127 Sentences With "patinated" | Random Sentence Generator

One face of the library is sheathed in colorful glass; the others are clad in pre-patinated copper.

The sculpture, once released from the mold, can be soldered, polished and patinated into its gleaming final form.

Her final phase of work, from the 2000s, culminated in gorgeous patinated bronzes that hark back to a prehistoric age.

They come in clear acrylic as well as metals in matte, glossy, patinated or painted finishes, with custom engraved texts and images.

But the homes where Mira and Kevin live, patinated and imperfect and crowded with debris, more fully capture the spirit of mingei.

Materials in the 20153-foot-tall sculpture include polished and patinated bronze, 24-karat gold gilding, silver leaf, Swarovski crystals, paint and handblown glass.

Earlier, during the first morning session of the sale, Mr. Lordonnois had seen a modern patinated iron garden table and four chairs sell for €22014,222.

My bull cabinet [a patinated bronze number with a swirly gold leaf appliqué and a bull's head on top] came to me in the bath.

His array of cobbled-together wood shards alongside small, richly patinated bronzes offers a warm and inviting, even cozy, opportunity to contemplate pure form in silence.

Adelman debuted a patinated brass Drop pendant series and Calico introduced a photorealistic wallpaper made by scanning an original painting that had been corroded with salt.

At Dia, some lightly patinated prototypes of the Square Tubes stand in the same gallery as freshly fabricated sculptures — each as much a "Posenenske" as any other.

That wouldn't work for the current installation at Bonakdar, which includes a giant pair of patinated bronze busts by Mark Manders, appropriately titled "Two Immovable Heads" (2015-2016).

As we walked closer, the fall resolved itself into large, Minecraft-like chunks, a frozen river of patinated granite recycled from the island's seawall, tough and gray against the hill's surface.

De Castelli was the dark horse of Salone this year, turning heads with pieces by half a dozen female designers invited to work with its signature palette of warm and patinated metals.

The purple cashmere lounge chair is one of a pair; on the 1970s-era lacquer and aluminum table, Brutalist-inspired stoneware; the patinated bronze, wood and hide armchair in the foreground is by Mattia Bonetti.

Her limited-edition pieces amplify the biological, recreating a bundle of rosebuds adorned with pink sapphires, a bubble brooch of glass and diamonds or a rockrose sprig in resin and garnets with a patinated bronze stem.

Consider "Cabinet" (2006-7), from its "Robber Baron" series, a sculpture of an 18th-century French armoire made of polished, patinated and gilded bronze with a black hole through it, suggesting the explosive path of a cannonball.

GALERIE JACQUES GERMAIN, MONTREAL Among several galleries specializing in African and Oceanic art, this booth has one of the rarest pieces: a 14th-century ancestor figure from the Dogon people of central Mali, made of patinated wood.

Mr. Odermatt said he paid about $2000 million for a color-patinated Coral version of "The Diver," a 2250-foot-high bronze sculpture inspired by a Francis Bacon painting, now on display at the Punta della Dogana.

Some of the graphic motifs, which feature rhythmic, repeating patterns — Campbell wanted to inspire a sense of movement and musicality — are etched into the leather, while others are embroidered in colors to contrast against black or patinated leather.

There were oak cabinet doors that had seatbeltlike pulls by Bjarke Ingels Group (BIG), doors made of wood and thick strips of copper by Henning Larsen Architects and doors in smoked oak or patinated bronze by Norm Architects.

Louis Vuitton's artistic director of men's wear, Virgil Abloh, used the Venetian acqua alta, or periodic high tides, as the point of inspiration for his patinated bronze lights and furniture pieces arranged in a space overlooking the canal.

Using their own kitchen as a showroom and a nearby former tannery as a workshop, they assembled ironmongers to make the patinated brass hardware and hinges, and woodworkers to turn the dowels for the drawer supports, calling their company Plain English.

Many of Blackman Cruz Workshop's pieces — including a patinated bronze end table that resembles a stack of old vinyl, and a 24-karat gold-plated lamp shaped like (and cast in a mold made from) a human skull — have become contemporary classics.

The dining room furniture stands out for its eccentricity, especially a cabinet that resembles a solid block of walnut burl and is outfitted with two wide bands of patinated iron (Dalbet again) that provide legs, wall attachments and a big exposed hinge.

That cosmogram from Savannah, with its African roots and distinctly African-American history, appears in six of Ward's painting-like works made of patinated copper sheets on oak panels; he has also walked (or danced) on the copper sheets, leaving traces of his footprints.

In 20203, she gained particular attention for her work "We Come in Peace," an installation in the Metropolitan Museum's roof garden that comprised two gargantuan painted and patinated bronze figures, one 15 feet long and kneeling reverently before another, shorter, at almost 14 feet tall.

Seventy-five guests from as far as Chile and Puerto Rico gathered in an enormous warehouse jammed with vintage furniture and curios, including huge collections of patinated leather couches, wooden rolling pins, several bird cages the size of small cars, and the chassis of a wooden airplane.

There are only two professional designers here: Camilla Guinness, whose Tuscan farmhouse features fanciful murals of trees and local vistas painted by artist friends; and the team of Laura Sartori Rimini and Roberto Peregalli of the Milan-based Studio Peregalli, whose highly patinated and detailed spaces look as if they have existed for centuries.

With a deft sense of composition, he arranged almost cinematic vignettes with a scarce amount of furniture chosen from a variety of periods: geometric brass sconces by the postwar Belgian designer Jules Wabbes, a square, patinated steel chair by the contemporary designer Franck Robichez and a creamy, undulating sofa by Pierre Paulin, originally manufactured in the late '60s.

" (A 2008 edition originally listed for $180,000 sold out.) Mr. Smeets imagines that the table might even be bought by such a magnate, oblivious to its critical edge but entranced by its price tag and the sheer splash it makes in a living room, "and then he might put that 'Robber Baron' piece next to a very kitschy patinated bronze panther.

