Holzblocktrommel, or Italian cassa di legno .

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Vijayaraghava Perumal and Maragathavalli. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. The Brahmotsavam festival celebrated in the Tamil month of Masi (February - March), Theppotsavam (float fetival) in Thai (January - February), Pavitrotsavam in Avani and Vaikunta Ekadasi celebrated during the Tamil month of Margazhi (December–January) are the major festivals celebrated in the temple.

Spank bass developed from the slap and pop style and treats the electric bass as a percussion instrument, striking the strings above the pickups with an open palmed hand. The slap technique bears some resemblance to tambour, a percussive technique used in flamenco and classical guitar, although the tonal quality produced in this technique is quite different from that of a slapped electric bass. Japanese musician Miyavi is well known for creating a unique slapping style of playing electric guitars. Tosin Abasi, guitarist for progressive metal band Animals as Leaders, is also known for a slapping and popping technique on electric guitar, which he uses for both melodic and percussive effect.

His journey into Indian music started while learning India’s popular percussion instrument tabla with the most renowned Tabla Maestro Pandit Anindo Chatterjee in Kolkata. Being fascinated by the old classical Dhrupad music Carsten met India’s legendary Rudra Veena Master Padma Bhushan Ustad Asad Ali Khan, whose musical family tradition goes back over many generations, including outstanding Beenkars (Veena players) like Sadiq Ali Khan, Musharraf Khan and Rajab Ali Khan. Ustad Asad Ali Khan accepted him as one of his few Veena disciples and taught him traditional Rudra Veena in Khandarbani Style. Alongside Carsten also studied Dagarbani Dhrupad with Ashish Sankrityayan, the current director and teacher at the Dhrupad Kendra in Bhopal.

A friction drum is a percussion instrument consisting of a single membrane stretched over a sound box, whose sound is produced by the player causing the membrane to vibrate by friction. The sound box may be a pot or jug or some open-ended hollow object. To produce the friction, the membrane may be directly rubbed with the fingers or through the use of a cloth, or a stick or cord which is attached to the centre of the membrane and then rubbed or moved with a hand, sponge or cloth, generally wet. The membrane may be depressed with the thumb while playing to vary the pitch.

The devil chaser is a percussion instrument originating in Southern Asia and commonly found in India and the Philippines. It is an idiophone made from a bamboo stalk split for about half of its length, and the resulting fork vibrates when struck against the hand. Rich humming noises are produced from the natural cracks in the bamboo, and a musician can place their thumb over the tuning hole at one end of the instrument to control the air to flow in and out while striking it, adding a characteristic buzzing sound. The sound ranges from a hum to a roar, depending on size and playing technique.

A metal wind chime Wind chimes are a type of percussion instrument constructed from suspended tubes, rods, bells or other objects that are often made of metal or wood. The tubes or rods are suspended along with some type of weight or surface which the tubes or rods can strike when they or another wind- catching surface are blown by the natural movement of air outside. They are usually hung outside of a building or residence as a visual and aural garden ornament. Since the percussion instruments are struck according to the random effects of the wind blowing the chimes, wind chimes have been considered an example of chance-based music.

The Aluphone is a tuned percussion instrument consisting of aluminum bells that are struck with a mallet to produce musical tones. In its standard configuration, the bells of the Aluphone are mounted on a frame, but it can also be played as a single handheld bell or as a stack of bells. The bells of the Aluphone are very durable, so they can be struck with a large variety of mallets, wands, or hammers depending on the tone that the musician seeks to produce. The Aluphone is closely associated with Evelyn Glennie, who played the instrument in the opening ceremony of the 2012 Summer Olympics.

Percussionist Leon Mobley playing a modified cajón; traditional cajones have the hole at the back, opposite the tapa Sounds of a cajón in use A cajón (; "box", "crate" or "drawer") is a box-shaped percussion instrument originally from Peru, played by slapping the front or rear faces (generally thin plywood) with the hands, fingers, or sometimes implements such as brushes, mallets, or sticks. Cajones are primarily played in Afro-Peruvian music (specifically música criolla), but has made its way into flamenco as well. The term cajón is also applied to other box drums used in Latin American music, such as the Cuban cajón de rumba and the Mexican cajón de tapeo.

Kotche wound up joining Wilco because of Jim O'Rourke, who originally caught him playing a show with Edith Frost. He went on to make several records with O'Rourke including two Loose Fur albums (O’Rourke, Kotche and Jeff Tweedy). Throughout Kotche's career with Wilco (Yankee Hotel Foxtrot, the Grammy award-winning A Ghost is Born, The Wilco Book companion CD, Kicking Television: Live in Chicago, Sky Blue Sky, Wilco (The Album), The Whole Love, Star Wars, and Schmilco) and his solo projects, he has treated the drumset as a multiple percussion instrument including home-made instruments, pitched percussion, various found objects such as scrap metal and hubcaps and orchestral instruments.

Ritmico, non troppo allegro The term sonatina has no single strict definition, but is rather a title applied by the composer to a piece in basic sonata form which is shorter and lighter in character, or technically more elementary, than a typical sonata. The Rondo was used as a test piece in the 1928 Daily Express Piano Competition, which was won by Cyril Smith. It had been recorded by William Murdoch as a guide to competitors. Lewis Foreman has written, "that Ireland even then recognised the piano not only for its romantic and singing qualities, but also - almost Bartók like - as a percussion instrument".

