As the Moore's inner circle might say ... oy vey!
|
|
He shouted, "Oy Vey" to a couple of Jewish kids.
|
|
" Another gravestone in the cemetery reportedly had the words "Oy vey!
|
|
"I could never say anything right except oy vey ," Strout said.
|
|
I'd say oy vey, but I don't think Mark Fuhrman would like it very much.
|
|
Nosh Verb: to snack; noun: a snack Oy Vey/Oy Gevalt An expression of great dismay
|
|
"For those of you who are thinking, 'Oy vey, again with the Rosenbergs,' our apologies," Seth says.
|
|
The Christmas-celebrating mom suddenly appears in an "Oy Vey" apron with a platter of homemade latkes.
|
|
The two claim to have paid $4,600 for a VIP villa at the festival (oy vey) but got stranded in Miami after the festival was postponed.
|
|
Then they're transported to a virtual kitchen where they have to take latkes off the stove and put them on a plate, all before they blacken and burn (oy vey!).
|
|
When he comes home to find his parents have procured a bevy of young ladies to have dinner with him (oy vey, parents just don't understand), he reacts like a kid on a slightly less boring field trip.
|
|
We're told the entire party was poppin' until around 2:30 AM (oy vey) and at one point Shaq took to the dance floor -- but instead of his tried-and-true pop-locking routine, he got cultural ... and Horah'd it up.
|
|
Grevenius's script, with its clichéd melodramatic flourishes and ham-handed habit of signifying that malevolence via backward spelling (one character's surname is "Natas," oy vey), proves intractable to Bergman's mastery, which looks instead like super-competence with this hackneyed material.
|
|
Books such as Rabbi Simcha Weinstein's "Up, Up, and Oy Vey" have made a lot of Siegel and Shuster's Jewish roots, arguing that the Man of Steel was inspired by Jewish legends about constructing a superstrong golem of clay to protect the community.
|
|
The rabbi, a member of the Chabad movement that has spearheaded efforts to revive Jewish faith across the former Soviet Union, said he had advised Dnipro's Jews to shed what he called the "oy-vey complex" — the tendency to fear the worst and shy away from their Jewishness.
|
|
Young has produced two projects, Paranormal Whactivity and the short Oy Vey!.
|
|
Kaplan, Alice. French Lessons: A Memoir, p. 5 (University of Chicago Press 1994). The fuller lament may also be spelled as Oy vey iz mir.
|
|
Words used in religious contexts, like Sabbath, kosher, hallelujah, amen, and jubilee or words that have become slang like schmuck, shmooze, nosh, oy vey, and schmutz.
|
|
The Hamburg Docks performance on 24 October 1991, was filmed and later released on the video, Oy Vey, Baby: Tin Machine Live at the Docks, with the song "Baby Can Dance" from the same performance appearing on the compilation album Best of Grunge Rock. Songs from the Boston, Chicago, New York City, Sapporo and Tokyo performances were recorded and released on the July 1992 album Tin Machine Live: Oy Vey, Baby.
|
|
The expression is often abbreviated to simply oy, or elongated to oy vey ist mir ("Oh, woe is me").Rozakis, Laurie. The Portable Jewish Mother, p. 274 (Adams Media 2007).
|
|
The band supported the album with a seven-month tour called the "It's My Life Tour", which started in late 1991 and ran through early 1992. Tracks from this and the first Tin Machine album were released on Tin Machine Live: Oy Vey, Baby (1992).
|
|
"Under the God" was performed live on both the 1989 Tin Machine Tour and 1991-92's It's My Life Tour. A live performance of the song, recorded in Sapporo, Japan in 1992, was included on the live album Tin Machine Live: Oy Vey, Baby (1992).
|
|
"Baby Universal" was performed live by Tin Machine during their 1991-92 "It's My Life Tour," and by Bowie during his 1996 "Outside Summer Festivals Tour." A recording from the "It's My Life Tour" appears on the live video release of Tin Machine Live: Oy Vey, Baby (1992).