The 20 or so pieces include embroidered pillows; a large solid oak dining table with dark blue patinated steel legs; mirrors and a fireplace made of nubby ceramic; and a pair of oak side chairs with gorgeous custom upholstery by Lesage, the legendary French embroidery house (prices range from $2,500 to $4,500 for pillows to $60,000 for the dining table).

He pays particular attention to texture, evidenced by pieces like a drippy black-and-white Amazonian vessel by the Italian designer Gaetano Pesce that appears to be hard clay but is in fact a lightweight, rubbery resin, or a vase by the Californian designer Taylor Kibby made of patinated ceramic chain-link that folds in on itself and can be reshaped at will.

Minet ed Dhalia point. Also called a "stylet". Discovered at Shemlan. White patinated flint.

Emireh Point. From Meyrouba VI, Lebanon. Greyish-blue Jurassic flint, patinated to white. Upper Paleolithic.

In this work we propose the use of an innoxious imidazole compound as a corrosion inhibitor for patinated bronze.

The bust depicts Dr. Martin Luther King Jr. in a contemplative and peaceful mood, looking slightly downward, patinated to match the black marble base.

Léopold Harzé (1831–1893) was a Belgian sculptor who worked in Brussels. He is well known for his terracotta pieces, but also made patinated bronze sculptures.

The texture is consistently applied, with sporadic scratches creating emphasis and texture throughout. The artwork was originally patinated a medium brown color, unevenly applied to emphasize texture and form. The highly polished central cavity originally had a bright, golden sheen – the natural color of the bronze. The polished and patinated surfaces were intended to play off of each other; the edge of the polished circle was slightly feathered into the rich brown.

Trihedral Neolithic axe or pick from Joub Jannine II, Lebanon. Cream flint patinated to brown. In the collection of the Museum of Lebanese Prehistory at the Saint Joseph University, Beirut, Lebanon.

Also called a "stylet". Discovered at Shemlan. White patinated flint. Ras Beirut I or The Slope Breccia is on a steep limestone cliff, above Rue Zenzir, west of Rue Jinnah at around above sea level.

Tokyo, Japan, Tokyo National University of Fine Arts and Music, 1983: Hachiro Oguchi, "Japanese Shakudo"Merano, Italy, 2016: Giumlia-Mair, "Technology Transfer from Ancient Egypt to the Far East?", p. 1, "The materials discussed ... are artificially patinated copper-based alloys containing small amounts of precious metals such as gold and silver ... treated in aqueous solutions, so as to achieve various surface colors. ... some artificially patinated alloys in different colors ... similar to other modern Japanese alloys ... were identified on Western objects dating to Roman times" – also referencing Craddock (1982), etc.

Franz Xaver Bergmann (or Franz Xaver Bergman) (July 27th 1861–1936) was the owner of a Viennese foundry who produced numerous patinated and cold-painted bronze Oriental, erotic and animal figures, the latter often humanized or whimsical, humorous objects d'art.

The cheminée is made of Verde di Levanto marble, patinated bronze and gilt bronze. Rémond cast the bronze figures and made the decoration. The frieze is entirely decorated with repeating gilt-bronze ornament. François Rémond died in Paris in 1812.

The bronze statue is approximately tall. It rests on a square cream colored stone base with plaques on three sides. The sculpture and plaques are patinated and have metal highlights. The statue was installed outside the Ohio Statehouse in 1930.

The Midpoint is a 2017 hyperrealist hand-patinated resin sculpture, created by New York contemporary artist Carole Feuerman. The life size three-dimensional artwork represents a young woman wearing a one-piece bathing suit and swim cap after just exiting the water, still dripping wet.

Marie Louise Kold is an artist who works with the patination and etching of metals. She is Danish, born in Århus, Denmark in 1974, but lives and works in Sweden. Flight - Etched and patinated brass Her works vary from single squares of bronze, copper or brass, patterned and coloured by immersion in acids, or by having their aging process speeded up through natural and chemical means, to complex portraits made up of thousands of small squares, given individual patination by various processes. Little Blue Dream III - Patinated copper Her use of multi-layering, juxtaposition and interlacing of copper foil with metal plate, is also an intrinsic part of her artistic process.

Peckham Library & Media Centre, Open University website. Retrieved 2011-11-12. It is a striking building best imagined as an inverted capital letter 'L', with the upper part supported by thin steel pillars set at apparently random angles. The exterior is clad with pre-patinated copper.

The earliest tools excavated were hundreds of patinated flakes made of basalt, and quartz flakes. In the later Mesolithic phase is when tool making became more abundant. Stone axes, hammer stones, chisels, picks, slick-stones, and sling stones were excavated. The axes were found in many different shapes.

Kashira made of dark-finished shibuichi, with gold highlights is a historically Japanese copper alloy, a member of the irogane class, which is patinated into a range of subtle greys and muted shades of blue, green, and brown, through the use of niiro processes, involving the rokushō compound.

The furniture included some of Gray's best known designs – the Bibendum Chair and the Pirogue Day Bed. The Bibendum chair was a take on the Michelin Man with tire like shapes sitting on a chromed steel frame. The Pirogue Day Bed was gondola-shaped and finished in patinated bronze lacquer.

The larger pieces were patinated to white, appearing to represent different periods. Three Levallois flakes were found in 1966 by Lorraine Copeland. The Qubbat Duris was built in 1243 ( 641) during the Ayyubid era. Its sarcophagus was raised or left standing to serve as a mihrab, helping to direct prayer towards Mecca.

In the case of the Louis XVI pieces, stone (usually white marble, alabaster or biscuit) was combined with gilded and/or patinated bronze, although certain cases were completely cast in bronze. Some models were architectural (i.e., with no figures) while others displayed classical-style figurines. During the 1790s, the production of gilded-bronze increased considerably as working conditions improved.

