There's dizzy harmonized guitar solos, disco-adjacent percussive percolations, and hellish descents into atonal static.
|
|
J. set) (Friday) The eclectic funk-jazz collagist Sinkane blends soulful falsetto harmonies with the kind of slippery, tinny electronic percolations that could soundtrack a Nintendo 93 game.
|
|
J. Set) (Tuesdays and Fridays) The eclectic funk-jazz collagist Sinkane blends soulful falsetto harmonies with the kind of slippery, tinny electronic percolations that could soundtrack a Nintendo 64 game.
|
|
J. Set) (Friday) The eclectic funk-jazz collagist Sinkane blends soulful falsetto harmonies with the kind of slippery, tinny electronic percolations that could serve as the soundtrack for a Nintendo 64 game.
|
|
J. Set) (Tuesdays and Fridays through 230/2129) The eclectic funk-jazz collagist Sinkane blends soulful falsetto harmonies with the kind of slippery, tinny electronic percolations that could soundtrack a Nintendo 8 game.
|
|
Expectations are grand for "Painting With," the group's 10th album, out this Friday; the early single "FloriDada" nods to the convivial drum-circle euphorics of its earliest releases with playful percolations of surf-pop.
|
|
In rainy weather the > primitive earthen floor was sometimes, and generally, rendered quite muddy > the percolations from the roof above. . . . The rooms were not over 6x9 > [feet] in size. Such were the ordinary dormitories of the hotel advertised > as being the "best hotel south of San Francisco." If a very aristocratic > guest came along, a great sacrifice was made in his favor, and he was > permitted to sleep on the little billiard table.
|
|
Greaser revival look in 1974 The first cinematic representation of the greaser subculture was the 1953 film The Wild One. The band Sha-Na-Na models their on-stage presence on New York City greasers (the band members themselves were mostly Ivy Leaguers). The 1990 John Waters film Cry-Baby is a camp reminiscence of Baltimore greasers during the 1950s.Sprengler, C., "Grease, the Jukebox Fifties and Time's Percolations", in O. Gruner & P. Krämer, eds.
|
|
Controversial subjects are covered, or subjects that tend to shock the public, as Henrik Ibsen did in the 20th centuryFierro, p. 361, 2013, “Satchmo” alludes to matters, and pronounces terms, less preferred by the percolations of higher society's sophistication, and at the same time dives in the ponderation of Louis Armstrong's important relationships; as underlined by Fierro's assessment of Ibsen's realist drama: “he explored universal themes of conflict between the individual and society; between love and duty, and between husband and wife.”Fierro, p. 362, 2013. Showcasing the influence of realist drama, in “Satchmo at the Waldorf” the audience is introduced to the probable material anecdote of Louis Armstrong soiling himself in his later years, and his experience living under Jim Crow laws in his younger years; his response to criticism, the blurred relationship of a business-manager and friend, the difficulty of understanding Glaser's decisions at the time of death, and the artist's love for his fourth wife, Mrs.
|
|