Chinchinero. A Chinchinero is an urban street performer in Chile, usually a man or young boy, who plays a bass drum-type percussion instrument with long drumsticks strapped to his back which also involves a rope with a noose tied around the performer's foot to play the cymbals which also form part of this improvised instrument. Said instrument has been invented and produced informally and can carry any rhythm or melody. The Chinchinero often works with an organillero, street organ player, possessing a hand-operated street organ. While the organ is played the Chinchinero plays and dances whatever it is playing - foxtrot, waltz, tango, or cueca.

Each ritual comprises three steps: alangaram (decoration), naivethyam (food offering) and deepa aradanai (waving of lamps) for Vekkali Amman. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred text) read by priests and prostration by worshippers in front of the temple mast. There are weekly, monthly and fortnightly rituals. Chittirai festival held during April–May, Panguni Poochoridal in March–April, Mango ablution on the last Friday of Tamil month of Vaikasi (May–June), Navarathri in Purattasi (September–October), Thai Velli (Fridays of January–February) and Fridays and Aadi velli (Fridays of July–August) are the festivals celebrated in the temple.

Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), naivethanam (food offering) and deepa aradanai (waving of lamps) for both Thanthoneeswarar and Amman. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred texts) read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' (Monday) and ' (Friday), fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi. Commemorating the event of Kanthimathi giving bangles to the Naga deity during her pregnancy, a bangle festival is celebrated during the Tamil month of Thai.

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Hara Saabha Vimochana and Kamalavalli. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. Four major festivals are celebrated in the temple, namely, the Panguni Brahmmotsavam celebrated during the Tamil month in Panguni (March–April), Aipasi Pavithra Utsavam in Aipasi (October–November), Vaikunta Ekadashi in Margazhi (December–January) and Karthikai Deepam in Karthikai (November–December).

Initially inspired by avant-garde drummer Chris Corsano's solo drum album The Young Cricketer and the music of Ikue Mori, Armen Nalbandian's first solo recording was named after a painting by Jean-Michel Basquiat and features Nalbandian on the "prepared" Fender Rhodes. The recording was made by Nalbandian performing primarily on the inside of the Fender Rhodes, treating it as a percussion instrument, manipulating the hammers with drum cymbals, snare drum heads, wrenches, mallets, and keys. Nalbandian also employed an analog delay pedal and a wah-wah pedal. The recording is completely improvised with the exception of the composition "Blues to Steve Lacy", which was composed by trumpeter Dave Douglas.

The sound is similar to a paper being ripped, and is believed to be the origin of the term ripsaw. Rake-and-scrape derives from the method used by a player to create sound from the saw. Though little is known for certain about ripsaw's genesis, two major theories include that the instrument was played to imitate the sound of the güiro, a Dominican and Haiti percussion instrument, and that Loyalist colonists in the United States brought their African slaves to the islands and these slaves invented the ripsaw to imitate the sound of the shekere instrument. In the Bahamas, Cat Island is the only place to celebrate rake-and-scrape on a large scale.

Based on this thought, he formed a unique percussion group named Taal- India wherein every region of the country was represented by a percussion instrument. He has also been a part of various fusion bands and has had the opportunity to share a stage with prominent artists such as Shankar Mahadevan, Ranjit Barot, Rahim al Haj (a renowned Oud player from Iraq) etc. Currently, Anubrata has created his band named, LayaCurry and Beats & Pieces T20 of Classical Music is being appreciated all over my musicians are music lovers all over the world. His institution, Music Academy for Tabla Research by Anindo Chatterjee( MATRA) focuses on teaching the art all over the world.

A dayereh (or doyra, dojra, dajre, doira, dajreja, daire) is a medium-sized frame drum with jingles, used to accompany both popular and classical music in Iran, Tajikistan, Afghanistan, Bukharan Jews, Azerbaijan (known as qaval), the Caucasus, the Balkans, and many Central Asian countries such as Tajikistan, and Uzbekistan. Frame drums are also popular in many regions of Georgia, like Kartli, Kakheti, Tusheti, Samegrelo, Racha, and Imereti. This is a single headed percussion instrument which is not only found in Northern South Asia, Central Asia, and the Middle East, but also in parts of the Russian polar regions. The simple drum is formed by attaching a skin cover onto a wooden ring with glue and cloth ties.

Play It Again is also trying to get people interested in playing music. The BBC have organised several free events, between 21 April and 15 July 2007 around the UK. These events, directed by British composer Tim Steiner are open to any one and offer participants the chance to perform with one of the BBC orchestras and BBC Singers. Members of the public can sign-up to play an instrument or, if not playing, to sing or to play a percussion instrument. Each event lasts for a morning or afternoon and is based on an arrangement of Leonard Bernstein's West Side Story, specifically the number "Tonight" which is appropriately titled 'Not Tonight'.

Describing their style as "fast, mesmeric and passionate", the band play both electric and acoustic guitars, which adds much timbre, synths, drums, and incorporate traditional Basque instruments into their music. Many of their songs use a txalaparta, a wooden xylophone-like percussion instrument played by two people standing face-to-face. They also use the danbolin (a rope-tuned snare drum), and the txistu (a Basque pipe whistle). Crystal Fighters' style is a fusion of genres – fast progressive dance music joined by the melodies and dances of traditional Basque folk, alongside synthesisers, bass-driven wonk-funk, with beats fuelled by early 1980s Spanish punk and experimental electronica from bands such as Aviador Dro, Las Vulpes and Dulce Venganza.

Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), naivethanam (food offering) and deepa aradanai (waving of lamps) for both Vaidyanathar and Sivakami Amman. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred texts) read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' (Monday) and ' (Friday), fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi.The twin festivals celebrated during the full moon days of Tamil month Adi (July – August) and Thai (January – February) attract large number of pilgrims from whole of Tamil Nadu.

The triccaballacca is a percussion instrument used in Neapolitan folk music and, generally speaking, in folk music throughout much of southern Italy. Technically, it is a "clapper" and consists of three percussive mallets mounted on a base, the outer two of which are hinged at the base and are moved in to strike the central piece, which is fixed; a rhythmic sound is produced by the clicking of wood on wood and the simultaneous sound of the small metal disks—called "jingles"—mounted on the instrument. The instrument comes in different sizes, the most common of which is about a foot-and-a-half high, small enough to be cradled in the arms easily.

On the latter song they are accompanied by an unknown musician playing the bones, a simple percussion instrument used since ancient times, particularly with black musicians. It is assumed that this was El Watson, a harmonica player who Charles Johnson would in turn back on his own single recorded at the sessions, a harmonica showcase called "Potlicker Blues" which was recorded the same day. Stylistically in their use of duo guitar and steel guitar the Johnson Brothers closely resemble their more successful contemporaries Darby and Tarlton and Wilmer Watts. The singles were not notably successful ("A Passing Policeman" was not even released at the time) and the Johnsons would drop out of sight with their ultimate fates unknown.

The advantages of table-top drums are their portability and the relatively lower price. Some acoustic drummers use a table-top electronic drum as their first foray into electronic drumming, since purchasing a single table-top unit and setting it up alongside an acoustic drum kit is much cheaper and simpler than fitting an entire acoustic kit with sensors and connecting them to a "drum brain" module. With a table-top drum mounted on a stand, a drummer who has an otherwise acoustic drum kit could add different drum and percussion sounds to her playing, such as synthesized drum sounds, or samples of a percussion instrument that would otherwise be impractical to have onstage (e.g., a large gong).

First known use was in 1552, by folk etymology, possibly adopted via Portuguese gudão, from Malay gudang. ; Gomuti : a Malayan feather palm (Arenga pinnata) that has large leaves with the bases densely clothed with fibers, yields a sweet sap from which jaggery and palm wine are made, and has a pith that furnishes a sago. Derived from Malay pohon gĕmuti. ; Gong : a disk-shaped percussion instrument that produces a resounding tone when struck with a usually padded hammer, or a saucer-shaped bell (as in a fire alarm) that is struck by a mechanical hammer, or a wire rod wound in a flat spiral for sounding the time or chime or alarm (as in a clock).

Two versions, of the percussion instrument that has intonations like a piano, the marimba de arco, which was played with a bow, and the marimba criolla were introduced. A coup d’état in 1932 resulted in the massacre of around 30,000 people and destruction of both the indigenous population and the original marimba de arco. The modern version of the instrument is a three octave marimba de arco and the music is always instrumental. The heyday of marimba in El Salvador was from the 1920s to 1930s when musicians played internationally, but because the instrument could be adapted to other styles, it remained popular until rock came on the scene in the late 1950s and early 1960s.

"Om" features both Pinder and Ray Thomas on lead vocals, and playing their usual instruments, Mellotron and flute, respectively. The remaining band members are featured on instrument other than their usual instruments, which includes Justin Hayward on sitar, John Lodge on cello, and Graeme Edge on tabla, a popular Indian percussion instrument used in the classical, popular and devotional music of the Indian subcontinent and in Hindustani classical music. "Om" is one of several songs in the raga rock style on In Search of the Lost Chord. It has a very similar influence and sound to "Within You Without You", which was written by George Harrison and included on the Beatles' 1967 album Sgt.

Groups began adding more and more traditional percussion instruments to the pit, and in its modern form, the ensemble may contain any type of percussion instrument from cymbals, gongs, and drum kits to Afro-Cuban percussion such as congas, bongos, claves, and cowbells, to African percussion such as djembes. The main emphasis of the pit in drum corps style groups are the mallet instruments: marimba, vibraphone, glockenspiel, chimes, crotales, and xylophone. Some marching band circuits also allow non-standard instruments (such as the violin) or electronic instruments (such as synthesizers and bass guitars) in the pit. In indoor drumline, the front ensemble may not necessarily be placed at the front as the name suggests.

Although an acoustic piano has strings, it is usually classified as a percussion instrument rather than as a stringed instrument, because the strings are struck rather than plucked (as with a harpsichord or spinet); in the Hornbostel–Sachs system of instrument classification, pianos are considered chordophones. There are two main types of piano: the grand piano and the upright piano. The grand piano is used for Classical concerto solos, chamber music, and art song, and it is often used in jazz and pop concerts. The upright piano, which is more compact, is the most popular type, as it is a better size for use in private homes for domestic music-making and practice.

The Band of Blue, also known as the MTSU Marching Band of Blue, is an organization on the campus of Middle Tennessee State University that puts on regular half time shows during Middle Tennessee Blue Raiders football games, as well as performances in the community and several marching band exhibitions. The band is open to all students on campus who enroll in the associated class and can display fundamental proficiency on a wind or percussion instrument and is versed in marching techniques. The band has been increasing in membership in recent years, with the band reaching its largest membership in the 2011 season. It strives to be a crowd-friendly, entertaining group.