Skylights cut in the roof of the pavilions and in the base of the reflecting pool bring natural light to the spaces, and gallery level below. The interiors of the pavilions have red and charcoal stained wood, and the exterior is a rain screen of patinated copper. The 10703 sf house and gallery was completed in June 2012.

The statuette for The Publishing Prize was designed by Petter Antonisen, who is a freelance graphic designer and art director. The statuette is made of steel. Through electrolysis the surface is covered by a layer of copper, whereupon the statuette is patinated by Stockholm sculptor Bo Andersson. One of his specialities is metallic works of art.

The Archer, patinated bronze sculpture by John E. Buck, 1991. As of 2019, this sculpture is on display at the Spalding House campus of the Honolulu Museum of Art woodblock print on paper by John E. Buck, 1981, Smithsonian American Art Museum John Buck (born 1946) is an American sculptor and printmaker who was born in Ames, Iowa.

"Maillet, sculpteur", noting the matriculation register, AJ52327 N°1909. There he studied with Jean-Jacques Feuchère, the heir of Pierre-Philippe Thomire Napoleon's official maker of bronzes d'ameublementBronzes d'ameublement include fire-dogs, candelbra and wall- lights, patinated and gilt-bronze figures and panels for fireplaces, handles for vases, etc. winning a second prize in the Prix de Rome, 1841.

A monumental conical pendulum clock by Eugène Farcot with a patinated bronze statue. For a large sculpture, the artist will usually prepare small study models until the pose and proportions are determined. An intermediate-sized model is then constructed with all of the final details. For very large works, this may again be scaled to a larger intermediate.

PL has three circular, cylindrical holes instead of two. The lowest, at about 1/3 of its height, does not pierce the bronze. It does not appear to have been painted or patinated. The second, at a height approximately halfway between the two holes of PR, is another non-penetrating hole painted in the same bright blue paint.

The materials used for this work were urethane, nylon, plastic, glass, walnut, and patinated steel. “Nunchakas” Nunchakas is a work that describes an Asian weapon, nunchucks, that consists of two wooden clubs attached to each from one end to the other by a chain. Joo substituted the wooden parts using terra-cotta. On which a dense coat of green watercress was grown.

Coin World, Periodical, Issue date : 19th May 1982 BAMS commissions medals from internationally recognised sculptors as well as from students and recent art college graduates. Portraiture, abstraction, political comment and celebration are all features of their medals. Most are cast in bronze and patinated by the artist. The society also gives advice to individuals and organisations who are thinking of commissioning a medal.

Canary Riverside Plaza Hotel is a luxury 5-star hotel in London, England. It is located at 46 Westferry Circus in Canary Wharf. The hotel has 142 rooms and suites containing large bay windows overlooking the River Thames. Its Ancient Egyptian inspired design by Renton, Howard, Wood & Levin, based on earlier work by Philippe Starck, features a curved patinated copper roof.

Modern reproductions of the original sculptures frequently use patinated verdigris cast bronze or iron, or bonded marble resin (pulverized reconstituted marble combined with resin glue), as well as various other materials and techniques, such as a composite of Capiz placuna placenta oyster shells, also known as window oyster shells, which come primarily from the Philippines (where they are known as kapiz).

Large Arch is an outdoor sculpture by British sculptor Henry Moore. It was installed in 1971 and is located in the outdoor plaza of the Cleo Rogers Memorial Library in Columbus, Indiana. Xenia and J. Irwin Miller commissioned the sculpture and gave it to the library. The sculpture is nearly 20 feet tall and is made of sandcast bronze that has been patinated.

On both sides, however, the addition of windows has produced a less symmetrical appearance. The external walls are of rendered, coursed and painted brick. The double-hung windows are timber, with external timber louvred shutters. The roof is clad in slate with decorative eaves brackets and patinated copper gutters, and features a central valley which appears to spill into a rainwater head on the north-western facade.

The Bust of Victor Hugo is an 1883 patinated plaster sculpture by the French artist Auguste Rodin of the Romantic writer Victor Hugo. It is now in the Museo Soumaya in Mexico City. In 1883 the journalist Edmond Bazire advised Rodin to cement his reputation by producing a portrait of a notable personality. Rodin thus approached Hugo \- he agreed to sittings but refused to sit for longer than 30 minutes.

It bears more than five hundred deeply patinated cupules on both of its vertical walls. The Daraki-Chattan cupules were discovered by Ramesh Kumar Pancholi in 1992. The Archaeological Survey of India took up Daraki-Chattan region near Bhanpura as a case for the study of early petroglyphs in India, and commenced excavation under Giriraj Kumar in 2002. Daraki-Chattan reveals the past of an extensive rock art in this cave.

Antigrazioso or L'antigrazioso (Italian for "The Anti-graceful"), also known as The Mother (La madre), is a patinated gesso sculpture by Umberto Boccioni realized between 1912 and 1913; it is located in the Galleria nazionale d'arte moderna e contemporanea of Rome. The bust is one of the few surviving examples of Futurist sculptures made by Boccioni in 1912 and 1913 and exhibited at the Galerie 23 in Paris in 1913.

Above it is the large southern window, with two vents having patinated copper louvers and an empty niche in between at the belfry stage. A bas-relief Celtic cross rises to the parapeted roofline. On the west side is the church's office wing. It is a two-story Tudor Revival structure with the lower story sided in random ashlar stone and stucco and the upper in half-timber.

While the sculpture is hollow, it weighs approximately . Despite the fact that it was sandcast in 50 sections and then assembled in Germany before being brought on site in 1971, the surface of the sculpture is smooth with little evidence of the joins. The surface of the sculpture was originally patinated green, and was expected to change very little with age. Moore described the original color as Paris green.

Both figures have narrow bases compared to the widths higher up, and they terminate on top with a flat, horizontal panel perpendicular to the front. The front of each figure has deep, circular holes, characteristic of Hepworth’s sculptures. Generally the bronze is smooth, with texture in the form of low-lying patches (a difference in depth similar to a thick layer of paint). It is patinated a rich dark brown color.

