Nichi Hodgson: I think the padded-out codpiece is almost an equivalent.
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A ten-second argument can be padded out to 15 minutes of content.
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Each ear cup is luxuriously spacious and padded out with a pleasant soft foam.
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Mercedes also padded out their advantage in the constructors' standings to 295 with Ferrari on 172.
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And the padded-out family back stories of some of the characters add nothing but obviousness.
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"The film often feels like a throwaway 'Saturday Night Live' sketch padded out to 90 minutes," one complained.
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During the crisis, EU banks also padded out their capital, increasing their capital base by €600 billion since 2008.
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The entire dust-the-truck subplot of this week's episode was the best part of an hour that at times felt a bit padded out.
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Auspicious signs had preceded his arrival, in the spring of 1950: a white elephant had padded out from the jungle and hailstones had fallen on the capital.
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Carved out of solid aluminum, padded out with leather-clad memory foam, and featuring not one but two speakers per ear cup, these were instantly impressive headphones.
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Most of the campaign's maps are recycled from the multiplayer mode and padded out with segments where the player takes control of characters like Luke Skywalker or Lando Calrissian.
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But then came "Rasputin," a tepid hour of emoting and flailing (padded out with an intermission) that must have left even Mr. Polunin's keenest supporters feeling something was missing.
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Their self-titled 240 debut could be called dream-pop—"Master of None" sounds like the red-eyed summation of a party—but since then they've intricately padded out their sound.
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It's still not much good, burdened by both high expectations and an obscenely padded-out story, but after Scully's last summer in the booth, a little bit of Vin helps a lot.
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In addition to the institutional investor specializing in commercial spin-outs from academic institutions, the round was padded out with smart money from a number of angels specializing in high growth education technology.
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There are dals for special occasions, seasoned with charcoal smoke and butter or padded out luxuriously with cream, as well as lighter, leaner dals that can restore you when you're not feeling well.
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That isn't to say his record has been padded out with hobos and postmen, but there are the known names of the welterweight division, and then there are those who haven't quite made it yet.
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Such sidequests are a western RPG staple, with the worlds of games like Skyrim, Fallout, and The Witcher 3 padded out with people who want their basements cleared of rats or their magical socks returned.
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Nonetheless, even taking EOS out of the acquisition, the shortcoming between 'paper' ICO raises and the net conversion to fiat is $79 million and that's padded out by the $93 million in estimated unrealized gains.
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"Anthrocene," which features a bed of atonal noise and skittering drums under Cave's vocals, is the outlier of the eight songs; most of them barely contain percussion and are padded out by lush synthesizers and strings.
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They found that music sites that had conducted interviews with Mr. Threatin (and one that gave him an award) had been cooked up on WordPress or Wix, and padded out with content stolen from other outlets.
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Recent races for the best-actor Oscar have been awfully sleepy, as indisputable front-runners like Gary Oldman or Casey Affleck have cakewalked their way through a surprisingly thin category padded out with little-seen performances.
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The '80s version of the shoe looks almost unrecognizable compared to the many Jordan styles we know and love today, having gone through a number of transformations before reaching the modern sleek, padded-out style; but more on Jordans later.
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When its successor, iPhone Xs, arrived this year, Apple did it again with even fewer reasons to justify the upgrade, then padded out the bottom end with the iPhone Xr, for customers that might have been holding out on buying.
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Without enough good new games on the new console, you might have been stuck paying hundreds of dollars for a device that you didn't want to really turn on all that much until the software library was appropriately padded out.
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During their 90-minute set, which was padded out by other Wu-Tang hits and solo material, there was no mention of the convicted fraudster from the nine members onstage (and their DJ Mathematics) and they seemed to be in full nostalgia mode.
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In Los Angeles, the dish often takes the form of fat chicken tenders, or tenders padded out in sandwiches, but the most traditional way to eat it is on the bone, with a slice or two of soft bread and some pickles.
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The three key factors are that (a) it's not a huge rise from last year's Note model, (b) it's padded out with immediate bundles and sweeteners that get you extras like a DeX desktop dock, and (c) Apple's making the same move, which normalizes it.
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The Pros: I guarantee that you will experience an endorphin rush when putting these flats on for the first time — the soft, super-cushiony merino wool soles are no freaking joke, and certainly the most padded out of all of these minimally supportive shoes.
