The entranceway of Baishiya Karst Cave, featuring various Buddhist ornamentations and sacraments.
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In Lorelei's performance, these extended ornamentations seemed to take on a similar golden glow.
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It does have its fair share of ornamentations (including a wonderful crown clasp), but it isn't ostentatious.
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Image: Lassithi Ephorate of AntiquitiesThe two clay burial coffins, called larnakes, were in excellent condition, and embossed with ornamentations.
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The Balsam Fir is well known for its strong and spacious branches, which makes it a perfect tree for ornamentations.
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The neoclassical ornamentations reference Los Altos, the short-lived sixth state of Central America which formed after independence from Spain in 1821.
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When the violins elaborate on this melody in eighth notes, the upper winds add agitated ornamentations, some in triplets, some in eighth notes.
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Around the halfway point, when a stretch of Mitchell's striated soprano-saxophone ornamentations gives way to jaunty patterns in the wider orchestra, there is a sense of a singular intelligence at work.
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Later works combine newer timbral concerns with maqamic pitch content, microtones and elements of folk music (ornamentations, vocal and instrumental practices, etc.).
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The dating of the stones is based on studies of their shapes and ornamentations. Subsequently, three distinct groups of stones exist with various aesthetics, locations and purposes.
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Tumauini is an ultra-baroque church known for its extensive use of red bricks on its exterior and interior ornamentations. Brick was used due to lack of good quality stones in the area.
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The spores are ellipsoid and thick-walled, with indistinct, irregular bumps and low longitudinal ridges; the surface ornamentations become conspicuous after the spores have been stained in methyl blue. Mature spores are sometimes smooth and hyaline.
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Spores are roughly spherical and have ornamentations on the surface. The spores in mass are dark brown when mature. They are spherical, covered with "warts" or verrucae, and measure 5–6 μm in diameter (including ornamentation).
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These forehead ornamentations are removed when the deities are brought out during the Deb Snana Purnima. They are then redecorated when the deities return to the sanctum, in the Chitra month on amavasya day (new moon day).
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Rabbi Simeon taught that there were three elements to the first fruits (, bikkurim): the first fruits themselves, the additions to the first fruits, and the ornamentations of the first fruits. The additions to the first fruits had to be like the first fruits, but the ornamental fruit could be of another kind. The additions to the first fruits could only be eaten in Levitical purity, and were exempt from the law of doubts as to tithing (demai), but the fruits used for ornamentations were subject to the law of doubts as to tithing.
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The pseudo-umbilicate shell has a conoid shape. It is white with green radial bands. It can also be yellow or gray with irregular black stripes running down the shell. It is decorated with unequal subgranose cinguli (spiral ornamentations).
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Corridos, like rancheras, have introductory instrumental music and adornos (ornamentations) accommodating the stanzas of the lyrics. Like rancheras, corridos can be played in virtually all Regional Mexican styles. Also like rancheras, corridos are usually played in Polka, Waltz, or Mazurka mode.
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The Al-Burtasi is a mosque in Tripoli, Lebanon. The Burtasi mosque is considered one of the most beautiful Mamluk mosques in Tripoli. It is distinguished by its minaret and by its dark stone front decorated by black lines and white ornamentations.
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Percy Grainger wrote an elaborate and complex piano transcription of a theme from this opera. The Ramble on the Last Love Duet in Der Rosenkavalier is one of Grainger's more complex piano transcriptions, with many sumptuous ornamentations and harmonic twists and turns.
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A male adult was excavated in an open pit with stone and shell adzes. Ornamentations were shell disks with perforations near the ears and chest. Shells were of local material. Other materials were shell containers that are part of the areca nut chewing paraphernalia.
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Sordariaceae have dark, usually ostiolate ascomata, and unitunicate, cylindrical asci. Their ascospores are brown to black, often with a gelatinous sheath or with wall ornamentations, but lack gelatinous appendages.Kirk PM, Cannon PF, David JC, Stalpers JA, 2001. Ainsworth & Bisby’s Dictionary of the Fungi, ninth edn.
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Paradentiscutata maritima is a species of fungus. It is characterised by introverted ornamentations on the spore wall; the spore wall structure and germ shield morphology. It was first isolated in northeast Brazil, and can be distinguished by the projections on the outer spore surface.
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Paradentiscutata baiana is a species of fungus. It is characterised by introverted ornamentations on the spore wall; the spore wall structure and germ shield morphology. It was first isolated in northeast Brazil, and can be distinguished by the projections on the outer spore surface.
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200px Entrance of the building with two Ionic columns In inside two Doric columns Details of Ionic columns Details of the ceiling Details of the door ornamentations Ornamentations of the staircase Firstly, it was decided to build the structure in 1909 by increase of number of the students of the Rum Evanjelik Mektebi and its construction plot was purchased with gathering the funds. Then, the building which is known as Namık Kemal High School was started building. However, its construction was stopped by Balkan Wars and the First World War. Afterwards, construction was started again in 1919–1922 while Greek government was in the saddle.
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Its facade is of red tezontle with simple ornamentations. This is called the Casa Talavera which is today a cultural center. Its name comes from the fact that it was the first producer of Talavera pottery in Mexico. It was the property of the marquis of San Miguel de Aguayo.
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Silk embroideries of Gasimushaghi carpets. Masterly made arrangement of ornamentations of the whole composition of the central part of Gasimushaghi carpets arouse interest. No part of the background of the middle and external area of the carpet stayed unused. Traditionally, long-staple wool, called “yapaghi” was used in weaving of Gasimushaghi carpets.
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At first, Egyptians used the bright green malachite stones for ornamentations and pottery. Later, between 2613 and 2494 BC, large building projects required expeditions abroad to the area of Wadi Maghareh in order to secure minerals and other resources not available in Egypt itself.Shaw, I. (2000). The Oxford History of Ancient Egypt.
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The small traditional Chinese temple is a simple single-chambered building measuring long and wide. The entrance porch opens to the temple building measuring in depth. The building is painted gray, with few ornamentations, except for paintings on walls under the entrance porch. The temple's roof, rising five meters, is a traditional gable roof.
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As the villages and towns grew they adhered to symmetrical shapes. Symmetry was also important in the layout of homes, altars, and villages. In traditional Chinese architecture, every facet of a building was decorated using various materials and techniques. Simple ceiling ornamentations in ordinary buildings were made of wooden strips and covered with paper.
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There are spire discharge arches with rectangular jambs. The interior surface of the dome and pendentives are decorated with over-the-gate pen works. Both "C" and "S" curves attract visitors’ attention among these brown, black and red ornamentations. Written underneath the flower designs are the word, "Maşallah," and date, 1181 Hijri (1667-1668).
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Dhīraśankarābharaṇaṃ, commonly known as Śankarābharaṇaṃ, is a rāga in Carnatic music. It is the 29th Melakarta rāga in the 72 Melakarta rāga system of Carnatic music. Since this raga has many Gamakās (ornamentations), it is glorified as "Sarva Gamaka Maaṇika Rakti Rāgaṃ" in Telugu. By scale wise, the Śankarābharaṇaṃ scale corresponds to Bilaval in the Hindustani music system.
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The tassel was its primary expression, but it also included fringes (applied, as opposed to integral), ornamental cords, galloons, pompons, rosettes, and gimps as other forms. Tassels, pompons, and rosettes are point ornaments; the others are linear ornaments. These constructions were varied and augmented with extensive ornamentations. These constructions were each assigned an idiosyncratic term by their French practitioners.
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Buergeria are medium-sized to large frogs (snout-vent length ) that resemble in their body form Rana (unlike other rhacophorids). Their skin is smooth and they have no dorsal ornamentations. Their feet are fully webbed whereas their fingers are only up to half-webbed. They produce many eggs that are deposited in water and develop through a tadpole stage.
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Cortinarius badiolaevis produces spores which measure from 7 to 8.5 by 4.5 to 5.5 μm. They range from almond-shaped to ellipsoid. There are wart-like ornamentations, but it is not heavily ornamented. They are dextrinoid, meaning that they stain red-brown in Melzer's reagent or Lugol's solution, and stains darkly in potassium hydroxide (the KOH test).
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Two trademarks of this style is improvised violin ornamentations based on a melody and a high falsetto voice. It origins are in Veracruz and San Luis Potosí but has spread to the rest of the La Huasteca, especially in the state of Hidalgo. It is very popular in the region for major family celebrations such as weddings.