Since conservators traditionally strive to uphold the artist's intent when caring for an artwork, figuring out this piece of information was of critical importance. While the Honolulu cast sported a patinated surface with gilt (See gilding) garments, the North Kohala cast had been painted in lifelike colors for as long as any local residents of the island could remember, and it wasn't clear whether the statue had been originally gilt or painted. Historical accounts provided little assistance to the investigation, as articles written on the sculpture at the time of its unveiling in the 1880s offered conflicting and often contradictory descriptions of the artwork. However, by analyzing paint chip samples taken from the statue's surface using X-ray fluorescence and X-ray diffraction, Wharton was eventually able to gather evidence of 24kt gold leaf residue beneath the layers of paint, effectively concluding that the statue had, like its Honolulu counterpart, an original patinated and gilded surface.

He also produced a few works in pewter, and on at last one occasion, a casket in patinated steel, with bronze and silver inlay. His clients included Edward VII, for whom he made cups and bowls, and Croydon Borough Council, for whom he made the official ceremonial mace. He died on 5 February 1905, aged 43, after a long period of ill health. His estate was valued at probate at £3,120 14s 7d.

At first she connected it by patinated plaster and then by welding of parts of old objects – pots, wash basins, stoves, plates, pipes, buckets, scoops, strainers or cans. She combines different methods – cuts and scissors sheet metal, welds and "stitches", works them by flame, uses opportunities of color contrasts. She reaches delicate structured expression in compositions of simple shapes, crosses, totems and signs or pathetic figures. Thrown away objects gain a new function.

Aboriginal artefacts flaked from the material are characterised by a black internal colour, which is very often patinated on the surface to a pale grey. This patina rapidly darkens on contact with the skin, turning as dark as the core. Only a few pieces are generally found in archaeological assemblages in southern Victoria and around Melbourne, apart from at sites near Spring Hill, Kyneton, where it is the most common material.Clark, V. 2004.

These forms were not used as molds; the shell itself became the final sculpture, including the rough texture of the bandages. Initially, Segal kept the sculptures stark white, but a few years later he began painting them, usually in bright monochrome colors. Eventually he started having the final forms cast in bronze, sometimes patinated white to resemble the original plaster. Segal's figures have minimal color and detail, which give them a ghostly, melancholic appearance.

Sexy Fish was designed by Martin Brudnizki Design Studio. The restaurant houses installations from international names in the worlds of architecture, art, and fashion, including 19 of Frank Gehry’s iconic Fish Lamps, which hang above the bar and a glossy black silicone crocodile also designed by the architect. Two patinated bronze mermaids as well as a large bronze relief panel by Damien Hirst adorn the bar. The ceiling mural was designed by Michael Roberts.

In the 1980s and 1990s, Lichtenstein created painted bronze sculptures that were based on his earlier paintings. Expressionist Head was among the earliest of these sculptural adaptations. The sculpture is composed of painted and patinated bronze with painted wooden base. Expressionist Head reflects rootings of German Expressionist prints because of its "angular anatomies and bold contours", but Lichtenstein swapped out his characteristic Ben-Day dots with hatch marks to in his favored primary colors.

Typically, architectural grade zinc is 99.995 percent pure zinc with trace amounts of titanium, to reduce coefficient of thermal expansion and improve tensile strength and hardness, and copper to improve workability. Exact alloy composition is subject to manufacturer and is a color determinant in zinc's final patina. Over time, zinc develops its distinctive patina, transforming from a shiny silver to a matte bluish-grey. Pre patinated finishes are available from certain manufacturers to expedite the natural patination process.

A stone celt or axe was found in a drain at Loans.Smith, Page 117 An old field boundary and rig and furrow remnants have been found at Loans.RCAHMS Retrieved : 2012-12-15 In the 1970s a grey flint flake was found in ploughed soil and over forty patinated and unpatinated flint blades were discovered nearby.RCAHMS Retrieved : 2012-12-14 An earthwork is present (NS352323) in a nearby field, but it has been almost entirely ploughed out.

The alloy of 90% copper and 10% nickel, remarkable for its resistance to corrosion, is used for various objects exposed to seawater, though it is vulnerable to the sulfides sometimes found in polluted harbors and estuaries. Alloys of copper with aluminium (about 7%) have a golden color and are used in decorations. Shakudō is a Japanese decorative alloy of copper containing a low percentage of gold, typically 4–10%, that can be patinated to a dark blue or black color.

Large Four Piece Reclining Figure 1972–73 at Harvard University Large Four Piece Reclining Figure 1972–73 (LH 629) is a bronze sculpture by Henry Moore. Approximately long, the sculpture was made an edition of seven full size casts (plus an artist's copy), all cast by the Hermann Noack foundry in Berlin. Relatively unusually for Moore's work, the cast is polished rather than patinated. The highly abstract – almost surreal – sculpture comprises four pieces, with the composition reminiscent of a reclining human figure.

Suaka, for example, may advance from a light brown after 2–4 hours, to orange-brown after 6 hours, to red towards 10 hours. Notably, the traditional patination methods affect each metal differently, and have little or no effect on silver and gold elements, allowing for interesting effects when an object comprising multiple metals is patinated in one go to produce multiple final colours. Other effects are created by cutting through layers of patination to let underlying surfaces show through partly.

Archaeology of Lebanon reveals thousands of years of history ranging from the Lower Palaeolithic, Phoenician, Jewish, Roman, Muslim, Christian, Ottoman, and Crusades history. Overview of Baalbek in the late 19th century Archaeological site in Beirut Greek inscription on one of the tombs found in the Roman- Byzantine necropolis, Tyre Trihedral Neolithic axe or pick from Joub Jannine II, Lebanon. Cream flint patinated to brown. In the collection of the Museum of Lebanese Prehistory at the Saint Joseph University, Beirut, Lebanon.