|
|
Unbeknownst to Michael, Conan O'Brien walks past him. Near the end of the episode, Michael is posing in front of a Broadway sign for Fiddler on the Roof, and he says "Oy, vey! Schmear!" in a Yiddish accent. Michael's "Faces of Scranton" video plays over "With or Without You" by the Irish rock band U2.
|
|
Oy Vey! My Son Is Gay!! is a 2009 comedy film directed, written, and produced by Evgeny Afineevsky and starring Lainie Kazan, Saul Rubinek, Vincent Pastore, John Lloyd Young, Jai Rodriguez, Bruce Vilanch, Fred Swink and Carmen Electra. The theme song, "The Word Is Love" was written by Desmond Child and performed by Lulu.
|
|
Shaloman is normally an inanimate rock, until someone cries out the words of help "Oy vey!" These words transform the rock into a muscular, curly-haired man known as Shaloman. As Shaloman, he has superhuman strength, undefined degree of invulnerability and does not need to breathe. He can fly and is so fast he can create vortexes.
|
|
We are examining each step in our process, and we apologize to our audience for the lapses in this report.” Further controversy ensued as some commenters accused NewsHour of "censoring" the segment and practicing "blackout tactics" to squelch "divergent science." PBS Ombudsman Michael Getler in a blog titled "How Do You Say 'Oy Vey' in Greek?" said the incident was "painful to describe," and that "what happened last night will undoubtedly provide fodder for those who use the term 'fake news' these days to tarnish a news program that does not engage in such things."Michael Getler, "How Do You Say ‘Oy Vey’ in Greek?" posted Dec 28, 2016 Malcolm Brabant has not commented on his role in the story and has neither defended nor disavowed its journalistic integrity.
|
|
My Son Is Gay!” (2008) and he won the Best Original Screenplay / Script of the Year award from the Monaco Charity Film Festival for “Oy Vey! My Son Is Gay!,” which he produced and directed in 2008-2009-2010. “Oy Vey! My Son Is Gay!” was his feature directorial debut for which he collected over 23 awards in the US and abroad. Then he created the educational documentary project “Divorce: A Journey Through the Kids’ Eyes,” which was immediately picked up by distributors and received awards and recognition from the US festival circuit. His historical feature documentary Winter on Fire was an official selection of the Venice and Telluride international film festivals, received the People’s Choice Award for the Best Documentary from the Toronto International Film Festival, the 2016 Television Academy Honors Award and was nominated for an Academy Award in the Best Documentary category and the Primetime Emmy Awards in the Exceptional Merit in Documentary Filmmaking category.
|
|
"Heaven's in Here" is the lead track from the eponymous debut album by the Anglo-American hard rock band Tin Machine. Written by David Bowie, it was released as a promotional lead single from the album in 1989. It was performed live on Tin Machine's 1989 Tin Machine Tour and 1991-92 It's My Life Tour, and a live version appeared on their live album Tin Machine Live: Oy Vey, Baby (1992).
|
|
The band played an unannounced live show in Nassau while recording the album, and then made a live appearance at the International Rock Awards Show on 31 May 1989. Two weeks later, the band embarked on their 12-show Tin Machine Tour, wrapping up in early July. Tracks from this and the second Tin Machine album were recorded live during the 1991-1992 It's My Life Tour and released on Tin Machine Live: Oy Vey, Baby (1992).
|
|
Eric Schermerhorn is an American guitarist and composer. He played with Iggy Pop on the American Caesar and Naughty Little Doggie albums, and David Bowie on the Tin Machine It's My Life Tour (as background vocalist and guitarist), and appeared in the video and live record Oy Vey Baby. He later played with They Might Be Giants on Factory Showroom, Severe Tire Damage and Mono Puff's It's Fun To Steal. He also played with Seal and appeared in the video release One Night to Remember.
