Why did you decide to write In Her Own Sweet Time?
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We put personal communication first, and we reply in our own sweet time.
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It would negotiate whatever deals it wants to negotiate with Europe in its own sweet time.
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But it's also the thing that rises from a tiny seed, in its own sweet time.
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The House should take its own sweet time and investigate many more aspects of the president's perfidious behavior.
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Then there's the basement rehearsal room, where the four men are exiled while everybody waits for Ma, who takes her own sweet time.
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I've often thought, 'What would they think of me who took my own sweet time to get married to the man I chose?
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When sunlight takes its own sweet time to arrive in the morning and slinks away before dinner, that sleepy feeling prevails, even if we've just slept.
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Now, Lehmann-Haupt demystifies that leap for other women through her articles, speaking engagements, and books, including In Her Own Sweet Time: Egg Freezing and the New Frontiers of Family.
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Avengers: Endgame puts the brakes on that by finally taking its own sweet time in exploring how heroes might deal with grief, loss, survivors' guilt, and the pervasive feeling of failure.
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The idea was that someone from that adventurous family branch might, in his own sweet time, on a trip to London, take that awkwardly shaped vase over and pass it to me.
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Becky takes her own sweet time in possessing Sasha, and while there are many disturbing and even gory sequences, it takes a long time for the plot to build up any real suspense.
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"More women and men who are 220 or over are pushing the envelope and taking the leap into parenthood," said Rachel Lehmann Haupt, the author of "In Her Own Sweet Time: Egg Freezing and the New Frontiers of Family" (Nothing but the Truth, 230).
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All songs written by Ritchie Adams and Mark Barkan, except "Spaceport", composed by Hugo Montenegro. 1. "You're My Baby Now" 2. "Taking Our Own Sweet Time" 3. "Toomorrow" (instrumental) 4.
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Leon Carmen (born 1949) is an Australian author who is best known for the hoax that resulted from his authorship of the novel My Own Sweet Time—which he wrote under the pseudonym "Wanda Koolmatrie".
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Shanley Del (born Shanley Del Morris; 9 November 1962) is a New Zealand-born country music singer based in Australia. Her album My Own Sweet Time won the 1998 ARIA Award for Best Country Album.
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It was followed in 1997 by My Own Sweet Time. She won Best Country Album at the ARIA Music Awards of 1998. In January 2019 Shanley released an extended play with her husband James Gillard which they co- produced.
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In 1994 the Aboriginal publishing house Magabala Books published My Own Sweet Time, supposedly a biographical account by the author Wanda Koolmatrie—an aboriginal woman born to the Pitjantjatjara people in 1949. The book details how Koolmatrie was taken from her mother in 1950 to be raised by white foster parents, and thus became one of the Stolen Generations. In 1996 the author received the Dobbie Literary Award for the work. When Koolmatrie offered Magabala a sequel to the book in 1997, the publisher discovered the hoax and the affair was made public.
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Somebody's Daughter is the third studio album by Australian country singer Gina Jeffreys. It was released in June 1998 and became Jeffreys' second top twenty album after it debuted at No.13 It was certified Gold in Australia. The album was nominated for ARIA Award for Best Country Album at the 1998 ceremony. It lost out to "My Own Sweet Time " by Shanley Del. The album contained the song "Dancin’ With Elvis" which won Jeffreys her fourth 'Female Vocalist of the Year' award at the 1999 Tamworth Country Music Awards of Australia.
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Vincent Canby of The New York Times was generally positive: "Although There Was A Crooked Man... is rather low-keyed and takes its own sweet time to reveal itself, it is a movie of the sort of taste, intelligence and somewhat bitter humor I associate with Mr. Mankiewicz who, in real life, is one of America's most sophisticated, least folksy raconteurs, especially of stories about the old Hollywood."Canby, Vincent. "'There Was a Crooked Man ...' and a Myth: Mankiewicz Western Begins Local Run." The New York Times, Dec. 26, 1970.