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There have been greater, weightier testaments to the art of cinema published in 2016 — Edwards's book is no more than a magazine article, really, padded out with a bio of the comedian and a slightly redundant filmography — but for sheer dopamine release, it's hard to beat.
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Managed by the city's Wien Museum, it was substantially renovated and spiffed up in 2006 (timed to the 250th anniversary of Mozart's birth) to emulate a model of modern exhibition showmanship: A relatively small nub of historical authenticity is padded out with slick, somewhat Disneyfied interpretive displays and audiovisual installations.
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Best Verse: C+Overall Grade: Dae Dae Once upon a time, DJ Drama was an influential mixtape DJ, but his attempt at making all-star albums like DJ Khaled never really worked out, and he recently scored his biggest radio hit with a middling Chris Brown song padded out with no names.
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The surrender and formal sentencing of the landlord, Steven Croman, followed a yearlong investigation by the New York State attorney general, Eric T. Schneiderman, that revealed Mr. Croman falsified payroll records and padded out the value of his more than 140 buildings, ultimately securing over $45 million in mortgage refinancing under false pretenses.
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They're the food-and-drink equivalent of Apple and its iPhone, or Google and its apps, brands in possession of a basic, underlying image which, on its own, vaguely connotes some sanitized form of liberty and empowerment, but which is empty and non-specific enough to be padded out by the consumer's own personality, preferences, and aspirations.
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Welles had effectively abandoned the production to move back to the USA at the end of 1955, so the fourth and sixth episodes were particularly badly hit. Episode four, on the Paris district of St.-Germain-des-Prés, had to be padded out with stock footage from other documentaries. Episode six had only half the necessary footage, so it was padded out by having two friends of Welles's, Kenneth Tynan and Elaine Dundy (who had been present at the same bullfight he recorded), become guest hosts for the first half of the episode, until the existing footage of Welles could be used. The seventh episode was not originally completed or broadcast.
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The end of an archive is marked by at least two consecutive zero-filled records. (The origin of tar's record size appears to be the 512-byte disk sectors used in the Version 7 Unix file system.) The final block of an archive is padded out to full length with zeros.
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Fuzhou Rockchip Electronics's video processing Rockchip has been incorporated into many MP4 players, supporting AVI with no B frames in MPEG-4 Part 2 (not Part 14), while MP2 audio compression is used. The clip must be padded out, if necessary, to fit the resolution of the display. Any slight deviation from the supported format results in a Format Not Supported error message.
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The librettists padded out this outline with a variety of melodramatic incidents. The plot reflected 'the fantastic legendary elements which fascinated the opera public of 1830', a taste which had evolved from the 1824 Paris production of Carl Maria von Weber's Der Freischütz (in its French version Robin des bois), which also features a doubtful hero befriended by a demon promising him success.Crosten (1948), p. 92Taruskin (2010), p.
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Sicovams consist of a six-digit identifier, assigned by the Sicovam group "by hand" in order of issue. For instance, Alcatel was assigned 013000. Sicovams could be directly converted to ISINs as with other older systems, including CUSIP and SEDOL. To do so the number was padded out with three zeros on the front, then the country code "FR" was added to the front and the ISIN check digit to the end.
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Page 143 and La dama de la muerte (The Lady of Death), a 1946 film directed by Carlos Hugo Christensen (based on Robert Louis Stevenson's The Suicide Club). Warren combined sections of each film, and padded out the running time with newly filmed footage he shot with actors John Carradine and Katherine Victor. It was released theatrically in 1965 on a double-bill with Warren's similarly constructed Face of the Screaming Werewolf.
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The comics were originally printed bi-monthly, but due to popular demand, earlier issues were released every month that a "new" edition was unavailable. Issues #15 to #31 were released between 1999 and 2001 in four American trade paperback editions. The Bart Simpson comics series, for the first 15 issues, was padded out to 64 pages with a free Radioactive Man issue inside. Later editions dropped Radioactive Man, and combined two US comics into one release.
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In contrast, register machines require two or three register-number fields per ALU instruction to select operands; the densest register machines average about 16 bits per instruction. The instructions for accumulator or memory-to-memory machines are not padded out with multiple register fields. Instead, they use compiler- managed anonymous variables for subexpression values. These temporary locations require extra memory reference instructions which take more code space than for the stack machine, or even compact register machines.