Most major cities, especially on Java, have one or more venues that have a dangdut show several times a week. The concerts of major dangdut stars are also broadcast on television. The tabla is one of the most important and main percussion instrument in Dangdut Beginning in 2003, certain dangdut musicians became the focus of a national controversy in Indonesia regarding performances by koplo dangdut singer Inul Daratista, which religious conservatives described as pornography. Protests led by dangdut megastar and devout Muslim Rhoma Irama called for Daratista to be banned from television, and legislation was passed in 2008 by the People's Consultative Assembly that introduced a broad range of activities described as pornography.

Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for Veeraraghava Perumal and Kanakavalli Thayar. During the last step of worship, nagaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) and Nalayira Divya Prabandam are recited by priests, and worshippers prostrate themselves in front of the temple mast. There are weekly, monthly and fortnightly rituals performed in the temple. During the Tamil month of Chittirai, Brahmotsavam, a 10-day festival is celebrated, the festival deity is taken in procession around the streets of the temple in different mounts each day and the float festival is celebrated on the last day.

The 216-ton Russian Tsar Bell (also known as the Tsar Kolokol III) on display on the grounds of the Moscow Kremlin is the heaviest bell known to exist in the world today. However, a very large piece broke off from the Tsar Bell during a fire which engulfed the tower the bell was intended to be hung in, so this irreparably damaged bell has never been suspended or rung. The Tsar Bell cannot be considered as the heaviest functioning bell in the world due to its inability to serve as a percussion instrument. Rather, it may be considered to be the largest bell, or at least the largest bell-shaped sculpture in the world.

Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), naivethanam (food offering) and deepa aradanai (waving of lamps) for both Vedaranyeswarar and Amman. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred texts) read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' (Monday) and ' (Friday), fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi. The twin festivals celebrated during the full moon days of Tamil month Adi (July – August) and Thai (January – February) attract large number of pilgrims from whole of Tamil Nadu.

Chajchas (also chapchas; Spanish: uñas, "toenails") are a small percussion instrument of the rattle family, typically made from goat or sheep hooves, and originating in the Central Andes. The instrument is used in traditional rituals and ceremonies, and can also be heard in much of the folk music of the region, especially the countries of Colombia, Bolivia, Peru, Chile, Ecuador. It consists of a number of dried hooves (which may also come from llamas or alpacas) strung onto a colorful piece of fabric, often elasticated, which allows the instrument to be worn as a bracelet around the wrist or ankle. They are typically played in pairs, and may be used in ceremonial dances.

Chouval bwa is a kind of Martinican traditional music, featuring percussion, bamboo flute, accordion, and comb and paper-type kazoo. The music originated among rural Martinicans, as a form of celebratory holiday music played to accompany a dance called the manege (which translates as merry-go-round; chouval bwa is a Creole version of cheval bois, which refers to the wooden horses seen on merry-go-rounds). Chouval bwa percussion is played by a drummer on the tanbour drum and the ti bwa, a percussion instrument made out of a piece of bamboo laid horizontally and beaten with sticks; the most traditional ensembles also use accordions, chacha (a rattle) and the bel-air, a bass version of the tanbour.

Another unusual percussion instrument built for the sessions, variants of which have been built and later used in Grateful Dead concerts and Mickey Hart's solo touring bands, was The Beam. This is a large aluminum I-beam (actually a "C" shaped beam facing down with the strings across the flat outside-top surface) strung with 13 bass piano strings all tuned to the note of D (a Pythagorean mono-chord at various octaves). The Beam has a heavy-duty bridge and string anchor at one end and a nut with tuning hardware at the other end. It has a movable magnetic pickup block to facilitate capture and transmission of various tonal qualities.

213 rather he concentrated on the theology of joy, divine love and redemption. Messiaen continually evolved new composition techniques, always integrating them into his existing musical style; his final works still retain the use of modes of limited transposition. For many commentators this continual development made every major work from the Quatuor onwards a conscious summation of all that Messiaen had composed up to that time. However, very few of these major works lack new technical ideas—simple examples being the introduction of communicable language in Meditations, the invention of a new percussion instrument (the geophone) for Des canyons aux etoiles..., and the freedom from any synchronisation with the main pulse of individual parts in certain birdsong episodes of St. François d'Assise.

The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas (sacred text) read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like ' and ', fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi. The Brahmotsvam or prime festival is celebrated for ten days in the Tamil month of Karthigai (November–December). There is a procession in silver vehicle, marriage festival of the presiding deity, another procession around the streets of Tirunageswarm in temple chariot, sanctification in temple tank and concludes with Vidayathri (farewell function) when a flower palanquin takes the images of the temple deities around the temple.

Guy's jazz work is characterised by free improvisation, using a range of unusual playing methods: bowed and pizzicato sounds beneath the bass's bridge; plucking the strings above the left hand; beating the strings with percussion instrument mallets; and "preparing" the instrument with sticks and other implements inserted between the strings and fingerboard. His improvisations are often percussive and unpredictable, inhabiting no discernible harmonic territory and pushing into unknown regions. However, they can also be melodious and tender with due regard for harmonic integration with other players, and at times he will even play with a straight jazz swing feel. Similarly, in his concert works, Guy manages to alternate harmonic and rhythmic complexity worthy of 1960s experimentalists such as Penderecki and Stockhausen with joyous, often ecstatic, melody.