|
|
The Christian imagery in the Reeve films has provoked comment on the Jewish origin of Superman. Rabbi Simcha Weinstein's book Up, Up and Oy Vey: How Jewish History, Culture and Values Shaped the Comic Book Superhero, says that Superman is both a pillar of society and one whose cape conceals a "nebbish", saying "He's a bumbling, nebbish Jewish stereotype. He's Woody Allen." Ironically, it is also in the Reeve films that Clark Kent's persona has the greatest resemblance to Woody Allen, though his conscious model was Cary Grant's character in Bringing Up Baby.
|
|
In early 2010, Lulu sang the theme "The Word Is Love" for the film Oy Vey! My Son Is Gay!! and toured the UK a second time with Here Come the Girls alongside Anastacia and Heather Small. In November 2010 she hosted the BBC TV series Rewind the 60s, with each episode focusing on a year during the 1960s, highlighting the social and political issues of the decade, as well as music and interviews with personalities. On 26 February 2011, Lulu appeared in the second heat in the third series of Let's Dance for Comic Relief.
|
|
The Canadian edition released in 1994 under Elephant Records only featured seven of the trio's songs, which all appeared (with the exception of one) on the trio's earlier Christmas & Holiday recording, Candles, Snow & Mistletoe. Later that year, Candles Long Ago was picked up by the American Drive Entertainment and released in the United States. The American version, however, featured a total of eleven songs, adding a specially recorded song, Oy Vey to the album as well as three previously recorded songs: Tzena, Tzena from the trio's Sing A to Z recording. Chirri Bim from their 1979, Smorgasbord and Old King Cole/Der Rebbe Elimelech from their Mainly Mother Goose album.
|
|
" Shortly after the release of Oy Vey, Baby, Bowie returned to solo recording with his single "Real Cool World", but he maintained intentions to return to the studio with Tin Machine in 1993 for a third album. These plans would fail to come to fruition, however, and the band shortly thereafter dissolved. There were allegations that Hunt Sales' growing drug addiction were responsible for the band's end, but of Tin Machine's dissolution, Bowie merely said "personal problems within the band became the reason for its demise. It’s not for me to talk about them, but it became physically impossible for us to carry on.
|
|
Yidcore are an Australian Jewish punk rock band from Melbourne, formed in 1998. Known primarily for playing punk covers of Jewish and Israeli songs, the band started writing more of its own material in later albums. The band's logo is a variation of the Ramones logo (which, in its turn, is based on the Seal of the President of the United States), with the names of the band members in Hebrew. The eagle is replaced by a chicken with a menora above its head, the apple tree branch replaced by a shofar, the arrows replaced by the Magen David and the writing "Oy Vey, Let's Eat" instead of "Hey Ho, Let's Go".
|
|
Mlotek has performed on the Yiddish stage since the age of three, most notably in the National Yiddish Theatre Folksbiene's Off- Broadway Family show, Kids and Yiddish, in which he appeared for several seasons and is featured on their original cast album, Kids and Yiddish, A Musical Adventure. As a child, Mlotek was featured in several Klezmer CDs including The Klezmatics, Oy Vey Chanukah for Kids, Di Grine Katchke, and others. Mlotek has also performed in staged readings for the National Yiddish Theatre-Folksbiene including Chaim Grade's My Mother's Sabbath Days, H. Leyvick's The Wedding in Fernvald, H. Leyvick's The Miracle of the Ghetto and Paddy Chayefsky's The Tenth Man (in Yiddish).
|
|
In the book, Weinstein contends that because the creators of many famous superheroes, such as Superman, were Jewish, those superheroes were inspired by Jewish values and Jewish figures, such as Moses, David, the Golem, and Samson. The book argues that the Jewish creators of early comic books, as the children of immigrants, tried to escape the feeling of inferiority occasioned by their being a minority religion by creating superheroes who would fight for truth and justice. Up, Up and Oy Vey argues that the secret, dual lives of many superheroes mirrors the dual lives of their creators, privately Jewish, publicly American. The book contains a section of full-color excerpts from certain comic books.