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The ascospores are single-celled, bipolar symmetrical, and usually bilaterally symmetrical, ranging from roughly spherical to ellipsoidal to occasionally fusoid. The ascospores of some species develop surface ornamentations such as warts, ridges, or spines. The tissues of the ascomata are fleshy and often fragile. Although the majority of species are known only in the teleomorphic state, the anamorphs of some species are known.
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The other musicians accompany the primáš with their own ornamentations, following only the basic structure of a song. Folk musicians from Horňácko often use unusual combinations of tones and harsh harmonies, seemingly omitting the standard procedures of musical theory. The structure is, however, firmly anchored by rhythmic and harmonic plan. An important feature of Horňácko folk songs is the communicative function.
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The buildings are rectangular in shape, and topped with a dome that is 60 meters high. The façade was built of sandstone. The inside of the museums is lavishly decorated with marble, stucco ornamentations, gold-leaf and paintings. The staircase of the Kunsthistorisches Museum is equipped with paintings by Gustav Klimt, Ernst Klimt, Franz Matsch, Hans Makart and Mihály Munkácsy.
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Close attention to detail was paid in modeling these landmarks after their originals. For example, detailed carvings and ornamentations are included. Even the materials used are modeled after their originals to create the most authentic look possible. For example, the replica of the Great Pyramids was constructed of 200,000 white marble bricks, each as large as a bar of soap.
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The exterior of the church is dominated by the three onion domes which top the gable facing the street. The design takes its inspiration from 17th century Muscovite architecture. The facade is executed in red and grey bricks with sandstone ornamentations. High on the facade, in a niche above the bells, is an icon of Alexander Nevsky, the church's patron saint, painted by Fyodor Bronnikov.
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He was not satisfied with Khayal for expressing his skill in singing Taan, he restlessly traveled in Punjab, where he listened to the folk songs of camel- riders, which he thought to be suitable for his own style of singing. He composed Tappa using various ornamentations with Taan, Jamjama, Khatka, etc. In the Tappas of Shori Miyan, in Antara we find his name as 'Shori'.
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The first group of picture stones was made in the period 400–600 CE. These have a straight form and the upper part is shaped like the edge of an axe. The ornamentations are usually circular forms with vortex patterns and spirals, but also with images of ships, people, and animals. These older stones were usually raised within grave fields, albeit not on the graves themselves.
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The eyes were accentuated with a line on each side and the arms were usually short. These geometric ornamentations are very common on Chancay ceramics. Other common ceramic vessels were oblong jars with narrow necks and wide mouths, with designs in the form of human faces and geometric shapes painted in the black on cream technique. Other common animal shapes are birds or llamas.
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Moinuddin and Aminuddin brought back the concept of a harmonious synchronization between the two. In a typical performance, Aminuddin's voice draws the audience into a deep meditative mood by gradually descending the notes of the lower octaves and Moinuddin dazzles listeners with his alankars, ornamentations in the upper octave. After having established Dhrupad in India, they were invited to perform abroad. They visited Russia and Japan.
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Stones and red bricks are usually used as foundation and walls, while sandstone and andesite stone are usually carved as ornamentation. Balinese people are known for their artistry. They have developed a sophisticated sculpting tradition that manifests in architecture rich with ornamentation and interior decoration. Balinese temples and palaces are exquisitely decorated with rich ornamentations, both wooden and stone sculpting, which usually depict floral patterns.
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Victory Square Cenotaph is located on the northern side of the square. The ornamentations on the stone include one long sword and two wreaths, one of laurels, the other of poppies; both entwined with maple leaves. A stone replica of the steel helmet, as used in the war of 1914–1918, adorns three corner buttresses. A larger wreath of laurels surrounds the numerals "1914–1918" at the base of the front.
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Many domestic strains have morphological traits that are very distinct from the wild-type antecedents. Males and females of many domestic strains usually have larger body size and are much more lavishly ornamented than their wild-type antecedents. Guppies have 23 pairs of chromosomes, including one pair of sex chromosomes, the same number as humans. The genes responsible for male guppies' ornamentations are Y-chromosome linked and are heritable.
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Ethnography and a way of live in Zbarazh countryside represented by three palace show halls. A rare collection of Galych and Volyn embroidery have been situated there. Runners and tablecloths fabricated in different techniques on homemade and factory canvases using geometrical, floral, and zoological ornamentations. Alongside in the exhibition halls there are specimens of sacred art embroidery and gender specific folk dress code of Zbarazh District in history.
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Songs with simple melodies and delicately incorporated ornamentations like suspensions and appoggiaturas were popular, including "Jeanie with the Light Brown Hair" and "Oh My Darling Clementine". These songs, especially those by Foster, could be considered the beginning of American popular music. It has been called beginning of the "increasing influence of the Afro-American style of song and dance in American life" (Stearns and Stearns, Jazz Dance, quoted in Chase, 232).
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The spores are thick-walled, spherical or broadly elliptical, buff colored, with surface ornamentations, and dimensions of 13–16 or 12–13 by 16 µm. They germinate by means of a basidia that bears an apical cluster of elongate basidiospores. The sterile (non spore-producing) cells are pale, nearly colorless, ornamented, and frequently collapsed. The conidia are thin- walled, mostly Y-shaped, translucent, and arranged in roughly like a loose ball.
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They feature surface ornamentations up to 0.8 µm high and an almost complete reticulum comprising broad, rounded ridges. The basidia (spore-bearing cells) are somewhat cylindrical, four-spored, and measure 50–70 by 9–11 µm. The cap cuticle is an ixocutis (made of gelatinous hyphae that run parallel to the cap surface) up to 60 µm thick, with hyphae that are 2–6 wide that are usually branched and interwoven.
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There is also a division according to the Ammonian Sections (in Mark 237, the last section in 16:14), but there are no references to the Eusebian Canons. It contains the tables of the (tables of contents) before each Gospel, lectionary markings at the margin, subscriptions at the end, Synaxarion, and Menologion. According to Scrivener it is "rough and dirty". There are no pictures, but ornamentations in faded lake.
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ClassicFM Hall of Fame 2017 Highest placed a cappella work. Also 2016 , 2015 , 2014 , 2013 . (Retrieved 1 September 2017) The original ornamentations that made the work famous were Renaissance techniques that preceded the composition itself, and it was these techniques that were closely guarded by the Vatican. Few written sources (not even Burney's) showed the ornamentation, and it was this that created the legend of the work's mystery.
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The book covers remain an intricate example of early medieval religious book covers and are regarded by scholars as an important resource in examining early medieval ornamentations of Gospel Codices. The book covers also serve as an important example of Lombard metalwork. Additionally, the inscription on the book covers make the work the first recorded instance of Theodelinda's involvement with the Monza Cathedral, which was perhaps her greatest achievement.
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It usually plays at submultiples of the pokok; the keys are struck more frequently than the jegogan and usually less frequently than the ugal (playing the pokok). The jublag part is often the full pokok while the ugal part includes some ornamentations and flourishes; however, the jublag do not play full kebyar sequences, for example. This instrument is one octave above the jegogan and overlaps tones with the ugal.
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In the last century, the sape gradually became a social instrument to accompany dances or as a form of entertainment. Today, three, four or five-string instruments are used, with a range of more than three octaves. Technically, the sape is a relatively simple instrument, with one string carrying the melody and the accompanying strings as rhythmic drones. In practice, the music is quite complex, with many ornamentations and thematic variations.
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Khyal is the modern Hindustani form of vocal music. Khyal, literally meaning "thought" or "imagination" in Hindustani and derived from the Persian/Arabic term, is a two- to eight-line lyric set to a melody. Khyal contains a greater variety of embellishments and ornamentations compared to dhrupad. Khyal's features such as sargam and taan as well as movements to incorporate dhrupad-style alap have led to it becoming popular.
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Females often show a preference for exaggerated male secondary sexual characteristics in mate selection. The sexy son hypothesis explains that females prefer more elaborate males and select against males that are dull in color, independent of the species' vision. Similar sexual dimorphism and mating choice are also observed in many fish species. For example, male guppies have colorful spots and ornamentations while females are generally grey in color.
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C. ramosus has a large, solid, very rugged and heavy shell, of up to 330 mm in length. It has a relatively globose outline, possessing a short spire, a slightly inflated body whorl, and a moderately long siphonal canal. One of its most striking ornamentations are the conspicuous, leaf-like, recurved hollow digitations. It also presents three spinose axial varices per whorl, with two elongated nodes between them.
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It is a somewhat faithful transcription of a children's tune named , with a few ornamentations, that he made in one of his trips. The other two rondos were composed in 1927 and follow a much more different style from their preceding one. The compositional structure is much more complex and rhythms are much more emphasized than in the first rondo. The traditional melodies are still present but are developed much further.