Baluster candle sticks and a French Empire mantel clock with a figure of Minerva, (1817). Located in the Blue Room of the White House, shown as decorated by Stéphane Boudin in 1963. The clock is now on a table of the Entrance Hall. Napoleon and the Archduchess Marie-Louise, as Mars and Venus Pierre-Philippe Thomire (1751–1843) a French sculptor, was the most prominent bronzier, or producer of ornamental patinated and gilt-bronze objects and furniture mounts of the First French Empire.

Bronze bird sculpture by Moigniez, Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855. Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.

All told, 22 construction companies and 15 consultants worked on the restoration. Their first undertaking was to completely re-gild the exterior dome using 2 kg of .01mm-thin sheets of gold leaf. The base of the dome was renewed with copper sheets that, prior to their placement, were artificially patinated. Between 2002 and 2004, the entirety of the church's 1,800m² façade was replaced with 3000 plates of Carrara marble, each tile having been examined by ultrasound to ensure quality.

It was mostly in brown, shiny flint, some with a grey film. The pieces were heavily patinated, sometimes with a number of different patinas. This allowed Fleisch to divide the tools into four groups, Early Paleolithic, Middle Paleolithic, Middle/Late Paleolithic, and Upper Paleolithic with Levallois technique being used on cores in later periods. The Heavy Neolithic and Neolithic material was mostly in a creamy chert and consisted of adzes, chisels, oval axes with retouch all over, racloirs, cores and discs.

The bronze of the rear legs is thicker, indicating that they were the statue's primary means of support. The image of the goddess Nike is engraved on the horse's right thigh, holding a wreath in raised hands -- a brand for racehorses in Ancient Greece. The horse dwarfs its jockey, a boy only tall and perhaps 10 years old, possibly from Africa based on his physiognomy and original black patinated surface colouring. His hairstyle, however, is Greek, suggesting a mixed heritage.

Patinated and ormolu bronze piece representing Mars and Venus, an allegory of the wedding of Napoleon I and Archduchess Marie Louise of Austria. By the famous bronzier Pierre-Philippe Thomire, c. 1810. A French Empire-style mantel clock is a type of elaborately decorated mantel clock that was made in France during the Napoleonic Empire (1804–1814/15). Timekeepers manufacturing during the Bourbon Restoration (1814/1815–1830) are also included within this art movement as they share similar subjects, decorative elements, shapes, and style.

The cornice is banded with smooth limestone above intricate spiraling patterns below, and the top-edge of the roofline is straight and horizontal on the front and back and scalloped in a concave fashion on the sides. Side window When approaching the tomb, the obvious focus is the ornate doorway. An intricately ornamented bronze gate and door, patinated green over time, are spanned by a broad semi-circular archway. The voussoirs, emanating radially in long thin wedges, share alternating plain and intricately carved concentric bands.

Obsidian, as a natural glass material, is peculiar because when it is exposed to water, the surface develops a patinated layer of hydrated perlite. Old fractures therefore have thicker layers of patina than more recent flake scars. As the rate of hydration is determined by factors such as moisture content, temperature, and the chemical composition of the obsidian, this method cannot provide absolute dates. However, this method has the major advantage of relying on obsidian flaking as the activating cause in this dating scheme.

The figure is filled out on the back as though the silhouette of the front face were rotated on its vertical axis, so that any given horizontal cross section would be semicircular. There are two important circular holes cut into the front surface. The higher one, placed a little less than ¾ up the height of the figure, is diametrically larger and pierces cylindrically through the entire sculpture, creating a window to the other side. The inner surface of the hole was originally patinated a dusty light green.

The Medal of Liberty is a circular, bronze medallion, seven inches in diameter, hand finished and patinated by Alex Shagin. On the obverse of the medal is the bust of Frédéric Bartholdi, facing slightly to the right and holding in his right hand his small bronze sculpture of Liberty Enlightening the World, his template for the construction of the Statue of Liberty National Monument at the mouth of the Hudson River in New York Harbor. Bartholdi's name appears vertically, his middle name, Auguste, to the left of his bust and his surname to the right.

Indian (Sind) tabar battle axe, late 18th century or earlier, crescent shape 5-inch-long head with a square hammer opposite of the blade, 22-inch-long steel haft, the end of the haft unscrews to reveal a 5-inch slim blade. Heavily patinated head and handle with traces of engraving. The tabar (also called tabarzin, which means "saddle axe" [in persian]) is a type of battle axe. The term tabar is used for axes originating from the Ottoman Empire, Persia, Armenia, India and surrounding countries and cultures.

Visitors to Il Porcellino put a coin into the boar's gaping jaws, with the intent to let it fall through the underlying grating for good luck, and they rub the boar's snout to ensure a return to Florence, a tradition that the Scottish literary traveller Tobias Smollett already noted in 1766,Smollett, Travels Through France and Italy, 1766, Letter XXVIII, noted in Haskell and Penny. which has kept the snout in a state of polished sheen while the rest of the boar's body has patinated to a dull brownish-green.

The nineteen floors of the building are cantilevered from this central core, like the branches of a tree. The outer walls hang from the floors and are clad in patinated copper "leaves." The building is asymmetrical, and like a tree, "looks different from every angle." Wright had championed these design ideas, which other architects had put to use before the construction of the Price Tower, as early as the 1920s in his design for an apartment complex of four cantilevered towers for St. Marks-in-the-Bowerie in downtown New York City.

He began Eve in 1881, later abandoning his intended colossal version of it when he realised his model, probably Adèle Abruzzesi, was pregnant. It was first exhibited to the public at the 1899 Paris Salon. It shows a strong influence from Michelangelo, picked up by Rodin in Italy in 1876. He also produced an autograph white marble version in 1884 (now in the Museo Soumaya in Mexico City), a version in patinated plaster and a much-reproduced 71 cm high bronze version in 1883 (known as the Petite Ève or Little Eve, whose original is also in the Musée Rodin in Paris).