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Mordaunt Hall of The New York Times called it "an ambitious undertaking, well composed and photographed, but it does seem as though the film would be all the better if it were shortened." Variety said it was "an impressive picture", although the first half-hour was "undeniably slow." "Impressive in magnitude and well cast", reported Film Daily. John Mosher of The New Yorker panned it as "a completely synthetic affair" that was "padded out to the limit".
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By convention, bus and network data rates are denoted either in bits per second (bit/s) or bytes per second (B/s). In general, parallel interfaces are quoted in B/s and serial in bit/s. The more commonly used is shown below in bold type. On devices like modems, bytes may be more than 8 bits long because they may be individually padded out with additional start and stop bits; the figures below will reflect this.
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Hodge, Paul. "National Yule Tree, Padded Out at Bottom; Gets Ornament on Top." The Washington Post December 1, 1976. Government horticulturalists said the tree had suffered root damage and had not thrived in the hot, damp climate of Washington, D.C. David Rhoads, a citizen from Silver Spring, Maryland, donated his tall blue spruce to the National Park Service, chopped off its branches and wired many of them to the lower part of the existing tree to cover up the damage.
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Angostura bitters are alleged to have restorative properties. Angostura bitters is often incorrectly believed to have poisonous qualities because it is associated with angostura bark (although it does not actually contain any), which, although not toxic, during its use as a medicine was often adulterated by unscrupulous sellers, who padded out the sacks of bark with cheaper, poisonous Strychnos nux-vomica or copalchi bark. Angostura is still often used by Trinidadians to treat digestive problems, under the assumption that the containing gentian may aid indigestion.
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Afterward, the skeleton and head were preserved and stored in a wooden cabinet called the "Auto-icon", with the skeleton padded out with hay and dressed in Bentham's clothes. Originally kept by Bentham's disciple, Thomas Southwood Smith, it was acquired by University College London (UCL) in 1850. It is kept on public display at the main entrance of the UCL Student Centre. It was previously displayed at the end of the South Cloisters in the main building of the college until it was moved in 2020.
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Cook and Moore were performing on Broadway with their revue show Good Evening, a live version of their television series Not Only... But Also. The relationship between the two men had become strained as a result of Cook's worsening alcoholism. To reassure Moore, Cook hired a recording studio in New York, where the two could simply relax, drink and ad- lib. The resulting recording was padded out with live performances of old favourites, such as "Bo Duddley" and began to circulate as Derek and Clive (Live).
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Typically a belt machine instruction can support the encoding of double the number of addressable elements compared to a general-register machine of the same instruction width. There are similar gains in variable-length instruction encodings. Overall, belt machine code is less compact than for stack machines, which use no operand addresses, but often must introduce stack-manipulation instructions unneeded on a belt machine. The instructions for accumulator machines are not padded out with multiple register fields, instead, they use the return stack and need no extra memory reference instructions.
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For example, if this checksum method was used on a tiny data packet containing only two bytes carrying the values 130 and 130, the total of these codes is 260 and the resulting checksum is 4. The file was marked "complete" with a `` character sent after the last block. This character was not in a packet, but sent alone as a single byte. Since the file length was not sent as part of the protocol, the last packet was padded out with a "known character" that could be dropped.
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Simon Price gave a particularly harsh review, declaring: "the joke, surely, is over now...allowing [the 'cheesepop quintet'] to put out a Christmas album is a bridge too far". Price felt that the album is "a handful of festive standards padded out with a handful of wet ballads" and described it as a whole as "a predictably insipid, pulse-free affair". Price implied that the band was not good enough to be covering hits such as "Christmas (Baby Please Come Home)", saying "they ought to be arrested on the spot for even thinking about [it]".
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" Crowther called the "slow buildups to sudden shocks" reliably melodramatic but contested Hitchcock's psychological points, reminiscent of Krafft-Ebing's studies, as less effective. While the film did not conclude satisfactorily for the critic, he commended the cast's performances as "fair". British critic C. A. Lejeune was so offended that she not only walked out before the end but permanently resigned her post as film critic for The Observer. Other negative reviews stated, "a blot on an honorable career", "plainly a gimmick movie", and "merely one of those television shows padded out to two hours.
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Comic World News's David Welsh says that Yoshinaga's characters, even in this early work, have layers, and that it is enjoyable to see how the frank student inspires the adult characters to communicate better. Coolstreak Cartoons's Leroy Douresseaux criticizes the manga for its inability to focus on one couple. Robin Brenner described the plot as being "an engaging meditation on how crushes are wonderful, but oh, how they can hurt." Jason Thompson regarded the story as having been "padded out", but enjoyed the theme of "love and loss" in the manga.