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The church's steeple, which was added some years after the building's completion, is wooden with a square base with a railing at the top. The top railing surrounds a narrower square section with flattened corners, with urn-like ornamentations topping each corner. The third section consists of a stout octagonal structure, each side with an oval window. Above this is a tall spire with a gold weather vane on top.
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Runestone U 504 This runestone is an early inscription in style RAK without ornamentations. It is located in Ubby and it was raised in memory of a father who had travelled both in the west and in the east. Latin transliteration: : + kitil×fastr × risti × stin + þina × iftiʀ × askut × faþur + sin × saʀ × uas × uistr × uk × ustr + kuþ ialbi × as × salu Old Norse transcription: : Kætilfastr ræisti stæin þenna æftiʀ Asgaut, faður sinn. Saʀ vas vestr ok austr.
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It features historic furnishings, stained glass windows, tin ceilings, original woodwork and hand drawn stencil ornamentations. In 2003, a new annex was completed and added to the Opera House on its adjacent lot. It provides disability access to the stage, a freight elevator, additional back stage areas, offices and the Stage Left Café. The Orson Welles Stage was dedicated February 10, 2013, honoring the site of Welles's American debut as a professional theatre director.
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It is certain that the writing of the manuscript appears to be somewhat more advanced than that of the Vaticanus or Sinaiticus, especially in the enlargement of initial letters. It is also more decorated, though its ornamentations are already found in earlier manuscripts. Codex Alexandrinus was written a generation after codices Sinaiticus and Vaticanus, but it may still belong to the fourth century. It cannot be later than the beginning of the fifth.
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These ridges are up to high, and are decurrent—they extend below and run down the cap's attachment to the stipe, though irregularly so. The spore print is brownish, the spores ellipsoid with dimensions of 12.4–16.8 × 5.8–7.3 μm. The spore surface is roughened with ornamentations that can be made visible under the microscope by staining with methyl blue. The fruit bodies can last for some considerable time, growing slowly over a month.
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Srinivas' first mandolin belonged to his father, a clarinetist. That instrument was a 'standard' Western mandolin; however, he made modifications to suit his playing style over the course of his musical career. Srinivas started out on the acoustic mandolin, but neither the size nor plucking required of the acoustic mandolin was suited for long, sustained notes. He then switched to the electric mandolin, which was better suited for sustained notes and musical ornamentations.
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Simple ceiling ornamentations in ordinary buildings were made of wooden strips and covered with paper. More decorative was the lattice ceiling, constructed of woven wooden strips or sorghum stems fastened to the beams. The most decorative and the most complex ceiling was the caisson. Because of the intricacy of its ornamentation, the caisson was reserved for the ceilings of the most important Chinese buildings such as imperial palaces and Buddhist temple altars.
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St. Maternus was built according to the plans of Vinvenz Statz from 1863 to 1867 at the former place of the Carthusian. St. Maternus was built as a gothic church with only a few ornamentations. It has a tympanum with St. Maternus standing between two angels in front of a panorama of Cologne. Inside the church there is a madonna from Alt St. Maternus (English: Old St. Maternus), the former St. Maternus from 1470.
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The church is lit with four windows, one on each side. The façades bear carved ornamentations, especially the window and door frames, resembling those of the Savane church of St. George, some 15 km east of Darkveti. On the south wall, there is a slab with a relief representation of a peacock. The western facade of the church has one semi-circular window, with carved archivolt, and also bears a number of medieval Georgian inscriptions.
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The text of Gospels is also divided according to the smaller Ammonian Sections (Matthew 356, Mark 234 – the last section in 16:9, Luke 342, John 226). It contains Prolegomena, the tables of the (tables of contents) are placed before each book; it contains synaxaria, the Euthalian Apparatus, and ornamentations. At the end it has liturgy of Chrysostomos. Subscriptions at the end of each book with numbers of were added by a later hand.
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The antique head-dress, or Queen Mary coif, Chinese hat, Oriental inspired turban, and Highland helmet were popular. As for bonnets, their crowns and brims were adorned with increasingly elaborate ornamentations, such as feathers and ribbons. In fact, ladies of the day embellished their hats frequently, replacing old decorations with new trims or feathers. 1800–1809 was the height of dandyism in men's fashion in Europe, following the example of Beau Brummell.
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Father Jeronimo de Venasque continued the construction in 1635 and it was completed by Father Francisco Figueroa in 1638. Father Antonio Bravo did some repair work in 1877, and in 1893 Father Antonio Moradillo commissioned Italian artists Dibella and Alberoni to paint the ceiling of the nave, along with other ornamentations. The cemetery chapel and stone gate have also been attributed to Father Moradilla. The church and convent were occupied by the Philippine revolutionaries in 1898.
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Asturias is also home to popular musicians such as José Ángel Hevia (bagpiper) and the group Llan de cubel. Circular dances using a 6/8 tambourine rhythm are a hallmark of this area. Vocal asturianadas show melismatic ornamentations similar to those of other parts of the Iberian Peninsula. There are many festivals, such as "Folixa na Primavera" (April, in Mieres), "Intercelticu d'Avilés" (Interceltic festival of Avilés, in July), as well as many "Celtic nights" in Asturias.
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The third group was made in the period 700–1100 CE and they consist of tall stones with necks and tall bow-shaped profiles. Their ornamentations present a rich array of pictures: ships with checkered sails and scenes with figures in different fields. The borders are often decorated with various plaited patterns. Many scenes show sacrifices and battles, and a common scene on the stones is a man, riding a horse, welcomed by a woman holding a drinking horn.
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The ballroom is located in a four-story Gründerzeit house, in which shops are also present, at Kamenzer road 19, Äußere Neustadt. The entrance leads through a passage to a room of nearly that is not discernible from the outside. The interior is a historical landmark, with all the original fixtures extant, including the stage area, galleries, a double helix staircase, a skylight, and cast-iron columns. Also visible are old stucco ornamentations and various wall and ceiling paintings.
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Raos, Ivan (1969). Adriatic tourist guide, Spektar, pp. 113. on Google Search Retrieved 15 April 2011 Covered inside and outside with a thin lamina of 240 kg of pure silver and also a considerable quantity of gold, it shows intricate details carved on the cedar wood used to give shape to the chest. All free surface of the chest is filled in with more or less standard vine, leaves and winding rosettes of sinuate leaves ornamentations decorated with gold.
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Karamemi brought up an innovation to the tradition with his naturalistic floral ornamentations. 17th century illumination art was different from the previous examples due to more use of colors. Hâfiz Osman (1642–1698), invented the calligraphic format of the hilye, or text describing the appearance of Muhammad, which were kept in albums or framed like pictures for hanging on walls. The economic and social crisis effected cultural life and fewer manuscripts were produced in this period compared to the past.
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Remnants of the original bricks, showing details of brick work ornamentations. The history of this temple – such as its original name, which deity being venerated in this temple, who was the king or regional ruler that commissioned the construction and when was it – are still unknown, since no records nor inscriptions found near the temple that could shed the information about this temple. Formerly, this temple was known by locals as Keboncandi temple. There are myths circulating among surrounding populations about this temple.
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The entire brewery grounds spread over more than 30 hectares and is currently being transformed into a new city district in Copenhagen. The area is dominated by numerous historic and restored 19th- and early 20th-century buildings, many of which have lavish ornamentations, as well as two historic gardens. The buildings have served a wide array of original functions, some of which are not immediately associated with the production of beer. These include a lighthouse, stables, Italianate villas and a museum.
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There are twenty-six full and double page miniatures. The description given in the book is different from that of the pas d'armes held at Razilly and Saumur; conspicuously absent are the allegorical and chivalresque ornamentations that were in vogue at the time. René instead emphasizes he is reporting on ancient tournament customs of France, Germany and the Low Countries, combining them in a new suggestion on how to hold a tournament. The tournament described is a melee fought by two sides.
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The panflute plays the fierce dance tunes of the Romanian folk music in a way similar to the violin in Hungarian fast movements: with many ornamentations and rhythmic variations, but in a style that is instantly recognizable as Romanian. In slow movements it introduces the Gypsy style by varying the pitch, by sliding to a tone and by using different shades of sound. Accordion – Romanian and Russian related orchestras often include an accordion. It reinforces the rhythm and strengthens the after-beat.
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From the 13th century, Theravada Buddhism was introduced from Sri Lanka around the same time as the ethnic Thai kingdom of Sukhothai was established. The new faith inspired highly stylized images in Thai Buddhism, with sometimes very geometrical and almost abstract figures. During the Ayutthaya period (14th-18th centuries), the Buddha came to be represented in a more stylistic manner with sumptuous garments and jeweled ornamentations. Many Thai sculptures or temples tended to be gilded, and on occasion enriched with inlays.