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Angry and desperate, the ladies purposely planned a vacation for the men where they are brought to a hotel for their valentine celebration. Unaware about the wives' intention, Chow was surprised to see that he was on a bed with both women tied up left and right next to him. Chow once again calls up Chi Hung to his aid, taking the risk crossing over to Chow's room by climbing out his. The plan was an epic failure; with Chow being fooled by his pretended to drunk wives and tied up on bed, where both Sally and Joey taking their own sweet time teaching their man a lesson (which includes him being slapped, beaten by thugs, squeezing an orange to his mouth, strips him naked and lighting up the hotel room's fire distinguishing system; making him cold and wet before both of them sadly leaving him for good).
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It is essentially a murder mystery but Venkat seasons it with his brand of wink wink nudge nudge filmmaking, and turns it into an engaging entertainer". Behindwoods gave 3.25 stars out of 5 and wrote, "Venkat Prabhu's Biriyani while adhering to the director's recipe, has humor, suspense, music, action and glamour in delectable portions resulting in a delicious product". Rediff gave 2.5 stars out of 5 and wrote, "Though the film takes its own sweet time to get a move on, once it gathers momentum, there is no stopping till the end, where there is an exciting climax, as well as an anticlimax, in typical Venkat Prabhu style", calling it "a fun-filled thriller". Indiaglitz gave 3.5 out of 5 and wrote, "Through the first half the ingredients make up a commercial pot boiler and the build up to the story is slow and steady.
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You could fall through the spaces.” Here Ferry interpolates lines from Samuel Johnson on “chasms infinitely deep” that lie beneath the surface of things. It is not merely that –as the writer of ‘Old Man’ and ‘The Glory’ must have felt – we do not know these things, but that we do not have the “faculties” to know them. Over and over, Ferry alludes to this “something”, elusive partly as the result of the ambivalent gifts of time. ‘Down by the River’ describes a scene’s “participial rhythm, // Flowing, enjoying, taking its own sweet time”. But it is the shifting liquidity of water that most vividly evokes the ineffable, Ferry’s real subject. ‘Lake Water’ declares “The plane of the water is like a page on which / Phrases and even sentences are written”. Yet as the poet tries to compose, “The surface of the page is like lake water” and later again all is “erased with the changing of the breeze”.
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M. Suganth of The Times of India rated the film 3 out of 5 and opined that Paayum Puli "lacks the tautness of Pandiya Naadu", but "packs in enough thrills to keep us glued to our seats". Kirubhakar Purushothaman of India Today rated it 2.5 out of 5 and wrote, "When the movie ends...you won't have much to complain about nor to praise. But, in future if someone says a film is like Paayum Puli, you will surely go to that film" and added that the film was "likely to become his (Suseenthiran) seventh medal in his collection of quality movies". Srivathsan Nadadhur of The Hindu wrote that Paayum Puli "revels in being an old fashioned product" and added, "Given the sincerity of its efforts and the honesty with which the director Suseenthiran leaves his inimitable stamp in a commercial exterior, it takes its own sweet time to register an impact, but when it does, the film's solidity shows up".
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Colin has won ten Golden Guitar Australian Country Music Awards and has written songs with Lee Kernaghan, Adam Brand and Troy Cassar-Daley. His song "Hat Town", written with Lee Kernaghan, won an APRA Award, while his Christmas album, recorded with Greg Champion, has become an Australian classic, in particular his "Aussie Jingle Bells", now a staple at school end- of-year concerts. He was nominated for four ARIA Awards in 1993 for Best Country Album for Hard Times (lost to Lee Kernaghan for The Outback Club), in 1994 for Best Children's Album for I Want My Mummy (lost to Mic Conway for Whoopee), in 1998 for Best Country Album for Edge of the Kimberley (lost to Shanley Del for My Own Sweet Time) and in 2013 for Best Comedy Release for The TGIF Songs of Colin Buchanan (lost to Tom & Alex for The Bits Were Least Ashamed Of). Colin was a regular presenter on ABC TV's Play School from 1992 to 1999,IMDB Credited as a cast member when the program was revamped.
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