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He became the favorite director of the Weiss Brothers, who usually worked with tight schedules and rock-bottom budgets, and padded out their features with reels of footage taken from Weiss's older films. Fraser would be assigned to work the old films into new storylines. Fraser's efficiency was noted by the serial unit at Columbia Pictures, where he worked as a second-unit director and scriptwriter for The Spider Returns (1941), Batman (1943), and Chick Carter, Detective (1946), among other cliffhangers. Fraser died in 1974 in Pomona, California, eight days past his 85th birthday.
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The album was the last in a series of LPs recorded by Ben, under pressure from Philips to reproduce his widely successful 1963 debut Samba Esquema Novo. According to Brazilian music aficionado Greg Caz, "Jorge was hustled into the studio and obliged to crank out lesser versions of his debut classic, padded out with sometimes- questionable covers of tunes by other writers." The liner notes for the album's 2008 reissue describe it as "a careful mix of originals and covers", abandoning the "groovy" and eclectic music of his live performances in favor of "nightclub-style arrangements" catering to samba and bossa nova audiences.
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The Interlopers, first published in 1969, was the twelfth novel in the Matt Helm spy series by Donald Hamilton, which began in 1960. It represents a middle period in the Helm novels, being about 80,000 words in length, somewhat longer than the first four or five in the series, but considerably shorter than most of the Helm books of the eighties and nineties, which were generally well over 100,000 words in length. At this intermediate length, the action moved swiftly while still allowing for plot complications, but avoided the occasional padded-out-by-dialogue tedium of the later books.
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Carter's picks tended to be idiosyncratic, concentrating on long-established authors in the field and reflecting his own particular enthusiasms. He also habitually padded out the volumes he edited with his own works, whether written singly, in collaboration, or under pseudonyms. Saha’s editorial choices more closely reflected the contemporary field and highlighted more emerging authors. Under Carter's editorship surveys of "The Year’s Best Fantasy Books" and "The Year in Fantasy" rounded out each year’s collection, continuing the annual surveys of the year's best fantasy fiction he had formerly contributed to Castle of Frankenstein before that magazine's 1975 demise.
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Their musical innovations and commercial success inspired musicians worldwide. Many artists have acknowledged the Beatles' influence and enjoyed chart success with covers of their songs. On radio, their arrival marked the beginning of a new era; in 1968 the programme director of New York's WABC radio station forbade his DJs from playing any "pre-Beatles" music, marking the defining line of what would be considered oldies on American radio. They helped to redefine the album as something more than just a few hits padded out with "filler", and they were primary innovators of the modern music video.
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Sepinwall praised the Jim-Dwight dynamic in the episode, considering it an enjoyable payoff, and also praised Jim and Pam's reconciliation, particularly them annoying their co-workers with their flirting. Joshua Alton of The A.V. Club was more negative towards the episode, saying it felt "padded-out" to fill the full hour timeslot, and that "this episode might be the nadir for the show's hour-long installments". He was complimentary towards the Jim-Pam storyline, but felt "there wasn't much happening" beyond Pam overhearing Jim's talk with Darryl. Alton praised the Dwight storyline and his dynamic with Jim and Pam, calling it "the true fan service".
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He ultimately concluded that the console is "a love letter to retro games that will be welcomed into the homes of classic gaming fans and collectors worldwide." Will Greenwald of PC Magazine rated the Evercade 3.5 out of 5, but was also critical of the home-conversion arcade games. McFerran praised the cartridges for their inclusion of popular games, but wrote "you really have to buy all 10 carts to get all of the best games, and some of the collections are padded out with filler that you'll play once and forget about." Other reviewers also opined that many of the games would have limited appeal.
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Full Rate (FR or GSM-FR or GSM 06.10 or sometimes simply GSM) was the first digital speech coding standard used in the GSM digital mobile phone system. It uses linear predictive coding (LPC). The bit rate of the codec is 13 kbit/s, or 1.625 bits/audio sample (often padded out to 33 bytes/20 ms or 13.2 kbit/s). The quality of the coded speech is quite poor by modern standards, but at the time of development (early 1990s) it was a good compromise between computational complexity and quality, requiring only on the order of a million additions and multiplications per second.