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Stockhausen used a basic graphic notation to indicate how each loop should be altered from its fundamental form through pitch and tempo changes. Stockhausen called these changes glissandi, requiring them to be smoothly executed with faders for a continuous deviation from the original loop. Kathinka Pasveer realized these ornamentations using his score. The tempo could change by as much as a factor of 12, and the pitch variations could be as narrow as a tritone or as wide as a major tenth.
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Quadrangular bracelets (Sighetu Marmaţiei?) The small ones may have been used as currency. The traditional ornamental motifs of bracelets, the meander and the "whirling" spiral (i.e. Oradea, Firiteaz and Sacosul mare), are thought to follow the spread of a cult of the sun, their decorations suggesting the rotation of the sun on the heavenly vault. This motif is recognized as one of the parallels between the artifact decorations of this North Thracian group and the ornamentations from the Mycenaean Shaft Graves.
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The main entrance to the campus is on Memorial Road and is marked by a large pond with a fountain. The campus contains more than 30 major buildings, with the majority built in an International and Mid- Century modern-influenced architectural style, unified through the use of red brick with light-colored stone ornamentations. The main entrance leads directly to the center of the campus. Prominently located in this area is the Williams-Branch Center for Biblical Studies (1987), which contains Scott Chapel.
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The Neo-Mudéjar is a type of Moorish Revival architecture practiced in the Iberian Peninsula, and a far lesser extent Ibero-America. This architectural movement emerged as a revival of the Mudéjar style. It appeared in the late 19th century in Madrid and Lisbon, and soon spread to other regions of the country. They started to construct buildings using some of the features of the ancient style, as horseshoe arches, arabesque tiling, and the use of the abstract shaped brick ornamentations for the façades.
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Rothstein's idea is that ornamentations such as retardations or syncopations result from displacements with respect to a "normal" rhythm; other diminutions (e.g. neighbor notes) also displace the tones that they ornate and usually shorten them. Removing these displacements and restoring the shortened note values operates a "rhythmic normalization" that "reflects an unconscious process used by every experienced listener" (p. 109). This type of reduction has a long tradition, not only in counterpoint treatises or theory books,Kofi Agawu, "Schenkerian Notation in Theory and Practice", op. cit.
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In addition, the rendering of the figures and ornamentations must follow strictly prescribed rules, since they are mostly produced for religious articles and temple hangings. These paintings are produced collaboratively, and therefore mostly anonymously. There were many experiments with new types of art by Balinese from the late nineteenth century onwards. These experiments were stimulated by access to new materials (western paper and imported inks and paint), and by the 1930s, new tourist markets stimulated many young Balinese to be involved in new types of art.
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The main western entrance has rosette ornamentations and is framed by two fluted pilasters supporting a plain entablature which rests on pedestals decorated with acanthus leaves. The other two lintels are of the same classic design which inspired the western front. The surrounding arcades to the north have lost the tip of the smooth shaft columns on pedestals flanking the cross and crown brackets. The southern end is made up of raised segments with raised padded, bracketed by the remains of a braided columella.
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"Musically speaking, Palestinian songs are usually pure melody performed monophonically with complex vocal ornamentations and strong percussive rhythm beats". The presence of a hand-drum in classical Palestinian music indicates a cultural esthetic conducive to the vocal, verbal and instrumental percussion which serve as the foundational elements of Hip-hop. This hip hop is joining a "longer tradition of revolutionary, underground, Arabic music and political songs that have supported Palestinian Resistance". This subgenre has served as a way to politicize the Palestinian issue through music.
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He also created murals and wall ornamentations, tapestry cartoons, maquettes, sets, and costumes for the Théâtre Français and the operas of Paris, Amsterdam, Nice, Lyon, Toulouse, Bordeaux, and Avignon. In 1954 Brayer was awarded to Grand prix des Beaux-Arts de la Ville de Paris, and he was elected to the Académie des Beaux-Arts in 1957. He was president of the Salon d'Automne for five years. In 1977 he was made curator of the Musée Marmottan in Paris, a position he held for 11 years.
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The diary is written in the first person; the Shah is directly communicating with his readers. He uses a relatively dry style of writing. Indeed, while oriental works of literature are usually written with numerous ornamentations of diction, the diary of the Shah is written in a very simplistic style. Preview of the Diary of the Shah The diary is full of passionate and enthusiastic phrases that Naser al-Din Shah uses to express the various feelings that he had when discovering the novelty of European lands.
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Changde Apartment is designed according to the surrounding terrain, containing eight floors, with reinforced concrete structure. It covers a floor area of 580 square metres, a construction area of 2,663 square metres and is equipped with an elevator in an Art Deco style. The entire building is decorated with delicate partial ornamentations in a concave shape, and the wings turn backward. The east facade of the building features stretches of long ribbon-shaped balconies, with vertical lines in the middle forming a horizontal and vertical contrast.
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New for Caccini's songs were that the accompaniment was completely submissive in contrast to the lyric; hence, more precisely, Caccini's Stile moderno-monodies have ornamentations spelled out in the score, which earlier had been up to the performer to supply. Also this marks the starting point of basso continuo which also was a feature in Caccini's work. In the preface of his 5th Book of Madrigals (1605) Monteverdi announced a book of his own: Seconda pratica, overo perfettione della moderna musica. Such a book is not extant.
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Studio 2001 Studio headstock The Studio model was introduced in 1983, and is still in production. The guitar is intended for the studio musician; therefore, the design features of the "Les Paul Studio" are centered on optimal sound output and not on flashy appearance. This model retains only the elements of the Gibson Les Paul that contribute to tone and playability, including the carved maple top and standard mechanical and electronic hardware. However, the Studio design, until 2017, omits several stock Gibson ornamentations that do not affect sound quality, including body/neck binding.
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A second, higher toned ugal is sometimes used. The ugal is taller than the other gangsa, and the player sits on a short stool, so as to allow the player to cue the ensemble visually with ease. The instrument also has 10 keys, with a range of two octaves, and is played with a hard wooden mallet, slightly larger than the other gangsa panguls and usually with additional ornamentations so the leader's sometimes theatrical cues actively catch the light. Its notes are an octave lower than those of the gangsa pemadé.
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Other species in this section include L. vellereus (the type species), L. subvellereus, and L. caeruleitinctus.Hesler and Smith, 1979, p. 191. Based on a morphological study published in 2005, Lactarius tomentosomarginatus is considered synonymous with Lactifluus deceptivus. L. tomentosomarginatus, described by Hesler and Smith in their 1979 monograph of North American milk-caps, was considered by them to be a "satellite species", differing from L. deceptivus on the basis of smaller spores, smaller ornamentations on the surface of the spores, crowded and forked narrow gills, and differences in the micro-structure of the cap cuticle.
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Its creation marked the beginning of the Timurid architectural style. The experimental spatial arrangements, innovative architectural solutions for vault and dome constructions, and ornamentations using glazed tiles made the structure the prototype for this distinctive art, which spread across the empire and beyond. The religious structure continues to draw pilgrims from across Central Asia and has come to epitomize the Kazakh national identity. It has been protected as a national monument, while UNESCO recognized it as the country's first site of patrimony, declaring it a World Heritage Site in 2003.
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Before the Spanish arrived in the Philippines, decorating teeth was a common practice. From staining them red or black, to decorating them with gold scales, the ornate practice of dental decoration was a status symbol for the Philippine natives. The work of Zumbroich and Salvador-Amores state that only eight out of the fifty-one burials unearthed from the 14th-15th century cemetery site in Bolinao had dentitions with gold ornamentations featuring varying elaborations. Evidence of deliberate teeth dyeing was also pointed out by the discoloration in the frontal teeth only.
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It has a 5 m square central chamber that opens to the four cardinal points with as many vestibules. Their classical ornamentations, unfortunately ruined, suggest that the sanctuary belongs to the first half of the 12th century and is older than the gopura. Even the characteristic "chimney-like" tower that stands above seems to be a later addition (Willetts identifying it as belonging to Jayavarman VII's period), maybe a frame for a covering. Some parts of the pediments have been taken away for safe-keeping, others are lying on the ground.
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The use of scanning electron microscopy has revealed that these ornamentations on the spores are typically 0.95 µm long. Spore ultrastructure is distinctive among Calvatia species, and has been used to help verify taxonomic groupings and confirm the status of species within the genus. The capillitia (coarse, thick-walled hyphae in the gleba) are septate, with branches that are narrowed towards the tips; they are 3–8 µm in diameter. When grown in pure culture in the laboratory, C. sculpta is, under certain conditions, able to grow structures called mycelial strands.