He produced several Neoclassical statues in patinated bronze and held membership in the Reichsverband bildender Künstler in Germany. Very versatile, Schmidt-Hofer was able to transition from works produced in the Art Nouveau era and pivot to doing a number of Art Deco sculptures during the latter portion of his career between 1915 and 1925. One sculpture, among his large career output of Art Deco sculptures, was The Entertainer. The statue, cast in four variations – one being chryselephantine and the other being all bronze (and also clothed and nude) – was among the best of the work he produced.

A-maze-ing Laughter was designed by Yue Minjun and installed in Morton Park (Davie and Denman) along the English Bay in West End, Vancouver in 2009. The patinated bronze sculpture, composed of 14 statues each about three metres tall and weighing over 250 kilograms, portrays the artist's own image "in a state of hysterical laughter". It was created as part of the Vancouver International Sculpture Biennale, which exhibits international contemporary works in public spaces. The sculpture was donated to the City of Vancouver by Chip and Shannon Wilson through the Wilson5 Foundation on August 11, 2012.

Spice Shaker, 1985, embodies the sensuality of the Jewish Havdalah ritual with which the vessel is associated. Gold wire elements evoke the aroma of spices, rising from a simple form raised from a silver sheet. Tangled Garden: A tip of the hat to J.E.H. Macdonald, 1988, pushes further the exploration of organic and geometric shapes. Inspired by a painting by Canadian artist J. E. H. MacDonald, the patinated copper surface and twined wire elements evoke the overgrown organic forms of Macdonald's The Tangled Garden while the geometric base of the vessel suggests an underlying order in the natural world.

Levy undertook various philanthropic endeavors, many of which were in support of Jewish-American life. In 1854 he sponsored the new Jewish seminary of the B'nai Jeshurun Educational Institute in New York. In 1833, New York City gave Levy the Key to the City after he presented the city with a patinated plaster statue of Thomas Jefferson, the one used to cast the bronze version he gave to the U.S. Congress. Before the statue was set up in New York City Hall, Levy installed it in a building on Broadway and charged admission to view it.

The materials for the Price Tower are equally innovative for a mid- twentieth-century skyscraper: cast concrete walls, pigmented concrete floors, aluminum-trimmed windows and doors, and patinated embossed and distressed copper panels. The general geometric element is the equilateral triangle, and all lighting fixtures and ventilation grilles are based upon that form while the angled walls and built-in furniture are based on fractions or multiples of the triangular module. The lobby contains two inscriptions by Walt Whitman. One is from the concluding stanza of Salut au Monde, and the other from Song of the Broad-Axe.

Jebel Aabeby is an archaeological site approximately southeast of Sidon, to the west of the road north to Qraye in Lebanon. The site is on a hill where a number of Cedar trees surround the Mar Elias monastery on the western side of the summit. A Heavy Neolithic assemblage of flint tools made by the Qaraoun culture was collected from some Olive terraces bordering on the road and from an area above them that was disturbed in the construction of a trackway. The flint was of a brown, Nummulitic, Eocene type, some having been patinated to white while others were found fresh.

However, the government's formation patinated notably on the school question which pitted Catholics and lay people against each other and which related to the financing of Catholic and public schools. Both the socialists and the liberals have the impression that they are playing a fool's game where the lowest bidder will have the chance to claim a few positions in a government that will carry out the entire Christian program. The Christian Social Party then tries to capitalize on its 104 seats to gain confidence. Contrary to all expectations, the abstention of one Volksunie member and two Liberals was enough to gain the confidence of Parliament.

When the Mandel Group, developers of East Point Commons, announced plans for multi-family housing to be located on nine blocks of the abandoned Park East freeway corridor, the City of Milwaukee dedicated part of the land to become a small public park to be maintained by the owners. An art advocacy citizens' group, Art Action, saw this development as an opportunity to retrieve the Boy with Goose bronze, which had languished in county storage for many years. Art Action coordinated the cooperation between the private sector, the city, and the county to find the work and subsequently have the bronze restored, re-patinated, and sited in its present location.

The material from this site was in a pale, smooth, grey- cream chert that had patinated and is now held at the Museum of Lebanese Prehistory at Saint Joseph University. The Cauvins suggested the material had similarities to the Neolithic moyen assemblage from Byblos and Andrew Moore theorized that Heavy Neolithic stations such as this were used during earlier and later periods. James Mellaart suggested the Heavy Neolithic industry of the culture dated to a period before the Pottery Neolithic at Byblos (10600 to 6900 BCE according to the ASPRO chronology).Mellaart, James, Earliest Civilizations in the Near East, Thames and Hudson, London, 1965.

Natoma, patinated bronze sculpture of a Navajo dancer by R. C. Gorman, East- West Center, Honolulu, Hawaii Rudolph Carl Gorman (July 26, 1931 – November 3, 2005) was a Native American artist of the Navajo Nation. Referred to as "the Picasso of American Indian artists" by The New York Times, his paintings are primarily of Native American women and characterized by fluid forms and vibrant colors, though he also worked in sculpture, ceramics, and stone lithography. He was also an avid lover of cuisine, authoring four cookbooks, (with accompanying drawings) called Nudes and Food.Gorman, R. C with (editor) Virginia Dooley, Nudes and Foods: Gorman Goes Gourmet.

One example of a traditional Japanese patination for mokume-gane is the use of the niiro process, usually involving rokushō, a complex copper verdigris compound produced specifically for use as a patina. The piece to be patinated is prepared, then immersed in a boiling solution until it reaches the desired color, and each element of a compound piece may be transformed to a different color. Historically, a paste of ground daikon radish was also used to prepare the work for the patina. The paste is applied immediately before the piece is boiled in the rokushō to protect the surface against tarnish and uneven coloring.

