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13 Sentences With "paralyzingly"

How to use paralyzingly in a sentence? Find typical usage patterns (collocations)/phrases/context for "paralyzingly" and check conjugation/comparative form for "paralyzingly". Mastering all the usages of "paralyzingly" from sentence examples published by news publications.

But she was also intensely, paralyzingly afraid of what might happen.
Uzo Aduba plays the kid's mother, who's raised him to feel paralyzingly anxious about the dangers waiting outside their door.
CNN analyst Van Jones described where we are as a "whitelash" by Americans paralyzingly afraid of demographic, cultural, and economic changes engulfing "their" country.
It is surely true that Instacart offers a valuable service — to those who are housebound, to single parents, to others paralyzingly constrained by time.
The now-ubiquitous phrase has been labeled our new aspirational status symbol, evidence of a "busy bragging" epidemic, and symptom of our paralyzingly overwhelmed culture.
A fracturing punctuation to a brilliant career—a paralyzingly sad end that re-contextualizes the source of the subterranean depths and supernatural highs that his voice channeled.
Re-released last year and screened this month as part of a brilliant black female directors film series at BAM, the film has an audacious, uncluttered aesthetic—a tapestry that's paralyzingly gorgeous and profound.
But while I understand what it means to be a parent — the happily ontological noun — the verb form can be paralyzingly befuddling, as if you turned "wife" from a state of being to an action.
I think about that time on days like today—when the world can feel paralyzingly hopeless, when headline after headline forces you to relive your trauma, when you watch from a tiny screen as others endure far worse in the national spotlight.
While another joke-y revisionist history of the United States sounds paralyzingly boring, the associated talent is promising, and Netflix has a pretty good reputation for picking strong projects every time they move into a new content type or genre — think House of Cards (season 1 only, please!), Making a Murderer, Beasts of No Nation, etc.
D.C. Cab received negative reviews from film critics: Critic Roger Ebert gave the film two out of four stars saying, D.C. Cab' is not an entirely bad movie, [but] feels like a movie with a split personality." The kidnapping plot was praised for being "fresh," while the stolen violin plot was described as "paralyzingly boring." Overall, he described it as "mindless, likable confusion." Critic Edward Sargent of The Washington Post writes in his review: "Despite its shortcomings, D.C. Cab is an hour and 40 minutes' worth of finger-popping music and gags.
Tyler Foster of DVD Talk argued that the episode was an example of the season "fleshing out the characters viewers have come to know and love" by elaborating on the relationship between Finn and Bubblegum. Foster praised the introduction of Lemongrab, writing that the episode "reveals a number of weird and sometimes paralyzingly funny quirks about the truly bizarre Earl of Lemongrab". Oliver Sava of The A.V. Club named "Too Young" as one of the ten additional episodes of the series that illustrates that "emotional complexity" lies "beneath Adventure Times weirdness". The decision to revert Princess Bubblegum to her original 18 year old self was met with contention on the Internet, with many fans noting that the decision merely returned the show to its second-season status quo.
The Encyclopedia of Science Fiction describes the series "whose farcical overemphases fail to disguise an overblown tale that would have been more at home in the dawn of pulp magazines." The New York Times review of the first volume, The Invaders' Plan, describes it thus: "... a paralyzingly slow-moving adventure enlivened by interludes of kinky sex, sendups of effeminate homosexuals and a disregard of conventional grammar so global as to suggest a satire on the possibility of communication through language." In L. Ron Hubbard and Scientology, a survey of Hubbard's literary career, Marco Frenschkowski of the Johannes Gutenberg University of Mainz described the Mission Earth series: :The satire is not humorous, but biting and harsh, which makes the novels not easy to read. Also Hubbard somehow had lost contact with developing narrative techniques: he writes exactly as he had done 40 years earlier.

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