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The inner spaces are decorated with gypsum and mirror works. It has the highest wind catcher (Badgir) amongst houses in Kashan and like other traditional Iranian houses, it consists of interior and exterior sections, porches, pools, yards, crew yards , stables covered with various beautiful and artistic ornamentations of Iran such as stucco, Mogharnas, paintings on plaster, woodwork, woodcarving and some other ornamentation arts. It is closest to some monuments of Kashan like Tabatabai House and Borojerdi House that are the most beautiful samples of Persian Culture and architecture.
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It is characterized by a large shell between about 150–200 mm in triangular or wedge, the leaflets have ornamentations forming rows 10-20 tubular radial spiny projections which are often slightly curved. The surface of the leaflets tend to observe fine markings which correspond to the long lines. The coloration is variable ranging from dark brown to greenish brown. In the animal body highlights large posterior adductor muscle development, which in individuals of sizes between 150 and 200 mm can reach a diameter of about 40 mm.
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In rock sparrows, elaborate feather ornamentations are the best predictor of dominance in foraging groups. It has been shown, through the use of social network analysis to determine patterns of leader-follower interactions, that individuals with the brightest yellow breast patches showed the most dominance in the foraging group and had the most followers compared to less elaborate individuals. Several sexually selected ornaments that may be used during courtship can also be used as armaments. Antbird songs, which are sexually monomorphic ornaments, function as deterrents in competitive intrasexual interactions as well as in mate choice.
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61.7408 The lorica can be distinguished between different species by the orientation of spines or other ornamentations, such as pores, warts or ridges, and can range from being colourless to orange/brown or even black based on the nutrients in their surroundings. Trachelomonas Ehrenberg. (n.d.). Retrieved March 5, 2019, from Most species are phototrophic, having a characteristic green colour due to the discoid or flattened, shield-like chloroplast, which usually bears sheathed, projecting or naked pyrenoids. The few species that are osmotrophic, lack chloroplasts; therefore, they are colourless.
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Different facets of a raga are displayed with the help of bandish while the raga is elaborated using vistaar. The gharana adopts a kind of voice production which relies on a flatter version of the vowel sound "a", which makes its music agreeable to rhythmic variations and is best suited for a deep masculine voice. Emphasis is laid on bold, full-throated and robust voice production, and singing in the lower register (mandra) is favoured. Keeping in tune with its dhrupadic origins, the singers use broad and powerful ornamentations (gamaks), extensive glides (meends), and resonant articulations of notes.
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The aim was to promote Bosnian national identity while avoiding its association with either the Ottoman Empire or the growing pan-Slavic movement by creating an "Islamic architecture of European fantasy". This style drew its inspiration from the Moorish and Mudéjar architecture of Spain as well as Mamluk architecture of Egypt and Syria, as exemplified by Mostar Gymnasium. This included application of ornamentations and other "Moorish" design strategies, neither of which had much to do with prior architectural direction of indigenous Bosnian architecture. As a reaction, architects influenced by the Art Nouveau movement later developed the Bosnian style in architecture.
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Vikena was crowned the new Tuigaifo of Alo, also known as the Kingdom of Futuna, in an official coronation on November 6, 2008. The coronation, which took place in the small village of Alo, included a mix of traditional and religious elements. The coronation began with a religious ceremony followed by traditional Polynesian rituals and customs indigenous to Alo (Futuna), including a kava ceremony and offerings from Vikena's family and allied chiefly clans. Roast pig offerings, dancers with spears, and tapas ornamentations similar in design to those traditional used on Samoa were also featured at the coronation.
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After 1797, McIntire worked in the style of Boston architect Charles Bulfinch, who had made fashionable here the neoclassical manner of Scottish architect Robert Adam. Unlike Bulfinch, however, whose designs were featured across the East Coast, McIntire built almost exclusively in New England. His wooden or brick houses were typically 3 stories tall, each with 4 rooms around a central hall. In 1799, he went into business with his brothers, Joseph and Angier McIntire, who erected the structures, while at the workshop he oversaw various ornamentations, including the swags, rosettes, garlands and sheaves of wheat which dominate the interior wooden surfaces.
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But the objection of most weight proceeds from other considerations [...] It would have to be accepted that were used then emblematic ornamentations on tombs. [...] It doesn't exist, of course, any such case, be it known by material proof or by reference. [...] Pedro IV accepted prolongating the use of his arms to the ascenstors by varony [meaning by male line], that's why were his bars figurated on the new tombs of Gerona. [...] the first authentic testimonial of the arms that use the Kings of Aragon is found on the seals of Ramon Berenguer IV, whose oldest mark is from year 1150.
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They were active from about 480 BC until near the end of the 5th century BC. In their artwork, the figures seem elongated and have small heads, the garment folds are falling stiff, resembling stairs, and the images are framed with red-figure style ornamentations, such as detailed furniture and drapery. The range of motifs is also influenced by previous periods. Thus, Achilles and Ajax playing a boardgame, a popular black-figure motif introduced by Exekias, are depicted often. The figures gesticulate as if using a form of sign language, especially the hands often appear stiff and theatrical.
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The skull of Ossinodus is broader, shallow, and more elongated than Whatcheeriidae skulls, as Whatcheeriidae skulls have more depth due to their jugal notch. The ornamentations decorated throughout the dermal cranial and skeletal bones are more apparent and take up more surfaces in Ossinodus than the other two taxa. There is strong support for Ossinodus being grouped together with Whatcheeriidae and Pederpes, as phylogenetic trees have been generated that consistently place them as a trichotomy. There is debate about whether Ossinodus is a sister taxon to Whatcheeriidae and Pederpes or if Ossinodus is perhaps the stem of the two other taxa.
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Unlike his other buildings with their lavish ornamentations and extravagant spires, the complex is built to a focused and restrained design. Hans van Steenwinckel must have been up on the situation in Holland, cogniziant that the style which he had once learned from Hendrick de Keyser had been altogether abandoned. The architects now setting the agenda in the Netherlands, masters such as Jacob van Kampen (Amsterdam City Hall), Pieter Post (Mauritshuis in the Hague) and Philip Vingboons, now favoured a style characterized by sobriety and restraint. It is now known as Dutch Baroque or sometimes Dutch Classicism.
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In traditional Chinese architecture, every facet of a building was decorated using various materials and techniques. Simple ceiling ornamentations in ordinary buildings were made of wooden strips and covered with paper. More decorative was the lattice ceiling, constructed of woven wooden strips or sorghum stems fastened to the beams. Because of the intricacy of its ornamentation, elaborate cupolas were reserved for the ceilings of the most important structures, such as tombs and altars, although it is not clear what the spiritual beliefs of the early Chinese were, as altars appear to have served as burial sites.
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Confronted with the multinational population structure in Bosnia and Herzegovina, the government realized that it was necessary to have a political ear when choosing one of the historical styles. For construction in areas where the Bosniak population was predominant, architects used the Moorish Revival style. This style drew its inspiration from the Moorish and Mudéjar architecture of Spain as well as Mamluk architecture of Egypt and Syria, as exemplified by Mostar Gymnasium. This included application of ornamentations and other "Moorish" design strategies neither of which had much to do with prior architectural direction of indigenous Bosnian architecture.
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The mandible specimen was found in the "Lutetian" fossil site of Issel in France. It has a symphysis that has a spoon-like shape that reaches the 8th alveoli and is the thickest in with at the 4th tooth, the splenial is one-half the length of the symphysis. The dentary has light started ornamentations and vermiculation, there are a row of vascular foramen that open backwards on the upper part of the dentary, and the lower half has longitudinal depressions on the lateral. There is a surface full of wrinkles on the lateral dorsal side, for muscle attachment to surangular.
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The initial letters in red.Harleian 5784 at the British Library The text is divided according to the (chapters), whose numerals are given at the margin, and the (titles of chapters) at the top of the pages. There is also a division according to the smaller Ammonian Sections (in Mark 240, 16:9), with references to the Eusebian Canons (written below Ammonian Section numbers). It contains the Eusebian Canon tables (in red), prolegomena, lists of the (tables of contents) before each Gospel, ornamentations, lectionary markings at the margin (for liturgical use), Synaxarion, Menologion, subscriptions at the end of each Gospel, , prolegomena to Paul.