Hanakapiai 3, cast, patinated bronze sculpture by David Kuraoka, 2003, Hawaii State Art Museum David Kuraoka (born 1946) is an American ceramic artist. He was born in Lihue, Hawaii, grew up on the island of Kauai, Hawaii in Hanamaulu and Lihue, and graduated from Kauai High School in 1964. Kuraoka spent his formative years in Hanamaulu where he lived with his parents in his paternal grandmother's home in a plantation labor camp. His father, one of seven children and the only son, became a journalist, writing a weekly column published on Wednesdays, and the Kauai campaign manager for local politician Hiram Fong and Richard Nixon.

The third, just above the top of the upper hole of LR, goes through all the way to the point where the cylinder intersects the sides of the sculpture but not so far as to take out the angular edge opposite the front face. The effect is that though there is only one large, round hole on the front, there are two smaller oval holes on the back, one on each surface. The interior of this hole was likewise once patinated light green. On each back surface of PL there is etched a circle roughly corresponding to the height and size of the cylindrical holes.

Barrias designed a sculptural group of three figures to symbolise the defence of Paris in the Franco-Prussian War: a woman standing in the uniform of the National Guard and with a mural crown on her head, leaning on a cannon and holding a flag, symbolises the city of Paris; on the ground in front, a young soldier loading his Chassepot rifle represents the service of the military; and to the rear, a sad young woman represents the suffering of the civil population. Barrias used a similar triple composition for his Franco-Prussian war memorial sculpture in Saint-Quentin, Aisne. A plaster preparatory model, c.1880, patinated to resemble bronze, is exhibited at the Petit Palais.

The first monumental sculpture that was made especially to decorate Nutibara was the Madremonte, by José Horacio Betancur in 1953. Since its delivery, Madremonte was exposed early in the House of Culture, and then the Nutibara hill, until March 27, 1986, when it was moved to the Botanical Garden of Medellín in exchange for sculpture Cacique Nutibara, also by Betancur. This sculpture, made in the year 1955, is patinated concrete, weighs four tons and is 3 m high by 2.9 m wide. Before being located on the western side of the top of the hill, the Cacique Nutibara was exhibited at the Plaza that bears his name, then in the garden art of Laureles.

F7 David Kuraoka said in an artist's statement, "My work is abstract, and my style is simple, clean and crisp."Wu, Nina, "California Slick, Natural Qualities of Ceramicist's Work are Revealed in His Clean, Crisp Lines", Honolulu Star-Advertiser, Aug. 11, 2017, tgif pages14-15 He is best known for large ceramic pieces that are first thrown on a wheel, then further shaped by hand, burnished, covered with rock salt and copper carbonate, and fired in an open pit. He also makes more traditionally shaped ceramics with grayish-green celadon glaze and has begun having some of his organically shaped ceramic pieces cast in bronze, which are patinated to resemble his ceramics.

Denière et Matelin were prominent French bronziers, producers of ornamental patinated and gilt-bronze objects and mounts working in Paris during the Directoire and First French Empire periods. Named for Jean-François Denière (1774–1866) and François Thomas Matelin (1759–1815), the firm is known for the production of ormolu furniture mounts, candelabra, torchères, and ornamental mantel clocks. Suppliers to the French court before the revolution, the company, after the revolution, and before the establishment of the First Empire under First-Consul Napoleon Bonaparte, primarily exported to European courts and nobility and the emerging United States. Under the Empire government the firm regained favor in France, producing furniture mounts, candelabra, and clock cases for the homes of the regime.

The patinated bronze statue, mounted on a base and a plinth to reach a total height of , weighs approximately . It depicts Ashurbanipal, the Assyrian king known for building the eponymously named Library of Ashurbanipal, the first and largest library in Nineveh. The bearded king is shown wearing earrings and a tunic; he is holding a clay tablet in one hand and restraining a lion cub against his chest with the other. According to the Historical Marker Database, the cuneiform inscribed on the tablet reads: "Peace unto heaven and earth / Peace unto countries and cities / Peace unto the dwellers in all lands / This is the statue presented to the City of San Francisco by the Assyrian people in the 210th year of America's sovereignty".

The memorial comprises 16 bronze "standards" set out on a grassy slope at the east end of the Hyde Park Corner traffic island. Each standard is a cross-shaped metal girder weighing about , cast by the Heavy Metal Company in Lower Hutt, and set in a concrete foundation, with surrounds of British slate. The dark patinated surfaces of the standards are adorned with different texts, patterns and small sculptures, all symbolic of New Zealand, including fern shapes, a manaia figure, plants and animals from New Zealand, emblems of the New Zealand armed forces, and references to authors and artists from New Zealand.The New Zealand Memorial, Ministry for Culture and Heritage, 11 November 2006 The girders project from the ground at an angle towards the south.

The method has existed for at least 600 years but if some of the alleged origin timings for shakudo are valid, then, since niiro is intrinsically linked to the production of that patinated alloy, its history may extend over 1200 years. The details of the processes and especially the compositions of the materials used to bathe the metals, are passed on within Japanese craft circles, and not widely documented, though some information was written down from the middle of the Edo period, and published more generally, in Japanese, in the early 20th century. Attention to niiro and the irogane metals it produces came to the West in the late 19th century, in a period when the metalcrafts of Japan were in decline due to changes in tastes.

Swords found together with the Nebra skydisk, ca. 1600 BC. Typologically, these swords are of the Sögel type, but their shape and decoration "the decorative lines on the sword blades that had initially been regarded as incrustations consisted of pure copper hammered into channels that had presumably already been produced in the casting process. Thus the swords are among the very few Early Bronze Age examples of a true inlay technique outside the Mediterranean world [...] An interesting parallel to these has now been found in a sword from the parish of Vreta Kloster in Östergötland, Sweden." Roland Schwab, Inga Ullén, Christian-Heinrich Wunderlich, A sword from Vreta Kloster, and black patinated bronze in Early Bronze Age Europe, Journal of Nordic Archaeological Science 17, 27–35 (2010).