Instrumentation includes kanklės, a kind of zither that accompanies sutartinės, rateliai, waltzes, quadrilles and polkas, and fiddles, (including a bass fiddle called the basetle) and a kind of whistle called the Lamzdeliai lumzdelis; recent importations, beginning in the late 19th century, including the concertina, accordion and bandoneon. Sutartinė can be accompanied by skudučiai, a form of panpipes played by a group of people, as well as wooden trumpets (ragai and dandytės). Kanklės is an extremely important folk instrument, which differs in the number of strings and performance techniques across the country. Other traditional instruments include švilpas whistle, drums and tabalas (a percussion instrument like a gong), sekminių ragelis (bagpipe) and the pūslinė, a musical bow made from a pig's bladder filled with dried peas.

In an episode of The Final Hours of Tomb Raider on YouTube, the composer was revealed as Jason Graves. Apart from his trademark orchestral style, Graves wished to create a signature sound that would impress on players and stand out when heard. Along with using objects like mallets to create odd musical sounds, Graves, with the help of neighbouring architect Matt McConnell, created a special percussion instrument that would create a variety of odd signature sounds to mix in with the rest of the orchestral score. Although the location was set in the locale of Japan, Graves did not want Japanese instrumentation: instead, he chose sounds and themes that would be indicative of the scavengers on the island, who came from multiple regions of the globe.

The granite rock looks like a blooming lotus, with hills surrounding it on three sides. The vimana (ceiling over the sanctum) has niches of Parsavadevatas, the attendant deities of Shiva, like ganas, Dakshinamurthy depicted playing a mridanga, Siva with his consort Uma, dancers, various niches of Nandi (the sacred bull of Shiva) and animals like monkeys and lions. Historian Sivaramamurti believes that this is the only place where Dakshinamurthy is depicted playing the Mridanga (a percussion instrument), while in all other places, he is depicted playing Veena. Epigrapher like V. Vedachalam believes that there is a spontaneity in the sculptures indicating of natural human movements like in the Shiva and Uma sculpture where they seem to be talking like common folks.

The caxirola () is a Brazilian percussion instrument created by Carlinhos Brown and consisting of a closed plastic basket with a flat-bottom filled with small synthetic particles, in an attempt to create a sustainable product.colunistas.ig.com.br/ Carlinhos Brown diz que caxirola é mais sustentável que caxixi It was based on the caxixi, and thus it is also an indirectly struck idiophone, sounded by shaking. The caxirola was certified on September 27, 2012 by the Brazilian Ministry of Sports and was created to be the official musical instrument of the 2014 FIFA World Cup in Brazil. However, it was not allowed inside stadiums of both the World Cup and the 2013 FIFA Confederations Cup as the government considered it a security risk.

La Guacherna unofficially started as early as the beginnings of the 20th century in barrio Abajo. In its beginnings, during the pre-carnival days, people used to call others by playing a guache (percussion instrument producing a similar sound to that of a maraca) to signal the commencement of dancing, which was accompanied by tamboras and flauta de millo as well as by candles to illuminate the night, making the surrounding people joyful. In 1974, this tradition was recovered thanks to the music composer Esthercita Forero's initiative, who, along with Alicia de Andréis, achieved to make the carnival board introduce it in the carnival program. This parade did not exist formally until that year and it was named as La Guacherna after its creator, Esther forero.

A typical jíbaro group nowadays might feature a cuatro, guitar, and percussion instrument such as the güiro scraper and/or bongo. Lyrics to jíbaro music are generally in the décima form, consisting of ten octosyllabic lines in the rhyme scheme abba, accddc. Décima form derives from 16th century Spain. Although it has largely died out in that country (except the Canaries), it took root in various places in Latin America—especially Cuba and Puerto Rico—where it is sung in diverse styles. A sung décima might be pre-composed, derived from a publication by some literati, or ideally, improvised on the spot, especially in the form of a “controversia” in which two singer-poets trade witty insults or argue on some topic.

The Sangam age grammatical work Tolkappiyam mentions the various music pertaining to the five landscapes (thinai) of the Sangam literature. The five landscapes are associated with a particular mood of the poem and to give colour to these moods, each had a musical mood (pann), a melodic instrument (yaazh) and a percussion instrument (parai). For example, the neithal thinai, which dealt with the incidents around the seashore and the theme of elopement, had the musical mood of sevvazhi, Vilari yaazh as the musical instrument and the navayapambai for the percussion. Tolkappiyam also mentions the musical form known as Paattu Vannam and various types of songs like Asiriapattu, Neduven pattu, Adivarai, Seer, Ahaval Osai and Vellosai, which are classified on the basis of the musical quality, metrical structure etc.

Once the Zendrum is hooked up via MIDI to a sound module, and connected to an amplified loudspeaker or headphones, the player can tap or slap the triggers. The triggers on a Zendrum are velocity sensitive, which means that the volume of each note depends on how hard the corresponding trigger is hit. Depending on what it is connected to, and how it is programmed or configured, the signal from the velocity level of the Zendrum's trigger can also be used to alter variances in timbre, panning, and other expressive aspects of the sound. The Zendrum is often used to play drum or percussion instrument parts, but it can also used to perform the sounds from tuned instruments, ranging from steel drums or vibraphone to piano, bass, guitar, or bells.