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The gangsa instruments play elaborate ornamentations (flowers) on the underlying melody (pokok, or trunk of the tree) of a piece of music. The explosive feeling of the gong kebyar style derives mainly from the dynamic range of these instruments, whose bright, sharp tones can sound anywhere from soft and sweet to extremely loud and aggressive. Each gendered male/female pair of gangsa is also divided into two interlocking melodic parts, polos (mostly plays on the beat) and the sangsih (mostly plays off the beat) during kotekan, which permits extremely rapid, virtuosic, and complex patterns to be played.
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Sargam refers to singing the notes instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance.Sargam at the ITC Sangeet Research Academy This is generally done in medium-tempo as a bridge between the alap and taan portions. As an example, one could sing PmRSnSRRSRnSPnmPgmnnPmgmRSnS in raga Adana, given that raga's vadi-samvadi and the rules of the raga (see swara for explanation of the notes). The musical octave is said to have evolved from the elaborate and elongated chants of Sama Veda, based on these basic swaras.
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Like all Indian classical music, dhrupad is modal and monophonic, with a single melodic line and no chord progression. Each raga has a modal frame - a wealth of micro-tonal ornamentations (gamak) are typical. The text is preceded by a wholly improvised section, the alap. The alap in dhrupad is sung using a set of syllables, popularly thought to be derived from a mantra, in a recurrent, set pattern: a re ne na, té te re ne na, ri re re ne na, te ne toom ne (this last group is used in the end of a long phrase).
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The Csokonai Theatre is the oldest and largest theatre in Debrecen, Hungary. It was named after one of the first Hungarian Modern Age playwrights, Mihály Csokonai, who lived and created many of his works in Debrecen. The building was designed by Antal Szkalnitzky with Moorish styled ornamentations, the theatre opened on in 1865, with Róza Laborfalvi as Gertrude in a performance of József Katona's 1819 play Bánk bán. Inside, the theatre is richly decorated, and outside are sculptures of Sándor Petőfi, Ferenc Kazinczy, Mihály Vörösmarty, Károly Kisfaludy, Ferenc Kölcsey, and Mihály Csokonai Vitéz, after whom the theatre was named in 1916.
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Son huasteco has two unique trademarks: improvised violin ornamentations based on a melody, and the use of a high falsetto voice. The style has spread beyond Veracruz and San Luis Potosí to other states including Hidalgo, which is now another center for the music. Unlike other folk music in Mexico, it is not in danger of disappearing and remains in high demand for major celebrations in La Huasteca. The music has been researched and cataloged for over forty years which has resulted in a two CD compilation called El Gusto. It was also the focus of a documentary called “A Mexican Sound” by Roy Germano.
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Historically, music has served as an integral accompaniment to various social and religious rituals and ceremonies in Palestinian society (Al-Taee 47). Much of the Middle-Eastern and Arabic string instruments utilized in classical Palestinian music are sampled over Hip-hop beats in both Israeli and Palestinian hip-hop as part of a joint process of localization. Just as the percussiveness of the Hebrew language is emphasized in Israeli Hip-hop, Palestinian music has always revolved around the rhythmic specificity and smooth melodic tone of Arabic. “Musically speaking, Palestinian songs are usually pure melody performed monophonically with complex vocal ornamentations and strong percussive rhythm beats”.
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Over the years, several phases of restoration work were undertaken by the Department of Archaeology, in coordination with the Dhaka Municipality Corporation. As the bed on the ornamentations and surface painting on most occasions. However, as the building is more than 130 years old, on few instances, comparatively major restoration building has been actively in use for over a century, only minor restorations were required, especially for the condensation of the plasterwork and paint. The restoration works at Northbrook Hall were more convenient for the Department of Archaeology, as the Dhaka Municipality Corporation actively supported the projects; along with the users, the local community.
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As there has been no disruption in the use of the building for over a century, the original details of the jalli work and surface ornamentations has survived in very good shape. Also, as the building is actively used and in relatively good shape compared to the other vulnerable heritage, no special fund was required for the conservation (as seen in the other examples like Panamnagar). The users of the building took partial responsibility of the minor restoration works under the supervision of the Department of Archaeology. Northbrook Hall can be considered one of the more successful formal conservation projects undertaken by the Department of Archaeology.
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The artists co-wrote the song with Jason Evigan, Sean Douglas, Ori Kaplan, Tamir Muskat, Tomer Yosef, and Wallpaper frontman Ricky Reed; the latter is also the song's producer. The song is built around sampled instrumentals from "Hermetico" by the Israeli band Balkan Beat Box from their 2007 studio album Nu Med. The main saxophone loop is based on symbolic Turkish traditional ornamentations, particularly rendering the Turkish wind instrument Zurna. A music video for "Talk Dirty" was directed by Colin Tilley, which incorporates types of dance from a variety of different cultures: it was released through Derulo's account on YouTube on August 7, 2013.
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The music of the lăutari is called muzica lăutărească. There is not a single music style of the lăutari, the music style varies from region to region, the best known being that from southern Romania. The lăutărească music is complex and elaborated, with dense harmonies and refined ornamentations, and its execution requires a good technique The lăutărească music should not be confounded with the Romanian peasant music. The lăutari drew inspiration from all the musics they had contact with: the pastoral music of Romania, the Byzantine music played in the church, as well as foreign music, most notably Turkish, but also Russian and Western European.
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According to Walter Kaufmann, though a remarkable and prominent feature of Indian music, a definition of rāga cannot be offered in one or two sentences. rāga is a fusion of technical and ideational ideas found in music, and may be roughly described as a musical entity that includes note intonation, relative duration and order, in a manner similar to how words flexibly form phrases to create an atmosphere of expression. In some cases, certain rules are considered obligatory, in others optional. The rāga allows flexibility, where the artist may rely on simple expression, or may add ornamentations yet express the same essential message but evoke a different intensity of mood.
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The results are camera-less abstract images without referents. In her later bodies of work Mazinani has continued asking the viewer to consider how the image is made and represented. Mazinani's sensibility towards war, how we come to understand conflict and its politics through images and media has resulted in numerous works where she uses pre-existing, archival, and found images to digitally produce abstractions that without attentive observation would appear as ornamentations seen in Islamic art and architecture. Room for Disruption (2011) is an installation made of various components and not limited to the printed photograph; incorporating video, wallpaper, and sculptural elements mixed with images.
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Speaking of eaves, they are a Federal trait as are the ornamentations underneath called dentils, although these here are reproductions. The overall effect is a bit more sophisticated, a bit more classical, than the humble cottages and farmhouses in the area. Carried over from England in the books and works of architects Robert and John Adam in the late 18th century, Federalism takes its cues from buildings of ancient Pompeii which had just been excavated during the Adams' time. It is characterized by an imposing rigidity, relieved here and there by curves and a certain airiness not found in earlier high-styled buildings of the Georgian period.
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The two main traditions of Indian classical music are Carnatic music, which is practised predominantly in the peninsular (southern) regions, and Hindustani music, which is found in the northern, eastern and central regions. The basic concepts of this music includes shruti (microtones), swaras (notes), alankar (ornamentations), raga (melodies improvised from basic grammars), and tala (rhythmic patterns used in percussion). Its tonal system divides the octave into 22 segments called Shrutis, not all equal but each roughly equal to a quarter of a whole tone of the Western music. Sangeet Natak Academy recognizes eight classical dance and music forms, namely Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam.
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The book includes an index of "ornamentations and flowers of rhetoric" used in the text, from abstract (pg 20) to psittacism ("assuredly"), and including anadiplosis, epistrophe, and metalepsis. Many of the characters and scenes, including the moped-riding protagonist, were based on real-life friends of Perec. Which Moped... was published shortly after Perec received the Renaudot Prize for his debut novel Things, but it did not meet with the same widespread critical success. Its farcical tone was in contrast to the controlled classical writing and criticism of consumer society found in Things, and it received little notice in the press, although the few reviews that were published (by Les Echos and Le Figaro, among others) were favorable.
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During (2003) pp. 28-29; Morris (2007) p. 4 He would eventually revive this ancient art, composing over 100 original pieces that he used as the basis for his improvisations.During (2003) pp. 28, 52 His musical ornamentations and complex playing technique, which for the first time involved the use of all five fingers of both hands, as well as his physical modifications to the instrument itself - namely, the doubling of the higher string so as to dramatically increase its expressiveness - earned him a reputation as an innovator of this art form and a master of the tanbur.During (2003) pp. 54-61 Since the commemoration of his centennial in 1995, eleven CDs of his music have been released.