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Worse, he wanted extra violence added, another axe murder at least..." Jack Hill was later hired by Corman to shoot some brief sequences featuring actor Karl Schanzer as a comical poacher, who is beheaded by the murderer. Corman also complained the film was too short and insisted that it be padded out with at least another five minutes of footage. Gary Kurtz, one of Corman's assistants at the time, recalled, "So we shot this stupid prologue that had nothing to do with the rest of the film. It was some guy who was supposed to be a psychiatrist, sitting in his office and giving the audience a test to see if they were mentally fit to see the picture.
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The first episode of Heston's Fantastical Food had two million viewers on Channel 4, beating Dara Ó Briain's Science Club, the first episode of which was broadcast at the same time on BBC Two. John Crace of The Guardian thought that Heston's Fantastical Food was too similar to his previous Channel 4 outings, describing him as a "flatscreen one-trick wonder". He felt that the show had been padded out from twenty minutes to an hour and found it conceited that Blumenthal was doing something useful. Tim Dowling reviewed the second episode, also for The Guardian saying that "Heston's mission suffered from a woolliness of intent that made it hard to justify the grandeur of the project".
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The episode received mostly positive reviews. IGN gave the episode a "great" score of 8.0 and said "The Coon and Friends trilogy comes to an end in grand fashion, with epic battles, strange alliances, and secret origins revealed. It's a tale told in the finest comic book traditions, and it's one of the most creative episodes South Park has produced recently." The A.V. Club gave the episode a B+, a vast improvement over the C and C+ rating given to Coon 2: Hindsight and Mysterion Rises, stating that the episode was "fleeter and funnier, it wasted less time on padded-out tangents, and it satisfactorily resolved the question of Kenny's immortality" and called the episode "as well-executed an ending as one could probably hope for here".
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Two to One is Thelma Houston's seventh studio album released on Motown Records in June 1978. It was her second duets album with Jerry Butler, composed of only two left-over duets from their Thelma & Jerry album from the previous year, "If It Would Never End" and "You Gave Me Love", padded out with previously unreleased solo recordings by each singer, Houston's "Find a Way", "I'm Not Strong Enough to Love You Again" and "Don't Pity Me", while Butler's tracks included "We Owe It to Ourselves", "Never Gonna Get Enough" and "Chicago Send Her Home". The album failed to chart. It was released on CD in 2013 as a 2-LPs-on-1-CD package with the Thelma & Jerry album.
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Terek Puckett of Shock Till You Drop stated that the first hour, intended to be character-driven and tense, fails to establish any interesting characters and is "quite frankly very dull". He described the closing shot as "memorable and disturbing", but the film itself "comes off as a short film that's been padded out to feature length." Mark L. Miller of Ain't It Cool News wrote that the film requires patience but is a "horrifying experience" that "plays with the ultimate fear of being alone and twists it to the most terrifying of lengths." A. A. Dowd of Time Out Chicago rated the film 2/5 stars and criticized the film as another mumblecore production fixated on the existential angst of young, white, middle class protagonists.
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Also reviewing for Native magazine, Debola Abimbolu said A Good Time relieved Davido from the "pressure of delivering songs that instantly resonate as club bangers". Abimbolu also opined that all five singles "lose some of their gloss when they all run together and are padded out with different versions of the same piano-heavy afropop beat". Ogedengbe wisdom a music Executive said the album is the best album of the year 2019, and the singer deserves all the praises he’s getting from the hard work he put in the album, he also said the singer is taking afrobeat to another high level. In a mixed review for Pulse Nigeria, Motolani Alake felt the album "lacks the presence of multiple groundbreaking and mind- blowing songs" despite being cohesive.
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The following year would bring a more extreme take on the genre, The Gruesome Twosome (1967), most notable for incorporating an electric knife used to scalp one of the victims. Outside his notorious gore canon, Lewis pursued a wide gamut of other exploitation avenues throughout the sixties. Some of the more taboo subjects he explored include juvenile delinquency (Just for the Hell of It, 1968), wife swapping (Suburban Roulette, 1968), the corruption of the music industry (Blast-Off Girls, 1967), and birth control (The Girl, the Body, and the Pill, 1967). He was also not above tapping the children's market, as with Jimmy the Boy Wonder (1966) and The Magic Land of Mother Goose (1967), which were padded out to feature film length by incorporating long foreign-made cartoons.