The geophone is a percussion instrument, invented by the French composer Olivier Messiaen for use in his large composition for piano and orchestra entitled Des canyons aux étoiles… ("From the canyons to the stars…"). It consists of a drum filled with thousands of small lead pellets, and is played by swirling it around slowly so that the noise of the pellets resembles the sound of dry shifting earth. Messiaen commissioned a Parisian instrument maker to construct one to his design, and he carried this instrument worldwide to early performances of the piece (which was given its first performance in New York City). Messiaen's wife, Yvonne Loriod, commented that when she and the composer first collected the new instrument from the maker in her car it made a "splendid crescendo" whenever they went round a corner.

In 1953, he went to Cuba where he adopted the nickname Ray Tico, as well as composing "Eso es Imposible" ("That is Impossible"), his biggest hit among the more than 50 other songs that he wrote. His unique style of guitar playing, that also includes using it as a percussion instrument, became his personal stamp of distinction. With his new fame, Ray moved to the U.S., frequently playing at the Waldorf Astoria New York. Later in Hollywood, he gained fame as a latin playboy, often invited to join the most famous people of the era like Frank Sinatra, Nat King Cole, and Sammy Davis Jr. In 1969, at the age of 41, after having passed on the music and culture of Costa Rica throughout the world, Ray returned to Costa Rica to stay.

Brian Gorby on charismo with The Hackensaw Boys, Legacy Credit Union Stage--Birmingham, Alabama June 15, 2008. A distinctive aspect of the Hackensaw live-performance experience is the percussion instrument known as a "charismo". Invented and played by former band member Justin "Salvage" Neuhardt, who also performed on spoons and the musical saw, it is described as "a home-made tin can contraption." As founder Sickmen remembers it: Calvin James Pynn of The Tartan (Radford University) states "Neuhardt's charismo" is the "most notable" of the group's instruments: In an interview with Scott Simon of N.P.R. Neuhardt himself explains how it came to be: Brian Gorby, Neuhardt's friend and former bandmate in the percussion-heavy jam-band Humble Sacrifice, has carried on the charismo's tradition in the Hackensaw Boys as their touring percussionist.

Etymologically, the name of the city is believed to have been mutated possibly from "Tumbe ooru" because of the abundance of thumbe hoovu, a kind of flower, or thamate ooru because of the folk musical percussion instrument thamate, that might have been used most here. It is also called the city of education and Coconuts (due to the abundance of coconut trees in the area) Another story says that during the rule of cholas Gulur was their capital. Since Tumkur is at high elevation the guards used to be there on any hill with tumaki (a kind of drum) and used to make sound in case of any alerts, hence the name. The Indian central government approved the request to officially rename the Tumkur and 12 other cities in October 2014.

Quad is a television play by Samuel Beckett, written and first produced and broadcast in 1981. It first appeared in print in 1984 (Faber and Faber) where the work is described as "[a] piece for four players, light and percussion"Beckett, S., Collected Shorter Plays of Samuel Beckett (London: Faber and Faber, 1984), p 291 and has also been called a "ballet for four people."Ackerley, C. J. and Gontarski, S. E., (Eds.) The Faber Companion to Samuel Beckett, (London: Faber and Faber, 2006), p 472 It consists of four actors dressed in robes, hunched and silently walking around and diagonally across a square stage in fixed patterns, alternately entering and exiting. Each actor wears a distinct colored robe (white, red, blue, yellow), and is accompanied by a distinct percussion instrument (leitmotif).

In the south and southeast of Mexico (states of Chiapas and Oaxaca) is traditional the use of the modern marimba (Percussion instrument made of native wood from Guatemala) as this instrument was developed in the region, extending its use to much of Central America, particularly in Guatemala, El Salvador, Honduras and Nicaragua. Since the early 1940s, several Central American composers created music pieces using the rhythm of cumbia giving an original touch. Among the main drivers of the cumbia are Nicaraguans Victor M. Leiva with "Cumbia piquetona", Jorge Isaac Carballo with "Baila mi cumbia", Jorge Paladino with "Cumbia Chinandega" and groups like Los Hermanos Cortés with "A bailar con Rosita", "Entre ritmos y palmeras" and "Suenan los tambores" and Los Alegres de Ticuantepe with "Catalina". In El Salvador, Los Hermanos Flores with "La cumbia folclórica", "Salvadoreñas" and "La bala".

Electric "inbindi" bass which is amplified by a public address system Ethnomusicologists trace the origins of the instrument to the 'ground bow' or 'ground harp' – a version that uses a piece of bark or an animal skin stretched over a pit as a resonator. The ang-bindi made by the Baka people of the Congo is but one example of this instrument found among tribal societies in Africa and Southeast Asia, and it lends its name to the generic term inbindi for all related instruments. Evolution of design, including the use of more portable resonators, has led to many variations, such as the dan bau (Vietnam) and gopichand (India), and more recently, the "electric one-string", which amplifies the sound using a pickup. The washtub bass is sometimes used in a jug band, often accompanied by a washboard as a percussion instrument.

Part of the reason that many labels were reluctant to sign the band was because of their unconventional sound, which was quite different from the music then popular in the Australian rock scene during the 1970s. The members of Birdman were not impressed with the acoustics of Trafalgar, a typical 1970s studio which they described as "dead sounding and quiet", in contrast to the high tempo, hard-rock sound for which Birdman is known. To the sound engineers' horror, Birdman decided to alter the studio's sound more to their liking by hauling sheets of corrugated iron from nearby demolition sites up the stairs of the studio and covering the walls with them to 'lighten up the sound'. Birdman also experimented with some other unconventional sounds on the EP, such as the smashing of VB cans on their heads, as a percussion instrument throughout the recording.