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The composition of a Shinto shrine The following is a diagram illustrating the most important elements of a Shinto shrine: #Torii – Shinto gate #Stone stairs #Sandō – the approach to the shrine #Chōzuya or temizuya – fountain to cleanse one's hands and face #Tōrō – decorative stone lanterns #Kagura-den – building dedicated to Noh or the sacred kagura dance #Shamusho – the shrine's administrative office #Ema – wooden plaques bearing prayers or wishes #Sessha/massha – small auxiliary shrines #Komainu – the so-called "lion dogs", guardians of the shrine #Haiden – oratory #Tamagaki – fence surrounding the honden #Honden – main hall, enshrining the kami. On the roof of the haiden and honden are visible chigi (forked roof finials) and katsuogi (short horizontal logs), both common shrine ornamentations.
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The instrument also has 10 keys, with a range of two octaves, and is played with a hard wooden mallet, slightly larger than the other gangsa panguls and usually with additional ornamentations so the leader's sometimes theatrical cues actively catch the light. Its notes are an octave lower than those of the gangsa pemadé. The ugals play a combination of gangsa parts and cues, melodic solos, and the underlying melody with flourishes. The first, front ugal cues and plays elements of the polos interlocking gangsa part (the part that plays more often on the beat), and if there is a second ugal, it plays elements of the sangsih part (gangsa notes more often off the beat).
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In the 7th century there emerged a resurgence of metalworking with new techniques such as gold filigree that allowed ever smaller and more detailed ornamentations, especially on the penannular and pseudo-penannular Celtic brooches that were important symbols of status for the elite, and also worn by clergy as part of their vestments. The Tara Brooch and Ardagh Hoard are among the most magnificent Insular examples, whilst the 7th century royal jewelry from the Sutton Hoo ship burial shows a Pre- Christian Anglo-Saxon style. They brought together all of the available skills of the goldsmith in one piece: ornamentation applied to a variety of techniques and materials, chip carving, filigree, cloisonné and rock crystal.
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Nevertheless, the Mission also wielded considerable influence in its own right: if the city of Berlin wanted to nominate someone into the higher ranks of the city police department, the U.S. Mission would have to approve the nomination for it to go forward—an example of occupation power authority vested in the U.S. Mission. The U.S. Mission to Berlin was housed in a building that was part of a series of structures that formed the former headquarters of the Luftwaffe for Berlin defense during the Nazi years. This complex became the headquarters of the Berlin Brigade, part of the United States Army Berlin command in Berlin during the Cold War years. On the end of some of these buildings were Nazi ornamentations.
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Salmacisia species are defined as those with fruiting structures (technically known as sori) that originate only in the ovaries of infected plants, where clumps of dirty-brown agglutinated spores are formed. The spores are covered with surface ornamentations (spines or reticulations), and arise from cells of spore- creating mycelia, frequently encased in a translucent jelly-like sheath. The spores germinate by means of continuous promycelium (the germ tube of the spore) that bear primary basidiospores that can be have either one nucleus, which conjugate, or two nuclei, giving rise to secondary basidiospores. The morphological characteristics of Salmacisia are indistinguishable from species of Tilletia, they may be distinguished from this genus and other genera of the Tilletiaceae family by differences in their ribosomal DNA sequences.
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The city supplied poorer civilizations with simple products such as pottery, metallic objects, and ornamentations, often displacing local manufacturing, but brought its best works to wealthier ones such as the Greeks and Etruscans. Carthage traded in almost every commodity wanted by the ancient world, including spices from Arabia, Africa and India, as well as slaves (the empire of Carthage temporarily held a portion of Europe and sent conquered barbarian warriors into North African slavery). Herodotus wrote an account around 430 BC of Carthaginian trade on the Atlantic coast of Morocco. The Punic explorer and sufete of Carthage, Hanno the Navigator, led an expedition to recolonise the Atlantic coast of Morocco that may have ventured as far down the coast of Africa as Senegal and perhaps even beyond.
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During (2003) pp. 153-154 One of the characteristic aspects of Elahi's music was the use of improvisation, in which he would weave together pieces of diverse tempo and rhythm while maintaining a coherent whole.During (2003) pp. 71-72 One such piece, Improvisations in Baba Jalili in the fourth followed by the Suite Zang-e Shotori in the second, found on the CD Destinations (Le Chant du Monde, 2008) exemplifies this aspect. Here, Elahi shifts back and forth between several different melodies and mixes the rhythm of one melody into that of another.See liner notes from Destinations Elahi's tanbur playing was also known for its use of complex ornamentations and the density of the notes, with up to 12 notes being played per second at times.
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Due to the underlying physics of sound proudction, flutes have a natural "cut" or a discontinuity when going from the lowest note to the highest note. This discontinuity appears between the notes "ga" and "ma" on a Carnatic flute and between "Ma" and "Pa" for a Hindustani flute (mainly because of the fingering technique differences). In order to adapt the flute to Carnatic Music, certain modifications were necessary such as the addition of the 7th hole, usage of thicker walled bamboos, the technique of lifting the head to change the angle of embouchure when shifting between "ga" and "ma" notes. These innovations enabled artists to perform the Carnatic ragas with all the necessary Gamakas and ornamentations without loosing the "Bhaava" of the raga.
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En Tibi herbarium, short for En tibi perpetuis ridentem floribus hortum (Here for you a smiling garden of everlasting flowers) is a 16th century herbarium held in the treasure room of the Naturalis Biodiversity Center in Leiden. The herbarium contains 473 dried plant specimens, belonging to 455 species and subspecies and 97 families, and is one of the largest and oldest known herbariums. The herbarium is large in size (42 × 29 cm) and has several material characteristics, such as fine leather binding, blind and gold embossed ornamentations, and gilt and gauffered edges, that indicate it was a valuable and costly 16th-century object. The characteristics of the paper and the consistent anvil-and-hammer watermark indicate that all the sheets are from a single source.
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A number of standard ornaments (described below) are indicated with standard symbols in music notation, while other ornamentations may be appended to the score in small notes, or simply written out normally as fully sized notes. Frequently, a composer will have his or her own vocabulary of ornaments, which will be explained in a preface, much like a code. A grace note is a note written in smaller type, with or without a slash through it, to indicate that its note value does not count as part of the total time value of the bar. Alternatively, the term may refer more generally to any of the small notes used to mark some other ornament (see below), or in association with some other ornament's indication (see below), regardless of the timing used in the execution.
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Le Livre des tournois (Traicte de la Forme de Devis d'un Tournoi) or King René's Tournament Book is a treatise describing rules for tournaments by the French prince René d'Anjou. It is best known from what appears to be Rene's own illuminated copy from the 1460s, now in the Bibliothèque Nationale, Paris (MS Fr. 2695) with illustrations, or at least the drawings before colouring, attributed to Barthélemy d'Eyck. The description given in the book is different from that of the pas d'armes held at Razilly and Saumur; conspicuously absent are the allegorical and chivalresque ornamentations that were in vogue at the time. René instead emphasizes he is reporting on ancient tournament customs of France, Germany and the Low Countries, combining them in a new suggestion on how to hold a tournament.
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Males who are able to adapt to the changes in food availability are well conditioned and usually show courtship displays such as tapping on their forelegs and waving. females choose the males who express these courtship displays and are larger in size based on predictions of the males foraging past. Courtship displays are commonly expressed in individuals of a species to display are signals used to attract the opposite sex, such as degrees of ornamentations, colors and movements. The male Hygrolycosa rubrofasciata spider displays certain signals, known as drumming, where a male taps his legs on a rough surface such as a leaf to signal he is ready to mate,Kotiaho, J., Alatalo, R. V, Mappes, J. & Parri, S. SEXUAL SELECTION IN A WOLF SPIDER : MALE DRUMMING ACTIVITY, BODY SIZE, AND VIABILITY. 50, 1977–1981 (1996).
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Iberosuchus has ziphodont teeth that have a laterally compressed tooth crown that had a distally curved apex; anterior-posteriorly elongated dorsal osteoderms that have a keel running through the central median; rugose ornamentations with no pits and cupules; osteoderm lack anterolateral process; the skull is vermiculated; spoon-like premaxilla palatal shelf or mandibular symphysis; notch between premaxilla and maxilla or large 4th mandibular tooth; deep rostrum or mandible. It also had traits that it shared with other metasuchians, the dentary had lateral depressions and had a prolongation that extends dorsally behind the tooth row; the splenials are robust, had a big slot-like foramen intermandibularis oralis; had anteriorposteriorly elongated glanoid fossa on articular. Though only known by skull fragments and osteoderms, many artistic reconstructions use its close relatives such as Sebecus which has post cranial remains found as a reference.