The courtyard features plants indigenous to Long Island and the Northeast, with ferns, swamp azalea, river birches, and a meditation stone beneath a redbud tree. Sondresen compared the layout to a Renaissance palazzo where the building is lit from inside: Three of the courtyard's four walls are glass, and the fourth is patinated Corten steel with a Japanese-style rain chain. Finefrock designed the rooftop garden in sandy soil to reflect the building's indigenous environment and its proximity to the ocean, with elements from the Long Island Pine Barrens, coastal plants, beach plum trees. A gravel path divides in two and allows a user the choice between a direct route across the roof or a more meandering enclosed philosopher's walk.

Postmodern architecture has seen some revival in the Palazzo style, in greatly simplified and eclectic forms. The Italian architect Aldo Rossi has designed a number of Palazzo style buildings, including Hotel Il Palazzo in Fukuoka, Japan, (1989) which combines elements of a typical palazzo facade, including projecting cornice, with the intense red found in Japanese traditional architecture, and the green of patinated bronze. Lonely Planet, Michael Clark, Hotel Il Palazzo, accessed 2011-03-27 In 1996 Rossi designed a building complex on a large corner block in the Schützenquartier, Berlin, and previously occupied by a section of the Berlin Wall. Rossi's study of the architecture of the city led him to construct a single building with the appearance of multiple structures, of varying widths, designs and colours, many of which have elements of Palazzo architecture.

Pliny and other ancient writers have much to say in regard to various alloys of bronze — Corinthian, Delian, Aeginetan, Syracusan — in regard to their composition and uses and particularly to their colour effects, but their statements have not been confirmed by modern analyses and are sometimes manifestly false. Corinthian bronze is said to have been first produced by accident in the Roman burning of the city (146 BC) when streams of moten copper, gold and silver mingled. Similar tales are told by Plutarch and Pliny about the artists' control of colour: Silanion made a pale-faced Jocasta by mixing silver with his bronze, Aristonidas made Athamas blush with an alloy of iron. There is good evidence that Greek and Roman bronzes were not artificially patinated, though many were gilt or silvered.

The much-innovated construction of the IB building is composed of green patinated copper strips aiming in a vertical direction continuing inside the building, adding to the physical appearance of the facility. The use of the copper panels increases classroom space by 50% and increases the use of green infrastructure by 60%. UTM's Instructional building includes geothermal heating and cooling systems under the nearby football field as well as awnings with thin photovoltaic cells which contribute to shade on the south side of the building. Other renewable energy ideas were also included in the construction of the building such as the inclusion of green roofs and reflective membranes which play a big role in the reduction of urban heat as well as energy and water-efficient lighting and fixtures.

Patinated and ormolu Empire timepiece representing Mars and Venus, an allegory of the wedding of Napoleon I and Archduchess Marie Louise of Austria in 1810. By the famous bronzier Pierre- Philippe Thomire, ca. 1810. The Candelabro Trivulzio in the Milan Cathedral, a seven-branch bronze candlestick measuring 5 meters in height, has a base and lower part decorated with intricately designed ornament which is considered by many to be French work of the 13th century; the upper part with the branches was added in the second half of the 16th century. A portion of a similar object showing the same intricate decoration existed formerly at Reims, but was unfortunately destroyed during World War I. In the 16th century the names of Germain Pilon and Jean Goujon are sufficient evidence of the ability to work in bronze.

The cast also lacks the effects created by light on polished or patinated highlights such as the heads of the figures, against the darker recessed surfaces and backgrounds. Ernst Kitzinger finds "a far more definite reattachment to aesthetic ideals of the Graeco-Roman past" than in the earlier Dogmatic Sarcophagus and that of the "Two Brothers", also in the Vatican Museums.Kitzinger, 26 The form continues the increased separation of the scenes; it had been an innovation of the earliest Christian sarcophagi to combine a series of incidents in one continuous (and rather hard to read) frieze, and also to have two registers one above the other, but these examples show a trend to differentiate the scenes, of which the Junius Bassus is the culmination, producing a "multitude of miniature stages", which allow the spectator "to linger over each scene", which was not the intention of earlier reliefs which were only "shorthand pictographs" of each scene, only intended to identify them.Kitzinger, 22-26, 25 quoted.

In his artist's statement for The Gathering 2013 catalog, he explains "My motivation is hard to define except to say that by making things I keep myself from being bored. That is the same reason that I constantly change focus, from sculpture in all forms to etchings, stained glass to painting, drawing and anything and everything in between."The Gathering 2013, Copper House Gallery, pg 114; retrieved November 20, 2015. View of the monumental bronze sculpture, St Brendan the Navigator, created by Tighe O'Donoghue/Ross for the St Brendan Heritage Park atop Samphire Island at Fenit, County Kerry, Ireland A monumental sculpture by Tighe O'Donoghue/Ross created in patinated ferro- cement of a war horse with helmet and broken chains atop an outcrop along the N22 roadway near Killarney, County Kerry, Ireland A pair of stained glass windows created by Tighe O'Donoghue/Ross installed at St Mary's Cathedral, Killarney, entitled Dawn & Dusk, commemorating his family and his Rapparee ancestors.

Bowl Mounted with Two Fish; bowl: 1730–1740, fishes: early 18th century, mounts: 1745–1749; porcelain with glaze monochrome turquoise/light blue and French ormolu mounts; 18.7 cm; Walters Art Museum (Baltimore, US) Patinated and ormolu Empire timepiece representing Mars and Venus, an allegory of the wedding of Napoleon I and Archduchess Marie Louise of Austria in 1810; by the famous bronzier Pierre-Philippe Thomire; circa 1810; gilded bronze and patina; height: 90 cm; Louvre The manufacture of true ormolu employs a process known as mercury- gilding or fire-gilding, in which a solution of mercuric nitrate is applied to a piece of copper, brass, or bronze; followed by the application of an amalgam of gold and mercury. The item is then exposed to extreme heat until the mercury vaporizes and the gold remains, adhering to the metal object. This process has generally been supplanted by the electroplating of gold over a nickel substrate, which is more economical and less dangerous.