Some of her most known works were choreographies for Orfeus (1926) based upon Gluck's Orfeo ed Euridice, Stormen (The Tempest, 1929) by Sibelius, The Dybbuk by S. Ansky (1934), and the Topelius and Melartin version of Sleeping Beauty (1937). After 1932, Gripenberg focused exclusively on teaching and choreographic works, leaving performance to other artists. Her choreography, influenced by Duncan, took improvisation and developed it into modern dance, changing lyrical visualization into stylized geometric, strong movements. Musical rhythm, with smooth steps in which the toes were place on the floor and flexed before the heel touched the ground and controlled arms, which added to the overall design of the dance were hallmarks of her style. She won first prize for her choreography on small-group composition at the 1939 Brussels Concours International de Danse, with a 5-women ensemble performing Gossip, Percussion Instrument Étude and Slavery.

Tenor drums are used as a marching percussion instrument, commonly as mounted sets of 4-6 drums allowing one person to carry and play multiple drums simultaneously. Other names for these drums include names specific to configurations by number of drums: "duos" (2 drums), "tris", "trios", "trips", or "triples" (3 drums), "quads" (4 drums), "quints" (5 drums), and "squints," "hexes," "six-packs," "tenors" or "sextets" (6 drums). The number-specific term "quads" is often used as a generic term even for configurations with more than four drums. Typically there are four main drums, usually either 8, 10, 12, and 13 inches in diameter (which is referred to as a high school configuration or small block tenors) or 10, 12, 13, and 14 inches in diameter (referred to as a Corps configuration or big block tenors), plus one or two accent drums (typically 6 or 8 inches in diameter)).

The Irish people's practice of sean-nós dance, sean-nós song, lilting (or "mouth music"), and "the bones" (a simple percussion instrument) represents a minimalist means of preserving their musical and dance heritage — despite concerted efforts by the English authorities to usurp Irish music, dance,Irish Step Dancing - A Brief History, Don Haurin & Ann Richens modes of dress, languageAre the Irish Speaking Irish?, Bernd Biege (see Irish Gaelic and Hiberno-English), Catholic religion,Dimensions: The Rupture of English and Irish Identities in Early Modern Ireland, 1534-1615, D. W. Cunnane nationality, and history — or simply due to a dearth of resources when emigrating. Accordingly, the Irish in America have been able to promulgate the dance and musical aspects of the Culture of Ireland — even after large waves of migration subsequent to highly disruptive events in Ireland, such as the Cromwellian conquest of Ireland or the Great Famine of Ireland.

Buk have been used for Korean music since the period of the Three Kingdoms of Korea (57 BC – 668 AD) in light of mural paintings in Anak Tomb of Goguryeo (37 BC – 668 AD) and records of Book of Sui on the kingdoms, Goguryeo and Baekje (18 BC – 660 AD). In the 3rd of Anak Tomb, two types of buk are depicted in the paintings titled Juakdo (주악도, , "painting of playing music") and Haengryeoldo (행렬도, , "painting of marching") such as ipgo (입고, ) and damgo (담고, ) respectively. The ipgo is a buk that performers beat as standing, while the damgo is a buk that drummers strike as carrying it on their shoulder. During the Unified Silla period (668–935), (대고, ) or , meaning "a big drum", was used along with a percussion instrument named (박, ) in a music played by Samhyeon samjuk (삼현삼죽, 三絃三竹) which comprises samhyeon, three string instruments such as geomungo, gayageum, and hyangbipa and samjuk such as , and .

Xylorimba, range C3-C8 The xylorimba (sometimes referred to as xylo-marimba or marimba-xylophone) is a pitched percussion instrument corresponding to a xylophone with an extended range (and not to a combination of a xylophone with a marimba, as the name might suggest). Like the xylophone and marimba, the xylorimba consists of a series of wooden bars laid out like a piano keyboard "with a compass sufficiently large to embrace the low-sounding bars of the marimba and the highest-sounding bars of the xylophone." "The lower notes of the xylorimba sound like a xylophone rather than a marimba on account of the bars being thicker and narrower than those of a marimba (the bars of the xylophone and the marimba are shaped differently to emphasize different overtones) and of the different size and shape of the resonators" . "As the marimba-xylophone it was a popular instrument in the 1920s and 30s, particularly in vaudeville" .

Barrel drums have been used for Korean music since the period of the Three Kingdoms of Korea (57 BC – 668 AD) in light of mural paintings in Anak Tomb of Goguryeo (37 BC – 668 AD) and records of Book of Sui on the kingdoms, Goguryeo and Baekje (18 BC – 660 AD). In the 3rd of Anak Tomb, two types are depicted in the paintings titled Juakdo (주악도, , "painging of playing music") and Haengryeoldo (행렬도, , "painting of marching") such as ipgo (입고, ) and damgo (담고, ) respectively. The ipgo is a buk that performers beat as standing, while the damgo is a drum that drummers strike while carrying it on their shoulder. During the Unified Silla period (668 – 935), daego (대고, ) or keunbuk, meaning "a big drum", was used along with a percussion instrument named bak (박, ) in music played by Samhyeon samjuk (삼현삼죽, 三絃三竹) which comprises samhyeon, three string instruments such as geomungo, gayageum, and hyangbipa and samjuk such as daegeum, junggeum and sogeum.