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" In summary, the reviewer stated "I can only echo Sherlock's own closing words to Henry: "This case, thank you, it's been brilliant"." Chris Tilly of IGN rated the episode a "good" 7 out of 10, but stated that although the it was "full of mystery and intrigue," the central story "wasn't strong enough to fill the 90-minute run-time, running out of steam at the mid-way point and padded out with irrelevant and at times exasperating efforts to throw the audience off the scent." Tilly praised Cumberbatch's performance as a mentally broke down Holmes, and Freeman for being "let off the leash this week, with Watson investigating solo on a couple of occasions," and also thought Tovey was a "fine addition to the ensemble." David Lewis of CultBox called it "a pretty straightforward thriller about chemical warfare, cover-ups and a colossal canine.
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In addition to the five stories, Melville wrote an introductory story for which the volume was titled. Scholar Douglas Robillard believes that this served the purpose of making the stories to appear "more closely joined than they actually are."Robillard (2004), 74 The contract for the book was signed on 17 March 1856, it was advertised on 5 April as "in press" and should have been available by 15 May--though a copy was deposited for copyright on May 20. The volume was printed by Miller & Holman, Printers and Stereotypers, of New York, as a duodecimo volume of 431 pages, excluding seven pages of advertisements for other product by the same publishers.Sealts (1987), 498-99 Biographer Parker observes that to reach that number of pages the book was padded out by leaving excessive white space.Parker (2002), 283 The front and back covers were ornamented by a border of rules and rosettes.
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And with their five different, but impressively strong voices combining as one, each bringing a different layer to the track, the result is an impressive debut album. Whilst it is noticeable that the first half of the album contains the tracks that were first being performed a year ago, it is refreshing to see a label give an act time to find their feet, and not rush into releasing an album, that then gets padded out with mediocre covers and fillers, and hoping for the best.I can safely say it's surpassed all expectations I had, as you all know I judge albums by how many tracks I can get in to an album before I have the urge to skip a track, and Wonderland passes that test with flying colours. To save me repeating myself for every track I talk about, the vocals on this album are phenomenal.
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For most of its run, the late-night program opened with a shot of a mist-shrouded castle (in actuality, an Alexander Brand HO scale Haunted House, accompanied by sound effects borrowed from Walt Disney's Chilling, Thrilling Sounds of the Haunted House and music pilfered from Neal Hefti's score for the 1966 Roddy McDowall film Lord Love a Duck. Within its mouldering recesses, the camera settled onto a coffin, which opened to reveal a skeleton. A clever camera fade transformed the bones into The Count, a dime-store Dracula whose shtick was worse than his bite. (A fallible bloodsucker, any attempts to frighten his younger viewers would be undermined by such antics as slamming his fingers beneath his coffin lid.) Armed with a battery of bad puns and a mock Transylvanian accent, The Count would introduce double-features that usually consisted of low-budget horror and science-fiction fare, although occasionally it would be padded out by poverty-row thrillers from the 1930s and 1940s.
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Each volume featured thirteen or fourteen novelettes, short stories and poems, including both new works by various fantasy authors and reprints from authors associated with the original Weird Tales, together with an editorial and introductory notes to the individual pieces by the editor. Authors whose works were featured included Robert Aickman, James Anderson, Robert H. Barlow, Robert Bloch, Hannes Bok, Ray Bradbury, Joseph Payne Brennan, Diane and John Brizzolara, Ramsey Campbell, Mary Elizabeth Counselman, August Derleth, Nictzin Dyalhis, Lloyd Arthur Eshbach, Robert E. Howard, Carl Jacobi, David H. Keller, Marc Laidlaw, Tanith Lee, Frank Belknap Long, Jr., H. P. Lovecraft, Robert A. W. Lowndes, Brian Lumley, Gary Myers, R. Faraday Nelson, Frank Owen, Gerald W. Page, Seabury Quinn, Anthony M. Rud, Charles Sheffield, Clark Ashton Smith, Stuart H. Stock, Steve Rasnic Tem, Evangeline Walton, Donald Wandrei, and Manly Wade Wellman, as well as Carter himself. Carter habitually padded out the volumes he edited with a few his own works, whether written singly or in collaboration (the latter generally "posthumous collaborations" with Clark Ashton Smith in which he wrote stories on the basis of unused titles or story ideas from Smith’s notebooks).
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