|
|
Weinstein ministers to Jewish students at Pratt Institute (where he serves as Chair of its Religious Affairs Committee), Brooklyn Law School, Long Island University, and Polytechnic Institute of New York University. In 2003 he founded the semiannual Brooklyn Heights Jewish Film Festival. He is also the founder of the Downtown Brooklyn Jewish Student Foundation and is the Chabad emissary to the Downtown Brooklyn student community and the Clinton Hill community. Weinstein's first book, Up Up and Oy Vey, published in 2006, analyses the Jewish role in the creation of such popular comic book superheroes as Superman, Batman, Hulk, Captain America, and Spider-Man, as well as super-teams like the Fantastic Four, the X-Men and the Justice League of America.
|
|
Tin Machine were a British-American hard rock supergroup formed in 1988, notable for being fronted by English singer-songwriter David Bowie. The band consisted of Bowie on lead vocals, sax, and guitar; Reeves Gabrels on guitar and vocals; Tony Fox Sales on bass and vocals; and Hunt Sales on drums and vocals. Tony and Hunt are the sons of American comedian Soupy Sales. Additional musicians who performed with the band on tour or in the studio, but were not members of the band itself included English guitarist Kevin Armstrong, who played on the band's first studio album and first tour, and American guitarist Eric Schermerhorn who played on the second tour and live album Tin Machine Live: Oy Vey, Baby (1992).
|
|
The Hulk first appeared in The Incredible Hulk #1 (cover dated May 1962), written by writer-editor Stan Lee, penciled and co-plotted by Jack Kirby, and inked by Paul Reinman. Lee cites influence from Frankenstein and Dr. Jekyll and Mr. Hyde in the Hulk's creation: Kirby, commenting upon his influences in drawing the character, recalled as inspiration witnessing in person the hysterical strength of a mother lifting a car off her trapped child. From The Comics Journal #134 (February 1990) Lee has also compared Hulk to the Golem of Jewish mythology. In The Science of Superheroes, Gresh and Weinberg see the Hulk as a reaction to the Cold War and the threat of nuclear attack, an interpretation shared by Weinstein in Up, Up and Oy Vey.
|
|
Stereotypes of Jews are generalized representations of Jews, often caricatured and of a prejudiced and antisemitic nature. The Jewish diaspora has been stereotyped for over 2,000 years as the scapegoat for a multitude of societal problems such as: Jews always acting with unforgiving hostility towards Christians, Jews' religious rituals which are thought to have specifically undermined the Christian Church and state, and Jews' habitual assassinations of Christians as their most extreme deeds. Common objects, phrases and traditions which are used to emphasize or ridicule Jewishness include bagels, playing violin, klezmer, undergoing circumcision, kvetching, haggling and uttering various Yiddish phrases like mazel tov, shalom, and oy vey. Other Jewish stereotypes are the rabbi, the complaining and guilt-inflicting Jewish mother, often along with a meek and nerdy nice Jewish boy, and the spoiled and materialistic Jewish-American princess.
|
|
That year, author Henry Baum's North of Sunset, a gripping saga of murder, mayhem and double-crossing set in the Hollywood landscape, took home the competition's top prize, which he accepted before a packed house at the Tangier restaurant in Hollywood. Among that evening's highlights was a reading by author, actress and musician Pamela Des Barres, best known for her top- selling book, I’m With The Band. Other winners from 2006 include Up Up and Oy Vey by Simcha Weinstein, a study of Jewish super heroes and their creators that won the non-fiction category; Marcello The Movie Mouse by Liz Hockinson and Kathryn Otoshi, a tale of a furry fan of flicks and the winner of the children's book category; and My Sister's Wedding by Hannah R. Goodman, winner of the teenage category. The 2007 Hollywood Book Festival grand prize winner was Will Clarke's The Worthy: A Ghost's Story.
|
|