The 1996 New York debut of the Nrityagram Dance Ensemble, with Surupa Sen, Bijayini Satpathy, Anitha Nair, Pavithra Reddy and Jaya Mukherjee was called, "one of the most luminous dance events of the year" by Jennifer Dunning, the dance critic of the New York Times. After its New York debut, the Nrityagram Dance Ensemble has performed to sold-out shows in Hawai and Bozeman, USA, Middle East, Far East and Europe, and in time created a niche for itself in the world of dance. Today, apart from lead dancer-choreographers, Surupa Sen and Bijayini Satpathy, Pavitra Reddy, Rasmi Raj and Manasi Tripathy are the other permanent dancers of the Ensemble, and are accompanied by musicians like Swain playing the percussion instrument, Mardala, Srinibas Satapathy’s on Bamboo flute (Bansuri) and Sanjib Kumar Kunda on the violin. Its first full- length production "Sri - In Search of the Goddess", was premiered in Delhi in 2001 and in the United States in 2002-2003, to critical acclaim.

Esther Forero and her daughter had a personal fallout lasting several decades but, were reconciled in Esther's latter years before her passing. Esther Forero returned to Colombia in 1959, after 10 years of spreading the country's Caribbean music abroad. She began recording her music with orchestras such as those of Pacho Galán, Nuncira Machado, Aníbal Velásquez (es), and Clímaco Sarmiento, with singers including Gabriel Romero (es), Joe Arroyo, and Alfredo Gutiérrez At Esthercita's initiative, in 1974, a lost tradition of Barranquilla's Carnival was rescued – that of performing nightly parades with Cumbiambas (a folkloric rhythm and dance from Colombia) and tamboras(a percussion instrument that originated in the Dominican Republic made of recycled barrels and is played using 2 headed drums.) This night festival became known as La Guacherna. In 1975, she recorded Érase una vez en La Arenosa ("Once upon a time in the sandy city") – "Arenosa" (sandy) being an endearing term for Barranquilla – under the baton of maestro Pedro "Pete" Vicentini and accompanied by singer Alci Acosta.

Among the bands that regularly played the university, including Cream, Jimi Hendrix, and Pink Floyd, they were particularly impressed by The Crazy World of Arthur Brown, and recruited an organist, Nick Pearne, to match the format of Arthur Brown's band. Along with two female dancers, the initial line-up was Hammill on guitar and vocals, Smith on drums, wind instruments and vocals, and Pearne on organ (though he did not initially have an instrument). According to Smith, the band initially played as a two-piece, with Smith occasionally using a typewriter as a percussion instrument; their first gig as a three-piece was in the student union, which lasted five minutes before the group's amplifiers blew up. The band managed to persuade fellow student Caleb Bradley to manage them, and by the start of 1968, the band had managed to record a demo tape influenced by blues and jazz, sending it to Lou Reizner, then the U.K. head of Mercury Records, who offered the trio of Hammill, Smith, and Pearne a recording contract in May.

Rosenberg Publishing, 2014. Meredith resided in Heathcote from 1952 (when he moved there to share a somewhat primitive owner-built dwelling with its builder, Eric Burnett, an ex- roommate from Sydney) up to mid 1954, when he returned to the inner Sydney suburbs, taking up lodgings in Lewisham in order to avoid the long train commute from Heathcote to his job in the city, in addition to his burgeoning city-based musical activities. In its initial lineup, the group's instrumentation was button accordion and tin whistle (played by Meredith), "bush bass" or tea chest bass played by Barrie (actually not a traditional "bush" instrument at all, but one previously played by sailors and "wharfies"), while Loughlin played the lagerphone, a home-made percussion instrument constructed by loosely nailing bottle tops to a broom handle to make a rattling sound when struck upon the floor, this example being constructed and named by Meredith's brother Claude and copied from something he had seen played by "an old rabbitter".Mulga Wire, April 2002, p. 12.

's successful season, Alon was awarded an Australia Council for the Arts grant to fund his choose-your-own adventure style musical game piece, The Colors Interactive Comeback Show which was performed at the Adelaide Fringe Festival, the Melbourne International Comedy Festival and the Sydney Comedy Festival He has also received an Australia Council for the Arts grant to design and build a new electronic percussion instrument called the 'Air Sticks'. In 2010, he performed with Meow Meow at the Edinburgh Fringe Festival and joined Aronas, brainchild of Australian Jazz Bell Award winner, Aron Ottignon for their European tour. His theatre credits also extend to his performance as the drummer and sound designer in Sam Atwell's play Bondi Dreaming, the touring production Barrel of Monkeys (Strut'n'Fret), touring with Circus Monoxide as musical director, drummer and keys player, improvising drums in Spontaneous Broadway, and composing and sound designing for Emergence. Other diverse projects he has been involved in include The Colors Tribute Band, Gauche, Trigger Happy, Foley, Horse Feathers, The Renovators, The BZNZZ, Pugsley Buzzard, Darth Vegas, Gl;tch Jukebox, The Rescue Ships, Brian Campeau, Dave Sattout, Killsong, the Belvoirs, Donne, The Ben Romalis Trio, and The Tango Saloon.