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The Princess Sibylla's Apartment, named after the Princess Sibylla of Saxe-Coburg and Gotha, is on the first floor in the south part of the eastern row and is used as the everyday reception rooms for the King and Queen, and is not open to the public. During the history of the palace, the apartment have always been a part of the palace where the king or one of his close relatives has lived. The apartment is known for the Blue Drawing room where the engagements of King Carl XVI Gustaf and Silvia Sommerlath in 1976, as well as Crown Princess Victoria and Daniel Westling in 2009, were declared. The Princess Sibylla's Inner Drawing room, formerly known as Crown Prince Gustaf's audience chamber, still have some interior designed by Carl Hårleman, such as pilasters and ornamentations over the lintels of the doors.
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Morison, pp. 48–50 Also in 1887 Reed produced a revised and enlarged specimen book for the Fann Street foundry, with many new typeface designs and artistic ornamentations. As an acknowledged expert in his field, Reed was in demand as a lecturer to learned societies. Among the papers he delivered were "Old and New Fashions in Typography", to the Royal Society of Arts in 1890, and "On the Use and Classification of a Typographical Library", to the Library Association in 1892.Morison, pp. 50–52 After Blades's death in 1890, Reed prepared his former mentor's unfinished Pentateuch of Printing for publication, adding a long memorial tribute to Blades. His foundry cast custom type such as the Golden Type for William Morris's Kelmscott Press in 1890 and Reed persuaded Morris to deliver a lecture on "The Ideal Book" for the Bibliographical Society in 1893.
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1840-1850 - North Carolina Museum of History Day enjoyed employing both horizontal and vertical curvature ornamentations that balanced each other out. Scholars argue that his craftsmanship focused on creating a balance of motion in his pieces, where curvilinear designs as well as scroll motifs suggested motion to the eye, while the interplay between the horizontal and vertical directions, as well as the negative space between such curves, created a sense of balance in the piece. On many of his tables, Day carved animalistic paws, even adding carved fur, onto the clawed foot style that was fashionable at the time, as well as adding carved foliage resembling tobacco leaves. These stylistic choices further illustrate Day's tendency to take popular designs and add his own regional twist, with the tobacco leaves referencing his own tobacco farm as well as the tobacco-growing tradition in North Carolina.
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A Wooden Pattern for Textile Printing from William Morris's Company During his lifetime, Morris produced items in a range of crafts, mainly those to do with furnishing, including over 600 designs for wall-paper, textiles, and embroideries, over 150 for stained glass windows, three typefaces, and around 650 borders and ornamentations for the Kelmscott Press. He emphasised the idea that the design and production of an item should not be divorced from one another, and that where possible those creating items should be designer-craftsmen, thereby both designing and manufacturing their goods. In the field of textile design, Morris revived a number of dead techniques, and insisted on the use of good quality raw materials, almost all natural dyes, and hand processing. He also observed the natural world first hand to gain a basis for his designs, and insisted on learning the techniques of production prior to producing a design.
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A lovely view of the Chamundi Hill to the left and the Mysore city in front of the palace is seen from the balcony upstairs. The palace has exquisitely designed viceroy room, a banquet hall, a dancing floor and an Italian marble staircase (has an arresting curve) and also embellished with small ornamentations, which are said to be replicas from various palaces in Britain. The full length portraits of the Wodeyar Kings, Italian marble floors and Belgian crystal chandeliers, cut glass lamps, heavy ornate furniture, mosaic tiles and a couple of exquisite Persian carpets gives the palace its regal ambience. With conversion of the palace into a heritage hotel, interiors have been modified to provide for modern conveniences but most of the earlier sections of the palace such as the dancing and banquet halls have been retained in their original elegance but adopted as dining halls and conference halls for holding meetings and conventions; these have polished wooden flooring and three stain glassed domes in the ceiling.
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Each dancer may individually add certain variations or ornamentations to the basic step at will: #Stamp: A small stamp may be added by the same foot just before the steps taken forward in beats 1 and 2 of measure 1 #Chug: As the step forward is made in measure three, share the weight on both feet and scoot both heels forward keeping feet apart. #Triplets: The steps forward may be replaced by three light steps, the last two in place, in measure 2 (R-L-R), and measure 3 (L-R-L). Similarly the steps back may be replaced by three light steps in measure 5 (R-L-R) and measure 6 (L-R-L). #Tropoli: In place of the triplets, the dancer may step on full foot (count 1), tap other toe, raising supporting heel off floor (count &), sharply bring supporting heel down to floor (count 2), and tap other heel next to supporting foot (count &).
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The new species can be identified as follows: medium-sized species of the genus Boiga characterized by: (1) 19 dorsal scale rows around the forepart of the body and 19 dorsal scale rows at midbody; (2) 248–259 ventrals; (3) 106–109 subcaudals in females; (4) a single anal scale; (5) 8 (rarely 9) supralabials with SL 3–5 touching the orbit; (6) preocular reaching upper surface of the head; (7) 2 temporals in the first row, 3 temporals in the second row with a total of 4 rows of temporal scales; (8) a yellowish-green dorsal ground colour; (9) more than 90 faint, hardly visible dark bands; (10) the dorsal part of the head with only faint ornamentations; (11) a postocular stripe ending at the jaw angle; (12) a uniform venter with no speckles or lines (13) relative tail length in females from 0.180 to 0.200. The new species can easily be recognized by the combination of high number of ventral scales together with the colouration especially the uniform belly and a proportionately shorter tail than in other species of this group.
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The composition of a Shinto shrine The following is a list and diagram illustrating the most important parts of a Shinto shrine: #Torii – Shinto gate #Stone stairs #Sandō – the approach to the shrine #'Chōzuya or temizuya' – place of purification to cleanse one's hands and mouth #Tōrō – decorative stone lanterns #Kagura-den – building dedicated to Noh or the sacred kagura dance #Shamusho – the shrine's administrative office #Ema – wooden plaques bearing prayers or wishes #Sessha/massha – small auxiliary shrines #Komainu – the so-called "lion dogs", guardians of the shrine #Haiden – oratory or hall of worship #Tamagaki – fence surrounding the honden #Honden – main hall, enshrining the kami #On the roof of the haiden and honden are visible chigi (forked roof finials) and katsuogi (short horizontal logs), both common shrine ornamentations. The general blueprint of a Shinto shrine is Buddhist in origin. The presence of verandas, stone lanterns, and elaborate gates is an example of this influence. The composition of a Shinto shrine is extremely variable, and none of its many possible features is necessarily present.
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With six shareholders of the former Victoria Meat Market and two others, influential trader William Reynolds formed the Metropolitan Meat Market Company with a view to building on land on the corner of Courtney and Blackwood Streets. Ornamentations in the venue include Reynolds as the bewhiskered figure whose modeled head appears over the Courtney Street inside entrance doors, and the 1874 in the pediment above the Blackwood Street entrance is the foundation date of the Victoria Meat Market Company. The building complex which Johnson designed for the Metropolitan Meat Market Company was an ambitious one, which it was proposed to complete in stages. The initial contract work, completed between September 1879 and December 1880, was to include the market hall itself for a length of thirteen bays from Courtney Street, with two additional bays projecting to the north; the offices fronting Courtney Street; and the hotel fronting both Blackwood and Courtney Streets but extending along Blackwood Street only so far north as it does at present, not up to the entrance gate.
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Mostly though, Felsko designed and constructed apartment buildings. Some of these were the home of the wealthy and elite residents of the city — villas, such as the businessman Dāvis Ezītis' house at 59, Elizabetes Street (1889), 9, Aristīda Briāna Street (1883 and 1889) or the villa at 37, Slokas Street (1892), which belonged to the owner of the Herminghaus und Woormann machine factory. A similar architectural approach is to be found in the building that belonged to the businessman Richard Chromse, which is located at 25, Baznīcas Street (1897), and has sculptural ornamentations designed by the popular Riga artist August Volz. This is similar to other buildings designed by Felsko — at 27/29, Krišjāņa Valdemāra Street (1902), 3, Elizabetes Street (1899), 36, Lāčplēša Street (1900), 49, Ģertrūdes Street (1906) and some others. These are all multi-storey brick apartment buildings, which effectively reflect the architectural style and character of the cityscape in the latter half of the 19th century. Another contribution in this sphere by Felsko is the series of apartment buildings at 157, 173, 193 and 195, Brīvības Street ( 1898, 1897, 1898 and 1895), 9, 55, 71, 111, 117 and 123, Dzirnavu Street (1880, 1881, 1883, 1896, 1884 and 1887), 24, 26 and 75, Elizabetes Street (1897, 1897 and 1890), and 1, 4 and 5, Marijas Street (1884, 1896 and 1895).
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