Then I write my initials with "OK to paste," and it's pasted up against the granite.
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He sipped his tea and pasted up his photos while listening to Coltrane through the little speaker.
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On the main screen, all your items look like Post-It notes pasted up on a board.
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He's much more animated in retelling what happens after an image is pasted up and people start congregating and talking.
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Mr. Herrmann came up with the idea; many of his wife's followers wanted to know how she made the collage pasted up in her studio apartment.
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A tour of Haight-Ashbury in "Revolution" is straight travelogue — bare feet, psychedelic posters, handmade notices pasted up by desperate parents, weird pets, garishly painted cars.
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On the British Museum's site, you can find an interactive image of the print, which was commissioned by the Holy Roman Emperor Maximilian I, and was intended to be pasted up and hand-colored on palace walls.
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Deller's recent poster work trolling Britain's ruling Conservative party, which featured the mocking take on their current slogan in the form of "Strong And Steady My Arse," caused a sensation when it was pasted up across North London ahead of last summer's elections.
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The Big Bend Sentinel's pages are pasted up with major issues of the day (the death of Antonin Scalia, the Supreme Court justice, on a nearby luxury ranch, for example, and the possibility of a border wall just 60 miles away) alongside valedictorian announcements, photo spreads of homecoming events and advance coverage of the town's many festivals.
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"No one wanted to commit themselves to the staff." He added, "We used to farm the books out to Harry Chester Studios [sic] and whatever they pasted up, they pasted up. I formed the first production staff, hired the first layout people, paste-up people." Wolfman stepped down as editor-in-chief to spend more time writing.
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His second most preferred media is paintings on paper, pasted up with wheatpaste on a wall. TEJN also makes installations, stencil-art, and conceptual art.
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Like Escape Magazine it printed comic strips. Patston drew comics in his bedroom in Linslade typing up articles on his manual typewriter. He pasted up the final pages on his card table. The zine had a very downbeat amateurish look to it due to the underground sensibilities of the editor.
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Garden Railways' first issue The first issues of Garden Railways were published in black-and-white. Text was generated on a typewriter. In 1985, a primitive IBM computer and a daisy-wheel printer were acquired, which allowed text to be printed out in justified columns. These columns, printed out in strips, were then pasted up by hand in the old-fashioned way.
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2 was pasted up and printed by offset-litho. Over time the print run was increased and all income was ploughed back. Eventually it was possible to pay the printers (Islington Community Press) to make the plates and run off the copies. However collective members continued to do all the unpaid work of editing and preparing the camera ready artwork.
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Her plantation school had no windows, but it was well ventilated and the rain beat in fiercely. Not being successful in getting the authorities to fix the building, she secured the willing service of two of her larger students. She mounted one mule, and the two boys another, and thus they rode to the gin mill. They got cotton seed, returned, mixed it with earth, which formed a plastic mortar, and with her own hands she pasted up the holes.
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From October till December 2009 The bianca Story released each month a song with a videoclip for free, which ended with the unique auction of the sculpture Unique Copy Album in only one physical edition. the members of the group insisted, that the 10'000 mirror ball pieces were handcrafted and pasted up by hand. With help of some volunteers in over 3 months, this unique piece was created. The presentation was held in conjunction with an art exhibition at the Kunstmuseum Glarus, Switzerland.
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May 2012 was the month against homophobia and transphobia. During the period were held several major events, including the round table ‘LGBT and Education’ and a number of film screenings. In addition, the project activists pasted up stickers calling for tolerance. Minsk City Executive Committee did not allow conducting any public actions in support of tolerant attitude to the LGBT community. [83] Nevertheless, the human rights activists of ‘GayBelarus’ together with the Society of Belarusian Students held a public action in Minsk.
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In 1993, Aman was sentenced to 27 months in federal prison for mailing, after a bitter divorce, two threatening postcards to his ex-wife and the allegedly threatening 2-page pamphlet "Legal Slimebags of Wisconsin" to many Wisconsin lawyers and judges. The postcards in question had pasted-up headlines of news articles about bitter ex-husbands killing their ex-wives. He served 15.5 months at Santa Rita, Terminal Island, Lompoc, and Dublin (now a Federal prison for women only), and was released in February 1995.
