It's an uneasy trade-off, but with AI poised to paradigmatically shift every aspect of modern life, including health, security, transportation, etc.
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The dead children in Sutherland, like the dead in Sandy Hook, are framed as paradigmatically innocent; the society in which they died, as fallen, as corrupted.
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It's paradigmatically a dispute about what people are saying in the highest circles of the U.S. government about the most significant thing Congress can do under the Constitution.
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Wives who uphold these divisions become archetypes of marital chastity; Penelope has indeed come down to us as the paradigmatically chaste Greek woman whose fidelity to her husband withstands two decades of his absence.
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It follows that there is no problem in understanding how the qualitative aspects of art can embody meaning, given that qualia are paradigmatically mental, and interpretative. This solves one of the central puzzles about how art works. It is the basis for Reid's argument that art embodies meaning.See Meaning in the Arts.
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Employing this functionalist approach, Ossorio defined a "person" as "...an individual whose history is paradigmatically a history of deliberate action". A person is an individual, in other words, that (paradigmatically) has the ability to behave in the full sense of that term—to engage in some behavior B, knowing that he or she is doing B rather than other behaviors that he or she distinguishes, and having chosen B as being the thing to do from among a set of distinguished behavioral alternatives. In the vernacular, such behavior is characterized as "knowing what you're doing and doing it on purpose." Such behaviors as making a carefully considered move in a board game, ordering from a restaurant menu, or phrasing a verbal reply so as not to offend another represent clear, everyday examples of deliberate actions.
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Radin, "The Squirrel," 84. Therefore, arrows are horns, and paradigmatically, red horns. Consequently, the name Hešucka ("Red Horn") not only refers to his red braid or "horn", but to his mystical identity with the arrow. It is also the reason why the race over whom he is chief is called "without horns", since they fire their bows without the need of an arrow.
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Reid goes further, and makes the epistemological claim that the arts are a way of knowing.L.A. Reid, '’Knowledge and Truth'’, Macmillan (1923) chapter 9; and in many other places; 'Art and Knowledge'. British Journal of Aesthetics (1985) 25 (2):115–125. He rejects the common view of knowledge as paradigmatically propositional, regarding propositional meaning as something which the mind abstracts from concrete experience.
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Lane Lasater, Sharon Wegscheider-Cruse, Janet E. Gustafson, . (2000). Recovery from compulsive behavior: how to transcend your troubled family . Los Angeles, CA: Wellness Institute, Inc.. Ossorio in his 2006 volume, The Behavior of Persons, explicated the concept of "Persons" by creating a conceptual map of the interdependent concepts of "Individual Person", "Language", "Action", and "Reality". He described persons as individuals whose history is, paradigmatically, a history of Deliberate Action in a dramaturgical pattern.
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More specifically, a Person is an individual whose history is, paradigmatically, a history of Deliberate Action in a Dramaturgical pattern. Deliberate Action is a form of behavior in which a person (a) engages in an Intentional Action, (b) is cognizant of that, and (c) has chosen to do that. A person is not always engaged in a deliberate action but has the eligibility to do so. A human being is an individual who is both a person and a specimen of Homo sapiens.
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Scelsi c. 1935 Giacinto Scelsi (; 8 January 1905 9 August 1988) was an Italian composer who also wrote surrealist poetry in French. He is best known for writing music based around only one pitch, altered in all manners through microtonal oscillations, harmonic allusions, and changes in timbre and dynamics, as paradigmatically exemplified in his Quattro pezzi su una nota sola ("Four Pieces on a single note", 1959). This composition remains his most famous work and one of the few performed to significant recognition during his lifetime.
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Hegel develops his account of art as a mode of absolute spirit that he calls "the beautiful ideal," which he defines most generally as > Now when truth in this its external existence [Dasein] is present to > consciousness immediately, and with the concept remains immediately in unity > with its external appearance, the Idea is not only true but beautiful. > Beauty is determined as the sensible shining of the Idea.(LA 111/VÄ I.151) This ideal is developed throughout the Lectures accordance Hegel's Logic: #The first universal part is devoted to the concept of the artistic ideal. #The second particular part examines this ideal as it actualizes itself in three stages: ##Symbolic art, understood to encompass everything before Classical Greek art ##Classical art ##Romantic art, understood to emerge with the advent of Christianity on the world stage #The third singular part concerns itself with an examination of each of the five major arts in ascending order of "inwardness": ##architecture ##sculpture ##painting ##music ##poetry In these second two parts of the Lectures, Hegel documents the development of art from the paradigmatically symbolic architecture to the paradigmatically classical sculpture to the romantic arts of painting, music, and poetry.
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In treating linguistic knowledge as being a piece with everyday knowledge, the question is raised: how can cognitive semantics explain paradigmatically semantic phenomena, like category structure? Set to the challenge, researchers have drawn upon theories from related fields, like cognitive psychology and cognitive anthropology. One proposal is to treat in order to explain category structure in terms of nodes in a knowledge network. One example of a theory from cognitive science that has made its way into the cognitive semantic mainstream is the theory of prototypes, which cognitive semanticists generally argue is the cause of polysemy.
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In countering this claim, philosophers of science use the term methodological naturalism to refer to the long-standing convention in science of the scientific method. The methodological assumption is that observable events in nature are explained only by natural causes, without assuming the existence or non-existence of the supernatural, and therefore supernatural explanations for such events are outside the realm of science. Creationists claim that supernatural explanations should not be excluded and that scientific work is paradigmatically close-minded. Because modern science tries to rely on the minimization of a priori assumptions, error, and subjectivity, as well as on avoidance of Baconian idols, it remains neutral on subjects such as religion or morality.
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Science 169:733-738 peer polity interaction,See Renfrew, Colin and John F. Cherry (1986) Peer Polity Interaction and Socio-political Change. Cambridge University Press, Cambridge and other theories. Despite these seemingly terminologically pitfall-laden inquiries, the question of Maya origins is justified for professional focus and elaboration, since all historical topics are, by their nature, constituted not only by ascriptions weighting the given topic in importance and cast by this or that interpretation or interpretative context but also by “fact.” Of necessity, these kinds of questions are rooted in the history of scholarship about this or that topic, taking into account different or new emphases or de- emphases, usually generationally or paradigmatically determined. Accordingly, “Maya civilization” is both a reality - as John Lloyd Stephens first discovered - and a scholarly construct, with strands in the weave composed of actual patterns and “emergent” entities and characteristics but also of patterns and agentive decisions historically in the scholarly world, these, themselves, retroactively considered and reconsidered.
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