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It was a real DIY operation: in the Seed office copy was set on an IBM Selectric and pasted up, negatives were made and stripped up for plate- making, and inks were mixed to take to the printer. The Seed, along with the San Francisco Oracle, was one of the first tabloid newspapers to use "split fount" inking on a web press. At its peak it circulated between 30 and 40,000 copies, with national distribution. Important events covered by Seed writers and artists were the trial of the Chicago Eight, Woodstock, and the murder of Fred Hampton.
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Wallace Wood Sketchbook (Crouch, 1980). . Around 1981, Wood's ex-assistant Larry Hama, by then an editor at Marvel Comics, pasted up photocopies of Wood's copyrighted drawings on a single page, which Hama titled "Wally Wood's 22 Panels That Always Work!!" (It was subtitled, "Or some interesting ways to get some variety into those boring panels where some dumb writer has a bunch of lame characters sitting around and talking for page after page!") Hama left out two of the original 24 panels as his photocopies were too faint to make out some of the lightest sketches.
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The offices moved in 1988 to what was then the brand-new General Purpose Academic Building at 901 W. Main St. It was renamed the T. Edward Temple Building in 1998. The paper's payroll and office supplies come from its advertising revenue, while student activity fees pay for printing. In the mid-2000s, the CT's computers were finally updated and the paper became fully paginated and started using color photographs. Prior to that, staff members had used outdated Macintosh computers, most of which had been acquired in the early 1990s, and still pasted up pages and sized pictures manually.
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The Abraham Moss opened in 1973 as a multipurpose integrated centre with lower school, and upper school seamlessly joining to a FE college, a library and a leisure centre. The first principal was Ron Mitson, with Dave Shapcott being head of school. It aimed to teach through independent resource-based learning- staff developed and pasted up their own materials which were then taken to the printroom, where the masters were allocated an accession number and the printroom staff would print the required number of copies on offset litho machines. It was referred to as a school without books.
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Bawden's graduation work explored the suppression and emergence of homosexual desire, making work spanning graffiti, mixed media paintings and a street poster project incorporating at least 2000 photocopies pasted up on the streets of Sydney and Canberra, like a dog marking his territory. Bawden was included in 'Hatched- National Graduate Show', [Perth Institute of Contemporary Art] in 1998. Between 1996 and 1998 Bawden was a member of ACME performance group, (initiated by the inspirational, late sculptor David Watt,) performing simultaneous, individual performance with 17 fellow students and graduates of Canberra School of Art, engaging aspects of the absurd, object performance and site specific works.
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Réveillon apprenticed as a tradesman, haberdasher and stationer. In 1753 he began to import and hang flock wallpapers from England. At that time, wallpaper was becoming popular among the bourgeoisie as a creative and economical way to decorate interior spaces. During the Seven Years' War Reveillon started to produce wallpaper himself, marrying well and using his wife's dowry to produce velvet paper, pasted up into rolls and using vibrant colours, developed by Jean-Baptiste Pillement. The launching of the balloon on 19 October 1783, engraving by Claude-Louis Desrais In 1759 he moved to the Faubourg Saint-Antoine, then a neighbourhood dominated by the various crafts associated with furnishing.
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It was produced on the school's own printing press for many years before moving to a paste-up layout model and a local printer in the 1980s. The newspaper converted to digital layout in fall 1991 using Aldus PageMaker software, two Macintosh Classic computers, a digital scanner for importing photos and clipart, and a 300-dpi monochrome laser printer (the laser printer's hard-copy output was pasted-up for final printing). The paper also reverted to The Ma-Hi Times name at time of the conversion to digital layout, using a scan of an original nameplate from the 1920s. The name switched back to The Marshfield Times in 2007 by editor Cody Hockema.
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Lobster's logo, designed by Clive Gringras The first 8 issues of Lobster are A5 paper size (148 × 210mm) format, growing to A4 (210 × 297mm) from Issue 9 in September 1985."Editorially", Lobster Issue 8, June 1985, The magazine was originally typewritten, reduced on a photocopier, pasted-up and printed on a Gestetner off-set litho duplicating machine. Around issue 17, the magazine was type-set on an Amstrad PCW using Wordstream and from Lobster 27, on an AppleMac with Claris Works.Robin Ramsay, "A short history of Lobster", and "Lobster Credits", and "About the CD-Rom", Lobster online, retrieved 15 August 2012 Lobster Issue 57 (Summer 2009) was the last hard copy issue.
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Her closed coffin, draped in the French flag, rested beneath the altar and was adorned with a simple bouquet of white wildflowers and roses from the French President François Mitterrand. Three medals, including France's Legion of Honour and the U.S. Medal of Freedom, were displayed at the foot of the coffin, military style, for a ceremony symbolising the sense of duty Dietrich embodied in her career as an actress, and in her personal fight against Nazism. The officiating priest remarked: "Everyone knew her life as an artist of film and song, and everyone knew her tough stands ... She lived like a soldier and would like to be buried like a soldier". By coincidence, her picture was used in the Cannes Film Festival poster that year which was pasted up all over Paris.
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The Face 2 Face project tried to show that beyond what separates them, Israelis and Palestinians are enough alike to be able to understand one another. Israeli and Palestinian men and women who have the same jobs accepted to laugh or cry, to scream or pull faces in front of JR's lens. The portraits created were pasted up face to face, in monumental format on either side of the Separation Wall and in several surrounding towns. JR photographed and Marco wrote, together succeeding in creating the largest unauthorized 20 urban art exhibit in the worldAffichage sauvage (Unauthorized posting) Excerpts from the article Photo-Sniper published in the special edition Spécial à coller of Libération 17 November 2007 (n° 8252) Full Article (la plus grande exposition d'art urbain au monde).
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Included in these reprints were many early mystery, superhero and monster stories by artists such as Steve Ditko and Jack Kirby that are now regarded as classics of the 1950s and early 1960s. During the 1960s and 1970s these reprints were the main, if not the only, medium through which most British children were introduced to the aforementioned monster and mystery stories and most non-DC or Marvel superheroes. Across the titles, the cover art ranged from only slightly adapted versions of the original comics the stories came from to new covers, many produced from adapted pages or panels within the stories or pasted-up montages of various panels. Many of these covers were originally drawn or painted by classic comics artists of the time, especially Ditko and Kirby.
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There was organised opposition to his measures and rioting in London; John of Gaunt's arms were reversed or defaced wherever they were displayed, and protestors pasted up lampoons on his supposedly dubious birth. At one point he was forced to take refuge across the Thames, while his Savoy Palace only just escaped looting. It was rumoured (and believed by many people in England and France) that he intended to seize the throne for himself and supplant the rightful heir, his nephew Richard, the son of the Black Prince, but there seems to have been no truth in this and on the death of Edward III and the accession of the child Richard II, John sought no position of regency for himself and withdrew to his estates. John's personal unpopularity persisted, however, and the failure of his expedition to Saint-Malo in 1378 did nothing for his reputation.
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It was started by just two people, an academic at the University of Sussex and a printer at the university, for whom the "reason for starting the paper was opposition to state power, locally and nationally" and who claimed to find the "chic radicalism of Brighton insufferably boring".Roy Carr-Hill, "Roy Carr-Hill remembers” in Brighton Voice (10th Birthday Issue), No. 87, 1983 The initial team of two rapidly expanded to five and within three months there were up to 50 people volunteering to assist.Brighton Voice Collective, "In the beginning was the Voice” in Brighton Voice (10th Birthday Issue), No. 87, 1983 Its operation was made possible by the arrival of inexpensive photolithography that permitted printing without typesetting. Before the arrival of Desktop Publishing it was typed, with the typewritten sections pasted up onto master sheets using Cow Gum, with headlines in Letraset. The first 66 issues were in A4, but from issue 67 the Voice changed to A3 newsprint and from Issue 72 to A2 newsprint.
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